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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AE2B0 it is the complementary color #E51D4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AE2B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AE2B0 shade: #1FE2AB, #30F4BE, #41FFD1, #52FFE4 and #63FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AE2B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AE2B0 shade: #1AE2B0, #09D09D, #00BE8A, #00AC77 and #009A64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AE2B0 shade: #1AE0AE, #1AE079, #1AE044, #26E01A and #5BE01A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AE2B0 shade: #1AE0AE, #1ADCE0, #1AA7E0, #1A71E0 and #1A3CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AE2B0 shade matches the following richer shades: #1AE0AE and #06F4B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AE2B0 shade: #1AE0AE, #2ECBA4, #43B79A, #57A390 and #6B8F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AE2B0 shade: #1AE045, #1AE07A, #1AE0AE, #1ADCE0 and #1AA8E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AE2B0 shade: #129675, #16BB92, #1AE0AE, #3BE8BD and #60ECC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AE2B0 shade: #1AE2B0, #1A24E0 and #E05F1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AE2B0 shade: #1AE2B0, #AE1AE0 and #E0AE1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AE2B0 shade: #1AE2B0, #1A24E0, #E01A4C and #E0D61A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AE2B0 shade: #1AE2B0, #4C1AE0, #E01A4C and #AEE01A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 22 / 11

HEX #1AE2B0

RGB 26 226 176

HSL 165, 0.79%, 0.49%

LAB 80.6, -56.43, 11.89

 

Complementary color

CMYK 0 / 87 / 66 / 10

HEX #E51D4F

RGB 229 29 79

HSL 345, 0.79%, 0.51%

LAB 49.62, 72.67, 25.72

 

CMYK 86 / 0 / 24 / 11

HEX #1FE2AB

RGB 31 226 171

HSL 163.08, 0.77%, 0.5%

LAB 80.53, -57.31, 14.43

 

CMYK 80 / 0 / 22 / 4

HEX #30F4BE

RGB 48 244 190

HSL 163.47, 0.9%, 0.57%

LAB 86.53, -58.5, 13

 

CMYK 75 / 0 / 18 / 0

HEX #41FFD1

RGB 65 255 209

HSL 165.47, 1%, 0.63%

LAB 90.44, -56.63, 8.76

 

CMYK 68 / 0 / 11 / 0

HEX #52FFE4

RGB 82 255 228

HSL 170.64, 1%, 0.66%

LAB 91.2, -49.88, 0.07

 

CMYK 61 / 0 / 3 / 0

HEX #63FFF7

RGB 99 255 247

HSL 176.92, 1%, 0.69%

LAB 92.08, -42.52, -8.43

 

CMYK 88 / 0 / 22 / 11

HEX #1AE2B0

RGB 26 226 176

HSL 165, 0.79%, 0.49%

LAB 80.6, -56.43, 11.89

 

CMYK 96 / 0 / 25 / 18

HEX #09D09D

RGB 9 208 157

HSL 164.62, 0.92%, 0.43%

LAB 74.57, -54.75, 13.44

 

CMYK 100 / 0 / 27 / 25

HEX #00BE8A

RGB 0 190 138

HSL 163.58, 1%, 0.37%

LAB 68.51, -52.67, 15.13

 

CMYK 100 / 0 / 31 / 33

HEX #00AC77

RGB 0 172 119

HSL 161.51, 1%, 0.34%

LAB 62.37, -50.23, 16.96

 

CMYK 100 / 0 / 35 / 40

HEX #009A64

RGB 0 154 100

HSL 158.96, 1%, 0.3%

LAB 56.12, -47.71, 18.88

 

CMYK 88 / 0 / 22 / 12

HEX #1AE0AE

RGB 26 224 174

HSL 164.85, 0.79%, 0.49%

LAB 79.95, -56.13, 12.02

 

CMYK 88 / 0 / 46 / 12

HEX #1AE079

RGB 26 224 121

HSL 148.79, 0.79%, 0.49%

LAB 78.99, -67, 38

 

