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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AD44A it is the complementary color #E52BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AD44A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AD44A shade: #1FD445, #30E658, #41F86B, #52FF7E and #63FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AD44A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AD44A shade: #1AD44A, #09C237, #00B024, #009E11 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AD44A shade: #1AD54B, #1DD51A, #4FD51A, #81D51A and #B4D51A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AD44A shade: #1AD54B, #1AD57D, #1AD5AF, #1AC9D5 and #1A96D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AD44A shade matches the following richer shades: #1AD54B and #07E941

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AD44A shade: #1AD54B, #2EC254, #41AF5D, #559B67 and #688870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AD44A shade: #4FD51A, #1DD51A, #1AD549, #1AD57B and #1AD5AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AD44A shade: #118C31, #16B13E, #1AD54B, #33E661 and #58EA7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AD44A shade: #1AD44A, #1A81D5 and #D51A36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AD44A shade: #1AD44A, #491AD5 and #D5491A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AD44A shade: #1AD44A, #1A81D5, #D51AA7 and #D56F1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AD44A shade: #1AD44A, #1A49D5, #D51AA7 and #D5A71A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 65 / 17

HEX #1AD44A

RGB 26 212 74

HSL 135.48, 0.78%, 0.47%

LAB 74.7, -69.71, 54.54

 

Complementary color

CMYK 0 / 81 / 21 / 10

HEX #E52BB5

RGB 229 43 181

HSL 315.48, 0.78%, 0.53%

LAB 53.73, 78.81, -29.54

 

CMYK 85 / 0 / 67 / 17

HEX #1FD445

RGB 31 212 69

HSL 132.6, 0.74%, 0.48%

LAB 74.7, -69.83, 56.58

 

CMYK 79 / 0 / 62 / 10

HEX #30E658

RGB 48 230 88

HSL 133.19, 0.78%, 0.55%

LAB 80.7, -71.6, 55.42

 

CMYK 74 / 0 / 57 / 3

HEX #41F86B

RGB 65 248 107

HSL 133.77, 0.93%, 0.61%

LAB 86.66, -72.88, 54.1

 

CMYK 68 / 0 / 51 / 0

HEX #52FF7E

RGB 82 255 126

HSL 135.26, 1%, 0.66%

LAB 89.31, -70.06, 48.71

 

CMYK 61 / 0 / 43 / 0

HEX #63FF91

RGB 99 255 145

HSL 137.69, 1%, 0.69%

LAB 89.96, -64.11, 40.56

 

CMYK 88 / 0 / 65 / 17

HEX #1AD44A

RGB 26 212 74

HSL 135.48, 0.78%, 0.47%

LAB 74.7, -69.71, 54.54

 

CMYK 95 / 0 / 72 / 24

HEX #09C237

RGB 9 194 55

HSL 134.92, 0.91%, 0.4%

LAB 68.69, -67.19, 55.58

 

CMYK 100 / 0 / 80 / 31

HEX #00B024

RGB 0 176 36

HSL 132.27, 1%, 0.35%

LAB 62.66, -63.87, 56.07

 

CMYK 100 / 0 / 89 / 38

HEX #009E11

RGB 0 158 17

HSL 126.46, 1%, 0.31%

LAB 56.58, -59.74, 55.44

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 88 / 0 / 65 / 16

HEX #1AD54B

RGB 26 213 75

HSL 135.72, 0.78%, 0.47%

LAB 75.02, -69.9, 54.48

 

CMYK 86 / 0 / 88 / 16

HEX #1DD51A

RGB 29 213 26

HSL 119.04, 0.78%, 0.47%

LAB 74.78, -73.13, 69.59

 

CMYK 63 / 0 / 88 / 16

HEX #4FD51A

RGB 79 213 26

HSL 102.99, 0.78%, 0.47%

LAB 75.65, -65.54, 70.7

 

CMYK 39 / 0 / 88 / 16

HEX #81D51A

RGB 129 213 26

HSL 86.95, 0.78%, 0.47%

LAB 77.48, -51.38, 72.97

 

CMYK 15 / 0 / 88 / 16

HEX #B4D51A

RGB 180 213 26

HSL 70.59, 0.78%, 0.47%

LAB 80.39, -32.2, 76.57

 

CMYK 88 / 0 / 65 / 16

HEX #1AD54B

RGB 26 213 75

HSL 135.72, 0.78%, 0.47%

LAB 75.02, -69.9, 54.48

 

CMYK 88 / 0 / 41 / 16

HEX #1AD57D

RGB 26 213 125

HSL 151.76, 0.78%, 0.47%

LAB 75.63, -62.58, 31.65

 

CMYK 88 / 0 / 18 / 16

HEX #1AD5AF

RGB 26 213 175

HSL 167.81, 0.78%, 0.47%

LAB 76.62, -51.54, 6.74

 

CMYK 88 / 6 / 0 / 16

HEX #1AC9D5

RGB 26 201 213

HSL 183.85, 0.78%, 0.47%

LAB 74.06, -35.62, -17.53

 

CMYK 88 / 30 / 0 / 16

HEX #1A96D5

RGB 26 150 213

HSL 200.21, 0.78%, 0.47%

LAB 58.82, -9.39, -41.02

 

CMYK 88 / 0 / 65 / 16

HEX #1AD54B

RGB 26 213 75

HSL 135.72, 0.78%, 0.47%

LAB 75.02, -69.9, 54.48

 

CMYK 97 / 0 / 72 / 9

HEX #07E941

RGB 7 233 65

HSL 135.4, 0.94%, 0.47%

LAB 81.13, -77.54, 64.77

 

CMYK 88 / 0 / 65 / 16

HEX #1AD54B

RGB 26 213 75

HSL 135.72, 0.78%, 0.47%

LAB 75.02, -69.9, 54.48

 

