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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AF064 it is the complementary color #E50F9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AF064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AF064 shade: #1FF05F, #30FF72, #41FF85, #52FF98 and #63FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AF064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AF064 shade: #1AF064, #09DE51, #00CC3E, #00BA2B and #00A818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AF064 shade: #19F063, #19F029, #43F019, #7DF019 and #B7F019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AF064 shade: #19F063, #19F09D, #19F0D8, #19CFF0 and #1995F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AF064 shade matches the following richer shades: #19F063

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AF064 shade: #19F063, #2DDD69, #40C970, #54B576 and #68A17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AF064 shade: #44F019, #19F027, #19F061, #19F09A and #19F0D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AF064 shade: #0BAC43, #0DD352, #19F063, #40F37E and #66F598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AF064 shade: #1AF064, #197DF0 and #F01927

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AF064 shade: #1AF064, #6119F0 and #F06119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AF064 shade: #1AF064, #197DF0, #F019A9 and #F08C19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AF064 shade: #1AF064, #193DF0, #F019A9 and #F0CC19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 58 / 6

HEX #1AF064

RGB 26 240 100

HSL 140.75, 0.88%, 0.52%

LAB 83.68, -75.13, 53.59

 

Complementary color

CMYK 0 / 93 / 32 / 10

HEX #E50F9B

RGB 229 15 155

HSL 320.75, 0.88%, 0.48%

LAB 51.11, 80.35, -18.26

 

CMYK 87 / 0 / 60 / 6

HEX #1FF05F

RGB 31 240 95

HSL 138.37, 0.87%, 0.53%

LAB 83.67, -75.41, 55.77

 

CMYK 81 / 0 / 55 / 0

HEX #30FF72

RGB 48 255 114

HSL 139.13, 1%, 0.59%

LAB 88.62, -76.21, 53.24

 

CMYK 75 / 0 / 48 / 0

HEX #41FF85

RGB 65 255 133

HSL 141.47, 1%, 0.63%

LAB 89.08, -71.58, 45.07

 

CMYK 68 / 0 / 40 / 0

HEX #52FF98

RGB 82 255 152

HSL 144.28, 1%, 0.66%

LAB 89.66, -66.02, 36.68

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAB

RGB 99 255 171

HSL 147.69, 1%, 0.69%

LAB 90.37, -59.63, 28.21

 

CMYK 89 / 0 / 58 / 6

HEX #1AF064

RGB 26 240 100

HSL 140.75, 0.88%, 0.52%

LAB 83.68, -75.13, 53.59

 

CMYK 96 / 0 / 64 / 13

HEX #09DE51

RGB 9 222 81

HSL 140.28, 0.92%, 0.45%

LAB 77.81, -72.79, 55.05

 

CMYK 100 / 0 / 70 / 20

HEX #00CC3E

RGB 0 204 62

HSL 138.24, 1%, 0.4%

LAB 71.92, -69.82, 56.29

 

CMYK 100 / 0 / 77 / 27

HEX #00BA2B

RGB 0 186 43

HSL 133.87, 1%, 0.36%

LAB 65.98, -66.24, 57.05

 

CMYK 100 / 0 / 86 / 34

HEX #00A818

RGB 0 168 24

HSL 128.57, 1%, 0.33%

LAB 59.95, -62.28, 56.86

 

CMYK 90 / 0 / 59 / 6

HEX #19F063

RGB 25 240 99

HSL 140.65, 0.88%, 0.52%

LAB 83.67, -75.31, 54.01

 

CMYK 90 / 0 / 83 / 6

HEX #19F029

RGB 25 240 41

HSL 124.47, 0.88%, 0.52%

LAB 83.28, -80.22, 73.93

 

CMYK 72 / 0 / 90 / 6

HEX #43F019

RGB 67 240 25

HSL 108.28, 0.88%, 0.52%

LAB 83.75, -76.24, 77.66

 

CMYK 48 / 0 / 90 / 6

HEX #7DF019

RGB 125 240 25

HSL 92.09, 0.88%, 0.52%

LAB 85.38, -62.93, 79.69

 

CMYK 24 / 0 / 90 / 6

HEX #B7F019

RGB 183 240 25

HSL 75.91, 0.88%, 0.52%

LAB 88.19, -43.15, 83.15

 

CMYK 90 / 0 / 59 / 6

HEX #19F063

RGB 25 240 99

HSL 140.65, 0.88%, 0.52%

LAB 83.67, -75.31, 54.01

 

CMYK 90 / 0 / 35 / 6

HEX #19F09D

RGB 25 240 157

HSL 156.84, 0.88%, 0.52%

LAB 84.46, -65.84, 27.1

 

CMYK 90 / 0 / 10 / 6

HEX #19F0D8

RGB 25 240 216

HSL 173.3, 0.88%, 0.52%

LAB 85.75, -51.91, -1.73

 

CMYK 90 / 14 / 0 / 6

HEX #19CFF0

RGB 25 207 240

HSL 189.21, 0.88%, 0.52%

LAB 76.75, -30.04, -27.97

 

CMYK 90 / 38 / 0 / 6

HEX #1995F0

RGB 25 149 240

HSL 205.4, 0.88%, 0.52%

LAB 59.88, 1.1, -54.35

 

CMYK 90 / 0 / 59 / 6

HEX #19F063

RGB 25 240 99

HSL 140.65, 0.88%, 0.52%

LAB 83.67, -75.31, 54.01

 

CMYK 90 / 0 / 59 / 6

HEX #19F063

RGB 25 240 99

HSL 140.65, 0.88%, 0.52%

LAB 83.67, -75.31, 54.01

 

