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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A5E4B it is the complementary color #E5A1B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A5E4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A5E4B shade: #1F5E46, #307059, #41826C, #52947F and #63A692

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A5E4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A5E4B shade: #1A5E4B, #094C38, #003A25, #002812 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A5E4B shade: #1A604C, #1A6039, #1A6026, #20601A and #33601A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A5E4B shade: #1A604C, #1A605F, #1A4D60, #1A3B60 and #1A2860

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A5E4B shade matches the following richer shades: #1A604C, #106950 and #067355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A5E4B shade: #1A604C, #245648, #2E4C43, #38423F and #41383B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A5E4B shade: #1A6027, #1A6039, #1A604C, #1A605E and #1A4E60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A5E4B shade: #081F18, #113F32, #1A604C, #238066 and #2CA080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A5E4B shade: #1A5E4B, #1A2060 and #60301A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A5E4B shade: #1A5E4B, #4C1A60 and #604C1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A5E4B shade: #1A5E4B, #1A2060, #601A2E and #605A1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A5E4B shade: #1A5E4B, #291A60, #601A2E and #50601A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 20 / 63

HEX #1A5E4B

RGB 26 94 75

HSL 163.24, 0.57%, 0.24%

LAB 35.47, -26.14, 4.82

 

Complementary color

CMYK 0 / 30 / 21 / 10

HEX #E5A1B4

RGB 229 161 180

HSL 343.24, 0.57%, 0.76%

LAB 73.18, 27.9, 0.35

 

CMYK 67 / 0 / 26 / 63

HEX #1F5E46

RGB 31 94 70

HSL 157.14, 0.5%, 0.25%

LAB 35.48, -26.48, 7.94

 

CMYK 57 / 0 / 21 / 56

HEX #307059

RGB 48 112 89

HSL 158.44, 0.4%, 0.31%

LAB 42.67, -26.55, 6.66

 

CMYK 50 / 0 / 17 / 49

HEX #41826C

RGB 65 130 108

HSL 159.69, 0.33%, 0.38%

LAB 49.7, -26.46, 5.55

 

CMYK 45 / 0 / 14 / 42

HEX #52947F

RGB 82 148 127

HSL 160.91, 0.29%, 0.45%

LAB 56.59, -26.29, 4.57

 

CMYK 40 / 0 / 12 / 35

HEX #63A692

RGB 99 166 146

HSL 162.09, 0.27%, 0.52%

LAB 63.34, -26.1, 3.68

 

CMYK 72 / 0 / 20 / 63

HEX #1A5E4B

RGB 26 94 75

HSL 163.24, 0.57%, 0.24%

LAB 35.47, -26.14, 4.82

 

CMYK 88 / 0 / 26 / 70

HEX #094C38

RGB 9 76 56

HSL 162.09, 0.79%, 0.17%

LAB 28.15, -25.37, 6.33

 

CMYK 100 / 0 / 36 / 77

HEX #003A25

RGB 0 58 37

HSL 158.28, 1%, 0.11%

LAB 20.67, -23.65, 8.24

 

CMYK 100 / 0 / 55 / 84

HEX #002812

RGB 0 40 18

HSL 147, 1%, 0.08%

LAB 12.99, -20.46, 10.56

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 73 / 0 / 21 / 62

HEX #1A604C

RGB 26 96 76

HSL 162.86, 0.57%, 0.24%

LAB 36.19, -26.83, 5.24

 

CMYK 73 / 0 / 41 / 62

HEX #1A6039

RGB 26 96 57

HSL 146.57, 0.57%, 0.24%

LAB 35.75, -31.49, 16.19

 

CMYK 73 / 0 / 60 / 62

HEX #1A6026

RGB 26 96 38

HSL 130.29, 0.57%, 0.24%

LAB 35.45, -34.94, 26.63

 

CMYK 67 / 0 / 73 / 62

HEX #20601A

RGB 32 96 26

HSL 114.86, 0.57%, 0.24%

LAB 35.49, -35.05, 32.67

 

CMYK 47 / 0 / 73 / 62

HEX #33601A

RGB 51 96 26

HSL 98.57, 0.57%, 0.24%

LAB 36.26, -29.15, 33.72

 

CMYK 73 / 0 / 21 / 62

HEX #1A604C

RGB 26 96 76

HSL 162.86, 0.57%, 0.24%

LAB 36.19, -26.83, 5.24

 

CMYK 73 / 0 / 1 / 62

HEX #1A605F

RGB 26 96 95

HSL 179.14, 0.57%, 0.24%

LAB 36.76, -21.15, -5.69

 

CMYK 73 / 20 / 0 / 62

HEX #1A4D60

RGB 26 77 96

HSL 196.29, 0.57%, 0.24%

LAB 30.33, -10, -16.07

 

CMYK 73 / 39 / 0 / 62

HEX #1A3B60

RGB 26 59 96

HSL 211.71, 0.57%, 0.24%

LAB 24.3, 1.68, -25.5

 

CMYK 73 / 58 / 0 / 62

HEX #1A2860

RGB 26 40 96

HSL 228, 0.57%, 0.24%

LAB 18.28, 15.27, -35.13

 

CMYK 73 / 0 / 21 / 62

HEX #1A604C

RGB 26 96 76

HSL 162.86, 0.57%, 0.24%

LAB 36.19, -26.83, 5.24

 

CMYK 85 / 0 / 24 / 59

HEX #106950

RGB 16 105 80

HSL 163.15, 0.74%, 0.24%

LAB 39.23, -31.37, 7.08

 

CMYK 95 / 0 / 26 / 55

HEX #067355

RGB 6 115 85

HSL 163.49, 0.9%, 0.24%

LAB 42.7, -35.3, 8.96

 

