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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19FECF it is the complementary color #E60130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19FECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19FECF shade: #1EFECA, #2FFFDD, #40FFF0, #51FFFF and #62FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19FECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19FECF shade: #19FECF, #08ECBC, #00DAA9, #00C896 and #00B683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19FECF shade: #1BFECF, #1BFE92, #1BFE55, #1EFE1B and #5BFE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19FECF shade: #1BFECF, #1BEFFE, #1BB2FE, #1B75FE and #1B37FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19FECF shade matches the following richer shades: #1BFECF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19FECF shade: #1BFECF, #2DEBC4, #40D9B9, #52C6AE and #65B4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19FECF shade: #1BFE53, #1BFE90, #1BFECD, #1BF2FE and #1BB6FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19FECF shade: #01C59D, #01EEBD, #1BFECF, #44FED8 and #6DFEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19FECF shade: #19FECF, #1B1EFE and #FE721B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19FECF shade: #19FECF, #CD1BFE and #FECD1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19FECF shade: #19FECF, #1B1EFE, #FE1B4C and #FEFA1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19FECF shade: #19FECF, #5B1BFE, #FE1B4C and #BDFE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 19 / 0

HEX #19FECF

RGB 25 254 207

HSL 167.69, 0.99%, 0.55%

LAB 89.67, -59.8, 8.65

 

Complementary color

CMYK 0 / 100 / 79 / 10

HEX #E60130

RGB 230 1 48

HSL 347.69, 0.99%, 0.45%

LAB 48.33, 74.75, 42.6

 

CMYK 88 / 0 / 20 / 0

HEX #1EFECA

RGB 30 254 202

HSL 166.07, 0.99%, 0.56%

LAB 89.59, -60.76, 11.12

 

CMYK 82 / 0 / 13 / 0

HEX #2FFFDD

RGB 47 255 221

HSL 170.19, 1%, 0.59%

LAB 90.48, -55.38, 2.59

 

CMYK 75 / 0 / 6 / 0

HEX #40FFF0

RGB 64 255 240

HSL 175.29, 1%, 0.63%

LAB 91.19, -48.93, -6.2

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 90 / 0 / 19 / 0

HEX #19FECF

RGB 25 254 207

HSL 167.69, 0.99%, 0.55%

LAB 89.67, -59.8, 8.65

 

CMYK 97 / 0 / 20 / 7

HEX #08ECBC

RGB 8 236 188

HSL 167.37, 0.93%, 0.48%

LAB 83.8, -58.06, 10.12

 

CMYK 100 / 0 / 22 / 15

HEX #00DAA9

RGB 0 218 169

HSL 166.51, 1%, 0.43%

LAB 77.88, -55.98, 11.72

 

CMYK 100 / 0 / 25 / 22

HEX #00C896

RGB 0 200 150

HSL 165, 1%, 0.39%

LAB 71.9, -53.64, 13.42

 

CMYK 100 / 0 / 28 / 29

HEX #00B683

RGB 0 182 131

HSL 163.19, 1%, 0.36%

LAB 65.82, -51.25, 15.19

 

CMYK 89 / 0 / 19 / 0

HEX #1BFECF

RGB 27 254 207

HSL 167.58, 0.99%, 0.55%

LAB 89.68, -59.71, 8.66

 

CMYK 89 / 0 / 43 / 0

HEX #1BFE92

RGB 27 254 146

HSL 151.45, 0.99%, 0.55%

LAB 88.54, -72.56, 38.01

 

CMYK 89 / 0 / 67 / 0

HEX #1BFE55

RGB 27 254 85

HSL 135.33, 0.99%, 0.55%

LAB 87.86, -80.84, 64.49

 

CMYK 88 / 0 / 89 / 0

HEX #1EFE1B

RGB 30 254 27

HSL 119.21, 0.99%, 0.55%

LAB 87.6, -84.21, 80.44

 

CMYK 64 / 0 / 89 / 0

HEX #5BFE1B

RGB 91 254 27

HSL 103.08, 0.99%, 0.55%

LAB 88.54, -76.04, 81.61

 

CMYK 89 / 0 / 19 / 0

HEX #1BFECF

RGB 27 254 207

HSL 167.58, 0.99%, 0.55%

LAB 89.68, -59.71, 8.66

 

CMYK 89 / 6 / 0 / 0

HEX #1BEFFE

RGB 27 239 254

HSL 183.96, 0.99%, 0.55%

LAB 86.56, -40.6, -20.45

 

CMYK 89 / 30 / 0 / 0

HEX #1BB2FE

RGB 27 178 254

HSL 200.09, 0.99%, 0.55%

LAB 68.92, -10.18, -47.69

 

CMYK 89 / 54 / 0 / 0

HEX #1B75FE

RGB 27 117 254

HSL 216.21, 0.99%, 0.55%

LAB 51.96, 26.14, -74.83

 

CMYK 89 / 78 / 0 / 0

HEX #1B37FE

RGB 27 55 254

HSL 232.6, 0.99%, 0.55%

LAB 38.06, 62.93, -97.69

 

CMYK 89 / 0 / 19 / 0

HEX #1BFECF

RGB 27 254 207

HSL 167.58, 0.99%, 0.55%

LAB 89.68, -59.71, 8.66

 

CMYK 89 / 0 / 19 / 0

HEX #1BFECF

RGB 27 254 207

HSL 167.58, 0.99%, 0.55%

LAB 89.68, -59.71, 8.66

 

CMYK 81 / 0 / 17 / 8

HEX #2DEBC4

RGB 45 235 196

HSL 167.68, 0.83%, 0.55%

LAB 83.94, -53.76, 6.17

 

