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Color name
HEX #1AD5E6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AD5E6 it is the complementary color #E52A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AD5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AD5E6 shade: #1FD5E1, #30E7F4, #41F9FF, #52FFFF and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AD5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AD5E6 shade: #1AD5E6, #09C3D3, #00B1C0, #009FAD and #008D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AD5E6 shade: #19D4E5, #199DE5, #1966E5, #192FE5 and #3A19E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AD5E6 shade: #19D4E5, #199DE5, #1966E5, #192FE5 and #1919E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AD5E6 shade matches the following richer shades: #19D4E5 and #04E5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AD5E6 shade: #19D4E5, #2EC3D0, #42B2BC, #57A0A7 and #6C8F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AD5E6 shade: #19E589, #19E5C0, #19D4E5, #199EE5 and #1967E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AD5E6 shade: #118F9B, #15B2C0, #19D4E5, #3EDBE9 and #63E2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AD5E6 shade: #1AD5E6, #5319E5 and #E5A419

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AD5E6 shade: #1AD5E6, #E519D4 and #D4E519

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AD5E6 shade: #1AD5E6, #5319E5, #E52A19 and #ABE519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AD5E6 shade: #1AD5E6, #9019E5, #E52A19 and #6EE519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 7 / 0 / 10

HEX #1AD5E6

RGB 26 213 230

HSL 185, 0.8%, 0.5%

LAB 78.18, -35.99, -20.44

 

Complementary color

CMYK 0 / 82 / 89 / 10

HEX #E52A19

RGB 229 42 25

HSL 5, 0.8%, 0.5%

LAB 49.96, 68.24, 55.31

 

CMYK 86 / 5 / 0 / 12

HEX #1FD5E1

RGB 31 213 225

HSL 183.71, 0.76%, 0.5%

LAB 78.06, -37.26, -17.94

 

CMYK 80 / 5 / 0 / 4

HEX #30E7F4

RGB 48 231 244

HSL 183.98, 0.9%, 0.57%

LAB 84.13, -38.67, -18.86

 

CMYK 75 / 2 / 0 / 0

HEX #41F9FF

RGB 65 249 255

HSL 181.89, 1%, 0.63%

LAB 89.9, -42.09, -15.9

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 89 / 7 / 0 / 10

HEX #1AD5E6

RGB 26 213 230

HSL 185, 0.8%, 0.5%

LAB 78.18, -35.99, -20.44

 

CMYK 96 / 8 / 0 / 17

HEX #09C3D3

RGB 9 195 211

HSL 184.75, 0.92%, 0.43%

LAB 72.09, -34.1, -19.43

 

CMYK 100 / 8 / 0 / 25

HEX #00B1C0

RGB 0 177 192

HSL 184.69, 1%, 0.38%

LAB 65.94, -31.84, -18.33

 

CMYK 100 / 8 / 0 / 32

HEX #009FAD

RGB 0 159 173

HSL 184.86, 1%, 0.34%

LAB 59.72, -29.28, -17.15

 

CMYK 100 / 8 / 0 / 40

HEX #008D9A

RGB 0 141 154

HSL 185.06, 1%, 0.3%

LAB 53.37, -26.66, -15.94

 

CMYK 89 / 7 / 0 / 10

HEX #19D4E5

RGB 25 212 229

HSL 185, 0.8%, 0.5%

LAB 77.85, -35.88, -20.41

 

CMYK 89 / 31 / 0 / 10

HEX #199DE5

RGB 25 157 229

HSL 201.18, 0.8%, 0.5%

LAB 61.64, -7.58, -45.49

 

CMYK 89 / 55 / 0 / 10

HEX #1966E5

RGB 25 102 229

HSL 217.35, 0.8%, 0.5%

LAB 46.13, 26.05, -70.35

 

CMYK 89 / 79 / 0 / 10

HEX #192FE5

RGB 25 47 229

HSL 233.53, 0.8%, 0.5%

LAB 33.77, 59.01, -90.69

 

CMYK 75 / 89 / 0 / 10

HEX #3A19E5

RGB 58 25 229

HSL 249.71, 0.8%, 0.5%

LAB 32.37, 68.92, -92.97

 

CMYK 89 / 7 / 0 / 10

HEX #19D4E5

RGB 25 212 229

HSL 185, 0.8%, 0.5%

LAB 77.85, -35.88, -20.41

 

CMYK 89 / 31 / 0 / 10

HEX #199DE5

RGB 25 157 229

HSL 201.18, 0.8%, 0.5%

LAB 61.64, -7.58, -45.49

 

CMYK 89 / 55 / 0 / 10

HEX #1966E5

RGB 25 102 229

HSL 217.35, 0.8%, 0.5%

LAB 46.13, 26.05, -70.35

 

CMYK 89 / 79 / 0 / 10

HEX #192FE5

RGB 25 47 229

HSL 233.53, 0.8%, 0.5%

LAB 33.77, 59.01, -90.69

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 89 / 7 / 0 / 10

HEX #19D4E5

RGB 25 212 229

HSL 185, 0.8%, 0.5%

LAB 77.85, -35.88, -20.41

 

CMYK 98 / 8 / 0 / 2

HEX #04E5FA

RGB 4 229 250

HSL 185.12, 0.97%, 0.5%

LAB 83.42, -37.92, -23.12

 

CMYK 89 / 7 / 0 / 10

HEX #19D4E5

RGB 25 212 229

HSL 185, 0.8%, 0.5%

LAB 77.85, -35.88, -20.41

 

