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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B3F40 it is the complementary color #E4C0BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B3F40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B3F40 shade: #203F3B, #31514E, #426361, #537574 and #648787

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B3F40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B3F40 shade: #1B3F40, #0A2D2D, #001B1A, #000907 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B3F40 shade: #1B4041, #1B3641, #1B2B41, #1B2141 and #1F1B41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B3F40 shade: #1B4041, #1B3641, #1B2B41, #1B2141 and #1B1B41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B3F40 shade matches the following richer shades: #1B4041, #144748, #0C4E50 and #055557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B3F40 shade: #1B4041, #233939, #2A3232, #312B2A and #392423

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B3F40 shade: #1B412D, #1B4137, #1B4041, #1B3641 and #1B2C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B3F40 shade: #030607, #0F2324, #1B4041, #275C5E and #33797B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B3F40 shade: #1B3F40, #231B41 and #41321B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B3F40 shade: #1B3F40, #411B40 and #40411B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B3F40 shade: #1B3F40, #231B41, #411C1B and #39411B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B3F40 shade: #1B3F40, #2F1B41, #411C1B and #2D411B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 2 / 0 / 75

HEX #1B3F40

RGB 27 63 64

HSL 181.62, 0.41%, 0.18%

LAB 24.19, -12.53, -4.58

 

Complementary color

CMYK 0 / 16 / 16 / 11

HEX #E4C0BF

RGB 228 192 191

HSL 1.62, 0.41%, 0.82%

LAB 80.71, 12.64, 5.28

 

CMYK 49 / 0 / 6 / 75

HEX #203F3B

RGB 32 63 59

HSL 172.26, 0.33%, 0.19%

LAB 24.25, -12.68, -1.14

 

CMYK 40 / 0 / 4 / 68

HEX #31514E

RGB 49 81 78

HSL 174.38, 0.25%, 0.25%

LAB 32.01, -12.55, -1.97

 

CMYK 33 / 0 / 2 / 61

HEX #426361

RGB 66 99 97

HSL 176.36, 0.2%, 0.32%

LAB 39.49, -12.41, -2.7

 

CMYK 29 / 0 / 1 / 54

HEX #537574

RGB 83 117 116

HSL 178.24, 0.17%, 0.39%

LAB 46.74, -12.29, -3.37

 

CMYK 26 / 0 / 0 / 47

HEX #648787

RGB 100 135 135

HSL 180, 0.15%, 0.46%

LAB 53.8, -12.18, -3.99

 

CMYK 58 / 2 / 0 / 75

HEX #1B3F40

RGB 27 63 64

HSL 181.62, 0.41%, 0.18%

LAB 24.19, -12.53, -4.58

 

CMYK 78 / 0 / 0 / 82

HEX #0A2D2D

RGB 10 45 45

HSL 180, 0.64%, 0.11%

LAB 16.16, -12.17, -3.68

 

CMYK 100 / 0 / 4 / 89

HEX #001B1A

RGB 0 27 26

HSL 177.78, 1%, 0.05%

LAB 7.75, -9.73, -2.44

 

CMYK 100 / 0 / 22 / 96

HEX #000907

RGB 0 9 7

HSL 166.67, 1%, 0.02%

LAB 1.9, -2.63, -0.07

 

CMYK 58 / 2 / 0 / 75

HEX #1B4041

RGB 27 64 65

HSL 181.58, 0.41%, 0.18%

LAB 24.58, -12.8, -4.66

 

CMYK 58 / 17 / 0 / 75

HEX #1B3641

RGB 27 54 65

HSL 197.37, 0.41%, 0.18%

LAB 21.03, -6.58, -10.02

 

CMYK 58 / 34 / 0 / 75

HEX #1B2B41

RGB 27 43 65

HSL 214.74, 0.41%, 0.18%

LAB 17.19, 0.93, -15.95

 

