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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7627 it is the complementary color #E489D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B7627 shade: #207622, #318835, #429A48, #53AC5B and #64BE6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B7627 shade: #1B7627, #0A6414, #005201, #004000 and #002E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B7627 shade: #1A7426, #27741A, #3F741A, #57741A and #70741A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B7627 shade: #1A7426, #1A743F, #1A7457, #1A746F and #1A6174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B7627 shade matches the following richer shades: #1A7426, #0F801E and #038B15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B7627 shade: #1A7426, #26692F, #325D37, #3D5240 and #494648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B7627 shade: #40741A, #28741A, #1A7425, #1A743D and #1A7455

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B7627 shade: #0B3110, #13531B, #1A7426, #229631 and #2AB83C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B7627 shade: #1B7627, #1A5874 and #741A34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B7627 shade: #1B7627, #251A74 and #74251A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B7627 shade: #1B7627, #1A5874, #741A6A and #74371A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B7627 shade: #1B7627, #1A3D74, #741A6A and #74521A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 67 / 54

HEX #1B7627

RGB 27 118 39

HSL 127.91, 0.63%, 0.28%

LAB 43.27, -42.95, 35.1

 

Complementary color

CMYK 0 / 40 / 5 / 11

HEX #E489D8

RGB 228 137 216

HSL 307.91, 0.63%, 0.72%

LAB 69, 46.03, -25.86

 

CMYK 73 / 0 / 71 / 54

HEX #207622

RGB 32 118 34

HSL 121.4, 0.57%, 0.29%

LAB 43.33, -42.59, 37.47

 

CMYK 64 / 0 / 61 / 47

HEX #318835

RGB 49 136 53

HSL 122.76, 0.47%, 0.36%

LAB 50.12, -43.47, 36.33

 

CMYK 57 / 0 / 53 / 40

HEX #429A48

RGB 66 154 72

HSL 124.09, 0.4%, 0.43%

LAB 56.82, -43.84, 34.96

 

CMYK 52 / 0 / 47 / 33

HEX #53AC5B

RGB 83 172 91

HSL 125.39, 0.35%, 0.5%

LAB 63.42, -43.93, 33.58

 

CMYK 47 / 0 / 42 / 25

HEX #64BE6E

RGB 100 190 110

HSL 126.67, 0.41%, 0.57%

LAB 69.94, -43.85, 32.24

 

CMYK 77 / 0 / 67 / 54

HEX #1B7627

RGB 27 118 39

HSL 127.91, 0.63%, 0.28%

LAB 43.27, -42.95, 35.1

 

CMYK 90 / 0 / 80 / 61

HEX #0A6414

RGB 10 100 20

HSL 126.67, 0.82%, 0.22%

LAB 36.42, -41.03, 35.99

 

CMYK 100 / 0 / 99 / 68

HEX #005201

RGB 0 82 1

HSL 120.73, 1%, 0.16%

LAB 29.51, -37.73, 36.1

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 78 / 0 / 67 / 55

HEX #1A7426

RGB 26 116 38

HSL 128, 0.63%, 0.28%

LAB 42.54, -42.52, 34.75

 

CMYK 66 / 0 / 78 / 55

HEX #27741A

RGB 39 116 26

HSL 111.33, 0.63%, 0.28%

LAB 42.76, -41.04, 40.22

 

CMYK 46 / 0 / 78 / 55

HEX #3F741A

RGB 63 116 26

HSL 95.33, 0.63%, 0.28%

LAB 43.69, -33.83, 41.45

 

CMYK 25 / 0 / 78 / 55

HEX #57741A

RGB 87 116 26

HSL 79.33, 0.63%, 0.28%

LAB 45.07, -24.37, 43.27

 

CMYK 3 / 0 / 78 / 55

HEX #70741A

RGB 112 116 26

HSL 62.67, 0.63%, 0.28%

LAB 46.99, -13.13, 45.77

 

CMYK 78 / 0 / 67 / 55

HEX #1A7426

RGB 26 116 38

HSL 128, 0.63%, 0.28%

LAB 42.54, -42.52, 34.75

 

CMYK 78 / 0 / 46 / 55

HEX #1A743F

RGB 26 116 63

HSL 144.67, 0.63%, 0.28%

LAB 42.87, -38.63, 22.04

 

CMYK 78 / 0 / 25 / 55

HEX #1A7457

RGB 26 116 87

HSL 160.67, 0.63%, 0.28%

LAB 43.36, -33.21, 8.74

 

CMYK 78 / 0 / 4 / 55

HEX #1A746F

RGB 26 116 111

HSL 176.67, 0.63%, 0.28%

LAB 44.03, -26.37, -4.64

 

CMYK 78 / 16 / 0 / 55

HEX #1A6174

RGB 26 97 116

HSL 192.67, 0.63%, 0.28%

LAB 37.9, -14.54, -16.93

 

CMYK 78 / 0 / 67 / 55

HEX #1A7426

RGB 26 116 38

HSL 128, 0.63%, 0.28%

LAB 42.54, -42.52, 34.75

 

CMYK 88 / 0 / 77 / 50

HEX #0F801E

RGB 15 128 30

HSL 127.96, 0.79%, 0.28%

LAB 46.49, -48.87, 42.29

 

CMYK 98 / 0 / 85 / 45

HEX #038B15

RGB 3 139 21

HSL 127.94, 0.96%, 0.28%

LAB 50.14, -53.83, 48.73

 

CMYK 78 / 0 / 67 / 55

HEX #1A7426

RGB 26 116 38

HSL 128, 0.63%, 0.28%

LAB 42.54, -42.52, 34.75

 

