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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A2FF5 it is the complementary color #E5D00A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A2FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A2FF5 shade: #1F2FF0, #3041FF, #4153FF, #5265FF and #6377FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A2FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A2FF5 shade: #1A2FF5, #091DE2, #000BCF, #0000BC and #0000A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A2FF5 shade: #192EF5, #3F19F5, #7B19F5, #B619F5 and #F219F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A2FF5 shade: #192EF5 and #1919F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A2FF5 shade matches the following richer shades: #192EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A2FF5 shade: #192EF5, #2C3EE2, #404DCF, #535DBB and #666DA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A2FF5 shade: #19A5F5, #196AF5, #192FF5, #3E19F5 and #7819F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A2FF5 shade: #0818B4, #091DDC, #192EF5, #4052F7 and #6876F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A2FF5 shade: #1A2FF5, #F519DF and #87F519

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A2FF5 shade: #1A2FF5, #F5192F and #2FF519

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A2FF5 shade: #1A2FF5, #F519DF, #F5DF19 and #19F52F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A2FF5 shade: #1A2FF5, #F5199D, #F5DF19 and #19F571

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 81 / 0 / 4

HEX #1A2FF5

RGB 26 47 245

HSL 234.25, 0.92%, 0.53%

LAB 35.68, 63.95, -96.58

 

Complementary color

CMYK 0 / 9 / 96 / 10

HEX #E5D00A

RGB 229 208 10

HSL 54.25, 0.92%, 0.47%

LAB 82.8, -9.41, 82.21

 

CMYK 87 / 80 / 0 / 6

HEX #1F2FF0

RGB 31 47 240

HSL 235.41, 0.87%, 0.53%

LAB 35.23, 62.58, -94.5

 

CMYK 81 / 75 / 0 / 0

HEX #3041FF

RGB 48 65 255

HSL 235.07, 1%, 0.59%

LAB 40.62, 58.98, -93.98

 

CMYK 75 / 67 / 0 / 0

HEX #4153FF

RGB 65 83 255

HSL 234.32, 1%, 0.63%

LAB 44.98, 50.17, -86.76

 

CMYK 68 / 60 / 0 / 0

HEX #5265FF

RGB 82 101 255

HSL 233.41, 1%, 0.66%

LAB 49.88, 41.36, -78.69

 

CMYK 61 / 53 / 0 / 0

HEX #6377FF

RGB 99 119 255

HSL 232.31, 1%, 0.69%

LAB 55.14, 33.01, -70.11

 

CMYK 89 / 81 / 0 / 4

HEX #1A2FF5

RGB 26 47 245

HSL 234.25, 0.92%, 0.53%

LAB 35.68, 63.95, -96.58

 

CMYK 96 / 87 / 0 / 11

HEX #091DE2

RGB 9 29 226

HSL 234.47, 0.92%, 0.46%

LAB 30.47, 65.51, -94.48

 

CMYK 100 / 95 / 0 / 19

HEX #000BCF

RGB 0 11 207

HSL 236.81, 1%, 0.41%

LAB 25.99, 65.44, -90.97

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 90 / 81 / 0 / 4

HEX #192EF5

RGB 25 46 245

HSL 234.27, 0.92%, 0.53%

LAB 35.5, 64.38, -96.88

 

CMYK 74 / 90 / 0 / 4

HEX #3F19F5

RGB 63 25 245

HSL 250.36, 0.92%, 0.53%

LAB 34.69, 73.24, -98.19

 

CMYK 50 / 90 / 0 / 4

HEX #7B19F5

RGB 123 25 245

HSL 266.73, 0.92%, 0.53%

LAB 40.41, 77.21, -88.54

 

CMYK 26 / 90 / 0 / 4

HEX #B619F5

RGB 182 25 245

HSL 282.82, 0.92%, 0.53%

LAB 48.55, 83.92, -74.86

 

CMYK 1 / 90 / 0 / 4

HEX #F219F5

RGB 242 25 245

HSL 299.18, 0.92%, 0.53%

LAB 58.19, 92.9, -58.81

 

CMYK 90 / 81 / 0 / 4

HEX #192EF5

RGB 25 46 245

HSL 234.27, 0.92%, 0.53%

LAB 35.5, 64.38, -96.88

 

CMYK 90 / 90 / 0 / 4

HEX #1919F5

RGB 25 25 245

HSL 240, 0.92%, 0.53%

LAB 32.91, 72.17, -101.21

 

CMYK 90 / 81 / 0 / 4

HEX #192EF5

RGB 25 46 245

HSL 234.27, 0.92%, 0.53%

LAB 35.5, 64.38, -96.88

 

CMYK 90 / 81 / 0 / 4

HEX #192EF5

RGB 25 46 245

HSL 234.27, 0.92%, 0.53%

LAB 35.5, 64.38, -96.88

 

CMYK 81 / 73 / 0 / 11

HEX #2C3EE2

RGB 44 62 226

HSL 234.07, 0.76%, 0.53%

LAB 36.88, 50.94, -83.81

 

CMYK 69 / 63 / 0 / 19

HEX #404DCF

RGB 64 77 207

HSL 234.55, 0.6%, 0.53%

LAB 39.42, 37.39, -68.69

 

