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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AF5B9 it is the complementary color #E50A46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AF5B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AF5B9 shade: #1FF5B4, #30FFC7, #41FFDA, #52FFED and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AF5B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AF5B9 shade: #1AF5B9, #09E3A6, #00D193, #00BF80 and #00AD6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AF5B9 shade: #19F5B9, #19F57E, #19F542, #2BF519 and #67F519

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AF5B9 shade: #19F5B9, #19F5F4, #19BBF5, #197FF5 and #1944F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AF5B9 shade matches the following richer shades: #19F5B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AF5B9 shade: #19F5B9, #2CE2B0, #40CFA7, #53BB9F and #66A896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AF5B9 shade: #19F541, #19F57C, #19F5B7, #19F5F2 and #19BEF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AF5B9 shade: #08B485, #09DCA2, #19F5B9, #40F7C5 and #68F9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AF5B9 shade: #1AF5B9, #192BF5 and #F55F19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AF5B9 shade: #1AF5B9, #B719F5 and #F5B719

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AF5B9 shade: #1AF5B9, #192BF5, #F51957 and #F5E319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AF5B9 shade: #1AF5B9, #4919F5, #F51957 and #C6F519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 24 / 4

HEX #1AF5B9

RGB 26 245 185

HSL 163.56, 0.92%, 0.53%

LAB 86.52, -61.55, 15.55

 

Complementary color

CMYK 0 / 96 / 69 / 10

HEX #E50A46

RGB 229 10 70

HSL 343.56, 0.92%, 0.47%

LAB 48.66, 74.59, 29.97

 

CMYK 87 / 0 / 27 / 4

HEX #1FF5B4

RGB 31 245 180

HSL 161.78, 0.91%, 0.54%

LAB 86.45, -62.41, 18.04

 

CMYK 81 / 0 / 22 / 0

HEX #30FFC7

RGB 48 255 199

HSL 163.77, 1%, 0.59%

LAB 89.99, -60.64, 13.25

 

CMYK 75 / 0 / 15 / 0

HEX #41FFDA

RGB 65 255 218

HSL 168.32, 1%, 0.63%

LAB 90.65, -54.46, 4.41

 

CMYK 68 / 0 / 7 / 0

HEX #52FFED

RGB 82 255 237

HSL 173.76, 1%, 0.66%

LAB 91.43, -47.6, -4.25

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 89 / 0 / 24 / 4

HEX #1AF5B9

RGB 26 245 185

HSL 163.56, 0.92%, 0.53%

LAB 86.52, -61.55, 15.55

 

CMYK 96 / 0 / 27 / 11

HEX #09E3A6

RGB 9 227 166

HSL 163.21, 0.92%, 0.46%

LAB 80.6, -59.83, 17.13

 

CMYK 100 / 0 / 30 / 18

HEX #00D193

RGB 0 209 147

HSL 162.2, 1%, 0.41%

LAB 74.64, -57.73, 18.84

 

CMYK 100 / 0 / 33 / 25

HEX #00BF80

RGB 0 191 128

HSL 160.21, 1%, 0.37%

LAB 68.62, -55.32, 20.67

 

CMYK 100 / 0 / 37 / 32

HEX #00AD6D

RGB 0 173 109

HSL 157.8, 1%, 0.34%

LAB 62.5, -52.81, 22.58

 

CMYK 90 / 0 / 24 / 4

HEX #19F5B9

RGB 25 245 185

HSL 163.64, 0.92%, 0.53%

LAB 86.51, -61.59, 15.54

 

CMYK 90 / 0 / 49 / 4

HEX #19F57E

RGB 25 245 126

HSL 147.55, 0.92%, 0.53%

LAB 85.51, -73.07, 43.83

 

CMYK 90 / 0 / 73 / 4

HEX #19F542

RGB 25 245 66

HSL 131.18, 0.92%, 0.53%

LAB 84.95, -80.06, 68.33

 

CMYK 82 / 0 / 90 / 4

HEX #2BF519

RGB 43 245 25

HSL 115.09, 0.92%, 0.53%

LAB 84.94, -80.76, 78.53

 

CMYK 58 / 0 / 90 / 4

HEX #67F519

RGB 103 245 25

HSL 98.73, 0.92%, 0.53%

LAB 86.14, -70.54, 80.02

 

CMYK 90 / 0 / 24 / 4

HEX #19F5B9

RGB 25 245 185

HSL 163.64, 0.92%, 0.53%

LAB 86.51, -61.59, 15.54

 

CMYK 90 / 0 / 0 / 4

HEX #19F5F4

RGB 25 245 244

HSL 179.73, 0.92%, 0.53%

LAB 87.99, -46.27, -13.08

 

CMYK 90 / 24 / 0 / 4

HEX #19BBF5

RGB 25 187 245

HSL 195.82, 0.92%, 0.53%

LAB 71.1, -18.26, -39.4

 

CMYK 90 / 48 / 0 / 4

HEX #197FF5

RGB 25 127 245

HSL 212.18, 0.92%, 0.53%

LAB 54, 16.35, -66.54

 

CMYK 90 / 72 / 0 / 4

HEX #1944F5

RGB 25 68 245

HSL 228.27, 0.92%, 0.53%

LAB 39.47, 53.01, -90.31

 

CMYK 90 / 0 / 24 / 4

HEX #19F5B9

RGB 25 245 185

HSL 163.64, 0.92%, 0.53%

LAB 86.51, -61.59, 15.54

 

CMYK 90 / 0 / 24 / 4

HEX #19F5B9

RGB 25 245 185

HSL 163.64, 0.92%, 0.53%

LAB 86.51, -61.59, 15.54

 

