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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AA591 it is the complementary color #E55A6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AA591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AA591 shade: #1FA58C, #30B79F, #41C9B2, #52DBC5 and #63EDD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AA591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AA591 shade: #1AA591, #09937E, #00816B, #006F58 and #005D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AA591 shade: #19A38F, #19A36A, #19A345, #19A320 and #38A319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AA591 shade: #19A38F, #1992A3, #196DA3, #1948A3 and #1922A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AA591 shade matches the following richer shades: #19A38F and #0AB29A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AA591 shade: #19A38F, #299485, #38857A, #47756F and #576664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AA591 shade: #19A345, #19A36A, #19A38F, #1993A3 and #196EA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AA591 shade: #0E5C51, #148070, #19A38F, #1FC7AF and #30DFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AA591 shade: #1AA591, #2019A3 and #A35719

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AA591 shade: #1AA591, #8F19A3 and #A38F19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AA591 shade: #1AA591, #2019A3, #A3192E and #9CA319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AA591 shade: #1AA591, #4A19A3, #A3192E and #73A319

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 12 / 35

HEX #1AA591

RGB 26 165 145

HSL 171.37, 0.73%, 0.37%

LAB 60.94, -39.3, 0.49

 

Complementary color

CMYK 0 / 61 / 52 / 10

HEX #E55A6E

RGB 229 90 110

HSL 351.37, 0.73%, 0.63%

LAB 57.17, 55.47, 17.31

 

CMYK 81 / 0 / 15 / 35

HEX #1FA58C

RGB 31 165 140

HSL 168.81, 0.68%, 0.38%

LAB 60.87, -40.23, 3.2

 

CMYK 74 / 0 / 13 / 28

HEX #30B79F

RGB 48 183 159

HSL 169.33, 0.58%, 0.45%

LAB 67.28, -41.13, 1.96

 

CMYK 68 / 0 / 11 / 21

HEX #41C9B2

RGB 65 201 178

HSL 169.85, 0.56%, 0.52%

LAB 73.62, -41.73, 0.85

 

CMYK 63 / 0 / 10 / 14

HEX #52DBC5

RGB 82 219 197

HSL 170.36, 0.66%, 0.59%

LAB 79.89, -42.13, -0.15

 

CMYK 58 / 0 / 9 / 7

HEX #63EDD8

RGB 99 237 216

HSL 170.87, 0.79%, 0.66%

LAB 86.1, -42.38, -1.08

 

CMYK 84 / 0 / 12 / 35

HEX #1AA591

RGB 26 165 145

HSL 171.37, 0.73%, 0.37%

LAB 60.94, -39.3, 0.49

 

CMYK 94 / 0 / 14 / 42

HEX #09937E

RGB 9 147 126

HSL 170.87, 0.88%, 0.31%

LAB 54.48, -37.8, 1.87

 

CMYK 100 / 0 / 17 / 49

HEX #00816B

RGB 0 129 107

HSL 169.77, 1%, 0.25%

LAB 47.96, -35.74, 3.45

 

CMYK 100 / 0 / 21 / 56

HEX #006F58

RGB 0 111 88

HSL 167.57, 1%, 0.22%

LAB 41.33, -33.18, 5.22

 

CMYK 100 / 0 / 26 / 64

HEX #005D45

RGB 0 93 69

HSL 164.52, 1%, 0.18%

LAB 34.52, -30.53, 7.12

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 85 / 0 / 35 / 36

HEX #19A36A

RGB 25 163 106

HSL 155.22, 0.73%, 0.37%

LAB 59.38, -48.27, 20.03

 

CMYK 85 / 0 / 58 / 36

HEX #19A345

RGB 25 163 69

HSL 139.13, 0.73%, 0.37%

LAB 58.82, -54.88, 38.64

 

CMYK 85 / 0 / 80 / 36

HEX #19A320

RGB 25 163 32

HSL 123.04, 0.73%, 0.37%

LAB 58.51, -58.65, 53.4

 

CMYK 66 / 0 / 85 / 36

HEX #38A319

RGB 56 163 25

HSL 106.52, 0.73%, 0.37%

LAB 59.07, -53.96, 56.11

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 85 / 10 / 0 / 36

HEX #1992A3

RGB 25 146 163

HSL 187.39, 0.73%, 0.37%

LAB 55.49, -24.84, -17.87

 

CMYK 85 / 33 / 0 / 36

HEX #196DA3

RGB 25 109 163

HSL 203.48, 0.73%, 0.37%

LAB 43.93, -4.17, -35.8

 

CMYK 85 / 56 / 0 / 36

HEX #1948A3

RGB 25 72 163

HSL 219.57, 0.73%, 0.37%

LAB 32.89, 19.92, -53.5

 

CMYK 85 / 79 / 0 / 36

HEX #1922A3

RGB 25 34 163

HSL 236.09, 0.73%, 0.37%

LAB 23.66, 44.33, -68.66

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 94 / 0 / 13 / 30

HEX #0AB29A

RGB 10 178 154

HSL 171.43, 0.89%, 0.37%

LAB 65.15, -43.36, 1.58

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 72 / 0 / 10 / 42

HEX #299485

RGB 41 148 133

HSL 171.59, 0.57%, 0.37%

LAB 55.43, -33.31, -0.72

 

