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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19EE35 it is the complementary color #E611CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19EE35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19EE35 shade: #1EEE30, #2FFF43, #40FF56, #51FF69 and #62FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19EE35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19EE35 shade: #19EE35, #08DC22, #00CA0F, #00B800 and #00A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19EE35 shade: #1BEE37, #38EE1B, #71EE1B, #AAEE1B and #E3EE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19EE35 shade: #1BEE37, #1BEE70, #1BEEA9, #1BEEE1 and #1BC2EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19EE35 shade matches the following richer shades: #1BEE37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19EE35 shade: #1BEE37, #2FDA46, #43C654, #57B263 and #6B9F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19EE35 shade: #73EE1B, #3BEE1B, #1BEE34, #1BEE6C and #1BEEA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19EE35 shade: #0DAA21, #10D029, #1BEE37, #42F159 and #68F47A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19EE35 shade: #19EE35, #1BABEE and #EE1B57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19EE35 shade: #19EE35, #341BEE and #EE341B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19EE35 shade: #19EE35, #1BABEE, #EE1BD5 and #EE5E1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19EE35 shade: #19EE35, #1B6CEE, #EE1BD5 and #EE9D1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 78 / 7

HEX #19EE35

RGB 25 238 53

HSL 127.89, 0.86%, 0.52%

LAB 82.71, -79.02, 70.22

 

Complementary color

CMYK 0 / 93 / 12 / 10

HEX #E611CA

RGB 230 17 202

HSL 307.89, 0.86%, 0.48%

LAB 53.48, 85.82, -42.08

 

CMYK 87 / 0 / 80 / 7

HEX #1EEE30

RGB 30 238 48

HSL 125.19, 0.86%, 0.53%

LAB 82.72, -78.98, 71.66

 

CMYK 82 / 0 / 74 / 0

HEX #2FFF43

RGB 47 255 67

HSL 125.77, 1%, 0.59%

LAB 88.22, -81.07, 71.35

 

CMYK 75 / 0 / 66 / 0

HEX #40FF56

RGB 64 255 86

HSL 126.91, 1%, 0.63%

LAB 88.58, -77.49, 65.01

 

CMYK 68 / 0 / 59 / 0

HEX #51FF69

RGB 81 255 105

HSL 128.28, 1%, 0.66%

LAB 89.06, -72.9, 57.85

 

CMYK 62 / 0 / 51 / 0

HEX #62FF7C

RGB 98 255 124

HSL 129.94, 1%, 0.69%

LAB 89.66, -67.37, 50.16

 

CMYK 89 / 0 / 78 / 7

HEX #19EE35

RGB 25 238 53

HSL 127.89, 0.86%, 0.52%

LAB 82.71, -79.02, 70.22

 

CMYK 96 / 0 / 85 / 14

HEX #08DC22

RGB 8 220 34

HSL 127.36, 0.93%, 0.45%

LAB 76.89, -75.9, 69.76

 

CMYK 100 / 0 / 93 / 21

HEX #00CA0F

RGB 0 202 15

HSL 124.46, 1%, 0.4%

LAB 71.06, -72, 68.14

 

CMYK 100 / 0 / 100 / 28

HEX #00B800

RGB 0 184 0

HSL 120, 1%, 0.36%

LAB 65.18, -67.45, 65.1

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 89 / 0 / 77 / 7

HEX #1BEE37

RGB 27 238 55

HSL 127.96, 0.86%, 0.52%

LAB 82.73, -78.76, 69.66

 

CMYK 76 / 0 / 89 / 7

HEX #38EE1B

RGB 56 238 27

HSL 111.75, 0.86%, 0.52%

LAB 82.95, -77.22, 76.59

 

CMYK 53 / 0 / 89 / 7

HEX #71EE1B

RGB 113 238 27

HSL 95.55, 0.86%, 0.52%

LAB 84.35, -65.55, 78.33

 

CMYK 29 / 0 / 89 / 7

HEX #AAEE1B

RGB 170 238 27

HSL 79.34, 0.86%, 0.52%

LAB 86.89, -47.11, 81.48

 

CMYK 5 / 0 / 89 / 7

HEX #E3EE1B

RGB 227 238 27

HSL 63.13, 0.86%, 0.52%

LAB 90.58, -24.71, 86

 

CMYK 89 / 0 / 77 / 7

HEX #1BEE37

RGB 27 238 55

HSL 127.96, 0.86%, 0.52%

LAB 82.73, -78.76, 69.66

 

CMYK 89 / 0 / 53 / 7

HEX #1BEE70

RGB 27 238 112

HSL 144.17, 0.86%, 0.52%

LAB 83.21, -72.85, 47.58

 

CMYK 89 / 0 / 29 / 7

HEX #1BEEA9

RGB 27 238 169

HSL 160.38, 0.86%, 0.52%

LAB 84.09, -62.49, 20.44

 

CMYK 89 / 0 / 5 / 7

HEX #1BEEE1

RGB 27 238 225

HSL 176.3, 0.86%, 0.52%

LAB 85.41, -48.53, -6.95

 

CMYK 89 / 18 / 0 / 7

HEX #1BC2EE

RGB 27 194 238

HSL 192.51, 0.86%, 0.52%

LAB 72.89, -24.14, -32.85

 

CMYK 89 / 0 / 77 / 7

HEX #1BEE37

RGB 27 238 55

HSL 127.96, 0.86%, 0.52%

LAB 82.73, -78.76, 69.66

 

CMYK 89 / 0 / 77 / 7

HEX #1BEE37

RGB 27 238 55

HSL 127.96, 0.86%, 0.52%

LAB 82.73, -78.76, 69.66

 