CMYK 58 / 49 / 0 / 75

HEX #1B2141

RGB 27 33 65

HSL 230.53, 0.41%, 0.18%

LAB 13.84, 8.25, -21.24

 

CMYK 52 / 58 / 0 / 75

HEX #1F1B41

RGB 31 27 65

HSL 246.32, 0.41%, 0.18%

LAB 12.33, 13.85, -23.63

 

CMYK 58 / 2 / 0 / 75

HEX #1B4041

RGB 27 64 65

HSL 181.58, 0.41%, 0.18%

LAB 24.58, -12.8, -4.66

 

CMYK 58 / 17 / 0 / 75

HEX #1B3641

RGB 27 54 65

HSL 197.37, 0.41%, 0.18%

LAB 21.03, -6.58, -10.02

 

CMYK 58 / 34 / 0 / 75

HEX #1B2B41

RGB 27 43 65

HSL 214.74, 0.41%, 0.18%

LAB 17.19, 0.93, -15.95

 

CMYK 58 / 49 / 0 / 75

HEX #1B2141

RGB 27 33 65

HSL 230.53, 0.41%, 0.18%

LAB 13.84, 8.25, -21.24

 

CMYK 58 / 58 / 0 / 75

HEX #1B1B41

RGB 27 27 65

HSL 240, 0.41%, 0.18%

LAB 11.95, 12.76, -24.27

 

CMYK 58 / 2 / 0 / 75

HEX #1B4041

RGB 27 64 65

HSL 181.58, 0.41%, 0.18%

LAB 24.58, -12.8, -4.66

 

CMYK 72 / 1 / 0 / 72

HEX #144748

RGB 20 71 72

HSL 181.15, 0.57%, 0.18%

LAB 27.08, -16.07, -5.55

 

CMYK 85 / 2 / 0 / 69

HEX #0C4E50

RGB 12 78 80

HSL 181.76, 0.74%, 0.18%

LAB 29.68, -18.4, -6.86

 

CMYK 94 / 2 / 0 / 66

HEX #055557

RGB 5 85 87

HSL 181.46, 0.89%, 0.18%

LAB 32.3, -20.44, -7.4

 

CMYK 58 / 2 / 0 / 75

HEX #1B4041

RGB 27 64 65

HSL 181.58, 0.41%, 0.18%

LAB 24.58, -12.8, -4.66

 

CMYK 39 / 0 / 0 / 78

HEX #233939

RGB 35 57 57

HSL 180, 0.24%, 0.18%

LAB 22.23, -8.63, -2.77

 

CMYK 16 / 0 / 0 / 80

HEX #2A3232

RGB 42 50 50

HSL 180, 0.09%, 0.18%

LAB 20.06, -3.41, -1.16

 

CMYK 0 / 12 / 14 / 81

HEX #312B2A

RGB 49 43 42

HSL 8.57, 0.08%, 0.18%

LAB 18.13, 2.52, 1.65

 

CMYK 0 / 37 / 39 / 78

HEX #392423

RGB 57 36 35

HSL 2.73, 0.24%, 0.18%

LAB 16.76, 9.85, 4.73

 

CMYK 58 / 0 / 31 / 75

HEX #1B412D

RGB 27 65 45

HSL 148.42, 0.41%, 0.18%

LAB 24.33, -19.13, 8.17

 

CMYK 58 / 0 / 15 / 75

HEX #1B4137

RGB 27 65 55

HSL 164.21, 0.41%, 0.18%

LAB 24.61, -16.45, 1.99

 

CMYK 58 / 2 / 0 / 75

HEX #1B4041

RGB 27 64 65

HSL 181.58, 0.41%, 0.18%

LAB 24.58, -12.8, -4.66

 

CMYK 58 / 17 / 0 / 75

HEX #1B3641

RGB 27 54 65

HSL 197.37, 0.41%, 0.18%

LAB 21.03, -6.58, -10.02

 

CMYK 58 / 32 / 0 / 75

HEX #1B2C41

RGB 27 44 65

HSL 213.16, 0.41%, 0.18%

LAB 17.53, 0.22, -15.42

 

