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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A9A8F it is the complementary color #E56570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A9A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A9A8F shade: #1F9A8A, #30AC9D, #41BEB0, #52D0C3 and #63E2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A9A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A9A8F shade: #1A9A8F, #09887C, #007669, #006456 and #005243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A9A8F shade: #19988D, #19986B, #199849, #199827 and #2E9819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A9A8F shade: #19988D, #198198, #195F98, #193C98 and #191A98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A9A8F shade matches the following richer shades: #19988D and #0BA799

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A9A8F shade: #19988D, #288A81, #367B75, #456D69 and #535E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A9A8F shade: #199848, #19986A, #19988B, #198398 and #196198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A9A8F shade: #0D524C, #13756C, #19988D, #1FBBAE and #2ADACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A9A8F shade: #1A9A8F, #261998 and #985919

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A9A8F shade: #1A9A8F, #8B1998 and #988B19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A9A8F shade: #1A9A8F, #261998, #981926 and #8B9819

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A9A8F shade: #1A9A8F, #4C1998, #981926 and #659819

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 7 / 40

HEX #1A9A8F

RGB 26 154 143

HSL 174.84, 0.71%, 0.35%

LAB 57.38, -34.91, -3.6

 

Complementary color

CMYK 0 / 56 / 51 / 10

HEX #E56570

RGB 229 101 112

HSL 354.84, 0.71%, 0.65%

LAB 59.1, 50.65, 18.78

 

CMYK 80 / 0 / 10 / 40

HEX #1F9A8A

RGB 31 154 138

HSL 172.2, 0.66%, 0.36%

LAB 57.31, -35.88, -0.85

 

CMYK 72 / 0 / 9 / 33

HEX #30AC9D

RGB 48 172 157

HSL 172.74, 0.56%, 0.43%

LAB 63.81, -36.74, -1.99

 

CMYK 66 / 0 / 7 / 25

HEX #41BEB0

RGB 65 190 176

HSL 173.28, 0.49%, 0.5%

LAB 70.24, -37.32, -3.01

 

CMYK 61 / 0 / 6 / 18

HEX #52D0C3

RGB 82 208 195

HSL 173.81, 0.57%, 0.57%

LAB 76.59, -37.69, -3.93

 

CMYK 56 / 0 / 5 / 11

HEX #63E2D6

RGB 99 226 214

HSL 174.33, 0.69%, 0.64%

LAB 82.86, -37.93, -4.77

 

CMYK 83 / 0 / 7 / 40

HEX #1A9A8F

RGB 26 154 143

HSL 174.84, 0.71%, 0.35%

LAB 57.38, -34.91, -3.6

 

CMYK 93 / 0 / 9 / 47

HEX #09887C

RGB 9 136 124

HSL 174.33, 0.88%, 0.28%

LAB 50.83, -33.42, -2.31

 

CMYK 100 / 0 / 11 / 54

HEX #007669

RGB 0 118 105

HSL 173.39, 1%, 0.23%

LAB 44.2, -31.35, -0.83

 

CMYK 100 / 0 / 14 / 61

HEX #006456

RGB 0 100 86

HSL 171.6, 1%, 0.2%

LAB 37.46, -28.74, 0.85

 

CMYK 100 / 0 / 18 / 68

HEX #005243

RGB 0 82 67

HSL 169.02, 1%, 0.16%

LAB 30.5, -26.06, 2.64

 

CMYK 84 / 0 / 7 / 40

HEX #19988D

RGB 25 152 141

HSL 174.8, 0.72%, 0.35%

LAB 56.67, -34.67, -3.5

 

CMYK 84 / 0 / 30 / 40

HEX #19986B

RGB 25 152 107

HSL 158.74, 0.72%, 0.35%

LAB 55.81, -43.7, 14.58

 

CMYK 84 / 0 / 52 / 40

HEX #199849

RGB 25 152 73

HSL 142.68, 0.72%, 0.35%

LAB 55.22, -50.49, 32.28

 

CMYK 84 / 0 / 74 / 40

HEX #199827

RGB 25 152 39

HSL 126.61, 0.72%, 0.35%

LAB 54.88, -54.7, 47.43

 

CMYK 70 / 0 / 84 / 40

HEX #2E9819

RGB 46 152 25

HSL 110.08, 0.72%, 0.35%

LAB 55.18, -52.35, 52.47

 

CMYK 84 / 0 / 7 / 40

HEX #19988D

RGB 25 152 141

HSL 174.8, 0.72%, 0.35%

LAB 56.67, -34.67, -3.5

 

CMYK 84 / 15 / 0 / 40

HEX #198198

RGB 25 129 152

HSL 190.87, 0.72%, 0.35%

LAB 49.71, -19.67, -20.35

 

CMYK 84 / 38 / 0 / 40

HEX #195F98

RGB 25 95 152

HSL 206.93, 0.72%, 0.35%

LAB 39, 0.24, -37.07

 

CMYK 84 / 61 / 0 / 40

HEX #193C98

RGB 25 60 152

HSL 223.46, 0.72%, 0.35%

LAB 28.66, 23.72, -53.73

 

CMYK 84 / 83 / 0 / 40

HEX #191A98

RGB 25 26 152

HSL 239.53, 0.72%, 0.35%

LAB 20.88, 44.87, -66.54

 

CMYK 84 / 0 / 7 / 40

HEX #19988D

RGB 25 152 141

HSL 174.8, 0.72%, 0.35%

LAB 56.67, -34.67, -3.5

 

CMYK 93 / 0 / 8 / 35

HEX #0BA799

RGB 11 167 153

HSL 174.62, 0.88%, 0.35%

LAB 61.66, -38.81, -2.96

 

