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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19FC40 it is the complementary color #E603BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19FC40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19FC40 shade: #1EFC3B, #2FFF4E, #40FF61, #51FF74 and #62FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19FC40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19FC40 shade: #19FC40, #08EA2D, #00D81A, #00C607 and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19FC40 shade: #18FB3F, #2EFB18, #6CFB18, #A9FB18 and #E6FB18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19FC40 shade: #18FB3F, #18FB7C, #18FBBA, #18FBF7 and #18C2FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19FC40 shade matches the following richer shades: #18FB3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19FC40 shade: #18FB3F, #2BE94B, #3ED658, #51C364 and #64B071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19FC40 shade: #6BFB18, #2FFB18, #18FB3E, #18FB7B and #18FBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19FC40 shade: #03BE23, #04E72B, #18FB3F, #41FC61 and #69FD83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19FC40 shade: #19FC40, #18A8FB and #FB184D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19FC40 shade: #19FC40, #3E18FB and #FB3E18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19FC40 shade: #19FC40, #18A8FB, #FB18D6 and #FB6B18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19FC40 shade: #19FC40, #1864FB, #FB18D6 and #FBB018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 75 / 1

HEX #19FC40

RGB 25 252 64

HSL 130.31, 0.97%, 0.54%

LAB 87.09, -82.15, 71.13

 

Complementary color

CMYK 0 / 99 / 17 / 10

HEX #E603BF

RGB 230 3 191

HSL 310.31, 0.97%, 0.46%

LAB 52.56, 85.51, -37.17

 

CMYK 88 / 0 / 77 / 1

HEX #1EFC3B

RGB 30 252 59

HSL 127.84, 0.97%, 0.55%

LAB 87.1, -82.19, 72.69

 

CMYK 82 / 0 / 69 / 0

HEX #2FFF4E

RGB 47 255 78

HSL 128.94, 1%, 0.59%

LAB 88.29, -80.2, 67.63

 

CMYK 75 / 0 / 62 / 0

HEX #40FF61

RGB 64 255 97

HSL 130.37, 1%, 0.63%

LAB 88.67, -76.38, 60.7

 

CMYK 68 / 0 / 55 / 0

HEX #51FF74

RGB 81 255 116

HSL 132.07, 1%, 0.66%

LAB 89.17, -71.57, 53.13

 

CMYK 62 / 0 / 47 / 0

HEX #62FF87

RGB 98 255 135

HSL 134.14, 1%, 0.69%

LAB 89.8, -65.83, 45.16

 

CMYK 90 / 0 / 75 / 1

HEX #19FC40

RGB 25 252 64

HSL 130.31, 0.97%, 0.54%

LAB 87.09, -82.15, 71.13

 

CMYK 97 / 0 / 81 / 8

HEX #08EA2D

RGB 8 234 45

HSL 129.82, 0.93%, 0.47%

LAB 81.34, -79.15, 71.13

 

CMYK 100 / 0 / 88 / 15

HEX #00D81A

RGB 0 216 26

HSL 127.22, 1%, 0.42%

LAB 75.57, -75.43, 70.22

 

CMYK 100 / 0 / 96 / 22

HEX #00C607

RGB 0 198 7

HSL 122.12, 1%, 0.39%

LAB 69.76, -71.1, 67.99

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 90 / 0 / 75 / 2

HEX #18FB3F

RGB 24 251 63

HSL 130.31, 0.97%, 0.54%

LAB 86.77, -82, 71.13

 

CMYK 82 / 0 / 90 / 2

HEX #2EFB18

RGB 46 251 24

HSL 114.19, 0.97%, 0.54%

LAB 86.82, -82.14, 80.28

 

CMYK 57 / 0 / 90 / 2

HEX #6CFB18

RGB 108 251 24

HSL 97.8, 0.97%, 0.54%

LAB 88.09, -71.34, 81.85

 

CMYK 33 / 0 / 90 / 2

HEX #A9FB18

RGB 169 251 24

HSL 81.67, 0.97%, 0.54%

LAB 90.55, -52.9, 84.89

 

CMYK 8 / 0 / 90 / 2

HEX #E6FB18

RGB 230 251 24

HSL 65.55, 0.97%, 0.54%

LAB 94.26, -29.63, 89.42

 

CMYK 90 / 0 / 75 / 2

HEX #18FB3F

RGB 24 251 63

HSL 130.31, 0.97%, 0.54%

LAB 86.77, -82, 71.13

 

CMYK 90 / 0 / 51 / 2

HEX #18FB7C

RGB 24 251 124

HSL 146.43, 0.97%, 0.54%

LAB 87.31, -75.32, 47.01

 

CMYK 90 / 0 / 26 / 2

HEX #18FBBA

RGB 24 251 186

HSL 162.82, 0.97%, 0.54%

LAB 88.32, -63.64, 17.56

 

CMYK 90 / 0 / 2 / 2

HEX #18FBF7

RGB 24 251 247

HSL 178.94, 0.97%, 0.54%

LAB 89.81, -48.05, -11.92

 

CMYK 90 / 23 / 0 / 2

HEX #18C2FB

RGB 24 194 251

HSL 195.07, 0.97%, 0.54%

LAB 73.38, -19.9, -39.09

 

CMYK 90 / 0 / 75 / 2

HEX #18FB3F

RGB 24 251 63

HSL 130.31, 0.97%, 0.54%

LAB 86.77, -82, 71.13

 

CMYK 90 / 0 / 75 / 2

HEX #18FB3F

RGB 24 251 63

HSL 130.31, 0.97%, 0.54%

LAB 86.77, -82, 71.13

 

