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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7489 it is the complementary color #E48B76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7489. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B7489 shade: #207484, #318697, #4298AA, #53AABD and #64BCD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7489. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B7489 shade: #1B7489, #0A6276, #005063, #003E50 and #002C3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B7489 shade: #1B7388, #1B5688, #1B3888, #1B1B88 and #381B88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B7489 shade: #1B7388, #1B5688, #1B3888 and #1B1B88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B7489 shade matches the following richer shades: #1B7388, #0E7C95 and #0184A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B7489 shade: #1B7388, #286B7B, #35636E, #435B61 and #505353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B7489 shade: #1B8862, #1B887F, #1B7488, #1B5788 and #1B3A88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B7489 shade: #0D3943, #145666, #1B7388, #2291AB and #29AECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B7489 shade: #1B7489, #451B88 and #88711B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B7489 shade: #1B7489, #881B74 and #74881B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B7489 shade: #1B7489, #451B88, #882F1B and #5E881B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B7489 shade: #1B7489, #661B88, #882F1B and #3E881B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 15 / 0 / 46

HEX #1B7489

RGB 27 116 137

HSL 191.45, 0.67%, 0.32%

LAB 44.98, -17.64, -18.75

 

Complementary color

CMYK 0 / 39 / 48 / 11

HEX #E48B76

RGB 228 139 118

HSL 11.45, 0.67%, 0.68%

LAB 66.72, 31.67, 25.63

 

CMYK 76 / 12 / 0 / 48

HEX #207484

RGB 32 116 132

HSL 189.6, 0.61%, 0.32%

LAB 44.89, -18.75, -15.9

 

CMYK 68 / 11 / 0 / 41

HEX #318697

RGB 49 134 151

HSL 190, 0.51%, 0.39%

LAB 51.77, -19.65, -16.57

 

CMYK 61 / 11 / 0 / 33

HEX #4298AA

RGB 66 152 170

HSL 190.38, 0.44%, 0.46%

LAB 58.52, -20.25, -17.16

 

CMYK 56 / 10 / 0 / 26

HEX #53AABD

RGB 83 170 189

HSL 190.75, 0.45%, 0.53%

LAB 65.17, -20.67, -17.7

 

CMYK 52 / 10 / 0 / 18

HEX #64BCD0

RGB 100 188 208

HSL 191.11, 0.53%, 0.6%

LAB 71.71, -20.97, -18.2

 

CMYK 80 / 15 / 0 / 46

HEX #1B7489

RGB 27 116 137

HSL 191.45, 0.67%, 0.32%

LAB 44.98, -17.64, -18.75

 

CMYK 92 / 17 / 0 / 54

HEX #0A6276

RGB 10 98 118

HSL 191.11, 0.84%, 0.25%

LAB 38.04, -15.98, -17.97

 

CMYK 100 / 19 / 0 / 61

HEX #005063

RGB 0 80 99

HSL 191.52, 1%, 0.19%

LAB 30.97, -13.61, -17.03

 

CMYK 100 / 23 / 0 / 69

HEX #003E50

RGB 0 62 80

HSL 193.5, 1%, 0.16%

LAB 23.75, -10.39, -15.92

 

CMYK 100 / 28 / 0 / 76

HEX #002C3D

RGB 0 44 61

HSL 196.72, 1%, 0.12%

LAB 16.2, -6.93, -14.82

 

CMYK 80 / 15 / 0 / 47

HEX #1B7388

RGB 27 115 136

HSL 191.56, 0.67%, 0.32%

LAB 44.62, -17.44, -18.71

 

CMYK 80 / 37 / 0 / 47

HEX #1B5688

RGB 27 86 136

HSL 207.52, 0.67%, 0.32%

LAB 35.33, -0.12, -33.19

 

CMYK 80 / 59 / 0 / 47

HEX #1B3888

RGB 27 56 136

HSL 224.04, 0.67%, 0.32%

LAB 26.27, 20.26, -47.75

 

CMYK 80 / 80 / 0 / 47

HEX #1B1B88

RGB 27 27 136

HSL 240, 0.67%, 0.32%

LAB 19.2, 39.15, -59.37

 

CMYK 59 / 80 / 0 / 47

HEX #381B88

RGB 56 27 136

HSL 255.96, 0.67%, 0.32%

LAB 21.59, 42.1, -55.35

 

CMYK 80 / 15 / 0 / 47

HEX #1B7388

RGB 27 115 136

HSL 191.56, 0.67%, 0.32%

LAB 44.62, -17.44, -18.71

 

CMYK 80 / 37 / 0 / 47

HEX #1B5688

RGB 27 86 136

HSL 207.52, 0.67%, 0.32%

LAB 35.33, -0.12, -33.19

 

CMYK 80 / 59 / 0 / 47

HEX #1B3888

RGB 27 56 136

HSL 224.04, 0.67%, 0.32%

LAB 26.27, 20.26, -47.75

 

CMYK 80 / 80 / 0 / 47

HEX #1B1B88

RGB 27 27 136

HSL 240, 0.67%, 0.32%

LAB 19.2, 39.15, -59.37

 

CMYK 80 / 15 / 0 / 47

HEX #1B7388

RGB 27 115 136

HSL 191.56, 0.67%, 0.32%

LAB 44.62, -17.44, -18.71

 

CMYK 91 / 17 / 0 / 42

HEX #0E7C95

RGB 14 124 149

HSL 191.11, 0.83%, 0.32%

LAB 47.85, -18.85, -21.45

 

CMYK 99 / 19 / 0 / 36

HEX #0184A3

RGB 1 132 163

HSL 191.48, 0.99%, 0.32%

LAB 50.87, -18.77, -24.98

 

