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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B6EB6 it is the complementary color #E49149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B6EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B6EB6 shade: #206EB1, #3180C4, #4292D7, #53A4EA and #64B6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B6EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B6EB6 shade: #1B6EB6, #0A5CA3, #004A90, #00387D and #00266A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B6EB6 shade: #1B6EB6, #1B44B6, #1C1BB6, #461BB6 and #6F1BB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B6EB6 shade: #1B6EB6, #1B44B6 and #1B1BB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B6EB6 shade matches the following richer shades: #1B6EB6 and #0A6FC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B6EB6 shade: #1B6EB6, #2C6DA5, #3D6C94, #4E6A83 and #5F6972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B6EB6 shade: #1BB6A9, #1B9AB6, #1B70B6, #1B47B6 and #1B1EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B6EB6 shade: #10436E, #165892, #1B6EB6, #2184DA and #4198E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B6EB6 shade: #1B6EB6, #801BB6 and #AEB61B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B6EB6 shade: #1B6EB6, #B61B70 and #70B61B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B6EB6 shade: #1B6EB6, #801BB6, #B6611B and #51B61B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B6EB6 shade: #1B6EB6, #AE1BB6, #B6611B and #23B61B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

Complementary color

CMYK 0 / 36 / 68 / 11

HEX #E49149

RGB 228 145 73

HSL 27.87, 0.74%, 0.59%

LAB 67.45, 25.11, 50.15

 

CMYK 82 / 38 / 0 / 31

HEX #206EB1

RGB 32 110 177

HSL 207.72, 0.69%, 0.41%

LAB 45.13, 1.25, -42.11

 

CMYK 75 / 35 / 0 / 23

HEX #3180C4

RGB 49 128 196

HSL 207.76, 0.6%, 0.48%

LAB 51.92, -0.68, -42.27

 

CMYK 69 / 32 / 0 / 16

HEX #4292D7

RGB 66 146 215

HSL 207.79, 0.65%, 0.55%

LAB 58.62, -2.19, -42.4

 

CMYK 65 / 30 / 0 / 8

HEX #53A4EA

RGB 83 164 234

HSL 207.81, 0.78%, 0.62%

LAB 65.22, -3.38, -42.51

 

CMYK 60 / 28 / 0 / 1

HEX #64B6FD

RGB 100 182 253

HSL 207.84, 0.97%, 0.69%

LAB 71.73, -4.35, -42.62

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 94 / 44 / 0 / 36

HEX #0A5CA3

RGB 10 92 163

HSL 207.84, 0.88%, 0.34%

LAB 38.49, 5.54, -44.47

 

CMYK 100 / 49 / 0 / 44

HEX #004A90

RGB 0 74 144

HSL 209.17, 1%, 0.28%

LAB 31.6, 9.11, -44.08

 

CMYK 100 / 55 / 0 / 51

HEX #00387D

RGB 0 56 125

HSL 213.12, 1%, 0.25%

LAB 24.67, 13.49, -43.5

 

CMYK 100 / 64 / 0 / 58

HEX #00266A

RGB 0 38 106

HSL 218.49, 1%, 0.21%

LAB 17.58, 18.27, -42.87

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 85 / 63 / 0 / 29

HEX #1B44B6

RGB 27 68 182

HSL 224.13, 0.74%, 0.41%

LAB 33.45, 30.26, -63.92

 

CMYK 85 / 85 / 0 / 29

HEX #1C1BB6

RGB 28 27 182

HSL 240.39, 0.74%, 0.41%

LAB 24.98, 53.89, -77.9

 

CMYK 62 / 85 / 0 / 29

HEX #461BB6

RGB 70 27 182

HSL 256.65, 0.74%, 0.41%

LAB 28.02, 56.58, -72.77

 

CMYK 39 / 85 / 0 / 29

HEX #6F1BB6

RGB 111 27 182

HSL 272.52, 0.74%, 0.41%

LAB 33.01, 61.29, -64.37

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 85 / 63 / 0 / 29

HEX #1B44B6

RGB 27 68 182

HSL 224.13, 0.74%, 0.41%

LAB 33.45, 30.26, -63.92

 

CMYK 85 / 85 / 0 / 29

HEX #1B1BB6

RGB 27 27 182

HSL 240, 0.74%, 0.41%

LAB 24.93, 53.86, -77.97

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 95 / 44 / 0 / 22

HEX #0A6FC7

RGB 10 111 199

HSL 207.94, 0.9%, 0.41%

LAB 46.39, 7.84, -52.85

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 73 / 34 / 0 / 35

HEX #2C6DA5

RGB 44 109 165

HSL 207.77, 0.58%, 0.41%

LAB 44.5, -1.22, -36.04

 

