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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ADA4C it is the complementary color #E525B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ADA4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ADA4C shade: #1FDA47, #30EC5A, #41FE6D, #52FF80 and #63FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ADA4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ADA4C shade: #1ADA4C, #09C839, #00B626, #00A413 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ADA4C shade: #1ADB4C, #1BDB1A, #50DB1A, #84DB1A and #B8DB1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ADA4C shade: #1ADB4C, #1ADB80, #1ADBB4, #1ACEDB and #1A9ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ADA4C shade matches the following richer shades: #1ADB4C and #06EF43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ADA4C shade: #1ADB4C, #2EC756, #41B35F, #55A069 and #698C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ADA4C shade: #50DB1A, #1DDB1A, #1ADB4A, #1ADB7E and #1ADBB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ADA4C shade: #119132, #15B63F, #1ADB4C, #37E765 and #5BEC81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ADA4C shade: #1ADA4C, #1A84DB and #DB1A37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ADA4C shade: #1ADA4C, #4A1ADB and #DB4A1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ADA4C shade: #1ADA4C, #1A84DB, #DB1AAB and #DB711A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ADA4C shade: #1ADA4C, #1A4ADB, #DB1AAB and #DBAB1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 65 / 15

HEX #1ADA4C

RGB 26 218 76

HSL 135.63, 0.79%, 0.48%

LAB 76.61, -71.3, 55.81

 

Complementary color

CMYK 0 / 84 / 22 / 10

HEX #E525B3

RGB 229 37 179

HSL 315.63, 0.79%, 0.52%

LAB 53.21, 79.83, -29.19

 

CMYK 86 / 0 / 67 / 15

HEX #1FDA47

RGB 31 218 71

HSL 132.83, 0.75%, 0.49%

LAB 76.61, -71.43, 57.84

 

CMYK 80 / 0 / 62 / 7

HEX #30EC5A

RGB 48 236 90

HSL 133.4, 0.83%, 0.56%

LAB 82.57, -73.24, 56.69

 

CMYK 74 / 0 / 57 / 0

HEX #41FE6D

RGB 65 254 109

HSL 133.97, 0.99%, 0.63%

LAB 88.5, -74.55, 55.38

 

CMYK 68 / 0 / 50 / 0

HEX #52FF80

RGB 82 255 128

HSL 135.95, 1%, 0.66%

LAB 89.33, -69.78, 47.81

 

CMYK 61 / 0 / 42 / 0

HEX #63FF93

RGB 99 255 147

HSL 138.46, 1%, 0.69%

LAB 89.99, -63.8, 39.63

 

CMYK 88 / 0 / 65 / 15

HEX #1ADA4C

RGB 26 218 76

HSL 135.63, 0.79%, 0.48%

LAB 76.61, -71.3, 55.81

 

CMYK 96 / 0 / 72 / 22

HEX #09C839

RGB 9 200 57

HSL 135.08, 0.91%, 0.41%

LAB 70.64, -68.76, 56.85

 

CMYK 100 / 0 / 79 / 29

HEX #00B626

RGB 0 182 38

HSL 132.53, 1%, 0.36%

LAB 64.64, -65.45, 57.35

 

CMYK 100 / 0 / 88 / 36

HEX #00A413

RGB 0 164 19

HSL 126.95, 1%, 0.32%

LAB 58.6, -61.37, 56.79

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 88 / 0 / 65 / 14

HEX #1ADB4C

RGB 26 219 76

HSL 135.54, 0.79%, 0.48%

LAB 76.92, -71.6, 56.16

 

CMYK 88 / 0 / 88 / 14

HEX #1BDB1A

RGB 27 219 26

HSL 119.69, 0.79%, 0.48%

LAB 76.66, -74.95, 71.22

 

CMYK 63 / 0 / 88 / 14

HEX #50DB1A

RGB 80 219 26

HSL 103.21, 0.79%, 0.48%

LAB 77.55, -67.28, 72.33

 