CMYK 84 / 0 / 7 / 40

HEX #19988D

RGB 25 152 141

HSL 174.8, 0.72%, 0.35%

LAB 56.67, -34.67, -3.5

 

CMYK 71 / 0 / 7 / 46

HEX #288A81

RGB 40 138 129

HSL 174.49, 0.55%, 0.35%

LAB 52.08, -29.84, -3.33

 

CMYK 56 / 0 / 5 / 52

HEX #367B75

RGB 54 123 117

HSL 174.78, 0.39%, 0.35%

LAB 47.28, -23.22, -3.32

 

CMYK 37 / 0 / 4 / 57

HEX #456D69

RGB 69 109 105

HSL 174, 0.22%, 0.35%

LAB 43.1, -15.02, -2.23

 

CMYK 12 / 0 / 1 / 63

HEX #535E5D

RGB 83 94 93

HSL 174.55, 0.06%, 0.35%

LAB 38.96, -4.48, -0.88

 

CMYK 84 / 0 / 53 / 40

HEX #199848

RGB 25 152 72

HSL 142.2, 0.72%, 0.35%

LAB 55.21, -50.65, 32.77

 

CMYK 84 / 0 / 30 / 40

HEX #19986A

RGB 25 152 106

HSL 158.27, 0.72%, 0.35%

LAB 55.79, -43.94, 15.12

 

CMYK 84 / 0 / 9 / 40

HEX #19988B

RGB 25 152 139

HSL 173.86, 0.72%, 0.35%

LAB 56.61, -35.25, -2.45

 

CMYK 84 / 14 / 0 / 40

HEX #198398

RGB 25 131 152

HSL 189.92, 0.72%, 0.35%

LAB 50.34, -20.74, -19.37

 

CMYK 84 / 36 / 0 / 40

HEX #196198

RGB 25 97 152

HSL 205.98, 0.72%, 0.35%

LAB 39.62, -1.03, -36.08

 

CMYK 84 / 0 / 7 / 68

HEX #0D524C

RGB 13 82 76

HSL 174.78, 0.73%, 0.19%

LAB 30.98, -21.77, -2.36

 

CMYK 84 / 0 / 8 / 54

HEX #13756C

RGB 19 117 108

HSL 174.49, 0.72%, 0.27%

LAB 44.15, -28.57, -2.67

 

CMYK 84 / 0 / 7 / 40

HEX #19988D

RGB 25 152 141

HSL 174.8, 0.72%, 0.35%

LAB 56.67, -34.67, -3.5

 

CMYK 83 / 0 / 7 / 27

HEX #1FBBAE

RGB 31 187 174

HSL 175, 0.72%, 0.43%

LAB 68.67, -40.48, -4.29

 

CMYK 81 / 0 / 7 / 15

HEX #2ADACB

RGB 42 218 203

HSL 174.89, 0.7%, 0.51%

LAB 79.01, -45.09, -4.73

 

CMYK 83 / 0 / 7 / 40

HEX #1A9A8F

RGB 26 154 143

HSL 174.84, 0.71%, 0.35%

LAB 57.38, -34.91, -3.6

 

CMYK 75 / 84 / 0 / 40

HEX #261998

RGB 38 25 152

HSL 246.14, 0.72%, 0.35%

LAB 21.48, 46.14, -65.51

 

CMYK 0 / 41 / 84 / 40

HEX #985919

RGB 152 89 25

HSL 30.24, 0.72%, 0.35%

LAB 44.08, 21.08, 45.11

 

CMYK 83 / 0 / 7 / 40

HEX #1A9A8F

RGB 26 154 143

HSL 174.84, 0.71%, 0.35%

LAB 57.38, -34.91, -3.6

 

CMYK 9 / 84 / 0 / 40

HEX #8B1998

RGB 139 25 152

HSL 293.86, 0.72%, 0.35%

LAB 34.91, 60.42, -43.03

 

CMYK 0 / 9 / 84 / 40

HEX #988B19

RGB 152 139 25

HSL 53.86, 0.72%, 0.35%

LAB 57.28, -7.22, 56.65

 

CMYK 83 / 0 / 7 / 40

HEX #1A9A8F

RGB 26 154 143

HSL 174.84, 0.71%, 0.35%

LAB 57.38, -34.91, -3.6

 

CMYK 75 / 84 / 0 / 40

HEX #261998

RGB 38 25 152

HSL 246.14, 0.72%, 0.35%

LAB 21.48, 46.14, -65.51

 

CMYK 0 / 84 / 75 / 40

HEX #981926

RGB 152 25 38

HSL 353.86, 0.72%, 0.35%

LAB 32.94, 50.86, 27.06

 

CMYK 9 / 0 / 84 / 40

HEX #8B9819

RGB 139 152 25

HSL 66.14, 0.72%, 0.35%

LAB 59.9, -19.93, 58.47

 

CMYK 83 / 0 / 7 / 40

HEX #1A9A8F

RGB 26 154 143

HSL 174.84, 0.71%, 0.35%

LAB 57.38, -34.91, -3.6

 

CMYK 50 / 84 / 0 / 40

HEX #4C1998

RGB 76 25 152

HSL 264.09, 0.72%, 0.35%

LAB 25.26, 50.03, -59.15

 

CMYK 0 / 84 / 75 / 40

HEX #981926

RGB 152 25 38

HSL 353.86, 0.72%, 0.35%

LAB 32.94, 50.86, 27.06

 

CMYK 34 / 0 / 84 / 40

HEX #659819

RGB 101 152 25

HSL 84.09, 0.72%, 0.35%

LAB 57.36, -35.77, 55.26

 

Description

Color code: HEX #1A9A8F | qconv.com Color code: HEX #1A9A8F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 154 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 154 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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