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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B5E87 it is the complementary color #E4A178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B5E87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B5E87 shade: #205E82, #317095, #4282A8, #5394BB and #64A6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B5E87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B5E87 shade: #1B5E87, #0A4C74, #003A61, #00284E and #00163B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B5E87 shade: #1A5E88, #1A4188, #1A2388, #2F1A88 and #4D1A88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B5E87 shade: #1A5E88, #1A4188, #1A2388 and #1A1A88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B5E87 shade matches the following richer shades: #1A5E88, #0D6195 and #0065A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B5E87 shade: #1A5E88, #285B7B, #35586D, #425560 and #4F5253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B5E87 shade: #1A8876, #1A7D88, #1A6088, #1A4388 and #1A2588

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B5E87 shade: #0D2E43, #144665, #1A5E88, #2176AA and #288ECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B5E87 shade: #1B5E87, #581A88 and #88841A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B5E87 shade: #1B5E87, #881A60 and #60881A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B5E87 shade: #1B5E87, #581A88, #88431A and #4A881A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B5E87 shade: #1B5E87, #791A88, #88431A and #29881A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 30 / 0 / 47

HEX #1B5E87

RGB 27 94 135

HSL 202.78, 0.67%, 0.32%

LAB 37.82, -5.55, -28.66

 

Complementary color

CMYK 0 / 29 / 47 / 11

HEX #E4A178

RGB 228 161 120

HSL 22.78, 0.67%, 0.68%

LAB 71.78, 20.15, 31.22

 

CMYK 75 / 28 / 0 / 49

HEX #205E82

RGB 32 94 130

HSL 202.04, 0.6%, 0.32%

LAB 37.71, -6.78, -25.78

 

CMYK 67 / 25 / 0 / 42

HEX #317095

RGB 49 112 149

HSL 202.2, 0.51%, 0.39%

LAB 44.82, -7.97, -26.09

 

CMYK 61 / 23 / 0 / 34

HEX #4282A8

RGB 66 130 168

HSL 202.35, 0.44%, 0.46%

LAB 51.78, -8.82, -26.36

 

CMYK 56 / 21 / 0 / 27

HEX #5394BB

RGB 83 148 187

HSL 202.5, 0.43%, 0.53%

LAB 58.61, -9.44, -26.62

 

CMYK 51 / 19 / 0 / 19

HEX #64A6CE

RGB 100 166 206

HSL 202.64, 0.52%, 0.6%

LAB 65.31, -9.91, -26.87

 

CMYK 80 / 30 / 0 / 47

HEX #1B5E87

RGB 27 94 135

HSL 202.78, 0.67%, 0.32%

LAB 37.82, -5.55, -28.66

 

CMYK 91 / 34 / 0 / 55

HEX #0A4C74

RGB 10 76 116

HSL 202.64, 0.84%, 0.25%

LAB 30.63, -3.43, -28.28

 

CMYK 100 / 40 / 0 / 62

HEX #003A61

RGB 0 58 97

HSL 204.12, 1%, 0.19%

LAB 23.3, -0.4, -27.77

 

CMYK 100 / 49 / 0 / 69

HEX #00284E

RGB 0 40 78

HSL 209.23, 1%, 0.15%

LAB 15.84, 3.82, -27.07

 

CMYK 100 / 63 / 0 / 77

HEX #00163B

RGB 0 22 59

HSL 217.63, 1%, 0.12%

LAB 8.04, 8.68, -26.42

 

CMYK 81 / 31 / 0 / 47

HEX #1A5E88

RGB 26 94 136

HSL 202.91, 0.68%, 0.32%

LAB 37.85, -5.28, -29.23

 

CMYK 81 / 52 / 0 / 47

HEX #1A4188

RGB 26 65 136

HSL 218.73, 0.68%, 0.32%

LAB 28.84, 13.87, -43.58

 

CMYK 81 / 74 / 0 / 47

HEX #1A2388

RGB 26 35 136

HSL 235.09, 0.68%, 0.32%

LAB 20.82, 34.33, -56.68

 

CMYK 65 / 81 / 0 / 47

HEX #2F1A88

RGB 47 26 136

HSL 251.45, 0.68%, 0.32%

LAB 20.52, 41.51, -57.14

 

CMYK 43 / 81 / 0 / 47

HEX #4D1A88

RGB 77 26 136

HSL 267.82, 0.68%, 0.32%

LAB 23.98, 45.64, -51.32

 

CMYK 81 / 31 / 0 / 47

HEX #1A5E88

RGB 26 94 136

HSL 202.91, 0.68%, 0.32%

LAB 37.85, -5.28, -29.23

 

CMYK 81 / 52 / 0 / 47

HEX #1A4188

RGB 26 65 136

HSL 218.73, 0.68%, 0.32%

LAB 28.84, 13.87, -43.58

 

CMYK 81 / 74 / 0 / 47

HEX #1A2388

RGB 26 35 136

HSL 235.09, 0.68%, 0.32%

LAB 20.82, 34.33, -56.68

 

CMYK 81 / 81 / 0 / 47

HEX #1A1A88

RGB 26 26 136

HSL 240, 0.68%, 0.32%

LAB 18.95, 39.63, -59.78

 

CMYK 81 / 31 / 0 / 47

HEX #1A5E88

RGB 26 94 136

HSL 202.91, 0.68%, 0.32%

LAB 37.85, -5.28, -29.23

 

CMYK 91 / 35 / 0 / 42

HEX #0D6195

RGB 13 97 149

HSL 202.94, 0.84%, 0.32%

LAB 39.25, -3.17, -34.88

 

CMYK 100 / 38 / 0 / 36

HEX #0065A2

RGB 0 101 162

HSL 202.59, 1%, 0.32%

LAB 41.08, -1.09, -39.74

 

