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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ADE60 it is the complementary color #E5219F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ADE60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ADE60 shade: #1FDE5B, #30F06E, #41FF81, #52FF94 and #63FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ADE60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ADE60 shade: #1ADE60, #09CC4D, #00BA3A, #00A827 and #009614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ADE60 shade: #1AE061, #1AE02C, #3EE01A, #73E01A and #A9E01A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ADE60 shade: #1AE061, #1AE096, #1AE0CB, #1ABFE0 and #1A8AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ADE60 shade matches the following richer shades: #1AE061 and #06F45B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ADE60 shade: #1AE061, #2ECB67, #43B76C, #57A372 and #6B8F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ADE60 shade: #3EE01A, #1AE02B, #1AE05F, #1AE094 and #1AE0C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ADE60 shade: #129641, #16BB51, #1AE061, #3BE879 and #60EC92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ADE60 shade: #1ADE60, #1A73E0 and #E01A24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ADE60 shade: #1ADE60, #5F1AE0 and #E05F1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ADE60 shade: #1ADE60, #1A73E0, #E01A9B and #E0871A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ADE60 shade: #1ADE60, #1A38E0, #E01A9B and #E0C21A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 57 / 13

HEX #1ADE60

RGB 26 222 96

HSL 141.43, 0.79%, 0.49%

LAB 78.06, -70.13, 48.77

 

Complementary color

CMYK 0 / 86 / 31 / 10

HEX #E5219F

RGB 229 33 159

HSL 321.43, 0.79%, 0.51%

LAB 52.12, 78.3, -19.1

 

CMYK 86 / 0 / 59 / 13

HEX #1FDE5B

RGB 31 222 91

HSL 138.85, 0.75%, 0.5%

LAB 78.05, -70.41, 51.02

 

CMYK 80 / 0 / 54 / 6

HEX #30F06E

RGB 48 240 110

HSL 139.38, 0.86%, 0.56%

LAB 84, -72.01, 49.52

 

CMYK 75 / 0 / 49 / 0

HEX #41FF81

RGB 65 255 129

HSL 140.21, 1%, 0.63%

LAB 89.03, -72.17, 46.9

 

CMYK 68 / 0 / 42 / 0

HEX #52FF94

RGB 82 255 148

HSL 142.89, 1%, 0.66%

LAB 89.6, -66.69, 38.56

 

CMYK 61 / 0 / 35 / 0

HEX #63FFA7

RGB 99 255 167

HSL 146.15, 1%, 0.69%

LAB 90.3, -60.37, 30.13

 

CMYK 88 / 0 / 57 / 13

HEX #1ADE60

RGB 26 222 96

HSL 141.43, 0.79%, 0.49%

LAB 78.06, -70.13, 48.77

 

CMYK 96 / 0 / 62 / 20

HEX #09CC4D

RGB 9 204 77

HSL 140.92, 0.92%, 0.42%

LAB 72.08, -67.88, 50.3

 

CMYK 100 / 0 / 69 / 27

HEX #00BA3A

RGB 0 186 58

HSL 138.71, 1%, 0.36%

LAB 66.08, -64.94, 51.66

 

CMYK 100 / 0 / 77 / 34

HEX #00A827

RGB 0 168 39

HSL 133.93, 1%, 0.33%

LAB 60.03, -61.34, 52.53

 

CMYK 100 / 0 / 87 / 41

HEX #009614

RGB 0 150 20

HSL 128, 1%, 0.29%

LAB 53.88, -57.31, 52.38

 

CMYK 88 / 0 / 57 / 12

HEX #1AE061

RGB 26 224 97

HSL 141.52, 0.79%, 0.49%

LAB 78.69, -70.62, 49.07

 

CMYK 88 / 0 / 80 / 12

HEX #1AE02C

RGB 26 224 44

HSL 125.45, 0.79%, 0.49%

LAB 78.29, -75.59, 68.59

 

