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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AA07E it is the complementary color #E55F81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AA07E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AA07E shade: #1FA079, #30B28C, #41C49F, #52D6B2 and #63E8C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AA07E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AA07E shade: #1AA07E, #098E6B, #007C58, #006A45 and #005832

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AA07E shade: #1A9E7C, #1A9E59, #1A9E35, #229E1A and #469E1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AA07E shade: #1A9E7C, #1A9C9E, #1A789E, #1A549E and #1A319E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AA07E shade matches the following richer shades: #1A9E7C and #0BAD84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AA07E shade: #1A9E7C, #298F75, #37806E, #467166 and #55625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AA07E shade: #1A9E34, #1A9E57, #1A9E7B, #1A9E9E and #1A7B9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AA07E shade: #0E5744, #147A60, #1A9E7C, #1FC198 and #2DDDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AA07E shade: #1AA07E, #1A239E and #9E461A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AA07E shade: #1AA07E, #7B1A9E and #9E7B1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AA07E shade: #1AA07E, #1A239E, #9E1A3D and #9E951A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AA07E shade: #1AA07E, #391A9E, #9E1A3D and #7F9E1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 21 / 37

HEX #1AA07E

RGB 26 160 126

HSL 164.78, 0.72%, 0.36%

LAB 58.85, -42.24, 8.17

 

Complementary color

CMYK 0 / 59 / 44 / 10

HEX #E55F81

RGB 229 95 129

HSL 344.78, 0.72%, 0.64%

LAB 58.44, 54.97, 7.97

 

CMYK 81 / 0 / 24 / 37

HEX #1FA079

RGB 31 160 121

HSL 161.86, 0.68%, 0.37%

LAB 58.8, -43.01, 10.92

 

CMYK 73 / 0 / 21 / 30

HEX #30B28C

RGB 48 178 140

HSL 162.46, 0.58%, 0.44%

LAB 65.25, -43.81, 9.52

 

CMYK 67 / 0 / 19 / 23

HEX #41C49F

RGB 65 196 159

HSL 163.05, 0.53%, 0.51%

LAB 71.63, -44.31, 8.28

 

CMYK 62 / 0 / 17 / 16

HEX #52D6B2

RGB 82 214 178

HSL 163.64, 0.62%, 0.58%

LAB 77.93, -44.6, 7.15

 

CMYK 57 / 0 / 15 / 9

HEX #63E8C5

RGB 99 232 197

HSL 164.21, 0.74%, 0.65%

LAB 84.17, -44.75, 6.12

 

CMYK 84 / 0 / 21 / 37

HEX #1AA07E

RGB 26 160 126

HSL 164.78, 0.72%, 0.36%

LAB 58.85, -42.24, 8.17

 

CMYK 94 / 0 / 25 / 44

HEX #098E6B

RGB 9 142 107

HSL 164.21, 0.88%, 0.3%

LAB 52.36, -40.8, 9.74

 

CMYK 100 / 0 / 29 / 51

HEX #007C58

RGB 0 124 88

HSL 162.58, 1%, 0.24%

LAB 45.8, -38.73, 11.52

 

CMYK 100 / 0 / 35 / 58

HEX #006A45

RGB 0 106 69

HSL 159.06, 1%, 0.21%

LAB 39.14, -36.07, 13.54

 

CMYK 100 / 0 / 43 / 65

HEX #005832

RGB 0 88 50

HSL 154.09, 1%, 0.17%

LAB 32.28, -33.24, 15.69

 

CMYK 84 / 0 / 22 / 38

HEX #1A9E7C

RGB 26 158 124

HSL 164.55, 0.72%, 0.36%

LAB 58.16, -41.91, 8.31

 

CMYK 84 / 0 / 44 / 38

HEX #1A9E59

RGB 26 158 89

HSL 148.64, 0.72%, 0.36%

LAB 57.46, -49.73, 26.7

 

