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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B2D3C it is the complementary color #E4D2C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B2D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B2D3C shade: #202D37, #313F4A, #42515D, #536370 and #647583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B2D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B2D3C shade: #1B2D3C, #0A1B29, #000916, #000003 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B2D3C shade: #1B2D3C, #1B243C, #1B1B3C, #241B3C and #2C1B3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B2D3C shade: #1B2D3C, #1B243C and #1B1B3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B2D3C shade matches the following richer shades: #1B2D3C, #142D43, #0D2E4A and #062F51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B2D3C shade: #1B2D3C, #222C35, #292C2E, #302B27 and #372A20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B2D3C shade: #1B3C39, #1B363C, #1B2D3C, #1B243C and #1B1B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B2D3C shade: #010203, #0E181F, #1B2D3C, #284258 and #345875

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B2D3C shade: #1B2D3C, #301B3C and #3A3C1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B2D3C shade: #1B2D3C, #3C1B2D and #2D3C1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B2D3C shade: #1B2D3C, #301B3C, #3C2A1B and #263C1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B2D3C shade: #1B2D3C, #3A1B3C, #3C2A1B and #1D3C1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

Complementary color

CMYK 0 / 8 / 14 / 11

HEX #E4D2C3

RGB 228 210 195

HSL 27.27, 0.38%, 0.83%

LAB 85.26, 3.79, 9.67

 

CMYK 42 / 18 / 0 / 78

HEX #202D37

RGB 32 45 55

HSL 206.09, 0.26%, 0.17%

LAB 17.74, -2.41, -8.17

 

CMYK 34 / 15 / 0 / 71

HEX #313F4A

RGB 49 63 74

HSL 206.4, 0.2%, 0.24%

LAB 25.87, -2.59, -8.54

 

CMYK 29 / 13 / 0 / 64

HEX #42515D

RGB 66 81 93

HSL 206.67, 0.17%, 0.31%

LAB 33.63, -2.72, -8.94

 

CMYK 26 / 12 / 0 / 56

HEX #536370

RGB 83 99 112

HSL 206.9, 0.15%, 0.38%

LAB 41.11, -2.84, -9.35

 

CMYK 24 / 11 / 0 / 49

HEX #647583

RGB 100 117 131

HSL 207.1, 0.13%, 0.45%

LAB 48.35, -2.95, -9.77

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 76 / 34 / 0 / 84

HEX #0A1B29

RGB 10 27 41

HSL 207.1, 0.61%, 0.1%

LAB 9.06, -1.57, -11.62

 

CMYK 100 / 59 / 0 / 91

HEX #000916

RGB 0 9 22

HSL 215.45, 1%, 0.04%

LAB 2.29, 0.07, -7.43

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 55 / 40 / 0 / 76

HEX #1B243C

RGB 27 36 60

HSL 223.64, 0.38%, 0.17%

LAB 14.52, 4.12, -16.67

 

CMYK 55 / 55 / 0 / 76

HEX #1B1B3C

RGB 27 27 60

HSL 240, 0.38%, 0.17%

LAB 11.57, 10.86, -21.33

 

CMYK 40 / 55 / 0 / 76

HEX #241B3C

RGB 36 27 60

HSL 256.36, 0.38%, 0.17%

LAB 12.51, 13.63, -19.78

 

CMYK 27 / 55 / 0 / 76

HEX #2C1B3C

RGB 44 27 60

HSL 270.91, 0.38%, 0.17%

LAB 13.51, 16.31, -18.14

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 55 / 40 / 0 / 76

HEX #1B243C

RGB 27 36 60

HSL 223.64, 0.38%, 0.17%

LAB 14.52, 4.12, -16.67

 

CMYK 55 / 55 / 0 / 76

HEX #1B1B3C

RGB 27 27 60

HSL 240, 0.38%, 0.17%

LAB 11.57, 10.86, -21.33

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 70 / 33 / 0 / 74

HEX #142D43

RGB 20 45 67

HSL 208.09, 0.54%, 0.17%

LAB 17.6, -1.49, -16.71

 

CMYK 82 / 38 / 0 / 71

HEX #0D2E4A

RGB 13 46 74

HSL 207.54, 0.7%, 0.17%

LAB 18.07, -0.6, -20.77

 

