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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AD8C0 it is the complementary color #E5273F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AD8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AD8C0 shade: #1FD8BB, #30EACE, #41FCE1, #52FFF4 and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AD8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AD8C0 shade: #1AD8C0, #09C6AD, #00B49A, #00A287 and #009074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AD8C0 shade: #19D7BF, #19D78C, #19D758, #19D725 and #40D719

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AD8C0 shade: #19D7BF, #19BBD7, #1988D7, #1955D7 and #1922D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AD8C0 shade matches the following richer shades: #19D7BF and #06EACD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AD8C0 shade: #19D7BF, #2DC3B0, #40B0A2, #539C93 and #678985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AD8C0 shade: #19D758, #19D78B, #19D7BD, #19BDD7 and #198BD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AD8C0 shade: #118D7D, #15B29E, #19D7BF, #32E7D0 and #57EBD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AD8C0 shade: #1AD8C0, #2619D7 and #D77219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AD8C0 shade: #1AD8C0, #BD19D7 and #D7BD19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AD8C0 shade: #1AD8C0, #2619D7, #D71932 and #CAD719

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AD8C0 shade: #1AD8C0, #5F19D7, #D71932 and #91D719

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 11 / 15

HEX #1AD8C0

RGB 26 216 192

HSL 172.42, 0.79%, 0.47%

LAB 77.96, -48.33, -0.42

 

Complementary color

CMYK 0 / 83 / 72 / 10

HEX #E5273F

RGB 229 39 63

HSL 352.42, 0.79%, 0.53%

LAB 50.06, 69.98, 35.81

 

CMYK 86 / 0 / 13 / 15

HEX #1FD8BB

RGB 31 216 187

HSL 170.59, 0.75%, 0.48%

LAB 77.87, -49.36, 2.13

 

CMYK 79 / 0 / 12 / 8

HEX #30EACE

RGB 48 234 206

HSL 170.97, 0.82%, 0.55%

LAB 83.93, -50.55, 0.89

 

CMYK 74 / 0 / 11 / 1

HEX #41FCE1

RGB 65 252 225

HSL 171.34, 0.97%, 0.62%

LAB 89.94, -51.47, -0.24

 

CMYK 68 / 0 / 4 / 0

HEX #52FFF4

RGB 82 255 244

HSL 176.18, 1%, 0.66%

LAB 91.62, -45.77, -7.6

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 88 / 0 / 11 / 15

HEX #1AD8C0

RGB 26 216 192

HSL 172.42, 0.79%, 0.47%

LAB 77.96, -48.33, -0.42

 

CMYK 95 / 0 / 13 / 22

HEX #09C6AD

RGB 9 198 173

HSL 172.06, 0.91%, 0.41%

LAB 71.87, -46.65, 0.93

 

CMYK 100 / 0 / 14 / 29

HEX #00B49A

RGB 0 180 154

HSL 171.33, 1%, 0.35%

LAB 65.73, -44.57, 2.42

 

CMYK 100 / 0 / 17 / 36

HEX #00A287

RGB 0 162 135

HSL 170, 1%, 0.32%

LAB 59.52, -42.18, 4.03

 

CMYK 100 / 0 / 19 / 44

HEX #009074

RGB 0 144 116

HSL 168.33, 1%, 0.28%

LAB 53.18, -39.73, 5.72

 

CMYK 88 / 0 / 11 / 16

HEX #19D7BF

RGB 25 215 191

HSL 172.42, 0.79%, 0.47%

LAB 77.62, -48.23, -0.38

 

CMYK 88 / 0 / 35 / 16

HEX #19D78C

RGB 25 215 140

HSL 156.32, 0.79%, 0.47%

LAB 76.5, -60.41, 25.07

 

CMYK 88 / 0 / 59 / 16

HEX #19D758

RGB 25 215 88

HSL 139.89, 0.79%, 0.47%

LAB 75.77, -69.07, 49.7

 

CMYK 88 / 0 / 83 / 16

HEX #19D725

RGB 25 215 37

HSL 123.79, 0.79%, 0.47%

LAB 75.41, -73.52, 67.75

 

CMYK 70 / 0 / 88 / 16

HEX #40D719

RGB 64 215 25

HSL 107.68, 0.79%, 0.47%

LAB 75.92, -69.2, 70.97

 

CMYK 88 / 0 / 11 / 16

HEX #19D7BF

RGB 25 215 191

HSL 172.42, 0.79%, 0.47%

LAB 77.62, -48.23, -0.38

 

CMYK 88 / 13 / 0 / 16

HEX #19BBD7

RGB 25 187 215

HSL 188.84, 0.79%, 0.47%

LAB 69.93, -28.32, -24.89

 

CMYK 88 / 37 / 0 / 16

HEX #1988D7

RGB 25 136 215

HSL 204.95, 0.79%, 0.47%

LAB 54.78, -0.59, -48.53

 

CMYK 88 / 60 / 0 / 16

HEX #1955D7

RGB 25 85 215

HSL 221.05, 0.79%, 0.47%

LAB 40.59, 31.67, -71.43

 

CMYK 88 / 84 / 0 / 16

HEX #1922D7

RGB 25 34 215

HSL 237.16, 0.79%, 0.47%

LAB 30.05, 60.68, -88.83

 

CMYK 88 / 0 / 11 / 16

HEX #19D7BF

RGB 25 215 191

HSL 172.42, 0.79%, 0.47%

LAB 77.62, -48.23, -0.38

 

CMYK 97 / 0 / 12 / 8

HEX #06EACD

RGB 6 234 205

HSL 172.37, 0.95%, 0.47%

LAB 83.6, -52.99, 0.9

 