CMYK 84 / 0 / 66 / 38

HEX #1A9E35

RGB 26 158 53

HSL 132.27, 0.72%, 0.36%

LAB 57.01, -55.14, 43.97

 

CMYK 78 / 0 / 84 / 38

HEX #229E1A

RGB 34 158 26

HSL 116.36, 0.72%, 0.36%

LAB 56.95, -56.33, 53.73

 

CMYK 56 / 0 / 84 / 38

HEX #469E1A

RGB 70 158 26

HSL 100, 0.72%, 0.36%

LAB 57.88, -48.59, 54.92

 

CMYK 84 / 0 / 22 / 38

HEX #1A9E7C

RGB 26 158 124

HSL 164.55, 0.72%, 0.36%

LAB 58.16, -41.91, 8.31

 

CMYK 84 / 1 / 0 / 38

HEX #1A9C9E

RGB 26 156 158

HSL 180.91, 0.72%, 0.36%

LAB 58.48, -31.32, -10.5

 

CMYK 84 / 24 / 0 / 38

HEX #1A789E

RGB 26 120 158

HSL 197.27, 0.72%, 0.36%

LAB 47.13, -12.45, -27.84

 

CMYK 84 / 47 / 0 / 38

HEX #1A549E

RGB 26 84 158

HSL 213.64, 0.72%, 0.36%

LAB 36.04, 9.89, -45.4

 

CMYK 84 / 69 / 0 / 38

HEX #1A319E

RGB 26 49 158

HSL 229.55, 0.72%, 0.36%

LAB 26.4, 33.53, -61.08

 

CMYK 84 / 0 / 22 / 38

HEX #1A9E7C

RGB 26 158 124

HSL 164.55, 0.72%, 0.36%

LAB 58.16, -41.91, 8.31

 

CMYK 94 / 0 / 24 / 32

HEX #0BAD84

RGB 11 173 132

HSL 164.81, 0.88%, 0.36%

LAB 63.03, -47.04, 10.73

 

CMYK 84 / 0 / 22 / 38

HEX #1A9E7C

RGB 26 158 124

HSL 164.55, 0.72%, 0.36%

LAB 58.16, -41.91, 8.31

 

CMYK 71 / 0 / 18 / 44

HEX #298F75

RGB 41 143 117

HSL 164.71, 0.55%, 0.36%

LAB 53.39, -35.34, 5.52

 

CMYK 57 / 0 / 14 / 50

HEX #37806E

RGB 55 128 110

HSL 165.21, 0.4%, 0.36%

LAB 48.73, -27.42, 2.93

 

CMYK 38 / 0 / 10 / 56

HEX #467166

RGB 70 113 102

HSL 164.65, 0.23%, 0.36%

LAB 44.34, -17.67, 1.39

 

CMYK 13 / 0 / 3 / 62

HEX #55625F

RGB 85 98 95

HSL 166.15, 0.07%, 0.36%

LAB 40.4, -5.65, 0.01

 

CMYK 84 / 0 / 67 / 38

HEX #1A9E34

RGB 26 158 52

HSL 131.82, 0.72%, 0.36%

LAB 57, -55.25, 44.39

 

CMYK 84 / 0 / 45 / 38

HEX #1A9E57

RGB 26 158 87

HSL 147.73, 0.72%, 0.36%

LAB 57.43, -50.11, 27.73

 

CMYK 84 / 0 / 22 / 38

HEX #1A9E7B

RGB 26 158 123

HSL 164.09, 0.72%, 0.36%

LAB 58.14, -42.17, 8.84

 

CMYK 84 / 0 / 0 / 38

HEX #1A9E9E

RGB 26 158 158

HSL 180, 0.72%, 0.36%

LAB 59.11, -32.28, -9.56

 

CMYK 84 / 22 / 0 / 38

HEX #1A7B9E

RGB 26 123 158

HSL 195.91, 0.72%, 0.36%

LAB 48.08, -14.15, -26.37

 

