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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AB861 it is the complementary color #E5479E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AB861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AB861 shade: #1FB85C, #30CA6F, #41DC82, #52EE95 and #63FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AB861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AB861 shade: #1AB861, #09A64E, #00943B, #008228 and #007015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AB861 shade: #1AB761, #1AB736, #28B71A, #53B71A and #7DB71A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AB861 shade: #1AB761, #1AB78B, #1AB7B5, #1A8EB7 and #1A64B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AB861 shade matches the following richer shades: #1AB761 and #09C85F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AB861 shade: #1AB761, #2BA662, #3C9564, #4D8466 and #5E7367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AB861 shade: #2AB71A, #1AB734, #1AB75E, #1AB788 and #1AB7B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AB861 shade: #106F3A, #15934E, #1AB761, #1FDB74 and #40E48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AB861 shade: #1AB861, #1A54B7 and #B71F1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AB861 shade: #1AB861, #5E1AB7 and #B75E1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AB861 shade: #1AB861, #1A54B7, #B71A73 and #B77D1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AB861 shade: #1AB861, #1A25B7, #B71A73 and #B7AD1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 47 / 28

HEX #1AB861

RGB 26 184 97

HSL 146.96, 0.75%, 0.41%

LAB 66.03, -57.56, 33.54

 

Complementary color

CMYK 0 / 69 / 31 / 10

HEX #E5479E

RGB 229 71 158

HSL 326.96, 0.75%, 0.59%

LAB 55.72, 67.85, -13.04

 

CMYK 83 / 0 / 50 / 28

HEX #1FB85C

RGB 31 184 92

HSL 143.92, 0.71%, 0.42%

LAB 66.02, -57.93, 36.06

 

CMYK 76 / 0 / 45 / 21

HEX #30CA6F

RGB 48 202 111

HSL 144.55, 0.62%, 0.49%

LAB 72.24, -59.1, 34.41

 

CMYK 70 / 0 / 41 / 14

HEX #41DC82

RGB 65 220 130

HSL 145.16, 0.69%, 0.56%

LAB 78.42, -59.85, 32.86

 

CMYK 66 / 0 / 37 / 7

HEX #52EE95

RGB 82 238 149

HSL 145.77, 0.82%, 0.63%

LAB 84.54, -60.31, 31.41

 

CMYK 61 / 0 / 34 / 0

HEX #63FFA8

RGB 99 255 168

HSL 146.54, 1%, 0.69%

LAB 90.32, -60.18, 29.65

 

CMYK 86 / 0 / 47 / 28

HEX #1AB861

RGB 26 184 97

HSL 146.96, 0.75%, 0.41%

LAB 66.03, -57.56, 33.54

 

CMYK 95 / 0 / 53 / 35

HEX #09A64E

RGB 9 166 78

HSL 146.37, 0.9%, 0.34%

LAB 59.78, -55.7, 35.32

 

CMYK 100 / 0 / 60 / 42

HEX #00943B

RGB 0 148 59

HSL 143.92, 1%, 0.29%

LAB 53.49, -53.08, 37.15

 

CMYK 100 / 0 / 69 / 49

HEX #008228

RGB 0 130 40

HSL 138.46, 1%, 0.25%

LAB 47.13, -49.7, 38.8

 

CMYK 100 / 0 / 81 / 56

HEX #007015

RGB 0 112 21

HSL 131.25, 1%, 0.22%

LAB 40.64, -45.84, 39.74

 

CMYK 86 / 0 / 47 / 28

HEX #1AB761

RGB 26 183 97

HSL 147.13, 0.75%, 0.41%

LAB 65.71, -57.21, 33.13

 

CMYK 86 / 0 / 70 / 28

HEX #1AB736

RGB 26 183 54

HSL 130.7, 0.75%, 0.41%

LAB 65.24, -62.91, 52.4

 