CMYK 73 / 0 / 21 / 62

HEX #1A604C

RGB 26 96 76

HSL 162.86, 0.57%, 0.24%

LAB 36.19, -26.83, 5.24

 

CMYK 58 / 0 / 16 / 66

HEX #245648

RGB 36 86 72

HSL 163.2, 0.41%, 0.24%

LAB 32.92, -20.73, 3.08

 

CMYK 39 / 0 / 12 / 70

HEX #2E4C43

RGB 46 76 67

HSL 162, 0.25%, 0.24%

LAB 29.8, -13.58, 1.82

 

CMYK 15 / 0 / 5 / 74

HEX #38423F

RGB 56 66 63

HSL 162, 0.08%, 0.24%

LAB 27.01, -4.81, 0.44

 

CMYK 0 / 14 / 9 / 75

HEX #41383B

RGB 65 56 59

HSL 340, 0.07%, 0.24%

LAB 24.54, 4.57, -0.42

 

CMYK 73 / 0 / 59 / 62

HEX #1A6027

RGB 26 96 39

HSL 131.14, 0.57%, 0.24%

LAB 35.46, -34.79, 26.1

 

CMYK 73 / 0 / 41 / 62

HEX #1A6039

RGB 26 96 57

HSL 146.57, 0.57%, 0.24%

LAB 35.75, -31.49, 16.19

 

CMYK 73 / 0 / 21 / 62

HEX #1A604C

RGB 26 96 76

HSL 162.86, 0.57%, 0.24%

LAB 36.19, -26.83, 5.24

 

CMYK 73 / 0 / 2 / 62

HEX #1A605E

RGB 26 96 94

HSL 178.29, 0.57%, 0.24%

LAB 36.73, -21.47, -5.12

 

CMYK 73 / 19 / 0 / 62

HEX #1A4E60

RGB 26 78 96

HSL 195.43, 0.57%, 0.24%

LAB 30.67, -10.61, -15.54

 

CMYK 74 / 0 / 23 / 88

HEX #081F18

RGB 8 31 24

HSL 161.74, 0.59%, 0.08%

LAB 9.78, -11.22, 2.06

 

CMYK 73 / 0 / 21 / 75

HEX #113F32

RGB 17 63 50

HSL 163.04, 0.58%, 0.16%

LAB 23.35, -19.27, 3.45

 

CMYK 73 / 0 / 21 / 62

HEX #1A604C

RGB 26 96 76

HSL 162.86, 0.57%, 0.24%

LAB 36.19, -26.83, 5.24

 

CMYK 73 / 0 / 20 / 50

HEX #238066

RGB 35 128 102

HSL 163.23, 0.57%, 0.32%

LAB 47.95, -33.39, 6.43

 

CMYK 73 / 0 / 20 / 37

HEX #2CA080

RGB 44 160 128

HSL 163.45, 0.57%, 0.4%

LAB 59.19, -39.62, 7.57

 

CMYK 72 / 0 / 20 / 63

HEX #1A5E4B

RGB 26 94 75

HSL 163.24, 0.57%, 0.24%

LAB 35.47, -26.14, 4.82

 

CMYK 73 / 67 / 0 / 62

HEX #1A2060

RGB 26 32 96

HSL 234.86, 0.57%, 0.24%

LAB 15.99, 21.07, -38.86

 

CMYK 0 / 50 / 73 / 62

HEX #60301A

RGB 96 48 26

HSL 18.86, 0.57%, 0.24%

LAB 25.79, 19.7, 23.47

 

CMYK 72 / 0 / 20 / 63

HEX #1A5E4B

RGB 26 94 75

HSL 163.24, 0.57%, 0.24%

LAB 35.47, -26.14, 4.82

 

CMYK 21 / 73 / 0 / 62

HEX #4C1A60

RGB 76 26 96

HSL 282.86, 0.57%, 0.24%

LAB 20.52, 35.54, -31.25

 

CMYK 0 / 21 / 73 / 62

HEX #604C1A

RGB 96 76 26

HSL 42.86, 0.57%, 0.24%

LAB 33.41, 2.36, 31.83

 

CMYK 72 / 0 / 20 / 63

HEX #1A5E4B

RGB 26 94 75

HSL 163.24, 0.57%, 0.24%

LAB 35.47, -26.14, 4.82

 

CMYK 73 / 67 / 0 / 62

HEX #1A2060

RGB 26 32 96

HSL 234.86, 0.57%, 0.24%

LAB 15.99, 21.07, -38.86

 

CMYK 0 / 73 / 52 / 62

HEX #601A2E

RGB 96 26 46

HSL 342.86, 0.57%, 0.24%

LAB 21.66, 33.21, 4.9

 

CMYK 0 / 6 / 73 / 62

HEX #605A1A

RGB 96 90 26

HSL 54.86, 0.57%, 0.24%

LAB 37.61, -6.05, 36.16

 

CMYK 72 / 0 / 20 / 63

HEX #1A5E4B

RGB 26 94 75

HSL 163.24, 0.57%, 0.24%

LAB 35.47, -26.14, 4.82

 

CMYK 57 / 73 / 0 / 62

HEX #291A60

RGB 41 26 96

HSL 252.86, 0.57%, 0.24%

LAB 15.77, 27.72, -39.16

 

CMYK 0 / 73 / 52 / 62

HEX #601A2E

RGB 96 26 46

HSL 342.86, 0.57%, 0.24%

LAB 21.66, 33.21, 4.9

 

CMYK 17 / 0 / 73 / 62

HEX #50601A

RGB 80 96 26

HSL 73.71, 0.57%, 0.24%

LAB 38.1, -17.06, 36.2

 

Description

Color code: HEX #1A5E4B | qconv.com Color code: HEX #1A5E4B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 94 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 94 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 20 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 20% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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