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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AF841 it is the complementary color #E507BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AF841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AF841 shade: #1FF83C, #30FF4F, #41FF62, #52FF75 and #63FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AF841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AF841 shade: #1AF841, #09E62E, #00D41B, #00C208 and #00B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AF841 shade: #1BF842, #30F81B, #6CF81B, #A7F81B and #E3F81B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AF841 shade: #1BF842, #1BF87E, #1BF8B9, #1BF8F5 and #1BC0F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AF841 shade matches the following richer shades: #1BF842

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AF841 shade: #1BF842, #2EE54E, #41D25B, #54BF67 and #67AC73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AF841 shade: #6CF81B, #31F81B, #1BF840, #1BF87B and #1BF8B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AF841 shade: #06BB26, #07E32E, #1BF842, #43F963 and #6BFA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AF841 shade: #1AF841, #1BA7F8 and #F81B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AF841 shade: #1AF841, #401BF8 and #F8401B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AF841 shade: #1AF841, #1BA7F8, #F81BD3 and #F86C1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AF841 shade: #1AF841, #1B65F8, #F81BD3 and #F8AE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 74 / 3

HEX #1AF841

RGB 26 248 65

HSL 130.54, 0.94%, 0.54%

LAB 85.87, -80.91, 69.59

 

Complementary color

CMYK 0 / 97 / 17 / 10

HEX #E507BE

RGB 229 7 190

HSL 310.54, 0.94%, 0.46%

LAB 52.43, 84.93, -36.81

 

CMYK 88 / 0 / 76 / 3

HEX #1FF83C

RGB 31 248 60

HSL 128.02, 0.94%, 0.55%

LAB 85.88, -80.94, 71.21

 

CMYK 81 / 0 / 69 / 0

HEX #30FF4F

RGB 48 255 79

HSL 128.99, 1%, 0.59%

LAB 88.31, -80.02, 67.29

 

CMYK 75 / 0 / 62 / 0

HEX #41FF62

RGB 65 255 98

HSL 130.42, 1%, 0.63%

LAB 88.7, -76.14, 60.32

 

CMYK 68 / 0 / 54 / 0

HEX #52FF75

RGB 82 255 117

HSL 132.14, 1%, 0.66%

LAB 89.2, -71.27, 52.72

 

CMYK 61 / 0 / 47 / 0

HEX #63FF88

RGB 99 255 136

HSL 134.23, 1%, 0.69%

LAB 89.84, -65.49, 44.74

 

CMYK 90 / 0 / 74 / 3

HEX #1AF841

RGB 26 248 65

HSL 130.54, 0.94%, 0.54%

LAB 85.87, -80.91, 69.59

 

CMYK 96 / 0 / 80 / 10

HEX #09E62E

RGB 9 230 46

HSL 130.05, 0.92%, 0.47%

LAB 80.09, -77.97, 69.7

 

CMYK 100 / 0 / 87 / 17

HEX #00D41B

RGB 0 212 27

HSL 127.64, 1%, 0.42%

LAB 74.3, -74.32, 68.92

 

CMYK 100 / 0 / 96 / 24

HEX #00C208

RGB 0 194 8

HSL 122.47, 1%, 0.38%

LAB 68.46, -69.99, 66.82

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 89 / 0 / 73 / 3

HEX #1BF842

RGB 27 248 66

HSL 130.59, 0.94%, 0.54%

LAB 85.89, -80.78, 69.28

 

CMYK 81 / 0 / 89 / 3

HEX #30F81B

RGB 48 248 27

HSL 114.3, 0.94%, 0.54%

LAB 85.93, -81.01, 79.09

 

CMYK 56 / 0 / 89 / 3

HEX #6CF81B

RGB 108 248 27

HSL 98.01, 0.94%, 0.54%

LAB 87.19, -70.26, 80.66

 

CMYK 33 / 0 / 89 / 3

HEX #A7F81B

RGB 167 248 27

HSL 81.99, 0.94%, 0.54%

LAB 89.59, -52.32, 83.63

 

CMYK 8 / 0 / 89 / 3

HEX #E3F81B

RGB 227 248 27

HSL 65.7, 0.94%, 0.54%

LAB 93.25, -29.4, 88.11

 

CMYK 89 / 0 / 73 / 3

HEX #1BF842

RGB 27 248 66

HSL 130.59, 0.94%, 0.54%

LAB 85.89, -80.78, 69.28

 

CMYK 89 / 0 / 49 / 3

HEX #1BF87E

RGB 27 248 126

HSL 146.88, 0.94%, 0.54%

LAB 86.44, -73.91, 44.99

 

CMYK 89 / 0 / 25 / 3

HEX #1BF8B9

RGB 27 248 185

HSL 162.9, 0.94%, 0.54%

LAB 87.42, -62.61, 16.82

 

CMYK 89 / 0 / 1 / 3

HEX #1BF8F5

RGB 27 248 245

HSL 179.19, 0.94%, 0.54%

LAB 88.9, -47.2, -12.23

 

CMYK 89 / 23 / 0 / 3

HEX #1BC0F8

RGB 27 192 248

HSL 195.2, 0.94%, 0.54%

LAB 72.7, -19.75, -38.53

 

CMYK 89 / 0 / 73 / 3

HEX #1BF842

RGB 27 248 66

HSL 130.59, 0.94%, 0.54%

LAB 85.89, -80.78, 69.28

 

CMYK 89 / 0 / 73 / 3

HEX #1BF842

RGB 27 248 66

HSL 130.59, 0.94%, 0.54%

LAB 85.89, -80.78, 69.28

 

