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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ABC6F it is the complementary color #E54390. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ABC6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ABC6F shade: #1FBC6A, #30CE7D, #41E090, #52F2A3 and #63FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ABC6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ABC6F shade: #1ABC6F, #09AA5C, #009849, #008636 and #007423

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ABC6F shade: #1ABC6F, #1ABC43, #1CBC1A, #48BC1A and #74BC1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ABC6F shade: #1ABC6F, #1ABC9B, #1AB2BC, #1A86BC and #1A5ABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ABC6F shade matches the following richer shades: #1ABC6F and #08CE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ABC6F shade: #1ABC6F, #2BAB6E, #3C9A6D, #4E896D and #5F776C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ABC6F shade: #1CBC1A, #1ABC42, #1ABC6E, #1ABC99 and #1AB4BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ABC6F shade: #107444, #15985A, #1ABC6F, #1FE085 and #43E598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ABC6F shade: #1ABC6F, #1A48BC and #BC2D1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ABC6F shade: #1ABC6F, #6E1ABC and #BC6E1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ABC6F shade: #1ABC6F, #1A48BC, #BC1A68 and #BC8E1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ABC6F shade: #1ABC6F, #1C1ABC, #BC1A68 and #BABC1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

Complementary color

CMYK 0 / 71 / 37 / 10

HEX #E54390

RGB 229 67 144

HSL 331.48, 0.76%, 0.58%

LAB 54.75, 67.72, -6.24

 

CMYK 84 / 0 / 44 / 26

HEX #1FBC6A

RGB 31 188 106

HSL 148.66, 0.72%, 0.43%

LAB 67.5, -56.93, 30.81

 

CMYK 77 / 0 / 39 / 19

HEX #30CE7D

RGB 48 206 125

HSL 149.24, 0.62%, 0.5%

LAB 73.71, -58.02, 29.16

 

CMYK 71 / 0 / 36 / 12

HEX #41E090

RGB 65 224 144

HSL 149.81, 0.72%, 0.57%

LAB 79.87, -58.74, 27.64

 

CMYK 66 / 0 / 33 / 5

HEX #52F2A3

RGB 82 242 163

HSL 150.38, 0.86%, 0.64%

LAB 85.98, -59.2, 26.23

 

CMYK 61 / 0 / 29 / 0

HEX #63FFB6

RGB 99 255 182

HSL 151.92, 1%, 0.69%

LAB 90.57, -57.5, 22.92

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 95 / 0 / 46 / 33

HEX #09AA5C

RGB 9 170 92

HSL 150.93, 0.9%, 0.35%

LAB 61.29, -54.68, 30.04

 

CMYK 100 / 0 / 52 / 40

HEX #009849

RGB 0 152 73

HSL 148.82, 1%, 0.3%

LAB 55.01, -52.27, 31.97

 

CMYK 100 / 0 / 60 / 47

HEX #008636

RGB 0 134 54

HSL 144.18, 1%, 0.26%

LAB 48.66, -49.19, 33.93

 

CMYK 100 / 0 / 70 / 55

HEX #007423

RGB 0 116 35

HSL 138.1, 1%, 0.23%

LAB 42.17, -45.77, 35.64

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 86 / 0 / 64 / 26

HEX #1ABC43

RGB 26 188 67

HSL 135.19, 0.76%, 0.42%

LAB 66.97, -63.12, 48.93

 

CMYK 85 / 0 / 86 / 26

HEX #1CBC1A

RGB 28 188 26

HSL 119.26, 0.76%, 0.42%

LAB 66.74, -66.1, 62.54

 

CMYK 62 / 0 / 86 / 26

HEX #48BC1A

RGB 72 188 26

HSL 102.96, 0.76%, 0.42%

LAB 67.59, -58.79, 63.62

 

CMYK 38 / 0 / 86 / 26

HEX #74BC1A

RGB 116 188 26

HSL 86.67, 0.76%, 0.42%

LAB 69.29, -45.71, 65.76

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 86 / 0 / 18 / 26

HEX #1ABC9B

RGB 26 188 155

HSL 167.78, 0.76%, 0.42%

LAB 68.43, -46.45, 5.78

 

CMYK 86 / 5 / 0 / 26

HEX #1AB2BC

RGB 26 178 188

HSL 183.7, 0.76%, 0.42%

LAB 66.28, -32.51, -15.58

 

CMYK 86 / 29 / 0 / 26

HEX #1A86BC

RGB 26 134 188

HSL 200, 0.76%, 0.42%

LAB 52.84, -9.44, -36.29

 

CMYK 86 / 52 / 0 / 26

HEX #1A5ABC

RGB 26 90 188

HSL 216.3, 0.76%, 0.42%

LAB 39.85, 17.92, -57.01

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 96 / 0 / 46 / 19

HEX #08CE70

RGB 8 206 112

HSL 151.52, 0.93%, 0.42%

LAB 73.13, -63.42, 34.97

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 75 / 0 / 36 / 33

HEX #2BAB6E

RGB 43 171 110

HSL 151.41, 0.6%, 0.42%

LAB 62.31, -48.43, 21.86

 

