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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19F6B7 it is the complementary color #E60948. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19F6B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19F6B7 shade: #1EF6B2, #2FFFC5, #40FFD8, #51FFEB and #62FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19F6B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19F6B7 shade: #19F6B7, #08E4A4, #00D291, #00C07E and #00AE6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19F6B7 shade: #19F5B7, #19F57B, #19F540, #2EF519 and #69F519

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19F6B7 shade: #19F5B7, #19F5F2, #19BDF5, #1982F5 and #1946F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19F6B7 shade matches the following richer shades: #19F5B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19F6B7 shade: #19F5B7, #2CE2AE, #40CFA6, #53BB9E and #66A895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19F6B7 shade: #19F53E, #19F578, #19F5B3, #19F5EE and #19C2F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19F6B7 shade: #08B483, #09DCA0, #19F5B7, #40F7C3 and #68F9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19F6B7 shade: #19F6B7, #192FF5 and #F55B19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19F6B7 shade: #19F6B7, #B319F5 and #F5B319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19F6B7 shade: #19F6B7, #192FF5, #F5195B and #F5DF19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19F6B7 shade: #19F6B7, #4519F5, #F5195B and #C9F519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 26 / 4

HEX #19F6B7

RGB 25 246 183

HSL 162.9, 0.92%, 0.53%

LAB 86.77, -62.42, 16.94

 

Complementary color

CMYK 0 / 96 / 69 / 10

HEX #E60948

RGB 230 9 72

HSL 342.9, 0.92%, 0.47%

LAB 48.87, 74.99, 29.06

 

CMYK 88 / 0 / 28 / 4

HEX #1EF6B2

RGB 30 246 178

HSL 161.11, 0.92%, 0.54%

LAB 86.7, -63.28, 19.42

 

CMYK 82 / 0 / 23 / 0

HEX #2FFFC5

RGB 47 255 197

HSL 163.27, 1%, 0.59%

LAB 89.93, -61.18, 14.2

 

CMYK 75 / 0 / 15 / 0

HEX #40FFD8

RGB 64 255 216

HSL 167.75, 1%, 0.63%

LAB 90.58, -55.06, 5.35

 

CMYK 68 / 0 / 8 / 0

HEX #51FFEB

RGB 81 255 235

HSL 173.1, 1%, 0.66%

LAB 91.36, -48.24, -3.32

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFE

RGB 98 255 254

HSL 179.62, 1%, 0.69%

LAB 92.25, -40.84, -11.8

 

CMYK 90 / 0 / 26 / 4

HEX #19F6B7

RGB 25 246 183

HSL 162.9, 0.92%, 0.53%

LAB 86.77, -62.42, 16.94

 

CMYK 96 / 0 / 28 / 11

HEX #08E4A4

RGB 8 228 164

HSL 162.55, 0.93%, 0.46%

LAB 80.86, -60.68, 18.54

 

CMYK 100 / 0 / 31 / 18

HEX #00D291

RGB 0 210 145

HSL 161.43, 1%, 0.41%

LAB 74.91, -58.55, 20.27

 

CMYK 100 / 0 / 34 / 25

HEX #00C07E

RGB 0 192 126

HSL 159.38, 1%, 0.38%

LAB 68.9, -56.12, 22.12

 

CMYK 100 / 0 / 39 / 32

HEX #00AE6B

RGB 0 174 107

HSL 156.9, 1%, 0.34%

LAB 62.79, -53.59, 24.04

 

CMYK 90 / 0 / 25 / 4

HEX #19F5B7

RGB 25 245 183

HSL 163.09, 0.92%, 0.53%

LAB 86.47, -62.05, 16.51

 

CMYK 90 / 0 / 50 / 4

HEX #19F57B

RGB 25 245 123

HSL 146.73, 0.92%, 0.53%

LAB 85.47, -73.53, 45.21

 

CMYK 90 / 0 / 74 / 4

HEX #19F540

RGB 25 245 64

HSL 130.64, 0.92%, 0.53%

LAB 84.94, -80.21, 68.98

 

CMYK 81 / 0 / 90 / 4

HEX #2EF519

RGB 46 245 25

HSL 114.27, 0.92%, 0.53%

LAB 84.97, -80.45, 78.58

 

CMYK 57 / 0 / 90 / 4

HEX #69F519

RGB 105 245 25

HSL 98.18, 0.92%, 0.53%

LAB 86.2, -70.05, 80.09

 

CMYK 90 / 0 / 25 / 4

HEX #19F5B7

RGB 25 245 183

HSL 163.09, 0.92%, 0.53%

LAB 86.47, -62.05, 16.51

 

CMYK 90 / 0 / 1 / 4

HEX #19F5F2

RGB 25 245 242

HSL 179.18, 0.92%, 0.53%

LAB 87.93, -46.84, -12.12

 

CMYK 90 / 23 / 0 / 4

HEX #19BDF5

RGB 25 189 245

HSL 195.27, 0.92%, 0.53%

LAB 71.69, -19.31, -38.49

 

CMYK 90 / 47 / 0 / 4

HEX #1982F5

RGB 25 130 245

HSL 211.36, 0.92%, 0.53%

LAB 54.83, 14.48, -65.21

 

CMYK 90 / 71 / 0 / 4

HEX #1946F5

RGB 25 70 245

HSL 227.73, 0.92%, 0.53%

LAB 39.88, 51.86, -89.62

 

CMYK 90 / 0 / 25 / 4

HEX #19F5B7

RGB 25 245 183

HSL 163.09, 0.92%, 0.53%

LAB 86.47, -62.05, 16.51

 

