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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B5F0A00 it is the complementary color #E4A0F500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B5F0A00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B5F0A00 shade: #205F0500, #31711800, #42832B00, #53953E00 and #64A75100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B5F0A00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B5F0A00 shade: #1B5F0A00, #0A4D0000, #003B0000, #00290000 and #00170000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B5F0A00 shade: #1C610A, #33610A, #4A610A, #61600A and #61490A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B5F0A00 shade: #1C610A, #0A6110, #0A6128, #0A613F and #0A6156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B5F0A00 shade matches the following richer shades: #1C610A and #166A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B5F0A00 shade: #1C610A, #215813, #26501C, #2B4724 and #303E2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B5F0A00 shade: #4A610A, #33610A, #1C610A, #0A6110 and #0A6127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B5F0A00 shade: #061602, #113C06, #1C610A, #26860E and #31AC12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B5F0A00 shade: #1B5F0A, #0A6161 and #610A3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B5F0A00 shade: #1B5F0A, #0A1C61 and #610A1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B5F0A00 shade: #1B5F0A, #0A6161, #500A61 and #610A0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B5F0A00 shade: #1B5F0A, #0A4761, #500A61 and #61240A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #1B5F0A00

RGBA 27 95 10 0

HSLA 108, 0.81%, 0.21%, 0

LABA 34.88, -37.12, 38, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #E4A0F500

RGBA 228 160 245 0

HSLA 288, 0.81%, 0.79%, 0

LABA 74.97, 39.29, -32.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #205F0500

RGBA 32 95 5 0

HSLA 102, 0.9%, 0.2%, 0

LABA 35.01, -36.14, 39.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #31711800

RGBA 49 113 24 0

HSLA 103.15, 0.65%, 0.27%, 0

LABA 42.05, -37.3, 40.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #42832B00

RGBA 66 131 43 0

HSLA 104.32, 0.51%, 0.34%, 0

LABA 48.96, -37.85, 39.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #53953E00

RGBA 83 149 62 0

HSLA 105.52, 0.41%, 0.41%, 0

LABA 55.77, -38.04, 38.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #64A75100

RGBA 100 167 81 0

HSLA 106.74, 0.35%, 0.49%, 0

LABA 62.46, -38.04, 37.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1B5F0A00

RGBA 27 95 10 0

HSLA 108, 0.81%, 0.21%, 0

LABA 34.88, -37.12, 38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0A4D0000

RGBA 10 77 0 0

HSLA 112.21, 1%, 0.15%, 0

LABA 27.77, -34.63, 35.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #003B0000

RGBA 0 59 0 0

HSLA 120, 1%, 0.12%, 0

LABA 20.55, -30.36, 27.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00290000

RGBA 0 41 0 0

HSLA 120, 1%, 0.08%, 0

LABA 13.14, -24.17, 18.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00170000

RGBA 0 23 0 0

HSLA 120, 1%, 0.05%, 0

LABA 5.54, -11.31, 8.08, 0

 

CMYK 71 / 0 / 90 / 62

HEX #1C610A

RGB 28 97 10

HSL 107.59, 0.81%, 0.21%

LAB 35.63, -37.63, 38.68

 

CMYK 47 / 0 / 90 / 62

HEX #33610A

RGB 51 97 10

HSL 91.72, 0.81%, 0.21%

LAB 36.51, -30.68, 39.8

 

CMYK 24 / 0 / 90 / 62

HEX #4A610A

RGB 74 97 10

HSL 75.86, 0.81%, 0.21%

LAB 37.89, -21.18, 41.54

 

CMYK 0 / 1 / 90 / 62

HEX #61600A

RGB 97 96 10

HSL 59.31, 0.81%, 0.21%

LAB 39.46, -9.75, 43.62

 

CMYK 0 / 25 / 90 / 62

HEX #61490A

RGB 97 73 10

HSL 43.45, 0.81%, 0.21%

LAB 32.54, 3.95, 37.83

 

CMYK 71 / 0 / 90 / 62

HEX #1C610A

RGB 28 97 10

HSL 107.59, 0.81%, 0.21%

LAB 35.63, -37.63, 38.68

 

CMYK 90 / 0 / 84 / 62

HEX #0A6110

RGB 10 97 16

HSL 124.14, 0.81%, 0.21%

LAB 35.3, -40.35, 36.37

 

CMYK 90 / 0 / 59 / 62

HEX #0A6128

RGB 10 97 40

HSL 140.69, 0.81%, 0.21%

LAB 35.53, -37.53, 25.58

 

CMYK 90 / 0 / 35 / 62

HEX #0A613F

RGB 10 97 63

HSL 156.55, 0.81%, 0.21%

LAB 35.93, -32.86, 12.78

 

CMYK 90 / 0 / 11 / 62

HEX #0A6156

RGB 10 97 86

HSL 172.41, 0.81%, 0.21%

LAB 36.53, -26.45, -0.49

 

CMYK 71 / 0 / 90 / 62

HEX #1C610A

RGB 28 97 10

HSL 107.59, 0.81%, 0.21%

LAB 35.63, -37.63, 38.68

 

CMYK 79 / 0 / 98 / 58

HEX #166A02

RGB 22 106 2

HSL 108.46, 0.96%, 0.21%

LAB 38.7, -42.41, 43.44

 

CMYK 71 / 0 / 90 / 62

HEX #1C610A

RGB 28 97 10

HSL 107.59, 0.81%, 0.21%

LAB 35.63, -37.63, 38.68

 

