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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ABFD0 it is the complementary color #E5402F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ABFD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ABFD0 shade: #1FBFCB, #30D1DE, #41E3F1, #52F5FF and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ABFD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ABFD0 shade: #1ABFD0, #09ADBD, #009BAA, #008997 and #007784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ABFD0 shade: #1AC0D1, #1A8ED1, #1A5DD1, #1A2CD1 and #391AD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ABFD0 shade: #1AC0D1, #1A8ED1, #1A5DD1, #1A2CD1 and #1A1AD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ABFD0 shade matches the following richer shades: #1AC0D1 and #07CFE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ABFD0 shade: #1AC0D1, #2DB0BE, #40A1AB, #539198 and #668285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ABFD0 shade: #1AD17E, #1AD1AF, #1AC2D1, #1A91D1 and #1A60D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ABFD0 shade: #117C87, #159EAC, #1AC0D1, #2FD4E5 and #53DCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ABFD0 shade: #1ABFD0, #4E1AD1 and #D1971A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ABFD0 shade: #1ABFD0, #D11AC2 and #C2D11A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ABFD0 shade: #1ABFD0, #4E1AD1, #D1291A and #9DD11A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ABFD0 shade: #1ABFD0, #851AD1, #D1291A and #66D11A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 8 / 0 / 18

HEX #1ABFD0

RGB 26 191 208

HSL 185.6, 0.78%, 0.46%

LAB 70.9, -32.45, -19.6

 

Complementary color

CMYK 0 / 72 / 79 / 10

HEX #E5402F

RGB 229 64 47

HSL 5.6, 0.78%, 0.54%

LAB 52.43, 62.25, 47.21

 

CMYK 85 / 6 / 0 / 20

HEX #1FBFCB

RGB 31 191 203

HSL 184.19, 0.74%, 0.46%

LAB 70.78, -33.7, -17.04

 

CMYK 78 / 6 / 0 / 13

HEX #30D1DE

RGB 48 209 222

HSL 184.48, 0.73%, 0.53%

LAB 76.98, -35.04, -17.94

 

CMYK 73 / 6 / 0 / 5

HEX #41E3F1

RGB 65 227 241

HSL 184.77, 0.86%, 0.6%

LAB 83.13, -36.08, -18.75

 

CMYK 68 / 4 / 0 / 0

HEX #52F5FF

RGB 82 245 255

HSL 183.47, 1%, 0.66%

LAB 89.07, -38.32, -17.12

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 88 / 8 / 0 / 18

HEX #1ABFD0

RGB 26 191 208

HSL 185.6, 0.78%, 0.46%

LAB 70.9, -32.45, -19.6

 

CMYK 95 / 8 / 0 / 26

HEX #09ADBD

RGB 9 173 189

HSL 185.33, 0.91%, 0.39%

LAB 64.66, -30.58, -18.61

 

CMYK 100 / 9 / 0 / 33

HEX #009BAA

RGB 0 155 170

HSL 185.29, 1%, 0.33%

LAB 58.36, -28.29, -17.51

 

CMYK 100 / 9 / 0 / 41

HEX #008997

RGB 0 137 151

HSL 185.56, 1%, 0.3%

LAB 51.98, -25.65, -16.31

 

CMYK 100 / 10 / 0 / 48

HEX #007784

RGB 0 119 132

HSL 185.91, 1%, 0.26%

LAB 45.44, -22.94, -15.1

 

CMYK 88 / 8 / 0 / 18

HEX #1AC0D1

RGB 26 192 209

HSL 185.57, 0.78%, 0.46%

LAB 71.23, -32.62, -19.64

 

CMYK 88 / 32 / 0 / 18

HEX #1A8ED1

RGB 26 142 209

HSL 201.97, 0.78%, 0.46%

LAB 56.26, -6.29, -42.82

 