CMYK 81 / 31 / 0 / 47

HEX #1A5E88

RGB 26 94 136

HSL 202.91, 0.68%, 0.32%

LAB 37.85, -5.28, -29.23

 

CMYK 67 / 26 / 0 / 52

HEX #285B7B

RGB 40 91 123

HSL 203.13, 0.51%, 0.32%

LAB 36.67, -6.19, -23.09

 

CMYK 51 / 19 / 0 / 57

HEX #35586D

RGB 53 88 109

HSL 202.5, 0.35%, 0.32%

LAB 35.68, -6.22, -15.93

 

CMYK 31 / 11 / 0 / 62

HEX #425560

RGB 66 85 96

HSL 202, 0.19%, 0.32%

LAB 35, -4.37, -8.76

 

CMYK 5 / 1 / 0 / 67

HEX #4F5253

RGB 79 82 83

HSL 195, 0.02%, 0.32%

LAB 34.64, -0.98, -1.01

 

CMYK 81 / 0 / 13 / 47

HEX #1A8876

RGB 26 136 118

HSL 170.18, 0.68%, 0.32%

LAB 50.85, -33.86, 1.23

 

CMYK 81 / 8 / 0 / 47

HEX #1A7D88

RGB 26 125 136

HSL 186, 0.68%, 0.32%

LAB 47.83, -22.91, -13.81

 

CMYK 81 / 29 / 0 / 47

HEX #1A6088

RGB 26 96 136

HSL 201.82, 0.68%, 0.32%

LAB 38.49, -6.51, -28.22

 

CMYK 81 / 51 / 0 / 47

HEX #1A4388

RGB 26 67 136

HSL 217.64, 0.68%, 0.32%

LAB 29.44, 12.48, -42.62

 

CMYK 81 / 73 / 0 / 47

HEX #1A2588

RGB 26 37 136

HSL 234, 0.68%, 0.32%

LAB 21.28, 33.06, -55.93

 

CMYK 81 / 31 / 0 / 74

HEX #0D2E43

RGB 13 46 67

HSL 203.33, 0.68%, 0.16%

LAB 17.67, -3.58, -16.63

 

CMYK 80 / 31 / 0 / 60

HEX #144665

RGB 20 70 101

HSL 202.96, 0.67%, 0.24%

LAB 28.03, -4.62, -22.85

 

CMYK 81 / 31 / 0 / 47

HEX #1A5E88

RGB 26 94 136

HSL 202.91, 0.68%, 0.32%

LAB 37.85, -5.28, -29.23

 

CMYK 81 / 31 / 0 / 33

HEX #2176AA

RGB 33 118 170

HSL 202.77, 0.67%, 0.4%

LAB 47.21, -6.16, -34.72

 

CMYK 80 / 31 / 0 / 20

HEX #288ECD

RGB 40 142 205

HSL 202.91, 0.67%, 0.48%

LAB 56.29, -6.63, -40.5

 

CMYK 80 / 30 / 0 / 47

HEX #1B5E87

RGB 27 94 135

HSL 202.78, 0.67%, 0.32%

LAB 37.82, -5.55, -28.66

 

CMYK 35 / 81 / 0 / 47

HEX #581A88

RGB 88 26 136

HSL 273.82, 0.68%, 0.32%

LAB 25.54, 47.48, -48.71

 

CMYK 0 / 3 / 81 / 47

HEX #88841A

RGB 136 132 26

HSL 57.82, 0.68%, 0.32%

LAB 53.83, -10.73, 52.77

 

CMYK 80 / 30 / 0 / 47

HEX #1B5E87

RGB 27 94 135

HSL 202.78, 0.67%, 0.32%

LAB 37.82, -5.55, -28.66

 

CMYK 0 / 81 / 29 / 47

HEX #881A60

RGB 136 26 96

HSL 321.82, 0.68%, 0.32%

LAB 31.39, 50.92, -13.42

 

CMYK 29 / 0 / 81 / 47

HEX #60881A

RGB 96 136 26

HSL 81.82, 0.68%, 0.32%

LAB 52.03, -30.34, 50.03

 

CMYK 80 / 30 / 0 / 47

HEX #1B5E87

RGB 27 94 135

HSL 202.78, 0.67%, 0.32%

LAB 37.82, -5.55, -28.66

 

CMYK 35 / 81 / 0 / 47

HEX #581A88

RGB 88 26 136

HSL 273.82, 0.68%, 0.32%

LAB 25.54, 47.48, -48.71

 

CMYK 0 / 51 / 81 / 47

HEX #88431A

RGB 136 67 26

HSL 22.36, 0.68%, 0.32%

LAB 36.6, 26.51, 36.83

 

CMYK 46 / 0 / 81 / 47

HEX #4A881A

RGB 74 136 26

HSL 93.82, 0.68%, 0.32%

LAB 50.85, -38.61, 48.5

 

CMYK 80 / 30 / 0 / 47

HEX #1B5E87

RGB 27 94 135

HSL 202.78, 0.67%, 0.32%

LAB 37.82, -5.55, -28.66

 

CMYK 11 / 81 / 0 / 47

HEX #791A88

RGB 121 26 136

HSL 291.82, 0.68%, 0.32%

LAB 30.83, 53.74, -39.89

 

CMYK 0 / 51 / 81 / 47

HEX #88431A

RGB 136 67 26

HSL 22.36, 0.68%, 0.32%

LAB 36.6, 26.51, 36.83

 

CMYK 70 / 0 / 81 / 47

HEX #29881A

RGB 41 136 26

HSL 111.82, 0.68%, 0.32%

LAB 49.68, -47.82, 46.99

 

Description

Color code: HEX #1B5E87 | qconv.com Color code: HEX #1B5E87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 94 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 94 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 30 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 30% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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