CMYK 64 / 0 / 55 / 59

HEX #26692F

RGB 38 105 47

HSL 128.06, 0.47%, 0.28%

LAB 39.11, -34.49, 26.26

 

CMYK 46 / 0 / 41 / 64

HEX #325D37

RGB 50 93 55

HSL 126.98, 0.3%, 0.28%

LAB 35.56, -24.06, 17.29

 

CMYK 26 / 0 / 22 / 68

HEX #3D5240

RGB 61 82 64

HSL 128.57, 0.15%, 0.28%

LAB 32.69, -12.28, 7.98

 

CMYK 0 / 4 / 1 / 71

HEX #494648

RGB 73 70 72

HSL 320, 0.02%, 0.28%

LAB 30.07, 1.69, -0.76

 

CMYK 45 / 0 / 78 / 55

HEX #40741A

RGB 64 116 26

HSL 94.67, 0.63%, 0.28%

LAB 43.73, -33.48, 41.51

 

CMYK 66 / 0 / 78 / 55

HEX #28741A

RGB 40 116 26

HSL 110.67, 0.63%, 0.28%

LAB 42.79, -40.79, 40.26

 

CMYK 78 / 0 / 68 / 55

HEX #1A7425

RGB 26 116 37

HSL 127.33, 0.63%, 0.28%

LAB 42.53, -42.64, 35.21

 

CMYK 78 / 0 / 47 / 55

HEX #1A743D

RGB 26 116 61

HSL 143.33, 0.63%, 0.28%

LAB 42.83, -39.01, 23.12

 

CMYK 78 / 0 / 27 / 55

HEX #1A7455

RGB 26 116 85

HSL 159.33, 0.63%, 0.28%

LAB 43.31, -33.72, 9.86

 

CMYK 78 / 0 / 67 / 81

HEX #0B3110

RGB 11 49 16

HSL 127.89, 0.63%, 0.12%

LAB 17.01, -21.82, 16.96

 

CMYK 77 / 0 / 67 / 67

HEX #13531B

RGB 19 83 27

HSL 127.5, 0.63%, 0.2%

LAB 30.41, -32.76, 26.51

 

CMYK 78 / 0 / 67 / 55

HEX #1A7426

RGB 26 116 38

HSL 128, 0.63%, 0.28%

LAB 42.54, -42.52, 34.75

 

CMYK 77 / 0 / 67 / 41

HEX #229631

RGB 34 150 49

HSL 127.76, 0.63%, 0.36%

LAB 54.42, -51.87, 42.91

 

CMYK 77 / 0 / 67 / 28

HEX #2AB83C

RGB 42 184 60

HSL 127.61, 0.63%, 0.44%

LAB 65.83, -60.8, 50.68

 

CMYK 77 / 0 / 67 / 54

HEX #1B7627

RGB 27 118 39

HSL 127.91, 0.63%, 0.28%

LAB 43.27, -42.95, 35.1

 

CMYK 78 / 24 / 0 / 55

HEX #1A5874

RGB 26 88 116

HSL 198.67, 0.63%, 0.28%

LAB 34.92, -9.24, -21.53

 

CMYK 0 / 78 / 55 / 55

HEX #741A34

RGB 116 26 52

HSL 342.67, 0.63%, 0.28%

LAB 25.86, 40.42, 7.25

 

CMYK 77 / 0 / 67 / 54

HEX #1B7627

RGB 27 118 39

HSL 127.91, 0.63%, 0.28%

LAB 43.27, -42.95, 35.1

 

CMYK 68 / 78 / 0 / 55

HEX #251A74

RGB 37 26 116

HSL 247.33, 0.63%, 0.28%

LAB 17.43, 33.86, -49.55

 

CMYK 0 / 68 / 78 / 55

HEX #74251A

RGB 116 37 26

HSL 7.33, 0.63%, 0.28%

LAB 27.05, 34.03, 25.86

 

CMYK 77 / 0 / 67 / 54

HEX #1B7627

RGB 27 118 39

HSL 127.91, 0.63%, 0.28%

LAB 43.27, -42.95, 35.1

 

CMYK 78 / 24 / 0 / 55

HEX #1A5874

RGB 26 88 116

HSL 198.67, 0.63%, 0.28%

LAB 34.92, -9.24, -21.53

 

CMYK 0 / 78 / 9 / 55

HEX #741A6A

RGB 116 26 106

HSL 306.67, 0.63%, 0.28%

LAB 28.09, 47.34, -25.3

 

CMYK 0 / 53 / 78 / 55

HEX #74371A

RGB 116 55 26

HSL 19.33, 0.63%, 0.28%

LAB 30.69, 24.57, 29.79

 

CMYK 77 / 0 / 67 / 54

HEX #1B7627

RGB 27 118 39

HSL 127.91, 0.63%, 0.28%

LAB 43.27, -42.95, 35.1

 

CMYK 78 / 47 / 0 / 55

HEX #1A3D74

RGB 26 61 116

HSL 216.67, 0.63%, 0.28%

LAB 26.21, 8.44, -35.29

 

CMYK 0 / 78 / 9 / 55

HEX #741A6A

RGB 116 26 106

HSL 306.67, 0.63%, 0.28%

LAB 28.09, 47.34, -25.3

 

CMYK 0 / 29 / 78 / 55

HEX #74521A

RGB 116 82 26

HSL 37.33, 0.63%, 0.28%

LAB 37.52, 8.5, 36.79

 

Description

Color code: HEX #1B7627 | qconv.com Color code: HEX #1B7627 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 118 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 118 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 67 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 67% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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