CMYK 84 / 0 / 22 / 66

HEX #0E5744

RGB 14 87 68

HSL 164.38, 0.72%, 0.2%

LAB 32.54, -26.58, 4.97

 

CMYK 84 / 0 / 21 / 52

HEX #147A60

RGB 20 122 96

HSL 164.71, 0.72%, 0.28%

LAB 45.51, -34.26, 6.45

 

CMYK 84 / 0 / 22 / 38

HEX #1A9E7C

RGB 26 158 124

HSL 164.55, 0.72%, 0.36%

LAB 58.16, -41.91, 8.31

 

CMYK 84 / 0 / 21 / 24

HEX #1FC198

RGB 31 193 152

HSL 164.81, 0.72%, 0.44%

LAB 69.96, -48.89, 9.63

 

CMYK 80 / 0 / 20 / 13

HEX #2DDDB0

RGB 45 221 176

HSL 164.66, 0.72%, 0.52%

LAB 79.27, -53.05, 10.03

 

CMYK 84 / 0 / 21 / 37

HEX #1AA07E

RGB 26 160 126

HSL 164.78, 0.72%, 0.36%

LAB 58.85, -42.24, 8.17

 

CMYK 84 / 78 / 0 / 38

HEX #1A239E

RGB 26 35 158

HSL 235.91, 0.72%, 0.36%

LAB 23.31, 42.13, -66.19

 

CMYK 0 / 56 / 84 / 38

HEX #9E461A

RGB 158 70 26

HSL 20, 0.72%, 0.36%

LAB 40.77, 34.08, 42.03

 

CMYK 84 / 0 / 21 / 37

HEX #1AA07E

RGB 26 160 126

HSL 164.78, 0.72%, 0.36%

LAB 58.85, -42.24, 8.17

 

CMYK 22 / 84 / 0 / 38

HEX #7B1A9E

RGB 123 26 158

HSL 284.09, 0.72%, 0.36%

LAB 32.74, 58.35, -50.31

 

CMYK 0 / 22 / 84 / 38

HEX #9E7B1A

RGB 158 123 26

HSL 44.09, 0.72%, 0.36%

LAB 53.5, 4.46, 53.33

 

CMYK 84 / 0 / 21 / 37

HEX #1AA07E

RGB 26 160 126

HSL 164.78, 0.72%, 0.36%

LAB 58.85, -42.24, 8.17

 

CMYK 84 / 78 / 0 / 38

HEX #1A239E

RGB 26 35 158

HSL 235.91, 0.72%, 0.36%

LAB 23.31, 42.13, -66.19

 

CMYK 0 / 84 / 61 / 38

HEX #9E1A3D

RGB 158 26 61

HSL 344.09, 0.72%, 0.36%

LAB 34.69, 53.57, 14.75

 

CMYK 0 / 6 / 84 / 38

HEX #9E951A

RGB 158 149 26

HSL 55.91, 0.72%, 0.36%

LAB 60.64, -9.83, 59.46

 

CMYK 84 / 0 / 21 / 37

HEX #1AA07E

RGB 26 160 126

HSL 164.78, 0.72%, 0.36%

LAB 58.85, -42.24, 8.17

 

CMYK 64 / 84 / 0 / 38

HEX #391A9E

RGB 57 26 158

HSL 254.09, 0.72%, 0.36%

LAB 23.93, 49.1, -65.1

 

CMYK 0 / 84 / 61 / 38

HEX #9E1A3D

RGB 158 26 61

HSL 344.09, 0.72%, 0.36%

LAB 34.69, 53.57, 14.75

 

CMYK 20 / 0 / 84 / 38

HEX #7F9E1A

RGB 127 158 26

HSL 74.09, 0.72%, 0.36%

LAB 60.82, -28.04, 58.66

 

Description

Color code: HEX #1AA07E | qconv.com Color code: HEX #1AA07E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 160 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 160 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 21 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 21% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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