CMYK 63 / 0 / 78 / 65

HEX #215813

RGB 33 88 19

HSL 107.83, 0.64%, 0.21%

LAB 32.59, -32.19, 32.72

 

CMYK 53 / 0 / 65 / 69

HEX #26501C

RGB 38 80 28

HSL 108.46, 0.48%, 0.21%

LAB 29.99, -26.12, 25.69

 

CMYK 39 / 0 / 49 / 72

HEX #2B4724

RGB 43 71 36

HSL 108, 0.33%, 0.21%

LAB 27.15, -18.58, 17.75

 

CMYK 23 / 0 / 27 / 76

HEX #303E2D

RGB 48 62 45

HSL 109.41, 0.16%, 0.21%

LAB 24.52, -9.68, 8.63

 

CMYK 24 / 0 / 90 / 62

HEX #4A610A

RGB 74 97 10

HSL 75.86, 0.81%, 0.21%

LAB 37.89, -21.18, 41.54

 

CMYK 47 / 0 / 90 / 62

HEX #33610A

RGB 51 97 10

HSL 91.72, 0.81%, 0.21%

LAB 36.51, -30.68, 39.8

 

CMYK 71 / 0 / 90 / 62

HEX #1C610A

RGB 28 97 10

HSL 107.59, 0.81%, 0.21%

LAB 35.63, -37.63, 38.68

 

CMYK 90 / 0 / 84 / 62

HEX #0A6110

RGB 10 97 16

HSL 124.14, 0.81%, 0.21%

LAB 35.3, -40.35, 36.37

 

CMYK 90 / 0 / 60 / 62

HEX #0A6127

RGB 10 97 39

HSL 140, 0.81%, 0.21%

LAB 35.52, -37.69, 26.1

 

CMYK 73 / 0 / 91 / 91

HEX #061602

RGB 6 22 2

HSL 108, 0.83%, 0.05%

LAB 5.57, -8.74, 7.36

 

CMYK 72 / 0 / 90 / 76

HEX #113C06

RGB 17 60 6

HSL 107.78, 0.82%, 0.13%

LAB 21.45, -26.19, 26.64

 

CMYK 71 / 0 / 90 / 62

HEX #1C610A

RGB 28 97 10

HSL 107.59, 0.81%, 0.21%

LAB 35.63, -37.63, 38.68

 

CMYK 72 / 0 / 90 / 47

HEX #26860E

RGB 38 134 14

HSL 108, 0.81%, 0.29%

LAB 48.88, -48.39, 49.52

 

CMYK 72 / 0 / 90 / 33

HEX #31AC12

RGB 49 172 18

HSL 107.92, 0.81%, 0.37%

LAB 61.83, -58.65, 60.02

 

CMYK 72 / 0 / 89 / 63

HEX #1B5F0A

RGB 27 95 10

HSL 108, 0.81%, 0.21%

LAB 34.88, -37.12, 38

 

CMYK 90 / 0 / 0 / 62

HEX #0A6161

RGB 10 97 97

HSL 180, 0.81%, 0.21%

LAB 36.89, -22.89, -6.77

 

CMYK 0 / 90 / 36 / 62

HEX #610A3E

RGB 97 10 62

HSL 324.14, 0.81%, 0.21%

LAB 20.46, 40.89, -8.01

 

CMYK 72 / 0 / 89 / 63

HEX #1B5F0A

RGB 27 95 10

HSL 108, 0.81%, 0.21%

LAB 34.88, -37.12, 38

 

CMYK 90 / 71 / 0 / 62

HEX #0A1C61

RGB 10 28 97

HSL 227.59, 0.81%, 0.21%

LAB 14.16, 22.51, -42.55

 

CMYK 0 / 90 / 71 / 62

HEX #610A1C

RGB 97 10 28

HSL 347.59, 0.81%, 0.21%

LAB 19.4, 37.8, 14.51

 

CMYK 72 / 0 / 89 / 63

HEX #1B5F0A

RGB 27 95 10

HSL 108, 0.81%, 0.21%

LAB 34.88, -37.12, 38

 

CMYK 90 / 0 / 0 / 62

HEX #0A6161

RGB 10 97 97

HSL 180, 0.81%, 0.21%

LAB 36.89, -22.89, -6.77

 

CMYK 18 / 90 / 0 / 62

HEX #500A61

RGB 80 10 97

HSL 288.28, 0.81%, 0.21%

LAB 19.16, 42.69, -34.06

 

CMYK 0 / 90 / 90 / 62

HEX #610A0A

RGB 97 10 10

HSL 0, 0.81%, 0.21%

LAB 19.14, 37.03, 25.06

 

CMYK 72 / 0 / 89 / 63

HEX #1B5F0A

RGB 27 95 10

HSL 108, 0.81%, 0.21%

LAB 34.88, -37.12, 38

 

CMYK 90 / 27 / 0 / 62

HEX #0A4761

RGB 10 71 97

HSL 197.93, 0.81%, 0.21%

LAB 27.94, -8.02, -20.45

 

CMYK 18 / 90 / 0 / 62

HEX #500A61

RGB 80 10 97

HSL 288.28, 0.81%, 0.21%

LAB 19.16, 42.69, -34.06

 

CMYK 0 / 63 / 90 / 62

HEX #61240A

RGB 97 36 10

HSL 17.93, 0.81%, 0.21%

LAB 23.08, 26.27, 29.37

 

Description

Color code: HEX #1B5F0A00 | qconv.com Color code: HEX #1B5F0A00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 95 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 95 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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