CMYK 88 / 0 / 70 / 12

HEX #1AE044

RGB 26 224 68

HSL 132.73, 0.79%, 0.49%

LAB 78.43, -73.85, 60.92

 

CMYK 83 / 0 / 88 / 12

HEX #26E01A

RGB 38 224 26

HSL 116.36, 0.79%, 0.49%

LAB 78.34, -75.39, 72.71

 

CMYK 59 / 0 / 88 / 12

HEX #5BE01A

RGB 91 224 26

HSL 100.3, 0.79%, 0.49%

LAB 79.39, -66.42, 74.03

 

CMYK 88 / 0 / 22 / 12

HEX #1AE0AE

RGB 26 224 174

HSL 164.85, 0.79%, 0.49%

LAB 79.95, -56.13, 12.02

 

CMYK 88 / 2 / 0 / 12

HEX #1ADCE0

RGB 26 220 224

HSL 181.21, 0.79%, 0.49%

LAB 80.06, -41.01, -14.4

 

CMYK 88 / 25 / 0 / 12

HEX #1AA7E0

RGB 26 167 224

HSL 197.27, 0.79%, 0.49%

LAB 64.35, -14.86, -38.46

 

CMYK 88 / 50 / 0 / 12

HEX #1A71E0

RGB 26 113 224

HSL 213.64, 0.79%, 0.49%

LAB 48.77, 17.13, -63.24

 

CMYK 88 / 73 / 0 / 12

HEX #1A3CE0

RGB 26 60 224

HSL 229.7, 0.79%, 0.49%

LAB 35.66, 50.47, -84.69

 

CMYK 88 / 0 / 22 / 12

HEX #1AE0AE

RGB 26 224 174

HSL 164.85, 0.79%, 0.49%

LAB 79.95, -56.13, 12.02

 

CMYK 98 / 0 / 25 / 4

HEX #06F4B8

RGB 6 244 184

HSL 164.87, 0.95%, 0.49%

LAB 86.11, -62.09, 15.48

 

CMYK 88 / 0 / 22 / 12

HEX #1AE0AE

RGB 26 224 174

HSL 164.85, 0.79%, 0.49%

LAB 79.95, -56.13, 12.02

 

CMYK 77 / 0 / 19 / 20

HEX #2ECBA4

RGB 46 203 164

HSL 165.1, 0.63%, 0.49%

LAB 73.53, -48.58, 8.24

 

CMYK 63 / 0 / 16 / 28

HEX #43B79A

RGB 67 183 154

HSL 165, 0.46%, 0.49%

LAB 67.57, -39.52, 5.2

 

CMYK 47 / 0 / 12 / 36

HEX #57A390

RGB 87 163 144

HSL 165, 0.3%, 0.49%

LAB 61.86, -28.3, 2.58

 

CMYK 25 / 0 / 6 / 44

HEX #6B8F86

RGB 107 143 134

HSL 165, 0.14%, 0.49%

LAB 56.58, -14.5, 0.71

 

CMYK 88 / 0 / 69 / 12

HEX #1AE045

RGB 26 224 69

HSL 133.03, 0.79%, 0.49%

LAB 78.44, -73.75, 60.55

 

CMYK 88 / 0 / 46 / 12

HEX #1AE07A

RGB 26 224 122

HSL 149.09, 0.79%, 0.49%

LAB 79, -66.84, 37.53

 

CMYK 88 / 0 / 22 / 12

HEX #1AE0AE

RGB 26 224 174

HSL 164.85, 0.79%, 0.49%

LAB 79.95, -56.13, 12.02

 

CMYK 88 / 2 / 0 / 12

HEX #1ADCE0

RGB 26 220 224

HSL 181.21, 0.79%, 0.49%

LAB 80.06, -41.01, -14.4

 

CMYK 88 / 25 / 0 / 12

HEX #1AA8E0

RGB 26 168 224

HSL 196.97, 0.79%, 0.49%

LAB 64.65, -15.4, -38

 