CMYK 72 / 0 / 88 / 12

HEX #3EE01A

RGB 62 224 26

HSL 109.09, 0.79%, 0.49%

LAB 78.7, -72.25, 73.16

 

CMYK 49 / 0 / 88 / 12

HEX #73E01A

RGB 115 224 26

HSL 93.03, 0.79%, 0.49%

LAB 80.2, -60.01, 75.03

 

CMYK 25 / 0 / 88 / 12

HEX #A9E01A

RGB 169 224 26

HSL 76.67, 0.79%, 0.49%

LAB 82.82, -41.5, 78.28

 

CMYK 88 / 0 / 57 / 12

HEX #1AE061

RGB 26 224 97

HSL 141.52, 0.79%, 0.49%

LAB 78.69, -70.62, 49.07

 

CMYK 88 / 0 / 33 / 12

HEX #1AE096

RGB 26 224 150

HSL 157.58, 0.79%, 0.49%

LAB 79.46, -61.52, 23.91

 

CMYK 88 / 0 / 9 / 12

HEX #1AE0CB

RGB 26 224 203

HSL 173.64, 0.79%, 0.49%

LAB 80.65, -48.71, -2.34

 

CMYK 88 / 15 / 0 / 12

HEX #1ABFE0

RGB 26 191 224

HSL 190, 0.79%, 0.49%

LAB 71.46, -27.31, -27.45

 

CMYK 88 / 38 / 0 / 12

HEX #1A8AE0

RGB 26 138 224

HSL 206.06, 0.79%, 0.49%

LAB 55.87, 1.67, -51.86

 

CMYK 88 / 0 / 57 / 12

HEX #1AE061

RGB 26 224 97

HSL 141.52, 0.79%, 0.49%

LAB 78.69, -70.62, 49.07

 

CMYK 98 / 0 / 63 / 4

HEX #06F45B

RGB 6 244 91

HSL 141.43, 0.95%, 0.49%

LAB 84.74, -78.19, 58.63

 

CMYK 88 / 0 / 57 / 12

HEX #1AE061

RGB 26 224 97

HSL 141.52, 0.79%, 0.49%

LAB 78.69, -70.62, 49.07

 

CMYK 77 / 0 / 49 / 20

HEX #2ECB67

RGB 46 203 103

HSL 141.78, 0.63%, 0.49%

LAB 72.41, -61.01, 38.62

 

CMYK 63 / 0 / 41 / 28

HEX #43B76C

RGB 67 183 108

HSL 141.21, 0.46%, 0.49%

LAB 66.63, -49.37, 28.76

 

CMYK 47 / 0 / 30 / 36

HEX #57A372

RGB 87 163 114

HSL 141.32, 0.3%, 0.49%

LAB 61.16, -34.89, 18.33

 

CMYK 25 / 0 / 16 / 44

HEX #6B8F78

RGB 107 143 120

HSL 141.67, 0.14%, 0.49%

LAB 56.21, -17.51, 8.21

 

CMYK 72 / 0 / 88 / 12

HEX #3EE01A

RGB 62 224 26

HSL 109.09, 0.79%, 0.49%

LAB 78.7, -72.25, 73.16

 

CMYK 88 / 0 / 81 / 12

HEX #1AE02B

RGB 26 224 43

HSL 125.15, 0.79%, 0.49%

LAB 78.29, -75.65, 68.86

 

CMYK 88 / 0 / 58 / 12

HEX #1AE05F

RGB 26 224 95

HSL 140.91, 0.79%, 0.49%

LAB 78.67, -70.88, 49.95

 

CMYK 88 / 0 / 34 / 12

HEX #1AE094

RGB 26 224 148

HSL 156.97, 0.79%, 0.49%

LAB 79.43, -61.94, 24.89

 

CMYK 88 / 0 / 10 / 12

HEX #1AE0C9

RGB 26 224 201

HSL 173.03, 0.79%, 0.49%

LAB 80.6, -49.25, -1.35

 

