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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B77FA3F it is the complementary color #E488053F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B77FA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1B77FA3F: #2077F53F, #3189FF3F, #429BFF3F, #53ADFF3F and #64BFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B77FA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1B77FA3F: #1B77FA3F, #0A65E73F, #0053D43F, #0041C13F and #002FAE3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

Complementary color

CMYK 0 / 10 / 24 / 3

HEX #E488053F

RGBA 228 136 5 0.25

HSLA 35.25, 0.96%, 0.46%, 0.25

LABA 65.05, 27.89, 70.21, 0.25

 

CMYK 22 / 13 / 0 / 1

HEX #2077F53F

RGBA 32 119 245 0.25

HSLA 215.49, 0.91%, 0.54%, 0.25

LABA 51.94, 21.74, -69.87, 0.25

 

CMYK 20 / 12 / 0 / 0

HEX #3189FF3F

RGBA 49 137 255 0.25

HSLA 214.37, 1%, 0.6%, 0.25

LABA 57.81, 15.57, -65.9, 0.25

 

CMYK 19 / 10 / 0 / 0

HEX #429BFF3F

RGBA 66 155 255 0.25

HSLA 211.75, 1%, 0.63%, 0.25

LABA 63.19, 6.54, -57.25, 0.25

 

CMYK 17 / 8 / 0 / 0

HEX #53ADFF3F

RGBA 83 173 255 0.25

HSLA 208.6, 1%, 0.66%, 0.25

LABA 68.71, -1.51, -48.48, 0.25

 

CMYK 15 / 6 / 0 / 0

HEX #64BFFF3F

RGBA 100 191 255 0.25

HSLA 204.77, 1%, 0.7%, 0.25

LABA 74.31, -8.63, -39.67, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 24 / 14 / 0 / 2

HEX #0A65E73F

RGBA 10 101 231 0.25

HSLA 215.29, 0.92%, 0.47%, 0.25

LABA 45.83, 26.89, -71.98, 0.25

 

CMYK 25 / 15 / 0 / 4

HEX #0053D43F

RGBA 0 83 212 0.25

HSLA 216.51, 1%, 0.42%, 0.25

LABA 39.48, 30.93, -71.54, 0.25

 

CMYK 25 / 17 / 0 / 6

HEX #0041C13F

RGBA 0 65 193 0.25

HSLA 219.79, 1%, 0.38%, 0.25

LABA 33.2, 35.34, -70.81, 0.25

 

CMYK 25 / 18 / 0 / 8

HEX #002FAE3F

RGBA 0 47 174 0.25

HSLA 223.79, 1%, 0.34%, 0.25

LABA 26.99, 39.67, -69.8, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 23 / 17 / 0 / 0

HEX #1951FA3F

RGBA 25 81 250 0.25

HSLA 225.07, 0.96%, 0.54%, 0.25

LABA 42.75, 47.08, -87.69, 0.25

 

CMYK 23 / 21 / 0 / 0

HEX #192BFA3F

RGBA 25 43 250 0.25

HSLA 235.2, 0.96%, 0.54%, 0.25

LABA 35.67, 67.17, -99.43, 0.25

 

CMYK 21 / 23 / 0 / 0

HEX #2B19FA3F

RGBA 43 25 250 0.25

HSLA 244.8, 0.96%, 0.54%, 0.25

LABA 34.21, 73.85, -101.83, 0.25

 

CMYK 17 / 23 / 0 / 0

HEX #5119FA3F

RGBA 81 25 250 0.25

HSLA 254.93, 0.96%, 0.54%, 0.25

LABA 36.64, 75.34, -97.72, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 22 / 13 / 0 / 20

HEX #05162E3F

RGBA 5 22 46 0.25

HSLA 215.12, 0.8%, 0.1%, 0.25

LABA 7.26, 3.24, -18.19, 0.25

 

CMYK 22 / 13 / 0 / 15

HEX #0A2E613F

RGBA 10 46 97 0.25

HSLA 215.17, 0.81%, 0.21%, 0.25

LABA 19.56, 9.16, -33.75, 0.25

 

CMYK 22 / 13 / 0 / 10

HEX #1046943F

RGBA 16 70 148 0.25

HSLA 215.45, 0.8%, 0.32%, 0.25

LABA 30.95, 14.45, -47.57, 0.25

 

CMYK 22 / 13 / 0 / 5

HEX #155FC73F

RGBA 21 95 199 0.25

HSLA 215.06, 0.81%, 0.43%, 0.25

LABA 41.95, 18.67, -60.01, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 5 / 23 / 0 / 0

HEX #C919FA3F

RGBA 201 25 250 0.25

HSLA 286.93, 0.96%, 0.54%, 0.25

LABA 51.85, 87.43, -72.16, 0.25

 

CMYK 4 / 0 / 23 / 0

HEX #D1FA193F

RGBA 209 250 25 0.25

HSLA 70.93, 0.96%, 0.54%, 0.25

LABA 92.57, -37.51, 87.34, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 0 / 23 / 13 / 0

HEX #FA19763F

RGBA 250 25 118 0.25

HSLA 335.2, 0.96%, 0.54%, 0.25

LABA 54.37, 80.63, 9.22, 0.25

 

CMYK 13 / 0 / 23 / 0

HEX #76FA193F

RGBA 118 250 25 0.25

HSLA 95.2, 0.96%, 0.54%, 0.25

LABA 88.11, -68.42, 81.86, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 5 / 23 / 0 / 0

HEX #C919FA3F

RGBA 201 25 250 0.25

HSLA 286.93, 0.96%, 0.54%, 0.25

LABA 51.85, 87.43, -72.16, 0.25

 

CMYK 0 / 9 / 23 / 0

HEX #FA9C193F

RGBA 250 156 25 0.25

HSLA 34.93, 0.96%, 0.54%, 0.25

LABA 72.34, 26.81, 73.23, 0.25

 

CMYK 18 / 0 / 23 / 0

HEX #49FA193F

RGBA 73 250 25 0.25

HSLA 107.2, 0.96%, 0.54%, 0.25

LABA 86.93, -78.21, 80.39, 0.25

 

CMYK 22 / 13 / 0 / 0

HEX #1B77FA3F

RGBA 27 119 250 0.25

HSLA 215.25, 0.96%, 0.54%, 0.25

LABA 52.21, 23.36, -72.22, 0.25

 

CMYK 0 / 23 / 2 / 0

HEX #FA19E73F

RGBA 250 25 231 0.25

HSLA 305.07, 0.96%, 0.54%, 0.25

LABA 58.78, 92.3, -49.96, 0.25

 

CMYK 0 / 9 / 23 / 0

HEX #FA9C193F

RGBA 250 156 25 0.25

HSLA 34.93, 0.96%, 0.54%, 0.25

LABA 72.34, 26.81, 73.23, 0.25

 

CMYK 23 / 0 / 21 / 0

HEX #19FA2B3F

RGBA 25 250 43 0.25

HSLA 124.8, 0.96%, 0.54%, 0.25

LABA 86.38, -82.84, 76.28, 0.25

 

Description

Color code: HEX #1B77FA3F | qconv.com Color code: HEX #1B77FA3F | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 119 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 119 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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NCS® to HKS®

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NCS® to PANTONE®

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