CMYK 57 / 14 / 0 / 97

HEX #030607

RGB 3 6 7

HSL 195, 0.4%, 0.02%

LAB 1.49, -0.65, -0.66

 

CMYK 58 / 3 / 0 / 86

HEX #0F2324

RGB 15 35 36

HSL 182.86, 0.41%, 0.1%

LAB 12.16, -7.73, -3.2

 

CMYK 58 / 2 / 0 / 75

HEX #1B4041

RGB 27 64 65

HSL 181.58, 0.41%, 0.18%

LAB 24.58, -12.8, -4.66

 

CMYK 59 / 2 / 0 / 63

HEX #275C5E

RGB 39 92 94

HSL 182.18, 0.41%, 0.26%

LAB 35.78, -16.8, -6.49

 

CMYK 59 / 2 / 0 / 52

HEX #33797B

RGB 51 121 123

HSL 181.67, 0.41%, 0.34%

LAB 46.72, -21.08, -7.72

 

CMYK 58 / 2 / 0 / 75

HEX #1B3F40

RGB 27 63 64

HSL 181.62, 0.41%, 0.18%

LAB 24.19, -12.53, -4.58

 

CMYK 46 / 58 / 0 / 75

HEX #231B41

RGB 35 27 65

HSL 252.63, 0.41%, 0.18%

LAB 12.75, 15, -22.93

 

CMYK 0 / 23 / 58 / 75

HEX #41321B

RGB 65 50 27

HSL 36.32, 0.41%, 0.18%

LAB 21.89, 3.33, 17.12

 

CMYK 58 / 2 / 0 / 75

HEX #1B3F40

RGB 27 63 64

HSL 181.62, 0.41%, 0.18%

LAB 24.19, -12.53, -4.58

 

CMYK 0 / 58 / 2 / 75

HEX #411B40

RGB 65 27 64

HSL 301.58, 0.41%, 0.18%

LAB 16.88, 24.57, -15.43

 

CMYK 2 / 0 / 58 / 75

HEX #40411B

RGB 64 65 27

HSL 61.58, 0.41%, 0.18%

LAB 26.59, -6.78, 22.76

 

CMYK 58 / 2 / 0 / 75

HEX #1B3F40

RGB 27 63 64

HSL 181.62, 0.41%, 0.18%

LAB 24.19, -12.53, -4.58

 

CMYK 46 / 58 / 0 / 75

HEX #231B41

RGB 35 27 65

HSL 252.63, 0.41%, 0.18%

LAB 12.75, 15, -22.93

 

CMYK 0 / 57 / 58 / 75

HEX #411C1B

RGB 65 28 27

HSL 1.58, 0.41%, 0.18%

LAB 15.66, 17.82, 9.09

 

CMYK 12 / 0 / 58 / 75

HEX #39411B

RGB 57 65 27

HSL 72.63, 0.41%, 0.18%

LAB 25.95, -10.22, 21.85

 

CMYK 58 / 2 / 0 / 75

HEX #1B3F40

RGB 27 63 64

HSL 181.62, 0.41%, 0.18%

LAB 24.19, -12.53, -4.58

 

CMYK 28 / 58 / 0 / 75

HEX #2F1B41

RGB 47 27 65

HSL 271.58, 0.41%, 0.18%

LAB 14.23, 18.76, -20.49

 

CMYK 0 / 57 / 58 / 75

HEX #411C1B

RGB 65 28 27

HSL 1.58, 0.41%, 0.18%

LAB 15.66, 17.82, 9.09

 

CMYK 31 / 0 / 58 / 75

HEX #2D411B

RGB 45 65 27

HSL 91.58, 0.41%, 0.18%

LAB 25.01, -15.8, 20.49

 

Description

Color code: HEX #1B3F40 | qconv.com Color code: HEX #1B3F40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 63 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 63 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 2 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 2% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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