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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A8EC6 it is the complementary color #E57139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A8EC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A8EC6 shade: #1F8EC1, #30A0D4, #41B2E7, #52C4FA and #63D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A8EC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A8EC6 shade: #1A8EC6, #097CB3, #006AA0, #00588D and #00467A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A8EC6 shade: #198EC6, #195FC6, #1931C6, #3119C6 and #5F19C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A8EC6 shade: #198EC6, #195FC6, #1931C6 and #1919C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A8EC6 shade matches the following richer shades: #198EC6 and #0794D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A8EC6 shade: #198EC6, #2B88B4, #3E81A2, #507B90 and #62757D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A8EC6 shade: #19C6A1, #19BDC6, #198FC6, #1961C6 and #1933C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A8EC6 shade: #105A7D, #1574A2, #198EC6, #26A5E2 and #4BB4E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A8EC6 shade: #1A8EC6, #7319C6 and #C6B819

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A8EC6 shade: #1A8EC6, #C6198F and #8FC619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A8EC6 shade: #1A8EC6, #7319C6, #C65019 and #6DC619

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A8EC6 shade: #1A8EC6, #A619C6, #C65019 and #39C619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 28 / 0 / 22

HEX #1A8EC6

RGB 26 142 198

HSL 199.53, 0.77%, 0.44%

LAB 55.73, -10.34, -37.44

 

Complementary color

CMYK 0 / 51 / 75 / 10

HEX #E57139

RGB 229 113 57

HSL 19.53, 0.77%, 0.56%

LAB 60.57, 41.35, 50.52

 

CMYK 84 / 26 / 0 / 24

HEX #1F8EC1

RGB 31 142 193

HSL 198.89, 0.72%, 0.44%

LAB 55.57, -11.78, -34.85

 

CMYK 77 / 25 / 0 / 17

HEX #30A0D4

RGB 48 160 212

HSL 199.02, 0.66%, 0.51%

LAB 62.1, -13.44, -35.3

 

CMYK 72 / 23 / 0 / 9

HEX #41B2E7

RGB 65 178 231

HSL 199.16, 0.78%, 0.58%

LAB 68.56, -14.75, -35.7

 

CMYK 67 / 22 / 0 / 2

HEX #52C4FA

RGB 82 196 250

HSL 199.29, 0.94%, 0.65%

LAB 74.94, -15.79, -36.06

 

CMYK 61 / 16 / 0 / 0

HEX #63D6FF

RGB 99 214 255

HSL 195.77, 1%, 0.69%

LAB 80.72, -20.83, -29.77

 

CMYK 87 / 28 / 0 / 22

HEX #1A8EC6

RGB 26 142 198

HSL 199.53, 0.77%, 0.44%

LAB 55.73, -10.34, -37.44

 

CMYK 95 / 31 / 0 / 30

HEX #097CB3

RGB 9 124 179

HSL 199.41, 0.9%, 0.37%

LAB 49.16, -7.96, -36.9

 

CMYK 100 / 34 / 0 / 37

HEX #006AA0

RGB 0 106 160

HSL 200.25, 1%, 0.31%

LAB 42.53, -4.99, -36.26

 

CMYK 100 / 38 / 0 / 45

HEX #00588D

RGB 0 88 141

HSL 202.55, 1%, 0.28%

LAB 35.8, -1.45, -35.54

 

CMYK 100 / 43 / 0 / 52

HEX #00467A

RGB 0 70 122

HSL 205.57, 1%, 0.24%

LAB 28.86, 2.36, -34.86

 

CMYK 87 / 28 / 0 / 22

HEX #198EC6

RGB 25 142 198

HSL 199.42, 0.78%, 0.44%

LAB 55.72, -10.41, -37.47

 

CMYK 87 / 52 / 0 / 22

HEX #195FC6

RGB 25 95 198

HSL 215.72, 0.78%, 0.44%

LAB 41.95, 18.52, -59.42

 

CMYK 87 / 75 / 0 / 22

HEX #1931C6

RGB 25 49 198

HSL 231.68, 0.78%, 0.44%

LAB 30.59, 47.83, -78.04

 

CMYK 75 / 87 / 0 / 22

HEX #3119C6

RGB 49 25 198

HSL 248.32, 0.78%, 0.44%

LAB 27.91, 60.2, -82.45

 

CMYK 52 / 87 / 0 / 22

HEX #5F19C6

RGB 95 25 198

HSL 264.28, 0.78%, 0.44%

LAB 32.27, 63.69, -75.1

 

CMYK 87 / 28 / 0 / 22

HEX #198EC6

RGB 25 142 198

HSL 199.42, 0.78%, 0.44%

LAB 55.72, -10.41, -37.47

 

CMYK 87 / 52 / 0 / 22

HEX #195FC6

RGB 25 95 198

HSL 215.72, 0.78%, 0.44%

LAB 41.95, 18.52, -59.42

 

CMYK 87 / 75 / 0 / 22

HEX #1931C6

RGB 25 49 198

HSL 231.68, 0.78%, 0.44%

LAB 30.59, 47.83, -78.04

 

CMYK 87 / 87 / 0 / 22

HEX #1919C6

RGB 25 25 198

HSL 240, 0.78%, 0.44%

LAB 26.68, 59.28, -84.55

 

CMYK 87 / 28 / 0 / 22

HEX #198EC6

RGB 25 142 198

HSL 199.42, 0.78%, 0.44%

LAB 55.72, -10.41, -37.47

 

CMYK 97 / 31 / 0 / 15

HEX #0794D8

RGB 7 148 216

HSL 199.52, 0.94%, 0.44%

LAB 58.21, -7.97, -43.68

 

