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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B2D74 it is the complementary color #E4D28B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B2D74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1B2D74: #202D6F, #313F82, #425195, #5363A8 and #6475BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B2D74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1B2D74: #1B2D74, #0A1B61, #00094E, #00003B and #000028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

Complementary color

CMYK 0 / 8 / 39 / 11

HEX #E4D28B

RGB 228 210 139

HSL 47.87, 0.62%, 0.72%

LAB 84.2, -3.69, 37.45

 

CMYK 71 / 59 / 0 / 56

HEX #202D6F

RGB 32 45 111

HSL 230.13, 0.55%, 0.28%

LAB 21.33, 18.69, -39.96

 

CMYK 62 / 52 / 0 / 49

HEX #313F82

RGB 49 63 130

HSL 229.63, 0.45%, 0.35%

LAB 28.95, 16.55, -39.62

 

CMYK 56 / 46 / 0 / 42

HEX #425195

RGB 66 81 149

HSL 229.16, 0.39%, 0.42%

LAB 36.39, 14.95, -39.31

 

CMYK 51 / 41 / 0 / 34

HEX #5363A8

RGB 83 99 168

HSL 228.71, 0.34%, 0.49%

LAB 43.64, 13.72, -39.06

 

CMYK 47 / 37 / 0 / 27

HEX #6475BB

RGB 100 117 187

HSL 228.28, 0.39%, 0.56%

LAB 50.71, 12.73, -38.87

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 90 / 72 / 0 / 62

HEX #0A1B61

RGB 10 27 97

HSL 228.28, 0.81%, 0.21%

LAB 13.89, 23.23, -42.99

 

CMYK 100 / 88 / 0 / 69

HEX #00094E

RGB 0 9 78

HSL 233.08, 1%, 0.15%

LAB 6.73, 26.67, -41.96

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 100 / 100 / 0 / 84

HEX #000028

RGB 0 0 40

HSL 240, 1%, 0.08%

LAB 1.38, 9.72, -22.95

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 77 / 73 / 0 / 55

HEX #1B1F73

RGB 27 31 115

HSL 237.27, 0.62%, 0.28%

LAB 17.69, 29.21, -48.49

 

CMYK 68 / 77 / 0 / 55

HEX #251B73

RGB 37 27 115

HSL 246.82, 0.62%, 0.28%

LAB 17.53, 32.94, -48.74

 

CMYK 55 / 77 / 0 / 55

HEX #341B73

RGB 52 27 115

HSL 257.05, 0.62%, 0.28%

LAB 19.02, 35.17, -46.23

 

CMYK 43 / 77 / 0 / 55

HEX #421B73

RGB 66 27 115

HSL 266.59, 0.62%, 0.28%

LAB 20.75, 37.68, -43.33

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 77 / 61 / 0 / 35

HEX #2741A7

RGB 39 65 167

HSL 227.81, 0.62%, 0.4%

LAB 31.81, 27.59, -57.63

 

CMYK 77 / 61 / 0 / 15

HEX #3355DA

RGB 51 85 218

HSL 227.78, 0.69%, 0.53%

LAB 41.63, 34.78, -71.41

 

CMYK 79 / 64 / 0 / 95

HEX #03050E

RGB 3 5 14

HSL 229.09, 0.65%, 0.03%

LAB 1.44, 0.79, -3.77

 

CMYK 77 / 62 / 0 / 75

HEX #0F1941

RGB 15 25 65

HSL 228, 0.63%, 0.16%

LAB 10.4, 11.6, -26.81

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 1 / 77 / 0 / 55

HEX #721B73

RGB 114 27 115

HSL 299.32, 0.62%, 0.28%

LAB 28.38, 48.06, -30.65

 

CMYK 30 / 0 / 77 / 55

HEX #51731B

RGB 81 115 27

HSL 83.18, 0.62%, 0.28%

LAB 44.36, -26.35, 42.07

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 0 / 77 / 60 / 55

HEX #731B2E

RGB 115 27 46

HSL 347.05, 0.62%, 0.28%

LAB 25.64, 39.23, 11

 

CMYK 60 / 0 / 77 / 55

HEX #2E731B

RGB 46 115 27

HSL 107.05, 0.62%, 0.28%

LAB 42.64, -38.75, 39.79

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 1 / 77 / 0 / 55

HEX #721B73

RGB 114 27 115

HSL 299.32, 0.62%, 0.28%

LAB 28.38, 48.06, -30.65

 

CMYK 0 / 17 / 77 / 55

HEX #73601B

RGB 115 96 27

HSL 47.05, 0.62%, 0.28%

LAB 41.36, -0.29, 40.09

 

CMYK 76 / 0 / 77 / 55

HEX #1C731B

RGB 28 115 27

HSL 119.32, 0.62%, 0.28%

LAB 42.13, -42.94, 39.11

 

CMYK 77 / 61 / 0 / 55

HEX #1B2D74

RGB 27 45 116

HSL 227.87, 0.62%, 0.28%

LAB 21.47, 19.94, -42.95

 

CMYK 0 / 77 / 22 / 55

HEX #731B5A

RGB 115 27 90

HSL 317.05, 0.62%, 0.28%

LAB 27.21, 44.24, -16.28

 

CMYK 0 / 17 / 77 / 55

HEX #73601B

RGB 115 96 27

HSL 47.05, 0.62%, 0.28%

LAB 41.36, -0.29, 40.09

 

CMYK 77 / 0 / 55 / 55

HEX #1B7334

RGB 27 115 52

HSL 137.05, 0.62%, 0.28%

LAB 42.37, -40.02, 27.49

 

Description

Color code: HEX #1B2D74 | qconv.com Color code: HEX #1B2D74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 45 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 45 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 61 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 61% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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