CMYK 56 / 50 / 0 / 27

HEX #535DBB

RGB 83 93 187

HSL 234.23, 0.43%, 0.53%

LAB 43.15, 23.71, -50.98

 

CMYK 39 / 35 / 0 / 34

HEX #666DA8

RGB 102 109 168

HSL 233.64, 0.28%, 0.53%

LAB 47.74, 12.48, -32.5

 

CMYK 90 / 33 / 0 / 4

HEX #19A5F5

RGB 25 165 245

HSL 201.82, 0.92%, 0.53%

LAB 64.73, -6.28, -49.4

 

CMYK 90 / 57 / 0 / 4

HEX #196AF5

RGB 25 106 245

HSL 217.91, 0.92%, 0.53%

LAB 48.39, 29.6, -75.64

 

CMYK 90 / 81 / 0 / 4

HEX #192FF5

RGB 25 47 245

HSL 234, 0.92%, 0.53%

LAB 35.66, 63.92, -96.63

 

CMYK 75 / 90 / 0 / 4

HEX #3E19F5

RGB 62 25 245

HSL 250.09, 0.92%, 0.53%

LAB 34.62, 73.2, -98.3

 

CMYK 51 / 90 / 0 / 4

HEX #7819F5

RGB 120 25 245

HSL 265.91, 0.92%, 0.53%

LAB 40.05, 76.94, -89.14

 

CMYK 96 / 87 / 0 / 29

HEX #0818B4

RGB 8 24 180

HSL 234.42, 0.91%, 0.37%

LAB 23.67, 54.03, -78.9

 

CMYK 96 / 87 / 0 / 14

HEX #091DDC

RGB 9 29 220

HSL 234.31, 0.92%, 0.45%

LAB 29.67, 63.82, -92.36

 

CMYK 90 / 81 / 0 / 4

HEX #192EF5

RGB 25 46 245

HSL 234.27, 0.92%, 0.53%

LAB 35.5, 64.38, -96.88

 

CMYK 74 / 67 / 0 / 3

HEX #4052F7

RGB 64 82 247

HSL 234.1, 0.92%, 0.61%

LAB 44, 47.99, -83.9

 

CMYK 58 / 53 / 0 / 2

HEX #6876F9

RGB 104 118 249

HSL 234.21, 0.92%, 0.69%

LAB 54.8, 32.53, -67.32

 

CMYK 89 / 81 / 0 / 4

HEX #1A2FF5

RGB 26 47 245

HSL 234.25, 0.92%, 0.53%

LAB 35.68, 63.95, -96.58

 

CMYK 0 / 90 / 9 / 4

HEX #F519DF

RGB 245 25 223

HSL 306, 0.92%, 0.53%

LAB 57.5, 90.36, -47.54

 

CMYK 45 / 0 / 90 / 4

HEX #87F519

RGB 135 245 25

HSL 90, 0.92%, 0.53%

LAB 87.25, -61.76, 81.41

 

CMYK 89 / 81 / 0 / 4

HEX #1A2FF5

RGB 26 47 245

HSL 234.25, 0.92%, 0.53%

LAB 35.68, 63.95, -96.58

 

CMYK 0 / 90 / 81 / 4

HEX #F5192F

RGB 245 25 47

HSL 354, 0.92%, 0.53%

LAB 52.19, 76.09, 48.01

 

CMYK 81 / 0 / 90 / 4

HEX #2FF519

RGB 47 245 25

HSL 114, 0.92%, 0.53%

LAB 84.99, -80.35, 78.59

 

CMYK 89 / 81 / 0 / 4

HEX #1A2FF5

RGB 26 47 245

HSL 234.25, 0.92%, 0.53%

LAB 35.68, 63.95, -96.58

 

CMYK 0 / 90 / 9 / 4

HEX #F519DF

RGB 245 25 223

HSL 306, 0.92%, 0.53%

LAB 57.5, 90.36, -47.54

 

CMYK 0 / 9 / 90 / 4

HEX #F5DF19

RGB 245 223 25

HSL 54, 0.92%, 0.53%

LAB 88.09, -9.93, 84.98

 

CMYK 90 / 0 / 81 / 4

HEX #19F52F

RGB 25 245 47

HSL 126, 0.92%, 0.53%

LAB 84.85, -81.28, 73.9

 

CMYK 89 / 81 / 0 / 4

HEX #1A2FF5

RGB 26 47 245

HSL 234.25, 0.92%, 0.53%

LAB 35.68, 63.95, -96.58

 

CMYK 0 / 90 / 36 / 4

HEX #F5199D

RGB 245 25 157

HSL 324, 0.92%, 0.53%

LAB 54.6, 82.75, -13.87

 

CMYK 0 / 9 / 90 / 4

HEX #F5DF19

RGB 245 223 25

HSL 54, 0.92%, 0.53%

LAB 88.09, -9.93, 84.98

 

CMYK 90 / 0 / 54 / 4

HEX #19F571

RGB 25 245 113

HSL 144, 0.92%, 0.53%

LAB 85.35, -74.99, 49.72

 

Description

Color code: HEX #1A2FF5 | qconv.com Color code: HEX #1A2FF5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 47 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 47 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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