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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7030 it is the complementary color #E48FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B7030 shade: #20702B, #31823E, #429451, #53A664 and #64B877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B7030 shade: #1B7030, #0A5E1D, #004C0A, #003A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B7030 shade: #1B6F30, #1D6F1B, #336F1B, #4A6F1B and #616F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B7030 shade: #1B6F30, #1B6F46, #1B6F5D, #1B6A6F and #1B536F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B7030 shade matches the following richer shades: #1B6F30, #107A2A and #058524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B7030 shade: #1B6F30, #266435, #31593B, #3C4D41 and #474246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B7030 shade: #346F1B, #1E6F1B, #1B6F2E, #1B6F45 and #1B6F5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B7030 shade: #0B2C13, #134E21, #1B6F30, #23903E and #2BB14C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B7030 shade: #1B7030, #1B4A6F and #6F1B29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B7030 shade: #1B7030, #2E1B6F and #6F2E1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B7030 shade: #1B7030, #1B4A6F, #6F1B5B and #6F3F1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B7030 shade: #1B7030, #1B316F, #6F1B5B and #6F581B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 57 / 56

HEX #1B7030

RGB 27 112 48

HSL 134.82, 0.61%, 0.27%

LAB 41.27, -39.5, 28.28

 

Complementary color

CMYK 0 / 37 / 9 / 11

HEX #E48FCF

RGB 228 143 207

HSL 314.82, 0.61%, 0.73%

LAB 69.93, 41.38, -19.46

 

CMYK 71 / 0 / 62 / 56

HEX #20702B

RGB 32 112 43

HSL 128.25, 0.56%, 0.28%

LAB 41.33, -39.27, 30.97

 

CMYK 62 / 0 / 52 / 49

HEX #31823E

RGB 49 130 62

HSL 129.63, 0.45%, 0.35%

LAB 48.22, -39.82, 29.47

 

CMYK 55 / 0 / 45 / 42

HEX #429451

RGB 66 148 81

HSL 130.98, 0.38%, 0.42%

LAB 55, -39.98, 28

 

CMYK 50 / 0 / 40 / 35

HEX #53A664

RGB 83 166 100

HSL 132.29, 0.33%, 0.49%

LAB 61.68, -39.92, 26.61

 

CMYK 46 / 0 / 35 / 28

HEX #64B877

RGB 100 184 119

HSL 133.57, 0.37%, 0.56%

LAB 68.26, -39.75, 25.31

 

CMYK 76 / 0 / 57 / 56

HEX #1B7030

RGB 27 112 48

HSL 134.82, 0.61%, 0.27%

LAB 41.27, -39.5, 28.28

 

CMYK 89 / 0 / 69 / 63

HEX #0A5E1D

RGB 10 94 29

HSL 133.57, 0.81%, 0.2%

LAB 34.31, -38.01, 29.84

 

CMYK 100 / 0 / 87 / 70

HEX #004C0A

RGB 0 76 10

HSL 127.89, 1%, 0.15%

LAB 27.27, -35.11, 30.73

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 74 / 0 / 76 / 56

HEX #1D6F1B

RGB 29 111 27

HSL 118.57, 0.61%, 0.27%

LAB 40.75, -41.31, 37.71

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 33 / 0 / 76 / 56

HEX #4A6F1B

RGB 74 111 27

HSL 86.43, 0.61%, 0.27%

LAB 42.62, -27.27, 40.2

 

CMYK 13 / 0 / 76 / 56

HEX #616F1B

RGB 97 111 27

HSL 70, 0.61%, 0.27%

LAB 44.22, -17.29, 42.31

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 76 / 0 / 37 / 56

HEX #1B6F46

RGB 27 111 70

HSL 150.71, 0.61%, 0.27%

LAB 41.29, -34.95, 15.93

 

CMYK 76 / 0 / 16 / 56

HEX #1B6F5D

RGB 27 111 93

HSL 167.14, 0.61%, 0.27%

LAB 41.83, -29.14, 2.98

 

CMYK 76 / 5 / 0 / 56

HEX #1B6A6F

RGB 27 106 111

HSL 183.57, 0.61%, 0.27%

LAB 40.72, -21.09, -9.59

 

CMYK 76 / 25 / 0 / 56

HEX #1B536F

RGB 27 83 111

HSL 200, 0.61%, 0.27%

LAB 33.06, -7.92, -21.3

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 87 / 0 / 66 / 52

HEX #107A2A

RGB 16 122 42

HSL 134.72, 0.77%, 0.27%

LAB 44.51, -45.51, 35.03

 

CMYK 96 / 0 / 73 / 48

HEX #058524

RGB 5 133 36

HSL 134.53, 0.93%, 0.27%

LAB 48.18, -50.7, 41.63

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 62 / 0 / 47 / 61

HEX #266435

RGB 38 100 53

HSL 134.52, 0.45%, 0.27%

LAB 37.45, -31.32, 20.82

 

CMYK 45 / 0 / 34 / 65

HEX #31593B

RGB 49 89 59

HSL 135, 0.29%, 0.27%

LAB 34.22, -21.57, 13.07

 