CMYK 87 / 28 / 0 / 22

HEX #198EC6

RGB 25 142 198

HSL 199.42, 0.78%, 0.44%

LAB 55.72, -10.41, -37.47

 

CMYK 76 / 24 / 0 / 29

HEX #2B88B4

RGB 43 136 180

HSL 199.27, 0.61%, 0.44%

LAB 53.4, -11.81, -30.8

 

CMYK 62 / 20 / 0 / 36

HEX #3E81A2

RGB 62 129 162

HSL 199.8, 0.45%, 0.44%

LAB 51.07, -10.99, -23.98

 

CMYK 44 / 15 / 0 / 44

HEX #507B90

RGB 80 123 144

HSL 199.69, 0.29%, 0.44%

LAB 49.36, -8.98, -16.03

 

CMYK 22 / 6 / 0 / 51

HEX #62757D

RGB 98 117 125

HSL 197.78, 0.12%, 0.44%

LAB 48.01, -5.09, -6.73

 

CMYK 87 / 0 / 19 / 22

HEX #19C6A1

RGB 25 198 161

HSL 167.17, 0.78%, 0.44%

LAB 71.67, -49.09, 7.17

 

CMYK 87 / 5 / 0 / 22

HEX #19BDC6

RGB 25 189 198

HSL 183.12, 0.78%, 0.44%

LAB 69.95, -34.68, -15.56

 

CMYK 87 / 28 / 0 / 22

HEX #198FC6

RGB 25 143 198

HSL 199.08, 0.78%, 0.44%

LAB 56.02, -10.97, -36.99

 

CMYK 87 / 51 / 0 / 22

HEX #1961C6

RGB 25 97 198

HSL 215.03, 0.78%, 0.44%

LAB 42.51, 17.21, -58.52

 

CMYK 87 / 74 / 0 / 22

HEX #1933C6

RGB 25 51 198

HSL 230.98, 0.78%, 0.44%

LAB 31, 46.69, -77.36

 

CMYK 87 / 28 / 0 / 51

HEX #105A7D

RGB 16 90 125

HSL 199.27, 0.77%, 0.28%

LAB 35.8, -8.13, -25.73

 

CMYK 87 / 28 / 0 / 36

HEX #1574A2

RGB 21 116 162

HSL 199.57, 0.77%, 0.36%

LAB 45.99, -9.07, -31.98

 

CMYK 87 / 28 / 0 / 22

HEX #198EC6

RGB 25 142 198

HSL 199.42, 0.78%, 0.44%

LAB 55.72, -10.41, -37.47

 

CMYK 83 / 27 / 0 / 11

HEX #26A5E2

RGB 38 165 226

HSL 199.47, 0.76%, 0.52%

LAB 64.01, -12.25, -40.09

 

CMYK 68 / 22 / 0 / 9

HEX #4BB4E7

RGB 75 180 231

HSL 199.62, 0.76%, 0.6%

LAB 69.4, -14.42, -34.37

 

CMYK 87 / 28 / 0 / 22

HEX #1A8EC6

RGB 26 142 198

HSL 199.53, 0.77%, 0.44%

LAB 55.73, -10.34, -37.44

 

CMYK 42 / 87 / 0 / 22

HEX #7319C6

RGB 115 25 198

HSL 271.21, 0.78%, 0.44%

LAB 34.84, 65.92, -70.78

 

CMYK 0 / 7 / 87 / 22

HEX #C6B819

RGB 198 184 25

HSL 55.14, 0.78%, 0.44%

LAB 73.78, -10.39, 71.98

 

CMYK 87 / 28 / 0 / 22

HEX #1A8EC6

RGB 26 142 198

HSL 199.53, 0.77%, 0.44%

LAB 55.73, -10.34, -37.44

 

CMYK 0 / 87 / 28 / 22

HEX #C6198F

RGB 198 25 143

HSL 319.08, 0.78%, 0.44%

LAB 45.2, 71.24, -20.62

 

CMYK 28 / 0 / 87 / 22

HEX #8FC619

RGB 143 198 25

HSL 79.08, 0.78%, 0.44%

LAB 73.74, -40.07, 70.31

 

CMYK 87 / 28 / 0 / 22

HEX #1A8EC6

RGB 26 142 198

HSL 199.53, 0.77%, 0.44%

LAB 55.73, -10.34, -37.44

 

CMYK 42 / 87 / 0 / 22

HEX #7319C6

RGB 115 25 198

HSL 271.21, 0.78%, 0.44%

LAB 34.84, 65.92, -70.78

 

CMYK 0 / 60 / 87 / 22

HEX #C65019

RGB 198 80 25

HSL 19.08, 0.78%, 0.44%

LAB 49.27, 44.62, 52.33

 

CMYK 45 / 0 / 87 / 22

HEX #6DC619

RGB 109 198 25

HSL 90.87, 0.78%, 0.44%

LAB 72.03, -52.09, 68.19

 

CMYK 87 / 28 / 0 / 22

HEX #1A8EC6

RGB 26 142 198

HSL 199.53, 0.77%, 0.44%

LAB 55.73, -10.34, -37.44

 

CMYK 16 / 87 / 0 / 22

HEX #A619C6

RGB 166 25 198

HSL 288.9, 0.78%, 0.44%

LAB 42.58, 73.18, -57.82

 

CMYK 0 / 60 / 87 / 22

HEX #C65019

RGB 198 80 25

HSL 19.08, 0.78%, 0.44%

LAB 49.27, 44.62, 52.33

 

CMYK 71 / 0 / 87 / 22

HEX #39C619

RGB 57 198 25

HSL 108.9, 0.78%, 0.44%

LAB 70.41, -65.18, 66.15

 

Description

Color code: HEX #1A8EC6 | qconv.com Color code: HEX #1A8EC6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 142 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 142 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 28 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 28% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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