CMYK 40 / 0 / 88 / 14

HEX #84DB1A

RGB 132 219 26

HSL 87.05, 0.79%, 0.48%

LAB 79.41, -52.75, 74.65

 

CMYK 16 / 0 / 88 / 14

HEX #B8DB1A

RGB 184 219 26

HSL 70.88, 0.79%, 0.48%

LAB 82.34, -33.36, 78.27

 

CMYK 88 / 0 / 65 / 14

HEX #1ADB4C

RGB 26 219 76

HSL 135.54, 0.79%, 0.48%

LAB 76.92, -71.6, 56.16

 

CMYK 88 / 0 / 42 / 14

HEX #1ADB80

RGB 26 219 128

HSL 151.71, 0.79%, 0.48%

LAB 77.54, -64.09, 32.63

 

CMYK 88 / 0 / 18 / 14

HEX #1ADBB4

RGB 26 219 180

HSL 167.88, 0.79%, 0.48%

LAB 78.57, -52.69, 6.87

 

CMYK 88 / 6 / 0 / 14

HEX #1ACEDB

RGB 26 206 219

HSL 184.04, 0.79%, 0.48%

LAB 75.75, -36.11, -18.22

 

CMYK 88 / 30 / 0 / 14

HEX #1A9ADB

RGB 26 154 219

HSL 200.21, 0.79%, 0.48%

LAB 60.29, -9.47, -42.06

 

CMYK 88 / 0 / 65 / 14

HEX #1ADB4C

RGB 26 219 76

HSL 135.54, 0.79%, 0.48%

LAB 76.92, -71.6, 56.16

 

CMYK 97 / 0 / 72 / 6

HEX #06EF43

RGB 6 239 67

HSL 135.71, 0.95%, 0.48%

LAB 83.01, -79.08, 65.99

 

CMYK 88 / 0 / 65 / 14

HEX #1ADB4C

RGB 26 219 76

HSL 135.54, 0.79%, 0.48%

LAB 76.92, -71.6, 56.16

 

CMYK 77 / 0 / 57 / 22

HEX #2EC756

RGB 46 199 86

HSL 135.69, 0.62%, 0.48%

LAB 70.94, -62.13, 45.01

 

CMYK 64 / 0 / 47 / 30

HEX #41B35F

RGB 65 179 95

HSL 135.79, 0.47%, 0.48%

LAB 65.11, -50.43, 33.54

 

CMYK 47 / 0 / 34 / 37

HEX #55A069

RGB 85 160 105

HSL 136, 0.31%, 0.48%

LAB 59.97, -35.8, 21.64

 

CMYK 25 / 0 / 19 / 45

HEX #698C72

RGB 105 140 114

HSL 135.43, 0.14%, 0.48%

LAB 55.05, -17.82, 9.97

 

CMYK 63 / 0 / 88 / 14

HEX #50DB1A

RGB 80 219 26

HSL 103.21, 0.79%, 0.48%

LAB 77.55, -67.28, 72.33

 

CMYK 87 / 0 / 88 / 14

HEX #1DDB1A

RGB 29 219 26

HSL 119.07, 0.79%, 0.48%

LAB 76.68, -74.8, 71.24

 

CMYK 88 / 0 / 66 / 14

HEX #1ADB4A

RGB 26 219 74

HSL 134.92, 0.79%, 0.48%

LAB 76.91, -71.8, 56.95

 

CMYK 88 / 0 / 42 / 14

HEX #1ADB7E

RGB 26 219 126

HSL 151.09, 0.79%, 0.48%

LAB 77.51, -64.45, 33.6

 

CMYK 88 / 0 / 19 / 14

HEX #1ADBB1

RGB 26 219 177

HSL 166.94, 0.79%, 0.48%

LAB 78.49, -53.44, 8.36

 

