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Color name
HEX #19F191

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19F191 it is the complementary color #E60E6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19F191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19F191 shade: #1EF18C, #2FFF9F, #40FFB2, #51FFC5 and #62FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19F191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19F191 shade: #19F191, #08DF7E, #00CD6B, #00BB58 and #00A945

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19F191 shade: #18F291, #18F256, #18F21B, #4FF218 and #8AF218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19F191 shade: #18F291, #18F2CB, #18DDF2, #18A2F2 and #1867F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19F191 shade matches the following richer shades: #18F291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19F191 shade: #18F291, #2BDE8E, #3FCA8C, #53B68A and #67A288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19F191 shade: #18F21B, #18F255, #18F28F, #18F2CA and #18DFF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19F191 shade: #0AAD64, #0CD47B, #18F291, #3FF4A3 and #66F6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19F191 shade: #19F191, #184EF2 and #F23818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19F191 shade: #19F191, #8F18F2 and #F28F18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19F191 shade: #19F191, #184EF2, #F2187A and #F2BB18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19F191 shade: #19F191, #2318F2, #F2187A and #E7F218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 40 / 5

HEX #19F191

RGB 25 241 145

HSL 153.33, 0.89%, 0.52%

LAB 84.57, -68.5, 33.3

 

Complementary color

CMYK 0 / 94 / 52 / 10

HEX #E60E6E

RGB 230 14 110

HSL 333.33, 0.89%, 0.48%

LAB 49.81, 76.76, 7.06

 

CMYK 88 / 0 / 42 / 5

HEX #1EF18C

RGB 30 241 140

HSL 151.28, 0.88%, 0.53%

LAB 84.52, -69.12, 35.75

 

CMYK 82 / 0 / 38 / 0

HEX #2FFF9F

RGB 47 255 159

HSL 152.31, 1%, 0.59%

LAB 89.22, -69.12, 32.51

 

CMYK 75 / 0 / 30 / 0

HEX #40FFB2

RGB 64 255 178

HSL 155.81, 1%, 0.63%

LAB 89.78, -63.63, 23.74

 

CMYK 68 / 0 / 23 / 0

HEX #51FFC5

RGB 81 255 197

HSL 160, 1%, 0.66%

LAB 90.46, -57.33, 15.02

 

CMYK 62 / 0 / 15 / 0

HEX #62FFD8

RGB 98 255 216

HSL 165.1, 1%, 0.69%

LAB 91.27, -50.32, 6.43

 

CMYK 90 / 0 / 40 / 5

HEX #19F191

RGB 25 241 145

HSL 153.33, 0.89%, 0.52%

LAB 84.57, -68.5, 33.3

 

CMYK 96 / 0 / 43 / 13

HEX #08DF7E

RGB 8 223 126

HSL 152.93, 0.93%, 0.45%

LAB 78.66, -66.61, 35.07

 

CMYK 100 / 0 / 48 / 20

HEX #00CD6B

RGB 0 205 107

HSL 151.32, 1%, 0.4%

LAB 72.71, -64.23, 36.93

 

CMYK 100 / 0 / 53 / 27

HEX #00BB58

RGB 0 187 88

HSL 148.24, 1%, 0.37%

LAB 66.71, -61.44, 38.85

 

CMYK 100 / 0 / 59 / 34

HEX #00A945

RGB 0 169 69

HSL 144.5, 1%, 0.33%

LAB 60.61, -58.45, 40.7

 

CMYK 90 / 0 / 40 / 5

HEX #18F291

RGB 24 242 145

HSL 153.3, 0.89%, 0.52%

LAB 84.87, -68.89, 33.7

 

CMYK 90 / 0 / 64 / 5

HEX #18F256

RGB 24 242 86

HSL 137.06, 0.89%, 0.52%

LAB 84.16, -77.45, 60.05

 

CMYK 90 / 0 / 89 / 5

HEX #18F21B

RGB 24 242 27

HSL 120.83, 0.89%, 0.52%

LAB 83.85, -81.37, 77.22

 

CMYK 67 / 0 / 90 / 5

HEX #4FF218

RGB 79 242 24

HSL 104.86, 0.89%, 0.52%

LAB 84.6, -74.77, 78.63

 

CMYK 43 / 0 / 90 / 5

HEX #8AF218

RGB 138 242 24

HSL 88.62, 0.89%, 0.52%

LAB 86.49, -59.73, 80.97

 

CMYK 90 / 0 / 40 / 5

HEX #18F291

RGB 24 242 145

HSL 153.3, 0.89%, 0.52%

LAB 84.87, -68.89, 33.7

 

CMYK 90 / 0 / 16 / 5

HEX #18F2CB

RGB 24 242 203

HSL 169.27, 0.89%, 0.52%

LAB 86.01, -56.14, 5.46

 

CMYK 90 / 9 / 0 / 5

HEX #18DDF2

RGB 24 221 242

HSL 185.78, 0.89%, 0.52%

LAB 80.92, -36.12, -22.69

 

CMYK 90 / 33 / 0 / 5

HEX #18A2F2

RGB 24 162 242

HSL 202.02, 0.89%, 0.52%

LAB 63.71, -5.72, -49.37

 

CMYK 90 / 57 / 0 / 5

HEX #1867F2

RGB 24 103 242

HSL 218.26, 0.89%, 0.52%

LAB 47.37, 30.33, -75.63

 

CMYK 90 / 0 / 40 / 5

HEX #18F291

RGB 24 242 145

HSL 153.3, 0.89%, 0.52%

LAB 84.87, -68.89, 33.7

 

CMYK 90 / 0 / 40 / 5

HEX #18F291

RGB 24 242 145

HSL 153.3, 0.89%, 0.52%

LAB 84.87, -68.89, 33.7

 