CMYK 71 / 0 / 15 / 15

HEX #40D9B9

RGB 64 217 185

HSL 167.45, 0.67%, 0.55%

LAB 78.59, -47.01, 4.3

 

CMYK 59 / 0 / 12 / 22

HEX #52C6AE

RGB 82 198 174

HSL 167.59, 0.5%, 0.55%

LAB 73.05, -38.5, 2.25

 

CMYK 44 / 0 / 9 / 29

HEX #65B4A3

RGB 101 180 163

HSL 167.09, 0.34%, 0.55%

LAB 68.06, -28.46, 1.09

 

CMYK 89 / 0 / 67 / 0

HEX #1BFE53

RGB 27 254 83

HSL 134.8, 0.99%, 0.55%

LAB 87.84, -81.03, 65.24

 

CMYK 89 / 0 / 43 / 0

HEX #1BFE90

RGB 27 254 144

HSL 150.93, 0.99%, 0.55%

LAB 88.51, -72.9, 38.95

 

CMYK 89 / 0 / 19 / 0

HEX #1BFECD

RGB 27 254 205

HSL 167.05, 0.99%, 0.55%

LAB 89.64, -60.19, 9.63

 

CMYK 89 / 5 / 0 / 0

HEX #1BF2FE

RGB 27 242 254

HSL 183.17, 0.99%, 0.55%

LAB 87.43, -41.95, -19.14

 

CMYK 89 / 28 / 0 / 0

HEX #1BB6FE

RGB 27 182 254

HSL 199.03, 0.99%, 0.55%

LAB 70.07, -12.36, -45.89

 

CMYK 99 / 0 / 20 / 23

HEX #01C59D

RGB 1 197 157

HSL 167.76, 0.99%, 0.39%

LAB 71.13, -50.71, 8.54

 

CMYK 100 / 0 / 21 / 7

HEX #01EEBD

RGB 1 238 189

HSL 167.59, 0.99%, 0.47%

LAB 84.4, -58.76, 10.45

 

CMYK 89 / 0 / 19 / 0

HEX #1BFECF

RGB 27 254 207

HSL 167.58, 0.99%, 0.55%

LAB 89.68, -59.71, 8.66

 

CMYK 73 / 0 / 15 / 0

HEX #44FED8

RGB 68 254 216

HSL 167.74, 0.99%, 0.63%

LAB 90.35, -54.2, 5.03

 

CMYK 57 / 0 / 12 / 0

HEX #6DFEE0

RGB 109 254 224

HSL 167.59, 0.99%, 0.71%

LAB 91.47, -46.05, 2.62

 

CMYK 90 / 0 / 19 / 0

HEX #19FECF

RGB 25 254 207

HSL 167.69, 0.99%, 0.55%

LAB 89.67, -59.8, 8.65

 

CMYK 89 / 88 / 0 / 0

HEX #1B1EFE

RGB 27 30 254

HSL 239.21, 0.99%, 0.55%

LAB 34.64, 73.1, -103.39

 

CMYK 0 / 55 / 89 / 0

HEX #FE721B

RGB 254 114 27

HSL 23, 0.99%, 0.55%

LAB 64.31, 49.47, 67.04

 

CMYK 90 / 0 / 19 / 0

HEX #19FECF

RGB 25 254 207

HSL 167.69, 0.99%, 0.55%

LAB 89.67, -59.8, 8.65

 

CMYK 19 / 89 / 0 / 0

HEX #CD1BFE

RGB 205 27 254

HSL 287.05, 0.99%, 0.55%

LAB 52.86, 88.38, -72.73

 

CMYK 0 / 19 / 89 / 0

HEX #FECD1B

RGB 254 205 27

HSL 47.05, 0.99%, 0.55%

LAB 84.39, 3.02, 82.15

 

CMYK 90 / 0 / 19 / 0

HEX #19FECF

RGB 25 254 207

HSL 167.69, 0.99%, 0.55%

LAB 89.67, -59.8, 8.65

 

CMYK 89 / 88 / 0 / 0

HEX #1B1EFE

RGB 27 30 254

HSL 239.21, 0.99%, 0.55%

LAB 34.64, 73.1, -103.39

 

CMYK 0 / 89 / 70 / 0

HEX #FE1B4C

RGB 254 27 76

HSL 347.05, 0.99%, 0.55%

LAB 54.42, 79, 34.58

 

CMYK 0 / 2 / 89 / 0

HEX #FEFA1B

RGB 254 250 27

HSL 58.94, 0.99%, 0.55%

LAB 95.8, -19.32, 90.98

 

CMYK 90 / 0 / 19 / 0

HEX #19FECF

RGB 25 254 207

HSL 167.69, 0.99%, 0.55%

LAB 89.67, -59.8, 8.65

 

CMYK 64 / 89 / 0 / 0

HEX #5B1BFE

RGB 91 27 254

HSL 256.92, 0.99%, 0.55%

LAB 38.13, 76.4, -97.46

 

CMYK 0 / 89 / 70 / 0

HEX #FE1B4C

RGB 254 27 76

HSL 347.05, 0.99%, 0.55%

LAB 54.42, 79, 34.58

 

CMYK 26 / 0 / 89 / 0

HEX #BDFE1B

RGB 189 254 27

HSL 77.18, 0.99%, 0.55%

LAB 92.48, -46.86, 86.48

 

Description

Color code: HEX #19FECF | qconv.com Color code: HEX #19FECF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 254 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 254 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 19 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 19% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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