CMYK 76 / 0 / 57 / 24

HEX #2EC254

RGB 46 194 84

HSL 135.41, 0.62%, 0.47%

LAB 69.33, -60.72, 44.03

 

CMYK 63 / 0 / 47 / 31

HEX #41AF5D

RGB 65 175 93

HSL 135.27, 0.46%, 0.47%

LAB 63.81, -49.2, 32.92

 

CMYK 45 / 0 / 34 / 39

HEX #559B67

RGB 85 155 103

HSL 135.43, 0.29%, 0.47%

LAB 58.37, -33.88, 20.59

 

CMYK 24 / 0 / 18 / 47

HEX #688870

RGB 104 136 112

HSL 135, 0.13%, 0.47%

LAB 53.73, -16.45, 9.25

 

CMYK 63 / 0 / 88 / 16

HEX #4FD51A

RGB 79 213 26

HSL 102.99, 0.78%, 0.47%

LAB 75.65, -65.54, 70.7

 

CMYK 86 / 0 / 88 / 16

HEX #1DD51A

RGB 29 213 26

HSL 119.04, 0.78%, 0.47%

LAB 74.78, -73.13, 69.59

 

CMYK 88 / 0 / 66 / 16

HEX #1AD549

RGB 26 213 73

HSL 135.08, 0.78%, 0.47%

LAB 75.01, -70.12, 55.28

 

CMYK 88 / 0 / 42 / 16

HEX #1AD57B

RGB 26 213 123

HSL 151.12, 0.78%, 0.47%

LAB 75.6, -62.94, 32.62

 

CMYK 88 / 0 / 19 / 16

HEX #1AD5AD

RGB 26 213 173

HSL 167.17, 0.78%, 0.47%

LAB 76.57, -52.05, 7.74

 

CMYK 88 / 0 / 65 / 45

HEX #118C31

RGB 17 140 49

HSL 135.61, 0.78%, 0.31%

LAB 50.8, -50.61, 38.83

 

CMYK 88 / 0 / 65 / 31

HEX #16B13E

RGB 22 177 62

HSL 135.48, 0.78%, 0.39%

LAB 63.31, -60.58, 47.01

 

CMYK 88 / 0 / 65 / 16

HEX #1AD54B

RGB 26 213 75

HSL 135.72, 0.78%, 0.47%

LAB 75.02, -69.9, 54.48

 

CMYK 78 / 0 / 58 / 10

HEX #33E661

RGB 51 230 97

HSL 135.42, 0.78%, 0.55%

LAB 80.83, -70.18, 51.65

 

CMYK 62 / 0 / 46 / 8

HEX #58EA7E

RGB 88 234 126

HSL 135.62, 0.78%, 0.63%

LAB 83.14, -61.54, 41.04

 

CMYK 88 / 0 / 65 / 17

HEX #1AD44A

RGB 26 212 74

HSL 135.48, 0.78%, 0.47%

LAB 74.7, -69.71, 54.54

 

CMYK 88 / 39 / 0 / 16

HEX #1A81D5

RGB 26 129 213

HSL 206.95, 0.78%, 0.47%

LAB 52.65, 2.92, -50.8

 

CMYK 0 / 88 / 75 / 16

HEX #D51A36

RGB 213 26 54

HSL 351.02, 0.78%, 0.47%

LAB 45.84, 68.01, 35.42

 

CMYK 88 / 0 / 65 / 17

HEX #1AD44A

RGB 26 212 74

HSL 135.48, 0.78%, 0.47%

LAB 74.7, -69.71, 54.54

 

CMYK 66 / 88 / 0 / 16

HEX #491AD5

RGB 73 26 213

HSL 255.08, 0.78%, 0.47%

LAB 31.71, 65.3, -84.83

 

CMYK 0 / 66 / 88 / 16

HEX #D5491A

RGB 213 73 26

HSL 15.08, 0.78%, 0.47%

LAB 50.67, 53.1, 54.14

 

CMYK 88 / 0 / 65 / 17

HEX #1AD44A

RGB 26 212 74

HSL 135.48, 0.78%, 0.47%

LAB 74.7, -69.71, 54.54

 

CMYK 88 / 39 / 0 / 16

HEX #1A81D5

RGB 26 129 213

HSL 206.95, 0.78%, 0.47%

LAB 52.65, 2.92, -50.8

 

CMYK 0 / 88 / 22 / 16

HEX #D51AA7

RGB 213 26 167

HSL 314.76, 0.78%, 0.47%

LAB 49.1, 77.05, -28.74

 

CMYK 0 / 48 / 88 / 16

HEX #D56F1A

RGB 213 111 26

HSL 27.27, 0.78%, 0.47%

LAB 57.65, 35.09, 59.61

 

CMYK 88 / 0 / 65 / 17

HEX #1AD44A

RGB 26 212 74

HSL 135.48, 0.78%, 0.47%

LAB 74.7, -69.71, 54.54

 

CMYK 88 / 66 / 0 / 16

HEX #1A49D5

RGB 26 73 213

HSL 224.92, 0.78%, 0.47%

LAB 37.46, 38.67, -75.41

 

CMYK 0 / 88 / 22 / 16

HEX #D51AA7

RGB 213 26 167

HSL 314.76, 0.78%, 0.47%

LAB 49.1, 77.05, -28.74

 

CMYK 0 / 22 / 88 / 16

HEX #D5A71A

RGB 213 167 26

HSL 45.24, 0.78%, 0.47%

LAB 70.77, 5.13, 69.98

 

Description

Color code: HEX #1AD44A | qconv.com Color code: HEX #1AD44A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 212 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 212 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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