CMYK 93 / 42 / 0 / 68

HEX #062F51

RGB 6 47 81

HSL 207.2, 0.86%, 0.17%

LAB 18.65, 0.84, -24.59

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 36 / 17 / 0 / 79

HEX #222C35

RGB 34 44 53

HSL 208.42, 0.22%, 0.17%

LAB 17.45, -1.64, -7.19

 

CMYK 11 / 4 / 0 / 82

HEX #292C2E

RGB 41 44 46

HSL 204, 0.06%, 0.17%

LAB 17.78, -0.82, -1.75

 

CMYK 0 / 10 / 19 / 81

HEX #302B27

RGB 48 43 39

HSL 26.67, 0.1%, 0.17%

LAB 17.93, 1.43, 3.43

 

CMYK 0 / 24 / 42 / 78

HEX #372A20

RGB 55 42 32

HSL 26.09, 0.26%, 0.17%

LAB 18.24, 4.29, 8.83

 

CMYK 55 / 0 / 5 / 76

HEX #1B3C39

RGB 27 60 57

HSL 174.55, 0.38%, 0.17%

LAB 22.86, -12.97, -1.88

 

CMYK 55 / 10 / 0 / 76

HEX #1B363C

RGB 27 54 60

HSL 190.91, 0.38%, 0.17%

LAB 20.82, -8.3, -6.95

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 55 / 40 / 0 / 76

HEX #1B243C

RGB 27 36 60

HSL 223.64, 0.38%, 0.17%

LAB 14.52, 4.12, -16.67

 

CMYK 55 / 55 / 0 / 76

HEX #1B1B3C

RGB 27 27 60

HSL 240, 0.38%, 0.17%

LAB 11.57, 10.86, -21.33

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 55 / 23 / 0 / 88

HEX #0E181F

RGB 14 24 31

HSL 204.71, 0.38%, 0.09%

LAB 7.64, -1.99, -6.32

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 55 / 25 / 0 / 65

HEX #284258

RGB 40 66 88

HSL 207.5, 0.38%, 0.25%

LAB 26.88, -2.83, -16.2

 

CMYK 56 / 25 / 0 / 54

HEX #345875

RGB 52 88 117

HSL 206.77, 0.38%, 0.33%

LAB 35.97, -3.84, -20.44

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 20 / 55 / 0 / 76

HEX #301B3C

RGB 48 27 60

HSL 278.18, 0.38%, 0.17%

LAB 14.05, 17.7, -17.25

 

CMYK 3 / 0 / 55 / 76

HEX #3A3C1B

RGB 58 60 27

HSL 63.64, 0.38%, 0.17%

LAB 24.36, -6.67, 19.97

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 0 / 55 / 25 / 76

HEX #3C1B2D

RGB 60 27 45

HSL 327.27, 0.38%, 0.17%

LAB 15.14, 18.9, -4.72

 

CMYK 25 / 0 / 55 / 76

HEX #2D3C1B

RGB 45 60 27

HSL 87.27, 0.38%, 0.17%

LAB 23.23, -12.94, 18.34

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 20 / 55 / 0 / 76

HEX #301B3C

RGB 48 27 60

HSL 278.18, 0.38%, 0.17%

LAB 14.05, 17.7, -17.25

 

CMYK 0 / 30 / 55 / 76

HEX #3C2A1B

RGB 60 42 27

HSL 27.27, 0.38%, 0.17%

LAB 18.78, 6.13, 13.06

 

CMYK 37 / 0 / 55 / 76

HEX #263C1B

RGB 38 60 27

HSL 100, 0.38%, 0.17%

LAB 22.73, -16.05, 17.61

 

CMYK 55 / 25 / 0 / 76

HEX #1B2D3C

RGB 27 45 60

HSL 207.27, 0.38%, 0.17%

LAB 17.63, -2.32, -11.82

 

CMYK 3 / 55 / 0 / 76

HEX #3A1B3C

RGB 58 27 60

HSL 296.36, 0.38%, 0.17%

LAB 15.54, 21.24, -14.81

 

CMYK 0 / 30 / 55 / 76

HEX #3C2A1B

RGB 60 42 27

HSL 27.27, 0.38%, 0.17%

LAB 18.78, 6.13, 13.06

 

CMYK 52 / 0 / 55 / 76

HEX #1D3C1B

RGB 29 60 27

HSL 116.36, 0.38%, 0.17%

LAB 22.2, -19.62, 16.84

 

Description

Color code: HEX #1B2D3C | qconv.com Color code: HEX #1B2D3C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 45 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 45 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 25 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 25% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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