CMYK 22 / 0 / 16 / 70

HEX #3C4D41

RGB 60 77 65

HSL 137.65, 0.12%, 0.27%

LAB 31, -9.51, 4.94

 

CMYK 0 / 7 / 1 / 72

HEX #474246

RGB 71 66 70

HSL 312, 0.04%, 0.27%

LAB 28.59, 2.98, -1.66

 

CMYK 53 / 0 / 76 / 56

HEX #346F1B

RGB 52 111 27

HSL 102.14, 0.61%, 0.27%

LAB 41.5, -35.31, 38.71

 

CMYK 73 / 0 / 76 / 56

HEX #1E6F1B

RGB 30 111 27

HSL 117.86, 0.61%, 0.27%

LAB 40.77, -41.11, 37.74

 

CMYK 76 / 0 / 59 / 56

HEX #1B6F2E

RGB 27 111 46

HSL 133.57, 0.61%, 0.27%

LAB 40.9, -39.42, 28.88

 

CMYK 76 / 0 / 38 / 56

HEX #1B6F45

RGB 27 111 69

HSL 150, 0.61%, 0.27%

LAB 41.27, -35.17, 16.49

 

CMYK 76 / 0 / 18 / 56

HEX #1B6F5B

RGB 27 111 91

HSL 165.71, 0.61%, 0.27%

LAB 41.78, -29.7, 4.1

 

CMYK 75 / 0 / 57 / 83

HEX #0B2C13

RGB 11 44 19

HSL 134.55, 0.6%, 0.11%

LAB 15.06, -18.88, 12.72

 

CMYK 76 / 0 / 58 / 69

HEX #134E21

RGB 19 78 33

HSL 134.24, 0.61%, 0.19%

LAB 28.63, -29.81, 21.14

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 76 / 0 / 57 / 44

HEX #23903E

RGB 35 144 62

HSL 134.86, 0.61%, 0.35%

LAB 52.57, -47.99, 34.68

 

CMYK 76 / 0 / 57 / 31

HEX #2BB14C

RGB 43 177 76

HSL 134.78, 0.61%, 0.43%

LAB 63.74, -56.44, 41.17

 

CMYK 76 / 0 / 57 / 56

HEX #1B7030

RGB 27 112 48

HSL 134.82, 0.61%, 0.27%

LAB 41.27, -39.5, 28.28

 

CMYK 76 / 33 / 0 / 56

HEX #1B4A6F

RGB 27 74 111

HSL 206.43, 0.61%, 0.27%

LAB 30.1, -2.21, -25.93

 

CMYK 0 / 76 / 63 / 56

HEX #6F1B29

RGB 111 27 41

HSL 350, 0.61%, 0.27%

LAB 24.71, 37.51, 13.01

 

CMYK 76 / 0 / 57 / 56

HEX #1B7030

RGB 27 112 48

HSL 134.82, 0.61%, 0.27%

LAB 41.27, -39.5, 28.28

 

CMYK 59 / 76 / 0 / 56

HEX #2E1B6F

RGB 46 27 111

HSL 253.57, 0.61%, 0.27%

LAB 17.97, 32.92, -45.38

 

CMYK 0 / 59 / 76 / 56

HEX #6F2E1B

RGB 111 46 27

HSL 13.57, 0.61%, 0.27%

LAB 27.88, 27.5, 25.92

 

CMYK 76 / 0 / 57 / 56

HEX #1B7030

RGB 27 112 48

HSL 134.82, 0.61%, 0.27%

LAB 41.27, -39.5, 28.28

 

CMYK 76 / 33 / 0 / 56

HEX #1B4A6F

RGB 27 74 111

HSL 206.43, 0.61%, 0.27%

LAB 30.1, -2.21, -25.93

 

CMYK 0 / 76 / 18 / 56

HEX #6F1B5B

RGB 111 27 91

HSL 314.29, 0.61%, 0.27%

LAB 26.5, 43.3, -18.09

 

CMYK 0 / 43 / 76 / 56

HEX #6F3F1B

RGB 111 63 27

HSL 25.71, 0.61%, 0.27%

LAB 31.84, 17.67, 30.23

 

CMYK 76 / 0 / 57 / 56

HEX #1B7030

RGB 27 112 48

HSL 134.82, 0.61%, 0.27%

LAB 41.27, -39.5, 28.28

 

CMYK 76 / 56 / 0 / 56

HEX #1B316F

RGB 27 49 111

HSL 224.29, 0.61%, 0.27%

LAB 22.22, 15.05, -38.52

 

CMYK 0 / 76 / 18 / 56

HEX #6F1B5B

RGB 111 27 91

HSL 314.29, 0.61%, 0.27%

LAB 26.5, 43.3, -18.09

 

CMYK 0 / 21 / 76 / 56

HEX #6F581B

RGB 111 88 27

HSL 43.57, 0.61%, 0.27%

LAB 38.62, 2.52, 37.23

 

Description

Color code: HEX #1B7030 | qconv.com Color code: HEX #1B7030 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 112 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 112 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 57 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 57% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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