CMYK 90 / 0 / 25 / 4

HEX #19F5B7

RGB 25 245 183

HSL 163.09, 0.92%, 0.53%

LAB 86.47, -62.05, 16.51

 

CMYK 81 / 0 / 23 / 11

HEX #2CE2AE

RGB 44 226 174

HSL 162.86, 0.76%, 0.53%

LAB 80.73, -55.6, 13.15

 

CMYK 69 / 0 / 20 / 19

HEX #40CFA6

RGB 64 207 166

HSL 162.8, 0.6%, 0.53%

LAB 75.12, -47.44, 9.48

 

CMYK 56 / 0 / 16 / 27

HEX #53BB9E

RGB 83 187 158

HSL 163.27, 0.43%, 0.53%

LAB 69.36, -37.2, 5.64

 

CMYK 39 / 0 / 11 / 34

HEX #66A895

RGB 102 168 149

HSL 162.73, 0.28%, 0.53%

LAB 64.16, -25.56, 3.2

 

CMYK 90 / 0 / 75 / 4

HEX #19F53E

RGB 25 245 62

HSL 130.09, 0.92%, 0.53%

LAB 84.92, -80.35, 69.62

 

CMYK 90 / 0 / 51 / 4

HEX #19F578

RGB 25 245 120

HSL 145.91, 0.92%, 0.53%

LAB 85.44, -73.99, 46.57

 

CMYK 90 / 0 / 27 / 4

HEX #19F5B3

RGB 25 245 179

HSL 162, 0.92%, 0.53%

LAB 86.39, -62.95, 18.47

 

CMYK 90 / 0 / 3 / 4

HEX #19F5EE

RGB 25 245 238

HSL 178.09, 0.92%, 0.53%

LAB 87.82, -47.97, -10.2

 

CMYK 90 / 21 / 0 / 4

HEX #19C2F5

RGB 25 194 245

HSL 193.91, 0.92%, 0.53%

LAB 73.14, -21.89, -36.23

 

CMYK 96 / 0 / 27 / 29

HEX #08B483

RGB 8 180 131

HSL 162.91, 0.91%, 0.37%

LAB 65.23, -50.17, 14.37

 

CMYK 96 / 0 / 27 / 14

HEX #09DCA0

RGB 9 220 160

HSL 162.94, 0.92%, 0.45%

LAB 78.33, -58.6, 17.12

 

CMYK 90 / 0 / 25 / 4

HEX #19F5B7

RGB 25 245 183

HSL 163.09, 0.92%, 0.53%

LAB 86.47, -62.05, 16.51

 

CMYK 74 / 0 / 21 / 3

HEX #40F7C3

RGB 64 247 195

HSL 162.95, 0.92%, 0.61%

LAB 87.75, -56.86, 12.18

 

CMYK 58 / 0 / 17 / 2

HEX #68F9CF

RGB 104 249 207

HSL 162.62, 0.92%, 0.69%

LAB 89.49, -48.79, 8.55

 

CMYK 90 / 0 / 26 / 4

HEX #19F6B7

RGB 25 246 183

HSL 162.9, 0.92%, 0.53%

LAB 86.77, -62.42, 16.94

 

CMYK 90 / 81 / 0 / 4

HEX #192FF5

RGB 25 47 245

HSL 234, 0.92%, 0.53%

LAB 35.66, 63.92, -96.63

 

CMYK 0 / 63 / 90 / 4

HEX #F55B19

RGB 245 91 25

HSL 18, 0.92%, 0.53%

LAB 58.94, 56.52, 63.1

 

CMYK 90 / 0 / 26 / 4

HEX #19F6B7

RGB 25 246 183

HSL 162.9, 0.92%, 0.53%

LAB 86.77, -62.42, 16.94

 

CMYK 27 / 90 / 0 / 4

HEX #B319F5

RGB 179 25 245

HSL 282, 0.92%, 0.53%

LAB 48.1, 83.52, -75.62

 

CMYK 0 / 27 / 90 / 4

HEX #F5B319

RGB 245 179 25

HSL 42, 0.92%, 0.53%

LAB 77.11, 12.64, 76.57

 

CMYK 90 / 0 / 26 / 4

HEX #19F6B7

RGB 25 246 183

HSL 162.9, 0.92%, 0.53%

LAB 86.77, -62.42, 16.94

 

CMYK 90 / 81 / 0 / 4

HEX #192FF5

RGB 25 47 245

HSL 234, 0.92%, 0.53%

LAB 35.66, 63.92, -96.63

 

CMYK 0 / 90 / 63 / 4

HEX #F5195B

RGB 245 25 91

HSL 342, 0.92%, 0.53%

LAB 52.8, 77.81, 23.21

 

CMYK 0 / 9 / 90 / 4

HEX #F5DF19

RGB 245 223 25

HSL 54, 0.92%, 0.53%

LAB 88.09, -9.93, 84.98

 

CMYK 90 / 0 / 26 / 4

HEX #19F6B7

RGB 25 246 183

HSL 162.9, 0.92%, 0.53%

LAB 86.77, -62.42, 16.94

 

CMYK 72 / 90 / 0 / 4

HEX #4519F5

RGB 69 25 245

HSL 252, 0.92%, 0.53%

LAB 35.11, 73.5, -97.48

 

CMYK 0 / 90 / 63 / 4

HEX #F5195B

RGB 245 25 91

HSL 342, 0.92%, 0.53%

LAB 52.8, 77.81, 23.21

 

CMYK 18 / 0 / 90 / 4

HEX #C9F519

RGB 201 245 25

HSL 72, 0.92%, 0.53%

LAB 90.69, -38.41, 85.62

 

Description

Color code: HEX #19F6B7 | qconv.com Color code: HEX #19F6B7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 246 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 246 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 26 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 26% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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