CMYK 88 / 56 / 0 / 18

HEX #1A5DD1

RGB 26 93 209

HSL 218.03, 0.78%, 0.46%

LAB 42.23, 24.2, -65.3

 

CMYK 88 / 79 / 0 / 18

HEX #1A2CD1

RGB 26 44 209

HSL 234.1, 0.78%, 0.46%

LAB 30.94, 54.21, -83.88

 

CMYK 73 / 88 / 0 / 18

HEX #391AD1

RGB 57 26 209

HSL 250.16, 0.78%, 0.46%

LAB 29.94, 63.27, -85.49

 

CMYK 88 / 8 / 0 / 18

HEX #1AC0D1

RGB 26 192 209

HSL 185.57, 0.78%, 0.46%

LAB 71.23, -32.62, -19.64

 

CMYK 88 / 32 / 0 / 18

HEX #1A8ED1

RGB 26 142 209

HSL 201.97, 0.78%, 0.46%

LAB 56.26, -6.29, -42.82

 

CMYK 88 / 56 / 0 / 18

HEX #1A5DD1

RGB 26 93 209

HSL 218.03, 0.78%, 0.46%

LAB 42.23, 24.2, -65.3

 

CMYK 88 / 79 / 0 / 18

HEX #1A2CD1

RGB 26 44 209

HSL 234.1, 0.78%, 0.46%

LAB 30.94, 54.21, -83.88

 

CMYK 88 / 88 / 0 / 18

HEX #1A1AD1

RGB 26 26 209

HSL 240, 0.78%, 0.46%

LAB 28.28, 62.08, -88.3

 

CMYK 88 / 8 / 0 / 18

HEX #1AC0D1

RGB 26 192 209

HSL 185.57, 0.78%, 0.46%

LAB 71.23, -32.62, -19.64

 

CMYK 97 / 9 / 0 / 11

HEX #07CFE4

RGB 7 207 228

HSL 185.7, 0.94%, 0.46%

LAB 76.24, -34.46, -22.33

 

CMYK 88 / 8 / 0 / 18

HEX #1AC0D1

RGB 26 192 209

HSL 185.57, 0.78%, 0.46%

LAB 71.23, -32.62, -19.64

 

CMYK 76 / 7 / 0 / 25

HEX #2DB0BE

RGB 45 176 190

HSL 185.79, 0.62%, 0.46%

LAB 66, -29.29, -17.09

 

CMYK 63 / 6 / 0 / 33

HEX #40A1AB

RGB 64 161 171

HSL 185.61, 0.46%, 0.46%

LAB 61.24, -24.95, -13.63

 

CMYK 45 / 5 / 0 / 40

HEX #539198

RGB 83 145 152

HSL 186.09, 0.29%, 0.46%

LAB 56.44, -18.07, -9.96

 

CMYK 23 / 2 / 0 / 48

HEX #668285

RGB 102 130 133

HSL 185.81, 0.13%, 0.46%

LAB 52.38, -9.23, -4.92

 

CMYK 88 / 0 / 40 / 18

HEX #1AD17E

RGB 26 209 126

HSL 152.79, 0.78%, 0.46%

LAB 74.4, -61, 29.51

 

CMYK 88 / 0 / 16 / 18

HEX #1AD1AF

RGB 26 209 175

HSL 168.85, 0.78%, 0.46%

LAB 75.4, -49.92, 4.98

 

CMYK 88 / 7 / 0 / 18

HEX #1AC2D1

RGB 26 194 209

HSL 184.92, 0.78%, 0.46%

LAB 71.83, -33.57, -18.73

 

CMYK 88 / 31 / 0 / 18

HEX #1A91D1

RGB 26 145 209

HSL 200.98, 0.78%, 0.46%

LAB 57.15, -8.02, -41.42

 

CMYK 88 / 54 / 0 / 18

HEX #1A60D1

RGB 26 96 209

HSL 217.05, 0.78%, 0.46%

LAB 43.05, 22.24, -63.98

 