CMYK 80 / 15 / 0 / 47

HEX #1B7388

RGB 27 115 136

HSL 191.56, 0.67%, 0.32%

LAB 44.62, -17.44, -18.71

 

CMYK 67 / 13 / 0 / 52

HEX #286B7B

RGB 40 107 123

HSL 191.57, 0.51%, 0.32%

LAB 41.84, -15.59, -15.13

 

CMYK 52 / 10 / 0 / 57

HEX #35636E

RGB 53 99 110

HSL 191.58, 0.35%, 0.32%

LAB 39.25, -12.44, -11.1

 

CMYK 31 / 6 / 0 / 62

HEX #435B61

RGB 67 91 97

HSL 192, 0.18%, 0.32%

LAB 37, -7.4, -6.38

 

CMYK 4 / 0 / 0 / 67

HEX #505353

RGB 80 83 83

HSL 180, 0.02%, 0.32%

LAB 35.04, -1.2, -0.42

 

CMYK 80 / 0 / 28 / 47

HEX #1B8862

RGB 27 136 98

HSL 159.08, 0.67%, 0.32%

LAB 50.36, -39.02, 12.13

 

CMYK 80 / 0 / 7 / 47

HEX #1B887F

RGB 27 136 127

HSL 175.05, 0.67%, 0.32%

LAB 51.12, -31.13, -3.61

 

CMYK 80 / 15 / 0 / 47

HEX #1B7488

RGB 27 116 136

HSL 191.01, 0.67%, 0.32%

LAB 44.94, -17.99, -18.21

 

CMYK 80 / 36 / 0 / 47

HEX #1B5788

RGB 27 87 136

HSL 206.97, 0.67%, 0.32%

LAB 35.65, -0.76, -32.69

 

CMYK 80 / 57 / 0 / 47

HEX #1B3A88

RGB 27 58 136

HSL 222.94, 0.67%, 0.32%

LAB 26.84, 18.86, -46.83

 

CMYK 81 / 15 / 0 / 74

HEX #0D3943

RGB 13 57 67

HSL 191.11, 0.68%, 0.16%

LAB 21.64, -10.79, -10.48

 

CMYK 80 / 16 / 0 / 60

HEX #145666

RGB 20 86 102

HSL 191.71, 0.67%, 0.24%

LAB 33.49, -14.05, -15.03

 

CMYK 80 / 15 / 0 / 47

HEX #1B7388

RGB 27 115 136

HSL 191.56, 0.67%, 0.32%

LAB 44.62, -17.44, -18.71

 

CMYK 80 / 15 / 0 / 33

HEX #2291AB

RGB 34 145 171

HSL 191.39, 0.67%, 0.4%

LAB 55.62, -20.83, -22.25

 

CMYK 80 / 15 / 0 / 20

HEX #29AECD

RGB 41 174 205

HSL 191.34, 0.67%, 0.48%

LAB 65.87, -23.9, -25.61

 

CMYK 80 / 15 / 0 / 46

HEX #1B7489

RGB 27 116 137

HSL 191.45, 0.67%, 0.32%

LAB 44.98, -17.64, -18.75

 

CMYK 49 / 80 / 0 / 47

HEX #451B88

RGB 69 27 136

HSL 263.12, 0.67%, 0.32%

LAB 23.09, 43.95, -52.82

 

CMYK 0 / 17 / 80 / 47

HEX #88711B

RGB 136 113 27

HSL 47.34, 0.67%, 0.32%

LAB 48.42, -0.11, 47.56

 

CMYK 80 / 15 / 0 / 46

HEX #1B7489

RGB 27 116 137

HSL 191.45, 0.67%, 0.32%

LAB 44.98, -17.64, -18.75

 

CMYK 0 / 80 / 15 / 47

HEX #881B74

RGB 136 27 116

HSL 311.01, 0.67%, 0.32%

LAB 32.43, 53.38, -24.62

 

CMYK 15 / 0 / 80 / 47

HEX #74881B

RGB 116 136 27

HSL 71.01, 0.67%, 0.32%

LAB 53.39, -21.83, 51.45

 

CMYK 80 / 15 / 0 / 46

HEX #1B7489

RGB 27 116 137

HSL 191.45, 0.67%, 0.32%

LAB 44.98, -17.64, -18.75

 

CMYK 49 / 80 / 0 / 47

HEX #451B88

RGB 69 27 136

HSL 263.12, 0.67%, 0.32%

LAB 23.09, 43.95, -52.82

 

CMYK 0 / 65 / 80 / 47

HEX #882F1B

RGB 136 47 27

HSL 11.01, 0.67%, 0.32%

LAB 32.58, 36.94, 32.29

 

CMYK 31 / 0 / 80 / 47

HEX #5E881B

RGB 94 136 27

HSL 83.12, 0.67%, 0.32%

LAB 51.91, -31.09, 49.56

 

CMYK 80 / 15 / 0 / 46

HEX #1B7489

RGB 27 116 137

HSL 191.45, 0.67%, 0.32%

LAB 44.98, -17.64, -18.75

 

CMYK 25 / 80 / 0 / 47

HEX #661B88

RGB 102 27 136

HSL 281.28, 0.67%, 0.32%

LAB 27.81, 49.67, -44.93

 

CMYK 0 / 65 / 80 / 47

HEX #882F1B

RGB 136 47 27

HSL 11.01, 0.67%, 0.32%

LAB 32.58, 36.94, 32.29

 

CMYK 54 / 0 / 80 / 47

HEX #3E881B

RGB 62 136 27

HSL 100.73, 0.67%, 0.32%

LAB 50.35, -42.41, 47.52

 

Description

Color code: HEX #1B7489 | qconv.com Color code: HEX #1B7489 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 116 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 116 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 15 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 15% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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