CMYK 88 / 0 / 11 / 16

HEX #19D7BF

RGB 25 215 191

HSL 172.42, 0.79%, 0.47%

LAB 77.62, -48.23, -0.38

 

CMYK 77 / 0 / 10 / 24

HEX #2DC3B0

RGB 45 195 176

HSL 172.4, 0.63%, 0.47%

LAB 71.37, -42.18, -1.39

 

CMYK 64 / 0 / 8 / 31

HEX #40B0A2

RGB 64 176 162

HSL 172.5, 0.47%, 0.47%

LAB 65.55, -34.79, -2.17

 

CMYK 47 / 0 / 6 / 39

HEX #539C93

RGB 83 156 147

HSL 172.6, 0.31%, 0.47%

LAB 59.64, -25.09, -2.37

 

CMYK 25 / 0 / 3 / 46

HEX #678985

RGB 103 137 133

HSL 172.94, 0.14%, 0.47%

LAB 54.52, -12.78, -1.75

 

CMYK 88 / 0 / 59 / 16

HEX #19D758

RGB 25 215 88

HSL 139.89, 0.79%, 0.47%

LAB 75.77, -69.07, 49.7

 

CMYK 88 / 0 / 35 / 16

HEX #19D78B

RGB 25 215 139

HSL 156, 0.79%, 0.47%

LAB 76.48, -60.62, 25.57

 

CMYK 88 / 0 / 12 / 16

HEX #19D7BD

RGB 25 215 189

HSL 171.79, 0.79%, 0.47%

LAB 77.57, -48.77, 0.62

 

CMYK 88 / 12 / 0 / 16

HEX #19BDD7

RGB 25 189 215

HSL 188.21, 0.79%, 0.47%

LAB 70.53, -29.31, -23.98

 

CMYK 88 / 35 / 0 / 16

HEX #198BD7

RGB 25 139 215

HSL 204, 0.79%, 0.47%

LAB 55.66, -2.37, -47.13

 

CMYK 88 / 0 / 11 / 45

HEX #118D7D

RGB 17 141 125

HSL 172.26, 0.78%, 0.31%

LAB 52.56, -34.93, -0.34

 

CMYK 88 / 0 / 11 / 30

HEX #15B29E

RGB 21 178 158

HSL 172.36, 0.79%, 0.39%

LAB 65.33, -41.72, -0.36

 

CMYK 88 / 0 / 11 / 16

HEX #19D7BF

RGB 25 215 191

HSL 172.42, 0.79%, 0.47%

LAB 77.62, -48.23, -0.38

 

CMYK 78 / 0 / 10 / 9

HEX #32E7D0

RGB 50 231 208

HSL 172.38, 0.79%, 0.55%

LAB 83.12, -48.59, -1.34

 

CMYK 63 / 0 / 8 / 8

HEX #57EBD9

RGB 87 235 217

HSL 172.7, 0.79%, 0.63%

LAB 85.23, -43.3, -2.91

 

CMYK 88 / 0 / 11 / 15

HEX #1AD8C0

RGB 26 216 192

HSL 172.42, 0.79%, 0.47%

LAB 77.96, -48.33, -0.42

 

CMYK 82 / 88 / 0 / 16

HEX #2619D7

RGB 38 25 215

HSL 244.11, 0.79%, 0.47%

LAB 29.45, 64.42, -89.82

 

CMYK 0 / 47 / 88 / 16

HEX #D77219

RGB 215 114 25

HSL 28.11, 0.79%, 0.47%

LAB 58.56, 34.32, 60.75

 

CMYK 88 / 0 / 11 / 15

HEX #1AD8C0

RGB 26 216 192

HSL 172.42, 0.79%, 0.47%

LAB 77.96, -48.33, -0.42

 

CMYK 12 / 88 / 0 / 16

HEX #BD19D7

RGB 189 25 215

HSL 291.79, 0.79%, 0.47%

LAB 47.52, 79.74, -59.48

 

CMYK 0 / 12 / 88 / 16

HEX #D7BD19

RGB 215 189 25

HSL 51.79, 0.79%, 0.47%

LAB 76.63, -5.56, 74.89

 

CMYK 88 / 0 / 11 / 15

HEX #1AD8C0

RGB 26 216 192

HSL 172.42, 0.79%, 0.47%

LAB 77.96, -48.33, -0.42

 

CMYK 82 / 88 / 0 / 16

HEX #2619D7

RGB 38 25 215

HSL 244.11, 0.79%, 0.47%

LAB 29.45, 64.42, -89.82

 

CMYK 0 / 88 / 77 / 16

HEX #D71932

RGB 215 25 50

HSL 352.11, 0.79%, 0.47%

LAB 46.14, 68.56, 38.2

 

CMYK 6 / 0 / 88 / 16

HEX #CAD719

RGB 202 215 25

HSL 64.11, 0.79%, 0.47%

LAB 82.5, -24.11, 79.1

 

CMYK 88 / 0 / 11 / 15

HEX #1AD8C0

RGB 26 216 192

HSL 172.42, 0.79%, 0.47%

LAB 77.96, -48.33, -0.42

 

CMYK 56 / 88 / 0 / 16

HEX #5F19D7

RGB 95 25 215

HSL 262.11, 0.79%, 0.47%

LAB 34.05, 67.79, -82.04

 

CMYK 0 / 88 / 77 / 16

HEX #D71932

RGB 215 25 50

HSL 352.11, 0.79%, 0.47%

LAB 46.14, 68.56, 38.2

 

CMYK 33 / 0 / 88 / 16

HEX #91D719

RGB 145 215 25

HSL 82.11, 0.79%, 0.47%

LAB 78.86, -46.62, 74.63

 

Description

Color code: HEX #1AD8C0 | qconv.com Color code: HEX #1AD8C0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 216 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 216 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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