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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19FC44 it is the complementary color #E603BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19FC44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #19FC44: #1EFC3F, #2FFF52, #40FF65, #51FF78 and #62FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19FC44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #19FC44: #19FC44, #08EA31, #00D81E, #00C60B and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

Complementary color

CMYK 0 / 99 / 19 / 10

HEX #E603BB

RGB 230 3 187

HSL 311.37, 0.97%, 0.46%

LAB 52.37, 85.03, -35.14

 

CMYK 88 / 0 / 75 / 1

HEX #1EFC3F

RGB 30 252 63

HSL 128.92, 0.97%, 0.55%

LAB 87.12, -81.92, 71.49

 

CMYK 82 / 0 / 68 / 0

HEX #2FFF52

RGB 47 255 82

HSL 130.1, 1%, 0.59%

LAB 88.32, -79.85, 66.18

 

CMYK 75 / 0 / 60 / 0

HEX #40FF65

RGB 64 255 101

HSL 131.62, 1%, 0.63%

LAB 88.71, -75.94, 59.07

 

CMYK 68 / 0 / 53 / 0

HEX #51FF78

RGB 81 255 120

HSL 133.45, 1%, 0.66%

LAB 89.22, -71.05, 51.37

 

CMYK 62 / 0 / 45 / 0

HEX #62FF8B

RGB 98 255 139

HSL 135.67, 1%, 0.69%

LAB 89.85, -65.24, 43.32

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 97 / 0 / 79 / 8

HEX #08EA31

RGB 8 234 49

HSL 130.88, 0.93%, 0.47%

LAB 81.36, -78.92, 70.06

 

CMYK 100 / 0 / 86 / 15

HEX #00D81E

RGB 0 216 30

HSL 128.33, 1%, 0.42%

LAB 75.58, -75.28, 69.44

 

CMYK 100 / 0 / 94 / 22

HEX #00C60B

RGB 0 198 11

HSL 123.33, 1%, 0.39%

LAB 69.76, -71.01, 67.56

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 91 / 0 / 59 / 2

HEX #17FB67

RGB 23 251 103

HSL 141.05, 0.97%, 0.54%

LAB 87.07, -78.22, 56.22

 

CMYK 91 / 0 / 44 / 2

HEX #17FB8D

RGB 23 251 141

HSL 151.05, 0.97%, 0.54%

LAB 87.53, -72.64, 39.15

 

CMYK 91 / 0 / 29 / 2

HEX #17FBB3

RGB 23 251 179

HSL 161.05, 0.97%, 0.54%

LAB 88.18, -65.23, 20.95

 

CMYK 91 / 0 / 14 / 2

HEX #17FBD9

RGB 23 251 217

HSL 171.05, 0.97%, 0.54%

LAB 89.01, -56.19, 2.51

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 90 / 0 / 73 / 81

HEX #05300D

RGB 5 48 13

HSL 131.16, 0.81%, 0.1%

LAB 16.38, -23.4, 17.69

 

CMYK 90 / 0 / 73 / 61

HEX #0A631B

RGB 10 99 27

HSL 131.46, 0.82%, 0.21%

LAB 36.11, -40.01, 32.74

 

CMYK 90 / 0 / 73 / 41

HEX #0F9628

RGB 15 150 40

HSL 131.11, 0.82%, 0.32%

LAB 54.1, -54.95, 46.21

 

CMYK 90 / 0 / 73 / 21

HEX #14C936

RGB 20 201 54

HSL 131.27, 0.82%, 0.43%

LAB 71, -68.75, 58.34

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 91 / 35 / 0 / 2

HEX #17A4FB

RGB 23 164 251

HSL 202.89, 0.97%, 0.54%

LAB 64.72, -3.61, -52.69

 

CMYK 0 / 91 / 71 / 2

HEX #FB1749

RGB 251 23 73

HSL 346.84, 0.97%, 0.54%

LAB 53.6, 78.67, 35.22

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 74 / 91 / 0 / 2

HEX #4117FB

RGB 65 23 251

HSL 251.05, 0.97%, 0.54%

LAB 35.4, 75.33, -100.38

 

CMYK 0 / 74 / 91 / 2

HEX #FB4117

RGB 251 65 23

HSL 11.05, 0.97%, 0.54%

LAB 56.44, 68.09, 62.5

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 91 / 35 / 0 / 2

HEX #17A4FB

RGB 23 164 251

HSL 202.89, 0.97%, 0.54%

LAB 64.72, -3.61, -52.69

 

CMYK 0 / 91 / 17 / 2

HEX #FB17D1

RGB 251 23 209

HSL 311.05, 0.97%, 0.54%

LAB 57.78, 89.89, -39.08

 

CMYK 0 / 56 / 91 / 2

HEX #FB6F17

RGB 251 111 23

HSL 23.16, 0.97%, 0.54%

LAB 63.29, 49.71, 67.2

 

CMYK 90 / 0 / 73 / 1

HEX #19FC44

RGB 25 252 68

HSL 131.37, 0.97%, 0.54%

LAB 87.12, -81.85, 69.85

 

CMYK 91 / 62 / 0 / 2

HEX #175FFB

RGB 23 95 251

HSL 221.05, 0.97%, 0.54%

LAB 46.09, 38.73, -82.77

 

CMYK 0 / 91 / 17 / 2

HEX #FB17D1

RGB 251 23 209

HSL 311.05, 0.97%, 0.54%

LAB 57.78, 89.89, -39.08

 

CMYK 0 / 29 / 91 / 2

HEX #FBB317

RGB 251 179 23

HSL 41.05, 0.97%, 0.54%

LAB 77.76, 15.16, 77.72

 

Description

Color code: HEX #19FC44 | qconv.com Color code: HEX #19FC44 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 252 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 252 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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