CMYK 81 / 0 / 36 / 13

HEX #2BDE8E

RGB 43 222 142

HSL 153.18, 0.73%, 0.52%

LAB 78.87, -61.1, 27.27

 

CMYK 69 / 0 / 31 / 21

HEX #3FCA8C

RGB 63 202 140

HSL 153.24, 0.57%, 0.52%

LAB 73.02, -51.38, 20.42

 

CMYK 54 / 0 / 24 / 29

HEX #53B68A

RGB 83 182 138

HSL 153.33, 0.4%, 0.52%

LAB 67.37, -39.51, 13.75

 

CMYK 36 / 0 / 16 / 36

HEX #67A288

RGB 103 162 136

HSL 153.56, 0.24%, 0.52%

LAB 62.08, -25.19, 7.49

 

CMYK 90 / 0 / 89 / 5

HEX #18F21B

RGB 24 242 27

HSL 120.83, 0.89%, 0.52%

LAB 83.85, -81.37, 77.22

 

CMYK 90 / 0 / 65 / 5

HEX #18F255

RGB 24 242 85

HSL 136.79, 0.89%, 0.52%

LAB 84.15, -77.55, 60.45

 

CMYK 90 / 0 / 41 / 5

HEX #18F28F

RGB 24 242 143

HSL 152.75, 0.89%, 0.52%

LAB 84.83, -69.26, 34.65

 

CMYK 90 / 0 / 17 / 5

HEX #18F2CA

RGB 24 242 202

HSL 168.99, 0.89%, 0.52%

LAB 85.99, -56.39, 5.95

 

CMYK 90 / 8 / 0 / 5

HEX #18DFF2

RGB 24 223 242

HSL 185.23, 0.89%, 0.52%

LAB 81.5, -37.04, -21.8

 

CMYK 94 / 0 / 42 / 32

HEX #0AAD64

RGB 10 173 100

HSL 153.13, 0.89%, 0.36%

LAB 62.4, -54.19, 27.27

 

CMYK 94 / 0 / 42 / 17

HEX #0CD47B

RGB 12 212 123

HSL 153.3, 0.89%, 0.44%

LAB 75.2, -63.32, 32.08

 

CMYK 90 / 0 / 40 / 5

HEX #18F291

RGB 24 242 145

HSL 153.3, 0.89%, 0.52%

LAB 84.87, -68.89, 33.7

 

CMYK 74 / 0 / 33 / 4

HEX #3FF4A3

RGB 63 244 163

HSL 153.15, 0.89%, 0.6%

LAB 86.21, -62.72, 26.48

 

CMYK 59 / 0 / 26 / 4

HEX #66F6B6

RGB 102 246 182

HSL 153.33, 0.89%, 0.68%

LAB 88.02, -53.33, 19.39

 

CMYK 90 / 0 / 40 / 5

HEX #19F191

RGB 25 241 145

HSL 153.33, 0.89%, 0.52%

LAB 84.57, -68.5, 33.3

 

CMYK 90 / 68 / 0 / 5

HEX #184EF2

RGB 24 78 242

HSL 225.14, 0.89%, 0.52%

LAB 41.3, 46.02, -85.59

 

CMYK 0 / 77 / 90 / 5

HEX #F23818

RGB 242 56 24

HSL 8.81, 0.89%, 0.52%

LAB 53.78, 68.19, 59.55

 

CMYK 90 / 0 / 40 / 5

HEX #19F191

RGB 25 241 145

HSL 153.33, 0.89%, 0.52%

LAB 84.57, -68.5, 33.3

 

CMYK 41 / 90 / 0 / 5

HEX #8F18F2

RGB 143 24 242

HSL 272.75, 0.89%, 0.52%

LAB 42.62, 78.76, -83.12

 

CMYK 0 / 41 / 90 / 5

HEX #F28F18

RGB 242 143 24

HSL 32.75, 0.89%, 0.52%

LAB 68.45, 30.26, 70.11

 

CMYK 90 / 0 / 40 / 5

HEX #19F191

RGB 25 241 145

HSL 153.33, 0.89%, 0.52%

LAB 84.57, -68.5, 33.3

 

CMYK 90 / 68 / 0 / 5

HEX #184EF2

RGB 24 78 242

HSL 225.14, 0.89%, 0.52%

LAB 41.3, 46.02, -85.59

 

CMYK 0 / 90 / 50 / 5

HEX #F2187A

RGB 242 24 122

HSL 333.03, 0.89%, 0.52%

LAB 52.88, 79.23, 4.46

 

CMYK 0 / 23 / 90 / 5

HEX #F2BB18

RGB 242 187 24

HSL 44.86, 0.89%, 0.52%

LAB 78.74, 7.15, 77.86

 

CMYK 90 / 0 / 40 / 5

HEX #19F191

RGB 25 241 145

HSL 153.33, 0.89%, 0.52%

LAB 84.57, -68.5, 33.3

 

CMYK 86 / 90 / 0 / 5

HEX #2318F2

RGB 35 24 242

HSL 243.03, 0.89%, 0.52%

LAB 32.75, 71.85, -99.77

 

CMYK 0 / 90 / 50 / 5

HEX #F2187A

RGB 242 24 122

HSL 333.03, 0.89%, 0.52%

LAB 52.88, 79.23, 4.46

 

CMYK 5 / 0 / 90 / 5

HEX #E7F218

RGB 231 242 24

HSL 63.03, 0.89%, 0.52%

LAB 91.94, -25.01, 87.63

 

Description

Color code: HEX #19F191 | qconv.com Color code: HEX #19F191 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 241 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 241 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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