CMYK 88 / 0 / 66 / 43

HEX #119132

RGB 17 145 50

HSL 135.47, 0.79%, 0.32%

LAB 52.51, -52.14, 40.29

 

CMYK 88 / 0 / 65 / 29

HEX #15B63F

RGB 21 182 63

HSL 135.65, 0.79%, 0.4%

LAB 64.94, -62.11, 48.38

 

CMYK 88 / 0 / 65 / 14

HEX #1ADB4C

RGB 26 219 76

HSL 135.54, 0.79%, 0.48%

LAB 76.92, -71.6, 56.16

 

CMYK 76 / 0 / 56 / 9

HEX #37E765

RGB 55 231 101

HSL 135.68, 0.79%, 0.56%

LAB 81.24, -69.49, 50.35

 

CMYK 61 / 0 / 45 / 7

HEX #5BEC81

RGB 91 236 129

HSL 135.72, 0.79%, 0.64%

LAB 83.86, -61.22, 40.51

 

CMYK 88 / 0 / 65 / 15

HEX #1ADA4C

RGB 26 218 76

HSL 135.63, 0.79%, 0.48%

LAB 76.61, -71.3, 55.81

 

CMYK 88 / 40 / 0 / 14

HEX #1A84DB

RGB 26 132 219

HSL 207.05, 0.79%, 0.48%

LAB 53.85, 3.39, -52.26

 

CMYK 0 / 88 / 75 / 14

HEX #DB1A37

RGB 219 26 55

HSL 350.98, 0.79%, 0.48%

LAB 47.07, 69.6, 36.55

 

CMYK 88 / 0 / 65 / 15

HEX #1ADA4C

RGB 26 218 76

HSL 135.63, 0.79%, 0.48%

LAB 76.61, -71.3, 55.81

 

CMYK 66 / 88 / 0 / 14

HEX #4A1ADB

RGB 74 26 219

HSL 254.92, 0.79%, 0.48%

LAB 32.5, 66.91, -86.99

 

CMYK 0 / 66 / 88 / 14

HEX #DB4A1A

RGB 219 74 26

HSL 14.92, 0.79%, 0.48%

LAB 51.87, 54.73, 55.53

 

CMYK 88 / 0 / 65 / 15

HEX #1ADA4C

RGB 26 218 76

HSL 135.63, 0.79%, 0.48%

LAB 76.61, -71.3, 55.81

 

CMYK 88 / 40 / 0 / 14

HEX #1A84DB

RGB 26 132 219

HSL 207.05, 0.79%, 0.48%

LAB 53.85, 3.39, -52.26

 

CMYK 0 / 88 / 22 / 14

HEX #DB1AAB

RGB 219 26 171

HSL 314.92, 0.79%, 0.48%

LAB 50.38, 78.74, -29.03

 

CMYK 0 / 48 / 88 / 14

HEX #DB711A

RGB 219 113 26

HSL 27.05, 0.79%, 0.48%

LAB 58.92, 36.48, 60.98

 

CMYK 88 / 0 / 65 / 15

HEX #1ADA4C

RGB 26 218 76

HSL 135.63, 0.79%, 0.48%

LAB 76.61, -71.3, 55.81

 

CMYK 88 / 66 / 0 / 14

HEX #1A4ADB

RGB 26 74 219

HSL 225.08, 0.79%, 0.48%

LAB 38.26, 40.26, -77.55

 

CMYK 0 / 88 / 22 / 14

HEX #DB1AAB

RGB 219 26 171

HSL 314.92, 0.79%, 0.48%

LAB 50.38, 78.74, -29.03

 

CMYK 0 / 22 / 88 / 14

HEX #DBAB1A

RGB 219 171 26

HSL 45.08, 0.79%, 0.48%

LAB 72.4, 5.64, 71.53

 

Description

Color code: HEX #1ADA4C | qconv.com Color code: HEX #1ADA4C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 218 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 218 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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