CMYK 88 / 0 / 57 / 41

HEX #129641

RGB 18 150 65

HSL 141.36, 0.79%, 0.33%

LAB 54.37, -51.71, 35.28

 

CMYK 88 / 0 / 57 / 27

HEX #16BB51

RGB 22 187 81

HSL 141.45, 0.79%, 0.41%

LAB 66.75, -61.36, 42.31

 

CMYK 88 / 0 / 57 / 12

HEX #1AE061

RGB 26 224 97

HSL 141.52, 0.79%, 0.49%

LAB 78.69, -70.62, 49.07

 

CMYK 75 / 0 / 48 / 9

HEX #3BE879

RGB 59 232 121

HSL 141.5, 0.79%, 0.57%

LAB 81.85, -66.45, 41.71

 

CMYK 59 / 0 / 38 / 7

HEX #60EC92

RGB 96 236 146

HSL 141.43, 0.79%, 0.65%

LAB 84.25, -57.41, 32.6

 

CMYK 88 / 0 / 57 / 13

HEX #1ADE60

RGB 26 222 96

HSL 141.43, 0.79%, 0.49%

LAB 78.06, -70.13, 48.77

 

CMYK 88 / 49 / 0 / 12

HEX #1A73E0

RGB 26 115 224

HSL 213.03, 0.79%, 0.49%

LAB 49.33, 15.86, -62.34

 

CMYK 0 / 88 / 84 / 12

HEX #E01A24

RGB 224 26 36

HSL 356.97, 0.79%, 0.49%

LAB 47.9, 70.33, 48.2

 

CMYK 88 / 0 / 57 / 13

HEX #1ADE60

RGB 26 222 96

HSL 141.43, 0.79%, 0.49%

LAB 78.06, -70.13, 48.77

 

CMYK 58 / 88 / 0 / 12

HEX #5F1AE0

RGB 95 26 224

HSL 260.91, 0.79%, 0.49%

LAB 35.11, 69.69, -85.47

 

CMYK 0 / 58 / 88 / 12

HEX #E05F1A

RGB 224 95 26

HSL 20.91, 0.79%, 0.49%

LAB 56.19, 47.27, 59.2

 

CMYK 88 / 0 / 57 / 13

HEX #1ADE60

RGB 26 222 96

HSL 141.43, 0.79%, 0.49%

LAB 78.06, -70.13, 48.77

 

CMYK 88 / 49 / 0 / 12

HEX #1A73E0

RGB 26 115 224

HSL 213.03, 0.79%, 0.49%

LAB 49.33, 15.86, -62.34

 

CMYK 0 / 88 / 31 / 12

HEX #E01A9B

RGB 224 26 155

HSL 320.91, 0.79%, 0.49%

LAB 50.63, 77.96, -19.08

 

CMYK 0 / 40 / 88 / 12

HEX #E0871A

RGB 224 135 26

HSL 33.03, 0.79%, 0.49%

LAB 64.36, 27.02, 65.49

 

CMYK 88 / 0 / 57 / 13

HEX #1ADE60

RGB 26 222 96

HSL 141.43, 0.79%, 0.49%

LAB 78.06, -70.13, 48.77

 

CMYK 88 / 75 / 0 / 12

HEX #1A38E0

RGB 26 56 224

HSL 230.91, 0.79%, 0.49%

LAB 34.86, 52.73, -86.02

 

CMYK 0 / 88 / 31 / 12

HEX #E01A9B

RGB 224 26 155

HSL 320.91, 0.79%, 0.49%

LAB 50.63, 77.96, -19.08

 

CMYK 0 / 13 / 88 / 12

HEX #E0C21A

RGB 224 194 26

HSL 50.91, 0.79%, 0.49%

LAB 78.76, -4.21, 76.73

 

Description

Color code: HEX #1ADE60 | qconv.com Color code: HEX #1ADE60 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 222 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 222 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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