CMYK 61 / 0 / 29 / 40

HEX #3C9A6D

RGB 60 154 109

HSL 151.28, 0.44%, 0.42%

LAB 57.25, -38.61, 15.56

 

CMYK 43 / 0 / 20 / 46

HEX #4E896D

RGB 78 137 109

HSL 151.53, 0.27%, 0.42%

LAB 52.53, -26.08, 9.07

 

CMYK 20 / 0 / 9 / 53

HEX #5F776C

RGB 95 119 108

HSL 152.5, 0.11%, 0.42%

LAB 47.89, -11.19, 3.16

 

CMYK 85 / 0 / 86 / 26

HEX #1CBC1A

RGB 28 188 26

HSL 119.26, 0.76%, 0.42%

LAB 66.74, -66.1, 62.54

 

CMYK 86 / 0 / 65 / 26

HEX #1ABC42

RGB 26 188 66

HSL 134.81, 0.76%, 0.42%

LAB 66.96, -63.23, 49.35

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6E

RGB 26 188 110

HSL 151.11, 0.76%, 0.42%

LAB 67.51, -56.62, 28.73

 

CMYK 86 / 0 / 19 / 26

HEX #1ABC99

RGB 26 188 153

HSL 167.04, 0.76%, 0.42%

LAB 68.38, -46.97, 6.81

 

CMYK 86 / 4 / 0 / 26

HEX #1AB4BC

RGB 26 180 188

HSL 182.96, 0.76%, 0.42%

LAB 66.89, -33.46, -14.66

 

CMYK 86 / 0 / 41 / 55

HEX #107444

RGB 16 116 68

HSL 151.2, 0.76%, 0.26%

LAB 42.79, -38.93, 19.07

 

CMYK 86 / 0 / 41 / 40

HEX #15985A

RGB 21 152 90

HSL 151.6, 0.76%, 0.34%

LAB 55.44, -47.79, 23.5

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 86 / 0 / 41 / 12

HEX #1FE085

RGB 31 224 133

HSL 151.71, 0.76%, 0.5%

LAB 79.21, -64.55, 32.3

 

CMYK 71 / 0 / 34 / 10

HEX #43E598

RGB 67 229 152

HSL 151.48, 0.76%, 0.58%

LAB 81.57, -58.77, 25.83

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 86 / 62 / 0 / 26

HEX #1A48BC

RGB 26 72 188

HSL 222.96, 0.76%, 0.42%

LAB 34.97, 29.86, -64.95

 

CMYK 0 / 76 / 86 / 26

HEX #BC2D1A

RGB 188 45 26

HSL 7.04, 0.76%, 0.42%

LAB 42.22, 55.41, 45.37

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 41 / 86 / 0 / 26

HEX #6E1ABC

RGB 110 26 188

HSL 271.11, 0.76%, 0.42%

LAB 33.32, 62.79, -67.42

 

CMYK 0 / 41 / 86 / 26

HEX #BC6E1A

RGB 188 110 26

HSL 31.11, 0.76%, 0.42%

LAB 53.94, 25.18, 55.16

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 86 / 62 / 0 / 26

HEX #1A48BC

RGB 26 72 188

HSL 222.96, 0.76%, 0.42%

LAB 34.97, 29.86, -64.95

 

CMYK 0 / 86 / 45 / 26

HEX #BC1A68

RGB 188 26 104

HSL 331.11, 0.76%, 0.42%

LAB 41.89, 64.77, -1.73

 

CMYK 0 / 24 / 86 / 26

HEX #BC8E1A

RGB 188 142 26

HSL 42.96, 0.76%, 0.42%

LAB 61.75, 7.55, 61.6

 

CMYK 86 / 0 / 41 / 26

HEX #1ABC6F

RGB 26 188 111

HSL 151.48, 0.76%, 0.42%

LAB 67.53, -56.43, 28.23

 

CMYK 85 / 86 / 0 / 26

HEX #1C1ABC

RGB 28 26 188

HSL 240.74, 0.76%, 0.42%

LAB 25.61, 56.09, -80.41

 

CMYK 0 / 86 / 45 / 26

HEX #BC1A68

RGB 188 26 104

HSL 331.11, 0.76%, 0.42%

LAB 41.89, 64.77, -1.73

 

CMYK 1 / 0 / 86 / 26

HEX #BABC1A

RGB 186 188 26

HSL 60.74, 0.76%, 0.42%

LAB 73.86, -17.62, 71.42

 

Description

Color code: HEX #1ABC6F | qconv.com Color code: HEX #1ABC6F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 188 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 188 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 41 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 41% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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