CMYK 78 / 0 / 86 / 28

HEX #28B71A

RGB 40 183 26

HSL 114.65, 0.75%, 0.41%

LAB 65.27, -63.21, 61.3

 

CMYK 55 / 0 / 86 / 28

HEX #53B71A

RGB 83 183 26

HSL 98.22, 0.75%, 0.41%

LAB 66.35, -54.2, 62.66

 

CMYK 32 / 0 / 86 / 28

HEX #7DB71A

RGB 125 183 26

HSL 82.17, 0.75%, 0.41%

LAB 68.24, -40.31, 65.04

 

CMYK 86 / 0 / 47 / 28

HEX #1AB761

RGB 26 183 97

HSL 147.13, 0.75%, 0.41%

LAB 65.71, -57.21, 33.13

 

CMYK 86 / 0 / 24 / 28

HEX #1AB78B

RGB 26 183 139

HSL 163.18, 0.75%, 0.41%

LAB 66.48, -48.44, 11.77

 

CMYK 86 / 0 / 1 / 28

HEX #1AB7B5

RGB 26 183 181

HSL 179.24, 0.75%, 0.41%

LAB 67.59, -36.99, -9.75

 

CMYK 86 / 22 / 0 / 28

HEX #1A8EB7

RGB 26 142 183

HSL 195.67, 0.75%, 0.41%

LAB 55.06, -15.75, -29.97

 

CMYK 86 / 45 / 0 / 28

HEX #1A64B7

RGB 26 100 183

HSL 211.72, 0.75%, 0.41%

LAB 42.39, 9.4, -49.99

 

CMYK 86 / 0 / 47 / 28

HEX #1AB761

RGB 26 183 97

HSL 147.13, 0.75%, 0.41%

LAB 65.71, -57.21, 33.13

 

CMYK 96 / 0 / 53 / 22

HEX #09C85F

RGB 9 200 95

HSL 147.02, 0.91%, 0.41%

LAB 71, -64.2, 40.72

 

CMYK 86 / 0 / 47 / 28

HEX #1AB761

RGB 26 183 97

HSL 147.13, 0.75%, 0.41%

LAB 65.71, -57.21, 33.13

 

CMYK 74 / 0 / 41 / 35

HEX #2BA662

RGB 43 166 98

HSL 146.83, 0.59%, 0.41%

LAB 60.49, -48.88, 25.89

 

CMYK 60 / 0 / 33 / 42

HEX #3C9564

RGB 60 149 100

HSL 146.97, 0.43%, 0.41%

LAB 55.46, -38.34, 18.14

 

CMYK 42 / 0 / 23 / 48

HEX #4D8466

RGB 77 132 102

HSL 147.27, 0.26%, 0.41%

LAB 50.73, -25.42, 10.58

 

CMYK 18 / 0 / 10 / 55

HEX #5E7367

RGB 94 115 103

HSL 145.71, 0.1%, 0.41%

LAB 46.47, -10.38, 4.07

 

CMYK 77 / 0 / 86 / 28

HEX #2AB71A

RGB 42 183 26

HSL 113.89, 0.75%, 0.41%

LAB 65.31, -62.93, 61.34

 

CMYK 86 / 0 / 72 / 28

HEX #1AB734

RGB 26 183 52

HSL 129.94, 0.75%, 0.41%

LAB 65.23, -63.1, 53.16

 

CMYK 86 / 0 / 49 / 28

HEX #1AB75E

RGB 26 183 94

HSL 145.99, 0.75%, 0.41%

LAB 65.67, -57.72, 34.6

 

CMYK 86 / 0 / 26 / 28

HEX #1AB788

RGB 26 183 136

HSL 162.04, 0.75%, 0.41%

LAB 66.42, -49.16, 13.32

 

CMYK 86 / 0 / 3 / 28

HEX #1AB7B2

RGB 26 183 178

HSL 178.09, 0.75%, 0.41%

LAB 67.5, -37.88, -8.23

 