CMYK 80 / 0 / 66 / 10

HEX #2EE54E

RGB 46 229 78

HSL 130.49, 0.78%, 0.54%

LAB 80.27, -72.59, 59.08

 

CMYK 69 / 0 / 57 / 18

HEX #41D25B

RGB 65 210 91

HSL 130.76, 0.62%, 0.54%

LAB 74.81, -62.26, 47.35

 

CMYK 56 / 0 / 46 / 25

HEX #54BF67

RGB 84 191 103

HSL 130.65, 0.46%, 0.54%

LAB 69.56, -49.56, 35.22

 

CMYK 40 / 0 / 33 / 33

HEX #67AC73

RGB 103 172 115

HSL 130.43, 0.29%, 0.54%

LAB 64.66, -34.14, 22.66

 

CMYK 56 / 0 / 89 / 3

HEX #6CF81B

RGB 108 248 27

HSL 98.01, 0.94%, 0.54%

LAB 87.19, -70.26, 80.66

 

CMYK 80 / 0 / 89 / 3

HEX #31F81B

RGB 49 248 27

HSL 114.03, 0.94%, 0.54%

LAB 85.94, -80.9, 79.1

 

CMYK 89 / 0 / 74 / 3

HEX #1BF840

RGB 27 248 64

HSL 130.05, 0.94%, 0.54%

LAB 85.88, -80.92, 69.92

 

CMYK 89 / 0 / 50 / 3

HEX #1BF87B

RGB 27 248 123

HSL 146.06, 0.94%, 0.54%

LAB 86.4, -74.37, 46.36

 

CMYK 89 / 0 / 27 / 3

HEX #1BF8B6

RGB 27 248 182

HSL 162.08, 0.94%, 0.54%

LAB 87.36, -63.29, 18.28

 

CMYK 97 / 0 / 80 / 27

HEX #06BB26

RGB 6 187 38

HSL 130.61, 0.94%, 0.38%

LAB 66.3, -66.6, 58.95

 

CMYK 97 / 0 / 80 / 11

HEX #07E32E

RGB 7 227 46

HSL 130.64, 0.94%, 0.46%

LAB 79.15, -77.22, 68.8

 

CMYK 89 / 0 / 73 / 3

HEX #1BF842

RGB 27 248 66

HSL 130.59, 0.94%, 0.54%

LAB 85.89, -80.78, 69.28

 

CMYK 73 / 0 / 60 / 2

HEX #43F963

RGB 67 249 99

HSL 130.55, 0.94%, 0.62%

LAB 86.92, -73.86, 57.89

 

CMYK 57 / 0 / 47 / 2

HEX #6BFA85

RGB 107 250 133

HSL 130.91, 0.93%, 0.7%

LAB 88.54, -62.4, 44.59

 

CMYK 90 / 0 / 74 / 3

HEX #1AF841

RGB 26 248 65

HSL 130.54, 0.94%, 0.54%

LAB 85.87, -80.91, 69.59

 

CMYK 89 / 33 / 0 / 3

HEX #1BA7F8

RGB 27 167 248

HSL 201.99, 0.94%, 0.54%

LAB 65.47, -6.21, -49.86

 

CMYK 0 / 89 / 68 / 3

HEX #F81B4F

RGB 248 27 79

HSL 345.88, 0.94%, 0.54%

LAB 53.28, 77.67, 31.14

 

CMYK 90 / 0 / 74 / 3

HEX #1AF841

RGB 26 248 65

HSL 130.54, 0.94%, 0.54%

LAB 85.87, -80.91, 69.59

 

CMYK 74 / 89 / 0 / 3

HEX #401BF8

RGB 64 27 248

HSL 250.05, 0.94%, 0.54%

LAB 35.3, 73.5, -98.86

 

CMYK 0 / 74 / 89 / 3

HEX #F8401B

RGB 248 64 27

HSL 10.05, 0.94%, 0.54%

LAB 55.79, 67.57, 60.4

 

CMYK 90 / 0 / 74 / 3

HEX #1AF841

RGB 26 248 65

HSL 130.54, 0.94%, 0.54%

LAB 85.87, -80.91, 69.59

 

CMYK 89 / 33 / 0 / 3

HEX #1BA7F8

RGB 27 167 248

HSL 201.99, 0.94%, 0.54%

LAB 65.47, -6.21, -49.86

 

CMYK 0 / 89 / 15 / 3

HEX #F81BD3

RGB 248 27 211

HSL 310.05, 0.94%, 0.54%

LAB 57.5, 89.1, -40.68

 

CMYK 0 / 56 / 89 / 3

HEX #F86C1B

RGB 248 108 27

HSL 21.99, 0.94%, 0.54%

LAB 62.31, 50.06, 65.15

 

CMYK 90 / 0 / 74 / 3

HEX #1AF841

RGB 26 248 65

HSL 130.54, 0.94%, 0.54%

LAB 85.87, -80.91, 69.59

 

CMYK 89 / 59 / 0 / 3

HEX #1B65F8

RGB 27 101 248

HSL 219.91, 0.94%, 0.54%

LAB 47.39, 34, -78.96

 

CMYK 0 / 89 / 15 / 3

HEX #F81BD3

RGB 248 27 211

HSL 310.05, 0.94%, 0.54%

LAB 57.5, 89.1, -40.68

 

CMYK 0 / 30 / 89 / 3

HEX #F8AE1B

RGB 248 174 27

HSL 39.91, 0.94%, 0.54%

LAB 76.26, 16.57, 75.65

 

Description

Color code: HEX #1AF841 | qconv.com Color code: HEX #1AF841 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 248 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 248 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 74 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 74% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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