CMYK 87 / 8 / 0 / 47

HEX #117C87

RGB 17 124 135

HSL 185.59, 0.78%, 0.3%

LAB 47.34, -23.52, -13.97

 

CMYK 88 / 8 / 0 / 33

HEX #159EAC

RGB 21 158 172

HSL 185.56, 0.78%, 0.38%

LAB 59.52, -28.2, -16.87

 

CMYK 88 / 8 / 0 / 18

HEX #1AC0D1

RGB 26 192 209

HSL 185.57, 0.78%, 0.46%

LAB 71.23, -32.62, -19.64

 

CMYK 79 / 7 / 0 / 10

HEX #2FD4E5

RGB 47 212 229

HSL 185.6, 0.78%, 0.54%

LAB 78.08, -34.42, -20.03

 

CMYK 65 / 6 / 0 / 8

HEX #53DCEA

RGB 83 220 234

HSL 185.56, 0.78%, 0.62%

LAB 81.27, -32.46, -17.81

 

CMYK 88 / 8 / 0 / 18

HEX #1ABFD0

RGB 26 191 208

HSL 185.6, 0.78%, 0.46%

LAB 70.9, -32.45, -19.6

 

CMYK 63 / 88 / 0 / 18

HEX #4E1AD1

RGB 78 26 209

HSL 257.05, 0.78%, 0.46%

LAB 31.72, 64.63, -82.48

 

CMYK 0 / 28 / 88 / 18

HEX #D1971A

RGB 209 151 26

HSL 40.98, 0.78%, 0.46%

LAB 66.34, 11.97, 66.28

 

CMYK 88 / 8 / 0 / 18

HEX #1ABFD0

RGB 26 191 208

HSL 185.6, 0.78%, 0.46%

LAB 70.9, -32.45, -19.6

 

CMYK 0 / 88 / 7 / 18

HEX #D11AC2

RGB 209 26 194

HSL 304.92, 0.78%, 0.46%

LAB 49.72, 79.81, -43.64

 

CMYK 7 / 0 / 88 / 18

HEX #C2D11A

RGB 194 209 26

HSL 64.92, 0.78%, 0.46%

LAB 80.26, -24.54, 76.88

 

CMYK 88 / 8 / 0 / 18

HEX #1ABFD0

RGB 26 191 208

HSL 185.6, 0.78%, 0.46%

LAB 70.9, -32.45, -19.6

 

CMYK 63 / 88 / 0 / 18

HEX #4E1AD1

RGB 78 26 209

HSL 257.05, 0.78%, 0.46%

LAB 31.72, 64.63, -82.48

 

CMYK 0 / 80 / 88 / 18

HEX #D1291A

RGB 209 41 26

HSL 4.92, 0.78%, 0.46%

LAB 45.93, 62.86, 50.11

 

CMYK 25 / 0 / 88 / 18

HEX #9DD11A

RGB 157 209 26

HSL 77.05, 0.78%, 0.46%

LAB 77.78, -39.51, 73.83

 

CMYK 88 / 8 / 0 / 18

HEX #1ABFD0

RGB 26 191 208

HSL 185.6, 0.78%, 0.46%

LAB 70.9, -32.45, -19.6

 

CMYK 36 / 88 / 0 / 18

HEX #851AD1

RGB 133 26 209

HSL 275.08, 0.78%, 0.46%

LAB 38.43, 70.3, -71.2

 

CMYK 0 / 80 / 88 / 18

HEX #D1291A

RGB 209 41 26

HSL 4.92, 0.78%, 0.46%

LAB 45.93, 62.86, 50.11

 

CMYK 51 / 0 / 88 / 18

HEX #66D11A

RGB 102 209 26

HSL 95.08, 0.78%, 0.46%

LAB 75.14, -58.31, 70.54

 

Description

Color code: HEX #1ABFD0 | qconv.com Color code: HEX #1ABFD0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 191 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 191 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 8 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 8% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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