CMYK 88 / 0 / 22 / 41

HEX #129675

RGB 18 150 117

HSL 165, 0.79%, 0.33%

LAB 55.3, -41, 8.21

 

CMYK 88 / 0 / 22 / 27

HEX #16BB92

RGB 22 187 146

HSL 165.09, 0.79%, 0.41%

LAB 67.86, -48.6, 9.9

 

CMYK 88 / 0 / 22 / 12

HEX #1AE0AE

RGB 26 224 174

HSL 164.85, 0.79%, 0.49%

LAB 79.95, -56.13, 12.02

 

CMYK 75 / 0 / 19 / 9

HEX #3BE8BD

RGB 59 232 189

HSL 165.09, 0.79%, 0.57%

LAB 83.08, -52.87, 8.64

 

CMYK 59 / 0 / 15 / 7

HEX #60ECC9

RGB 96 236 201

HSL 165, 0.79%, 0.65%

LAB 85.35, -46.11, 5.7

 

CMYK 88 / 0 / 22 / 11

HEX #1AE2B0

RGB 26 226 176

HSL 165, 0.79%, 0.49%

LAB 80.6, -56.43, 11.89

 

CMYK 88 / 84 / 0 / 12

HEX #1A24E0

RGB 26 36 224

HSL 236.97, 0.79%, 0.49%

LAB 31.49, 62.52, -91.61

 

CMYK 0 / 58 / 88 / 12

HEX #E05F1A

RGB 224 95 26

HSL 20.91, 0.79%, 0.49%

LAB 56.19, 47.27, 59.2

 

CMYK 88 / 0 / 22 / 11

HEX #1AE2B0

RGB 26 226 176

HSL 165, 0.79%, 0.49%

LAB 80.6, -56.43, 11.89

 

CMYK 22 / 88 / 0 / 12

HEX #AE1AE0

RGB 174 26 224

HSL 284.85, 0.79%, 0.49%

LAB 45.8, 78.84, -67.53

 

CMYK 0 / 22 / 88 / 12

HEX #E0AE1A

RGB 224 174 26

HSL 44.85, 0.79%, 0.49%

LAB 73.67, 6.23, 72.75

 

CMYK 88 / 0 / 22 / 11

HEX #1AE2B0

RGB 26 226 176

HSL 165, 0.79%, 0.49%

LAB 80.6, -56.43, 11.89

 

CMYK 88 / 84 / 0 / 12

HEX #1A24E0

RGB 26 36 224

HSL 236.97, 0.79%, 0.49%

LAB 31.49, 62.52, -91.61

 

CMYK 0 / 88 / 66 / 12

HEX #E01A4C

RGB 224 26 76

HSL 344.85, 0.79%, 0.49%

LAB 48.4, 71.76, 25.78

 

CMYK 0 / 4 / 88 / 12

HEX #E0D61A

RGB 224 214 26

HSL 56.97, 0.79%, 0.49%

LAB 83.97, -14.33, 80.84

 

CMYK 88 / 0 / 22 / 11

HEX #1AE2B0

RGB 26 226 176

HSL 165, 0.79%, 0.49%

LAB 80.6, -56.43, 11.89

 

CMYK 66 / 88 / 0 / 12

HEX #4C1AE0

RGB 76 26 224

HSL 255.15, 0.79%, 0.49%

LAB 33.26, 68.31, -88.6

 

CMYK 0 / 88 / 66 / 12

HEX #E01A4C

RGB 224 26 76

HSL 344.85, 0.79%, 0.49%

LAB 48.4, 71.76, 25.78

 

CMYK 22 / 0 / 88 / 12

HEX #AEE01A

RGB 174 224 26

HSL 75.15, 0.79%, 0.49%

LAB 83.12, -39.57, 78.64

 

Description

Color code: HEX #1AE2B0 | qconv.com Color code: HEX #1AE2B0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 226 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 226 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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