CMYK 80 / 0 / 52 / 13

HEX #2DDD69

RGB 45 221 105

HSL 140.45, 0.72%, 0.52%

LAB 78.05, -66.89, 44.62

 

CMYK 68 / 0 / 44 / 21

HEX #40C970

RGB 64 201 112

HSL 141.02, 0.56%, 0.52%

LAB 72.25, -56.13, 33.98

 

CMYK 54 / 0 / 35 / 29

HEX #54B576

RGB 84 181 118

HSL 141.03, 0.4%, 0.52%

LAB 66.7, -42.88, 23.66

 

CMYK 35 / 0 / 23 / 37

HEX #68A17C

RGB 104 161 124

HSL 141.05, 0.23%, 0.52%

LAB 61.56, -26.88, 13.46

 

CMYK 72 / 0 / 90 / 6

HEX #44F019

RGB 68 240 25

HSL 108, 0.88%, 0.52%

LAB 83.77, -76.07, 77.69

 

CMYK 90 / 0 / 84 / 6

HEX #19F027

RGB 25 240 39

HSL 123.91, 0.88%, 0.52%

LAB 83.27, -80.32, 74.38

 

CMYK 90 / 0 / 60 / 6

HEX #19F061

RGB 25 240 97

HSL 140.09, 0.88%, 0.52%

LAB 83.65, -75.56, 54.86

 

CMYK 90 / 0 / 36 / 6

HEX #19F09A

RGB 25 240 154

HSL 156, 0.88%, 0.52%

LAB 84.41, -66.44, 28.56

 

CMYK 90 / 0 / 12 / 6

HEX #19F0D4

RGB 25 240 212

HSL 172.19, 0.88%, 0.52%

LAB 85.65, -52.97, 0.22

 

CMYK 94 / 0 / 61 / 33

HEX #0BAC43

RGB 11 172 67

HSL 140.87, 0.88%, 0.36%

LAB 61.64, -59.13, 42.85

 

CMYK 94 / 0 / 61 / 17

HEX #0DD352

RGB 13 211 82

HSL 140.91, 0.88%, 0.44%

LAB 74.37, -69.24, 50.73

 

CMYK 90 / 0 / 59 / 6

HEX #19F063

RGB 25 240 99

HSL 140.65, 0.88%, 0.52%

LAB 83.67, -75.31, 54.01

 

CMYK 74 / 0 / 48 / 5

HEX #40F37E

RGB 64 243 126

HSL 140.78, 0.88%, 0.6%

LAB 85.35, -68.74, 43.72

 

CMYK 58 / 0 / 38 / 4

HEX #66F598

RGB 102 245 152

HSL 140.98, 0.88%, 0.68%

LAB 87.19, -58.59, 33.51

 

CMYK 89 / 0 / 58 / 6

HEX #1AF064

RGB 26 240 100

HSL 140.75, 0.88%, 0.52%

LAB 83.68, -75.13, 53.59

 

CMYK 90 / 48 / 0 / 6

HEX #197DF0

RGB 25 125 240

HSL 212.09, 0.88%, 0.52%

LAB 53.13, 15.68, -65.17

 

CMYK 0 / 90 / 84 / 6

HEX #F01927

RGB 240 25 39

HSL 356.09, 0.88%, 0.52%

LAB 51.11, 74.64, 50.78

 

CMYK 89 / 0 / 58 / 6

HEX #1AF064

RGB 26 240 100

HSL 140.75, 0.88%, 0.52%

LAB 83.68, -75.13, 53.59

 

CMYK 60 / 90 / 0 / 6

HEX #6119F0

RGB 97 25 240

HSL 260.09, 0.88%, 0.52%

LAB 36.98, 73.93, -91.48

 

CMYK 0 / 60 / 90 / 6

HEX #F06119

RGB 240 97 25

HSL 20.09, 0.88%, 0.52%

LAB 59.11, 52.15, 62.84

 

CMYK 89 / 0 / 58 / 6

HEX #1AF064

RGB 26 240 100

HSL 140.75, 0.88%, 0.52%

LAB 83.68, -75.13, 53.59

 

CMYK 90 / 48 / 0 / 6

HEX #197DF0

RGB 25 125 240

HSL 212.09, 0.88%, 0.52%

LAB 53.13, 15.68, -65.17

 

CMYK 0 / 90 / 30 / 6

HEX #F019A9

RGB 240 25 169

HSL 319.81, 0.88%, 0.52%

LAB 54.12, 82.92, -21.76

 

CMYK 0 / 42 / 90 / 6

HEX #F08C19

RGB 240 140 25

HSL 32.09, 0.88%, 0.52%

LAB 67.54, 31.02, 69.08

 

CMYK 89 / 0 / 58 / 6

HEX #1AF064

RGB 26 240 100

HSL 140.75, 0.88%, 0.52%

LAB 83.68, -75.13, 53.59

 

CMYK 90 / 75 / 0 / 6

HEX #193DF0

RGB 25 61 240

HSL 229.95, 0.88%, 0.52%

LAB 37.55, 55.25, -90.67

 

CMYK 0 / 90 / 30 / 6

HEX #F019A9

RGB 240 25 169

HSL 319.81, 0.88%, 0.52%

LAB 54.12, 82.92, -21.76

 

CMYK 0 / 15 / 90 / 6

HEX #F0CC19

RGB 240 204 25

HSL 49.95, 0.88%, 0.52%

LAB 82.8, -2.47, 80.7

 

Description

Color code: HEX #1AF064 | qconv.com Color code: HEX #1AF064 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 240 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 240 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 58 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 58% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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