CMYK 81 / 0 / 22 / 11

HEX #2CE2B0

RGB 44 226 176

HSL 163.52, 0.76%, 0.53%

LAB 80.77, -55.13, 12.16

 

CMYK 69 / 0 / 19 / 19

HEX #40CFA7

RGB 64 207 167

HSL 163.22, 0.6%, 0.53%

LAB 75.14, -47.2, 8.98

 

CMYK 56 / 0 / 15 / 27

HEX #53BB9F

RGB 83 187 159

HSL 163.85, 0.43%, 0.53%

LAB 69.39, -36.96, 5.13

 

CMYK 39 / 0 / 11 / 34

HEX #66A896

RGB 102 168 150

HSL 163.64, 0.28%, 0.53%

LAB 64.19, -25.33, 2.68

 

CMYK 90 / 0 / 73 / 4

HEX #19F541

RGB 25 245 65

HSL 130.91, 0.92%, 0.53%

LAB 84.94, -80.13, 68.66

 

CMYK 90 / 0 / 49 / 4

HEX #19F57C

RGB 25 245 124

HSL 147, 0.92%, 0.53%

LAB 85.49, -73.38, 44.75

 

CMYK 90 / 0 / 25 / 4

HEX #19F5B7

RGB 25 245 183

HSL 163.09, 0.92%, 0.53%

LAB 86.47, -62.05, 16.51

 

CMYK 90 / 0 / 1 / 4

HEX #19F5F2

RGB 25 245 242

HSL 179.18, 0.92%, 0.53%

LAB 87.93, -46.84, -12.12

 

CMYK 90 / 22 / 0 / 4

HEX #19BEF5

RGB 25 190 245

HSL 195, 0.92%, 0.53%

LAB 71.98, -19.83, -38.04

 

CMYK 96 / 0 / 26 / 29

HEX #08B485

RGB 8 180 133

HSL 163.6, 0.91%, 0.37%

LAB 65.27, -49.69, 13.33

 

CMYK 96 / 0 / 26 / 14

HEX #09DCA2

RGB 9 220 162

HSL 163.51, 0.92%, 0.45%

LAB 78.38, -58.14, 16.12

 

CMYK 90 / 0 / 24 / 4

HEX #19F5B9

RGB 25 245 185

HSL 163.64, 0.92%, 0.53%

LAB 86.51, -61.59, 15.54

 

CMYK 74 / 0 / 20 / 3

HEX #40F7C5

RGB 64 247 197

HSL 163.61, 0.92%, 0.61%

LAB 87.8, -56.4, 11.2

 

CMYK 58 / 0 / 16 / 2

HEX #68F9D1

RGB 104 249 209

HSL 163.45, 0.92%, 0.69%

LAB 89.53, -48.33, 7.58

 

CMYK 89 / 0 / 24 / 4

HEX #1AF5B9

RGB 26 245 185

HSL 163.56, 0.92%, 0.53%

LAB 86.52, -61.55, 15.55

 

CMYK 90 / 82 / 0 / 4

HEX #192BF5

RGB 25 43 245

HSL 235.09, 0.92%, 0.53%

LAB 35.06, 65.7, -97.63

 

CMYK 0 / 61 / 90 / 4

HEX #F55F19

RGB 245 95 25

HSL 19.09, 0.92%, 0.53%

LAB 59.59, 54.8, 63.56

 

CMYK 89 / 0 / 24 / 4

HEX #1AF5B9

RGB 26 245 185

HSL 163.56, 0.92%, 0.53%

LAB 86.52, -61.55, 15.55

 

CMYK 25 / 90 / 0 / 4

HEX #B719F5

RGB 183 25 245

HSL 283.09, 0.92%, 0.53%

LAB 48.7, 84.06, -74.61

 

CMYK 0 / 25 / 90 / 4

HEX #F5B719

RGB 245 183 25

HSL 43.09, 0.92%, 0.53%

LAB 78.08, 10.54, 77.3

 

CMYK 89 / 0 / 24 / 4

HEX #1AF5B9

RGB 26 245 185

HSL 163.56, 0.92%, 0.53%

LAB 86.52, -61.55, 15.55

 

CMYK 90 / 82 / 0 / 4

HEX #192BF5

RGB 25 43 245

HSL 235.09, 0.92%, 0.53%

LAB 35.06, 65.7, -97.63

 

CMYK 0 / 90 / 64 / 4

HEX #F51957

RGB 245 25 87

HSL 343.09, 0.92%, 0.53%

LAB 52.73, 77.6, 25.52

 

CMYK 0 / 7 / 90 / 4

HEX #F5E319

RGB 245 227 25

HSL 55.09, 0.92%, 0.53%

LAB 89.12, -11.91, 85.77

 

CMYK 89 / 0 / 24 / 4

HEX #1AF5B9

RGB 26 245 185

HSL 163.56, 0.92%, 0.53%

LAB 86.52, -61.55, 15.55

 

CMYK 70 / 90 / 0 / 4

HEX #4919F5

RGB 73 25 245

HSL 253.09, 0.92%, 0.53%

LAB 35.41, 73.69, -96.98

 

CMYK 0 / 90 / 64 / 4

HEX #F51957

RGB 245 25 87

HSL 343.09, 0.92%, 0.53%

LAB 52.73, 77.6, 25.52

 

CMYK 19 / 0 / 90 / 4

HEX #C6F519

RGB 198 245 25

HSL 72.82, 0.92%, 0.53%

LAB 90.5, -39.58, 85.39

 

Description

Color code: HEX #1AF5B9 | qconv.com Color code: HEX #1AF5B9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 245 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 245 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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