CMYK 86 / 0 / 48 / 56

HEX #106F3A

RGB 16 111 58

HSL 146.53, 0.75%, 0.25%

LAB 40.87, -38.98, 22.26

 

CMYK 86 / 0 / 47 / 42

HEX #15934E

RGB 21 147 78

HSL 147.14, 0.75%, 0.33%

LAB 53.58, -48.24, 27.57

 

CMYK 86 / 0 / 47 / 28

HEX #1AB761

RGB 26 183 97

HSL 147.13, 0.75%, 0.41%

LAB 65.71, -57.21, 33.13

 

CMYK 86 / 0 / 47 / 14

HEX #1FDB74

RGB 31 219 116

HSL 147.13, 0.75%, 0.49%

LAB 77.41, -65.83, 38.47

 

CMYK 72 / 0 / 39 / 11

HEX #40E48A

RGB 64 228 138

HSL 147.07, 0.75%, 0.57%

LAB 80.97, -61.48, 32.16

 

CMYK 86 / 0 / 47 / 28

HEX #1AB861

RGB 26 184 97

HSL 146.96, 0.75%, 0.41%

LAB 66.03, -57.56, 33.54

 

CMYK 86 / 54 / 0 / 28

HEX #1A54B7

RGB 26 84 183

HSL 217.83, 0.75%, 0.41%

LAB 37.8, 19.91, -57.4

 

CMYK 0 / 83 / 86 / 28

HEX #B71F1A

RGB 183 31 26

HSL 1.91, 0.75%, 0.41%

LAB 39.78, 57.95, 42.9

 

CMYK 86 / 0 / 47 / 28

HEX #1AB861

RGB 26 184 97

HSL 146.96, 0.75%, 0.41%

LAB 66.03, -57.56, 33.54

 

CMYK 49 / 86 / 0 / 28

HEX #5E1AB7

RGB 94 26 183

HSL 265.99, 0.75%, 0.41%

LAB 30.73, 59.67, -68.79

 

CMYK 0 / 49 / 86 / 28

HEX #B75E1A

RGB 183 94 26

HSL 25.99, 0.75%, 0.41%

LAB 49.67, 31.71, 51.32

 

CMYK 86 / 0 / 47 / 28

HEX #1AB861

RGB 26 184 97

HSL 146.96, 0.75%, 0.41%

LAB 66.03, -57.56, 33.54

 

CMYK 86 / 54 / 0 / 28

HEX #1A54B7

RGB 26 84 183

HSL 217.83, 0.75%, 0.41%

LAB 37.8, 19.91, -57.4

 

CMYK 0 / 86 / 37 / 28

HEX #B71A73

RGB 183 26 115

HSL 325.99, 0.75%, 0.41%

LAB 41.29, 64.62, -9.62

 

CMYK 0 / 32 / 86 / 28

HEX #B77D1A

RGB 183 125 26

HSL 37.83, 0.75%, 0.41%

LAB 56.89, 14.7, 57.35

 

CMYK 86 / 0 / 47 / 28

HEX #1AB861

RGB 26 184 97

HSL 146.96, 0.75%, 0.41%

LAB 66.03, -57.56, 33.54

 

CMYK 86 / 80 / 0 / 28

HEX #1A25B7

RGB 26 37 183

HSL 235.8, 0.75%, 0.41%

LAB 26.63, 49.4, -75.76

 

CMYK 0 / 86 / 37 / 28

HEX #B71A73

RGB 183 26 115

HSL 325.99, 0.75%, 0.41%

LAB 41.29, 64.62, -9.62

 

CMYK 0 / 5 / 86 / 28

HEX #B7AD1A

RGB 183 173 26

HSL 56.18, 0.75%, 0.41%

LAB 69.49, -11.28, 67.75

 

Description

Color code: HEX #1AB861 | qconv.com Color code: HEX #1AB861 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 184 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 184 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 47 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 47% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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