CMYK 58 / 0 / 8 / 48

HEX #38857A

RGB 56 133 122

HSL 171.43, 0.41%, 0.37%

LAB 50.71, -26.47, -1.21

 

CMYK 39 / 0 / 5 / 54

HEX #47756F

RGB 71 117 111

HSL 172.17, 0.24%, 0.37%

LAB 45.92, -17.26, -1.67

 

CMYK 15 / 0 / 2 / 60

HEX #576664

RGB 87 102 100

HSL 172, 0.08%, 0.37%

LAB 41.92, -6.13, -0.79

 

CMYK 85 / 0 / 58 / 36

HEX #19A345

RGB 25 163 69

HSL 139.13, 0.73%, 0.37%

LAB 58.82, -54.88, 38.64

 

CMYK 85 / 0 / 35 / 36

HEX #19A36A

RGB 25 163 106

HSL 155.22, 0.73%, 0.37%

LAB 59.38, -48.27, 20.03

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 85 / 10 / 0 / 36

HEX #1993A3

RGB 25 147 163

HSL 186.96, 0.73%, 0.37%

LAB 55.8, -25.35, -17.39

 

CMYK 85 / 33 / 0 / 36

HEX #196EA3

RGB 25 110 163

HSL 203.04, 0.73%, 0.37%

LAB 44.24, -4.78, -35.32

 

CMYK 85 / 0 / 12 / 64

HEX #0E5C51

RGB 14 92 81

HSL 171.54, 0.74%, 0.21%

LAB 34.68, -25.15, -0.07

 

CMYK 84 / 0 / 13 / 50

HEX #148070

RGB 20 128 112

HSL 171.11, 0.73%, 0.29%

LAB 47.95, -32.5, 0.52

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 84 / 0 / 12 / 22

HEX #1FC7AF

RGB 31 199 175

HSL 171.43, 0.73%, 0.45%

LAB 72.38, -45.42, 0.62

 

CMYK 78 / 0 / 11 / 13

HEX #30DFC6

RGB 48 223 198

HSL 171.43, 0.73%, 0.53%

LAB 80.45, -48.04, 0.05

 

CMYK 84 / 0 / 12 / 35

HEX #1AA591

RGB 26 165 145

HSL 171.37, 0.73%, 0.37%

LAB 60.94, -39.3, 0.49

 

CMYK 80 / 85 / 0 / 36

HEX #2019A3

RGB 32 25 163

HSL 243.04, 0.73%, 0.37%

LAB 22.47, 49.17, -70.62

 

CMYK 0 / 47 / 85 / 36

HEX #A35719

RGB 163 87 25

HSL 26.96, 0.73%, 0.37%

LAB 45.18, 27.02, 46.69

 

CMYK 84 / 0 / 12 / 35

HEX #1AA591

RGB 26 165 145

HSL 171.37, 0.73%, 0.37%

LAB 60.94, -39.3, 0.49

 

CMYK 12 / 85 / 0 / 36

HEX #8F19A3

RGB 143 25 163

HSL 291.3, 0.73%, 0.37%

LAB 36.33, 63.1, -47.38

 

CMYK 0 / 12 / 85 / 36

HEX #A38F19

RGB 163 143 25

HSL 51.3, 0.73%, 0.37%

LAB 59.44, -4.36, 58.9

 

CMYK 84 / 0 / 12 / 35

HEX #1AA591

RGB 26 165 145

HSL 171.37, 0.73%, 0.37%

LAB 60.94, -39.3, 0.49

 

CMYK 80 / 85 / 0 / 36

HEX #2019A3

RGB 32 25 163

HSL 243.04, 0.73%, 0.37%

LAB 22.47, 49.17, -70.62

 

CMYK 0 / 85 / 72 / 36

HEX #A3192E

RGB 163 25 46

HSL 350.87, 0.73%, 0.37%

LAB 35.36, 54.39, 25.45

 

CMYK 4 / 0 / 85 / 36

HEX #9CA319

RGB 156 163 25

HSL 63.04, 0.73%, 0.37%

LAB 64.43, -18.06, 62.85

 

CMYK 84 / 0 / 12 / 35

HEX #1AA591

RGB 26 165 145

HSL 171.37, 0.73%, 0.37%

LAB 60.94, -39.3, 0.49

 

CMYK 55 / 85 / 0 / 36

HEX #4A19A3

RGB 74 25 163

HSL 261.3, 0.73%, 0.37%

LAB 26.14, 52.66, -64.42

 

CMYK 0 / 85 / 72 / 36

HEX #A3192E

RGB 163 25 46

HSL 350.87, 0.73%, 0.37%

LAB 35.36, 54.39, 25.45

 

CMYK 29 / 0 / 85 / 36

HEX #73A319

RGB 115 163 25

HSL 80.87, 0.73%, 0.37%

LAB 61.58, -35.29, 59.28

 

Description

Color code: HEX #1AA591 | qconv.com Color code: HEX #1AA591 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 165 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 165 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 12 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 12% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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