CMYK 82 / 0 / 68 / 9

HEX #2BE94B

RGB 43 233 75

HSL 130.11, 0.81%, 0.54%

LAB 81.46, -74.4, 61.51

 

CMYK 71 / 0 / 59 / 16

HEX #3ED658

RGB 62 214 88

HSL 130.26, 0.65%, 0.54%

LAB 75.96, -64.5, 50.05

 

CMYK 58 / 0 / 49 / 24

HEX #51C364

RGB 81 195 100

HSL 130, 0.49%, 0.54%

LAB 70.66, -52.3, 38.1

 

CMYK 43 / 0 / 36 / 31

HEX #64B071

RGB 100 176 113

HSL 130.26, 0.32%, 0.54%

LAB 65.71, -37.23, 25.11

 

CMYK 57 / 0 / 90 / 2

HEX #6BFB18

RGB 107 251 24

HSL 98.06, 0.97%, 0.54%

LAB 88.06, -71.58, 81.82

 

CMYK 81 / 0 / 90 / 2

HEX #2FFB18

RGB 47 251 24

HSL 113.92, 0.97%, 0.54%

LAB 86.83, -82.03, 80.3

 

CMYK 90 / 0 / 75 / 2

HEX #18FB3E

RGB 24 251 62

HSL 130.04, 0.97%, 0.54%

LAB 86.77, -82.07, 71.44

 

CMYK 90 / 0 / 51 / 2

HEX #18FB7B

RGB 24 251 123

HSL 146.17, 0.97%, 0.54%

LAB 87.3, -75.47, 47.47

 

CMYK 90 / 0 / 27 / 2

HEX #18FBB7

RGB 24 251 183

HSL 162.03, 0.97%, 0.54%

LAB 88.26, -64.31, 19.02

 

CMYK 98 / 0 / 82 / 25

HEX #03BE23

RGB 3 190 35

HSL 130.27, 0.97%, 0.38%

LAB 67.25, -67.76, 60.7

 

CMYK 98 / 0 / 81 / 9

HEX #04E72B

RGB 4 231 43

HSL 130.31, 0.97%, 0.46%

LAB 80.38, -78.57, 70.75

 

CMYK 90 / 0 / 75 / 2

HEX #18FB3F

RGB 24 251 63

HSL 130.31, 0.97%, 0.54%

LAB 86.77, -82, 71.13

 

CMYK 74 / 0 / 62 / 1

HEX #41FC61

RGB 65 252 97

HSL 130.27, 0.97%, 0.62%

LAB 87.78, -75.31, 59.7

 

CMYK 58 / 0 / 48 / 1

HEX #69FD83

RGB 105 253 131

HSL 130.54, 0.97%, 0.7%

LAB 89.34, -64.23, 46.53

 

CMYK 90 / 0 / 75 / 1

HEX #19FC40

RGB 25 252 64

HSL 130.31, 0.97%, 0.54%

LAB 87.09, -82.15, 71.13

 

CMYK 90 / 33 / 0 / 2

HEX #18A8FB

RGB 24 168 251

HSL 201.94, 0.97%, 0.54%

LAB 65.88, -5.84, -50.86

 

CMYK 0 / 90 / 69 / 2

HEX #FB184D

RGB 251 24 77

HSL 345.99, 0.97%, 0.54%

LAB 53.71, 78.71, 32.98

 

CMYK 90 / 0 / 75 / 1

HEX #19FC40

RGB 25 252 64

HSL 130.31, 0.97%, 0.54%

LAB 87.09, -82.15, 71.13

 

CMYK 75 / 90 / 0 / 2

HEX #3E18FB

RGB 62 24 251

HSL 250.04, 0.97%, 0.54%

LAB 35.29, 74.97, -100.58

 

CMYK 0 / 75 / 90 / 2

HEX #FB3E18

RGB 251 62 24

HSL 10.04, 0.97%, 0.54%

LAB 56.11, 69.03, 61.94

 

CMYK 90 / 0 / 75 / 1

HEX #19FC40

RGB 25 252 64

HSL 130.31, 0.97%, 0.54%

LAB 87.09, -82.15, 71.13

 

CMYK 90 / 33 / 0 / 2

HEX #18A8FB

RGB 24 168 251

HSL 201.94, 0.97%, 0.54%

LAB 65.88, -5.84, -50.86

 

CMYK 0 / 90 / 15 / 2

HEX #FB18D6

RGB 251 24 214

HSL 309.78, 0.97%, 0.54%

LAB 58.05, 90.39, -41.49

 

CMYK 0 / 57 / 90 / 2

HEX #FB6B18

RGB 251 107 24

HSL 21.94, 0.97%, 0.54%

LAB 62.58, 51.57, 66.43

 

CMYK 90 / 0 / 75 / 1

HEX #19FC40

RGB 25 252 64

HSL 130.31, 0.97%, 0.54%

LAB 87.09, -82.15, 71.13

 

CMYK 90 / 60 / 0 / 2

HEX #1864FB

RGB 24 100 251

HSL 219.91, 0.97%, 0.54%

LAB 47.33, 35.62, -80.72

 

CMYK 0 / 90 / 15 / 2

HEX #FB18D6

RGB 251 24 214

HSL 309.78, 0.97%, 0.54%

LAB 58.05, 90.39, -41.49

 

CMYK 0 / 30 / 90 / 2

HEX #FBB018

RGB 251 176 24

HSL 40.18, 0.97%, 0.54%

LAB 77.06, 16.74, 77.01

 

Description

Color code: HEX #19FC40 | qconv.com Color code: HEX #19FC40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 252 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 252 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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