CMYK 78 / 0 / 68 / 15

HEX #2FDA46

RGB 47 218 70

HSL 128.07, 0.7%, 0.52%

LAB 76.79, -69.88, 58.49

 

CMYK 66 / 0 / 58 / 22

HEX #43C654

RGB 67 198 84

HSL 127.79, 0.53%, 0.52%

LAB 71.02, -58.59, 46.14

 

CMYK 51 / 0 / 44 / 30

HEX #57B263

RGB 87 178 99

HSL 127.91, 0.37%, 0.52%

LAB 65.57, -44.11, 32.2

 

CMYK 33 / 0 / 29 / 38

HEX #6B9F71

RGB 107 159 113

HSL 126.92, 0.21%, 0.52%

LAB 60.88, -27.01, 18.65

 

CMYK 52 / 0 / 89 / 7

HEX #73EE1B

RGB 115 238 27

HSL 94.98, 0.86%, 0.52%

LAB 84.42, -65, 78.42

 

CMYK 75 / 0 / 89 / 7

HEX #3BEE1B

RGB 59 238 27

HSL 110.9, 0.86%, 0.52%

LAB 83, -76.8, 76.65

 

CMYK 89 / 0 / 78 / 7

HEX #1BEE34

RGB 27 238 52

HSL 127.11, 0.86%, 0.52%

LAB 82.72, -78.95, 70.53

 

CMYK 89 / 0 / 55 / 7

HEX #1BEE6C

RGB 27 238 108

HSL 143.03, 0.86%, 0.52%

LAB 83.16, -73.41, 49.37

 

CMYK 89 / 0 / 31 / 7

HEX #1BEEA4

RGB 27 238 164

HSL 158.96, 0.86%, 0.52%

LAB 84, -63.57, 22.89

 

CMYK 92 / 0 / 81 / 33

HEX #0DAA21

RGB 13 170 33

HSL 127.64, 0.86%, 0.36%

LAB 60.73, -61.66, 55.17

 

CMYK 92 / 0 / 80 / 18

HEX #10D029

RGB 16 208 41

HSL 127.81, 0.86%, 0.44%

LAB 73.14, -71.89, 64.57

 

CMYK 89 / 0 / 77 / 7

HEX #1BEE37

RGB 27 238 55

HSL 127.96, 0.86%, 0.52%

LAB 82.73, -78.76, 69.66

 

CMYK 73 / 0 / 63 / 5

HEX #42F159

RGB 66 241 89

HSL 127.89, 0.86%, 0.6%

LAB 84.38, -72.55, 59.21

 

CMYK 57 / 0 / 50 / 4

HEX #68F47A

RGB 104 244 122

HSL 127.71, 0.86%, 0.68%

LAB 86.53, -62.39, 47.29

 

CMYK 89 / 0 / 78 / 7

HEX #19EE35

RGB 25 238 53

HSL 127.89, 0.86%, 0.52%

LAB 82.71, -79.02, 70.22

 

CMYK 89 / 28 / 0 / 7

HEX #1BABEE

RGB 27 171 238

HSL 199.05, 0.86%, 0.52%

LAB 66.16, -12.02, -43.32

 

CMYK 0 / 89 / 63 / 7

HEX #EE1B57

RGB 238 27 87

HSL 342.94, 0.86%, 0.52%

LAB 51.44, 75.62, 23.58

 

CMYK 89 / 0 / 78 / 7

HEX #19EE35

RGB 25 238 53

HSL 127.89, 0.86%, 0.52%

LAB 82.71, -79.02, 70.22

 

CMYK 78 / 89 / 0 / 7

HEX #341BEE

RGB 52 27 238

HSL 247.11, 0.86%, 0.52%

LAB 33.32, 70.44, -96.53

 

CMYK 0 / 78 / 89 / 7

HEX #EE341B

RGB 238 52 27

HSL 7.11, 0.86%, 0.52%

LAB 52.63, 68.21, 57.25

 

CMYK 89 / 0 / 78 / 7

HEX #19EE35

RGB 25 238 53

HSL 127.89, 0.86%, 0.52%

LAB 82.71, -79.02, 70.22

 

CMYK 89 / 28 / 0 / 7

HEX #1BABEE

RGB 27 171 238

HSL 199.05, 0.86%, 0.52%

LAB 66.16, -12.02, -43.32

 

CMYK 0 / 89 / 11 / 7

HEX #EE1BD5

RGB 238 27 213

HSL 307.11, 0.86%, 0.52%

LAB 55.85, 87.53, -44.54

 

CMYK 0 / 61 / 89 / 7

HEX #EE5E1B

RGB 238 94 27

HSL 19.05, 0.86%, 0.52%

LAB 58.28, 52.81, 61.45

 

CMYK 89 / 0 / 78 / 7

HEX #19EE35

RGB 25 238 53

HSL 127.89, 0.86%, 0.52%

LAB 82.71, -79.02, 70.22

 

CMYK 89 / 55 / 0 / 7

HEX #1B6CEE

RGB 27 108 238

HSL 216.97, 0.86%, 0.52%

LAB 48.42, 25.76, -71.68

 

CMYK 0 / 89 / 11 / 7

HEX #EE1BD5

RGB 238 27 213

HSL 307.11, 0.86%, 0.52%

LAB 55.85, 87.53, -44.54

 

CMYK 0 / 34 / 89 / 7

HEX #EE9D1B

RGB 238 157 27

HSL 36.97, 0.86%, 0.52%

LAB 71.13, 21.29, 71.21

 

Description

Color code: HEX #19EE35 | qconv.com Color code: HEX #19EE35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 238 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 238 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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