CMYK 78 / 6 / 0 / 18

HEX #2EC3D0

RGB 46 195 208

HSL 184.81, 0.64%, 0.5%

LAB 72.34, -32.84, -17.39

 

CMYK 65 / 5 / 0 / 26

HEX #42B2BC

RGB 66 178 188

HSL 184.92, 0.48%, 0.5%

LAB 67, -28.08, -14.43

 

CMYK 48 / 4 / 0 / 35

HEX #57A0A7

RGB 87 160 167

HSL 185.25, 0.31%, 0.5%

LAB 61.62, -20.85, -10.72

 

CMYK 26 / 2 / 0 / 43

HEX #6C8F92

RGB 108 143 146

HSL 184.74, 0.15%, 0.5%

LAB 56.99, -11.39, -5.57

 

CMYK 89 / 0 / 40 / 10

HEX #19E589

RGB 25 229 137

HSL 152.94, 0.8%, 0.5%

LAB 80.77, -65.91, 32.31

 

CMYK 89 / 0 / 16 / 10

HEX #19E5C0

RGB 25 229 192

HSL 169.12, 0.8%, 0.5%

LAB 81.87, -53.7, 5.26

 

CMYK 89 / 7 / 0 / 10

HEX #19D4E5

RGB 25 212 229

HSL 185, 0.8%, 0.5%

LAB 77.85, -35.88, -20.41

 

CMYK 89 / 31 / 0 / 10

HEX #199EE5

RGB 25 158 229

HSL 200.88, 0.8%, 0.5%

LAB 61.93, -8.14, -45.03

 

CMYK 89 / 55 / 0 / 10

HEX #1967E5

RGB 25 103 229

HSL 217.06, 0.8%, 0.5%

LAB 46.4, 25.41, -69.92

 

CMYK 89 / 8 / 0 / 39

HEX #118F9B

RGB 17 143 155

HSL 185.22, 0.8%, 0.34%

LAB 54.17, -26.53, -15.29

 

CMYK 89 / 7 / 0 / 25

HEX #15B2C0

RGB 21 178 192

HSL 184.91, 0.8%, 0.42%

LAB 66.37, -31.54, -17.67

 

CMYK 89 / 7 / 0 / 10

HEX #19D4E5

RGB 25 212 229

HSL 185, 0.8%, 0.5%

LAB 77.85, -35.88, -20.41

 

CMYK 73 / 6 / 0 / 9

HEX #3EDBE9

RGB 62 219 233

HSL 184.91, 0.8%, 0.58%

LAB 80.5, -35.03, -18.49

 

CMYK 58 / 5 / 0 / 7

HEX #63E2ED

RGB 99 226 237

HSL 184.78, 0.79%, 0.66%

LAB 83.53, -31.85, -15.96

 

CMYK 89 / 7 / 0 / 10

HEX #1AD5E6

RGB 26 213 230

HSL 185, 0.8%, 0.5%

LAB 78.18, -35.99, -20.44

 

CMYK 64 / 89 / 0 / 10

HEX #5319E5

RGB 83 25 229

HSL 257.06, 0.8%, 0.5%

LAB 34.38, 70.29, -89.58

 

CMYK 0 / 28 / 89 / 10

HEX #E5A419

RGB 229 164 25

HSL 40.88, 0.8%, 0.5%

LAB 71.74, 13.68, 71.69

 

CMYK 89 / 7 / 0 / 10

HEX #1AD5E6

RGB 26 213 230

HSL 185, 0.8%, 0.5%

LAB 78.18, -35.99, -20.44

 

CMYK 0 / 89 / 7 / 10

HEX #E519D4

RGB 229 25 212

HSL 305, 0.8%, 0.5%

LAB 54.14, 86.05, -46.78

 

CMYK 7 / 0 / 89 / 10

HEX #D4E519

RGB 212 229 25

HSL 65, 0.8%, 0.5%

LAB 87.05, -26.65, 83.04

 

CMYK 89 / 7 / 0 / 10

HEX #1AD5E6

RGB 26 213 230

HSL 185, 0.8%, 0.5%

LAB 78.18, -35.99, -20.44

 

CMYK 64 / 89 / 0 / 10

HEX #5319E5

RGB 83 25 229

HSL 257.06, 0.8%, 0.5%

LAB 34.38, 70.29, -89.58

 

CMYK 0 / 82 / 89 / 10

HEX #E52A19

RGB 229 42 25

HSL 5, 0.8%, 0.5%

LAB 49.96, 68.24, 55.31

 

CMYK 25 / 0 / 89 / 10

HEX #ABE519

RGB 171 229 25

HSL 77.06, 0.8%, 0.5%

LAB 84.36, -42.93, 79.75

 

CMYK 89 / 7 / 0 / 10

HEX #1AD5E6

RGB 26 213 230

HSL 185, 0.8%, 0.5%

LAB 78.18, -35.99, -20.44

 

CMYK 37 / 89 / 0 / 10

HEX #9019E5

RGB 144 25 229

HSL 275, 0.8%, 0.5%

LAB 41.66, 76.01, -77.32

 

CMYK 0 / 82 / 89 / 10

HEX #E52A19

RGB 229 42 25

HSL 5, 0.8%, 0.5%

LAB 49.96, 68.24, 55.31

 

CMYK 52 / 0 / 89 / 10

HEX #6EE519

RGB 110 229 25

HSL 95, 0.8%, 0.5%

LAB 81.52, -63.26, 76.24

 

Description

Color code: HEX #1AD5E6 | qconv.com Color code: HEX #1AD5E6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 213 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 213 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 7 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 7% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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