CMYK 59 / 27 / 0 / 42

HEX #3D6C94

RGB 61 108 148

HSL 207.59, 0.42%, 0.41%

LAB 44.02, -3.56, -26.69

 

CMYK 40 / 19 / 0 / 49

HEX #4E6A83

RGB 78 106 131

HSL 208.3, 0.25%, 0.41%

LAB 43.6, -3.38, -17.1

 

CMYK 17 / 8 / 0 / 55

HEX #5F6972

RGB 95 105 114

HSL 208.42, 0.09%, 0.41%

LAB 43.87, -1.73, -6.33

 

CMYK 85 / 0 / 7 / 29

HEX #1BB6A9

RGB 27 182 169

HSL 174.97, 0.74%, 0.41%

LAB 66.94, -39.98, -4.08

 

CMYK 85 / 15 / 0 / 29

HEX #1B9AB6

RGB 27 154 182

HSL 190.84, 0.74%, 0.41%

LAB 58.72, -22.44, -23.75

 

CMYK 85 / 38 / 0 / 29

HEX #1B70B6

RGB 27 112 182

HSL 207.1, 0.74%, 0.41%

LAB 45.91, 1.49, -43.79

 

CMYK 85 / 61 / 0 / 29

HEX #1B47B6

RGB 27 71 182

HSL 222.97, 0.74%, 0.41%

LAB 34.23, 28.27, -62.64

 

CMYK 85 / 84 / 0 / 29

HEX #1B1EB6

RGB 27 30 182

HSL 238.84, 0.74%, 0.41%

LAB 25.38, 52.54, -77.23

 

CMYK 85 / 39 / 0 / 57

HEX #10436E

RGB 16 67 110

HSL 207.45, 0.75%, 0.25%

LAB 27.44, 0.56, -29.54

 

CMYK 85 / 40 / 0 / 43

HEX #165892

RGB 22 88 146

HSL 208.06, 0.74%, 0.33%

LAB 36.41, 2.05, -37.57

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 85 / 39 / 0 / 15

HEX #2184DA

RGB 33 132 218

HSL 207.89, 0.74%, 0.49%

LAB 53.91, 3.48, -51.6

 

CMYK 71 / 33 / 0 / 11

HEX #4198E3

RGB 65 152 227

HSL 207.78, 0.74%, 0.57%

LAB 60.89, -1.65, -45.5

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 30 / 85 / 0 / 29

HEX #801BB6

RGB 128 27 182

HSL 279.1, 0.74%, 0.41%

LAB 35.5, 63.75, -60.19

 

CMYK 4 / 0 / 85 / 29

HEX #AEB61B

RGB 174 182 27

HSL 63.1, 0.74%, 0.41%

LAB 71.24, -19.76, 68.66

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 0 / 85 / 38 / 29

HEX #B61B70

RGB 182 27 112

HSL 327.1, 0.74%, 0.41%

LAB 41.05, 63.87, -8.12

 

CMYK 38 / 0 / 85 / 29

HEX #70B61B

RGB 112 182 27

HSL 87.1, 0.74%, 0.41%

LAB 67.26, -44.59, 63.7

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 30 / 85 / 0 / 29

HEX #801BB6

RGB 128 27 182

HSL 279.1, 0.74%, 0.41%

LAB 35.5, 63.75, -60.19

 

CMYK 0 / 47 / 85 / 29

HEX #B6611B

RGB 182 97 27

HSL 27.1, 0.74%, 0.41%

LAB 50.18, 29.71, 51.32

 

CMYK 55 / 0 / 85 / 29

HEX #51B61B

RGB 81 182 27

HSL 99.1, 0.74%, 0.41%

LAB 65.97, -54.35, 62.07

 

CMYK 85 / 40 / 0 / 29

HEX #1B6EB6

RGB 27 110 182

HSL 207.87, 0.74%, 0.41%

LAB 45.31, 2.74, -44.74

 

CMYK 4 / 85 / 0 / 29

HEX #AE1BB6

RGB 174 27 182

HSL 296.9, 0.74%, 0.41%

LAB 43, 71.46, -47.7

 

CMYK 0 / 47 / 85 / 29

HEX #B6611B

RGB 182 97 27

HSL 27.1, 0.74%, 0.41%

LAB 50.18, 29.71, 51.32

 

CMYK 81 / 0 / 85 / 29

HEX #23B61B

RGB 35 182 27

HSL 116.9, 0.74%, 0.41%

LAB 64.88, -63.52, 60.68

 

Description

Color code: HEX #1B6EB6 | qconv.com Color code: HEX #1B6EB6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 110 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 110 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 40 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 40% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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