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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19E770 it is the complementary color #E6188F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19E770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19E770 shade: #1EE76B, #2FF97E, #40FF91, #51FFA4 and #62FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19E770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19E770 shade: #19E770, #08D55D, #00C34A, #00B137 and #009F24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19E770 shade: #18E76F, #18E738, #30E718, #68E718 and #A0E718

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19E770 shade: #18E76F, #18E7A7, #18E7DF, #18B7E7 and #187FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19E770 shade matches the following richer shades: #18E76F and #04FB6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19E770 shade: #18E76F, #2DD273, #41BE76, #56A979 and #6B947C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19E770 shade: #30E718, #18E737, #18E76E, #18E7A5 and #18E7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19E770 shade: #109C4B, #14C15D, #18E76F, #3EEB87 and #63EF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19E770 shade: #19E770, #1867E7 and #E71C18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19E770 shade: #19E770, #6E18E7 and #E76E18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19E770 shade: #19E770, #1867E7, #E71891 and #E79818

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19E770 shade: #19E770, #1829E7, #E71891 and #E7D618

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 52 / 9

HEX #19E770

RGB 25 231 112

HSL 145.34, 0.81%, 0.5%

LAB 81.03, -70.76, 44.92

 

Complementary color

CMYK 0 / 90 / 38 / 10

HEX #E6188F

RGB 230 24 143

HSL 325.34, 0.81%, 0.5%

LAB 51.22, 78.33, -10.9

 

CMYK 87 / 0 / 54 / 9

HEX #1EE76B

RGB 30 231 107

HSL 142.99, 0.81%, 0.51%

LAB 81.01, -71.16, 47.25

 

CMYK 81 / 0 / 49 / 2

HEX #2FF97E

RGB 47 249 126

HSL 143.47, 0.94%, 0.58%

LAB 86.93, -72.71, 45.64

 

CMYK 75 / 0 / 43 / 0

HEX #40FF91

RGB 64 255 145

HSL 145.45, 1%, 0.63%

LAB 89.23, -69.79, 39.48

 

CMYK 68 / 0 / 36 / 0

HEX #51FFA4

RGB 81 255 164

HSL 148.62, 1%, 0.66%

LAB 89.84, -64.04, 30.94

 

CMYK 62 / 0 / 28 / 0

HEX #62FFB7

RGB 98 255 183

HSL 152.48, 1%, 0.69%

LAB 90.57, -57.49, 22.39

 

CMYK 89 / 0 / 52 / 9

HEX #19E770

RGB 25 231 112

HSL 145.34, 0.81%, 0.5%

LAB 81.03, -70.76, 44.92

 

CMYK 96 / 0 / 56 / 16

HEX #08D55D

RGB 8 213 93

HSL 144.88, 0.93%, 0.43%

LAB 75.1, -68.62, 46.61

 

CMYK 100 / 0 / 62 / 24

HEX #00C34A

RGB 0 195 74

HSL 142.77, 1%, 0.38%

LAB 69.13, -65.87, 48.26

 

CMYK 100 / 0 / 69 / 31

HEX #00B137

RGB 0 177 55

HSL 138.64, 1%, 0.35%

LAB 63.11, -62.57, 49.69

 

CMYK 100 / 0 / 77 / 38

HEX #009F24

RGB 0 159 36

HSL 133.58, 1%, 0.31%

LAB 57, -58.93, 50.57

 

CMYK 90 / 0 / 52 / 9

HEX #18E76F

RGB 24 231 111

HSL 145.22, 0.81%, 0.5%

LAB 81.01, -70.97, 45.37

 

CMYK 90 / 0 / 76 / 9

HEX #18E738

RGB 24 231 56

HSL 129.28, 0.81%, 0.5%

LAB 80.53, -76.93, 67.2

 

CMYK 79 / 0 / 90 / 9

HEX #30E718

RGB 48 231 24

HSL 113.04, 0.81%, 0.5%

LAB 80.65, -76.33, 75.07

 

CMYK 55 / 0 / 90 / 9

HEX #68E718

RGB 104 231 24

HSL 96.81, 0.81%, 0.5%

LAB 81.93, -65.6, 76.66

 

CMYK 31 / 0 / 90 / 9

HEX #A0E718

RGB 160 231 24

HSL 80.58, 0.81%, 0.5%

LAB 84.32, -47.89, 79.62

 

CMYK 90 / 0 / 52 / 9

HEX #18E76F

RGB 24 231 111

HSL 145.22, 0.81%, 0.5%

LAB 81.01, -70.97, 45.37

 

CMYK 90 / 0 / 28 / 9

HEX #18E7A7

RGB 24 231 167

HSL 161.45, 0.81%, 0.5%

LAB 81.91, -60.51, 18.45

 

CMYK 90 / 0 / 3 / 9

HEX #18E7DF

RGB 24 231 223

HSL 177.68, 0.81%, 0.5%

LAB 83.27, -46.23, -9.07

 

CMYK 90 / 21 / 0 / 9

HEX #18B7E7

RGB 24 183 231

HSL 193.91, 0.81%, 0.5%

LAB 69.35, -21.01, -34.53

 

CMYK 90 / 45 / 0 / 9

HEX #187FE7

RGB 24 127 231

HSL 210.14, 0.81%, 0.5%

LAB 53.11, 10.93, -60.19

 

CMYK 90 / 0 / 52 / 9

HEX #18E76F

RGB 24 231 111

HSL 145.22, 0.81%, 0.5%

LAB 81.01, -70.97, 45.37

 

CMYK 98 / 0 / 57 / 2

HEX #04FB6C

RGB 4 251 108

HSL 145.26, 0.97%, 0.5%

LAB 87.05, -78.25, 53.98

 

CMYK 90 / 0 / 52 / 9

HEX #18E76F

RGB 24 231 111

HSL 145.22, 0.81%, 0.5%

LAB 81.01, -70.97, 45.37

 

CMYK 79 / 0 / 45 / 18

HEX #2DD273

RGB 45 210 115

HSL 145.45, 0.65%, 0.5%

LAB 74.75, -61.6, 35.61

 

CMYK 66 / 0 / 38 / 25

HEX #41BE76

RGB 65 190 118

HSL 145.44, 0.49%, 0.5%

LAB 68.94, -50.68, 26.55

 

CMYK 49 / 0 / 28 / 34

HEX #56A979

RGB 86 169 121

HSL 145.3, 0.33%, 0.5%

LAB 63.12, -36.51, 17.17

 

CMYK 28 / 0 / 16 / 42

HEX #6B947C

RGB 107 148 124

HSL 144.88, 0.16%, 0.5%

LAB 57.81, -19.31, 8.2

 

CMYK 79 / 0 / 90 / 9

HEX #30E718

RGB 48 231 24

HSL 113.04, 0.81%, 0.5%

LAB 80.65, -76.33, 75.07

 

CMYK 90 / 0 / 76 / 9

HEX #18E737

RGB 24 231 55

HSL 128.99, 0.81%, 0.5%

LAB 80.53, -77, 67.51

 

CMYK 90 / 0 / 52 / 9

HEX #18E76E

RGB 24 231 110

HSL 144.93, 0.81%, 0.5%

LAB 81, -71.12, 45.82

 

CMYK 90 / 0 / 29 / 9

HEX #18E7A5

RGB 24 231 165

HSL 160.87, 0.81%, 0.5%

LAB 81.87, -60.96, 19.43

 

CMYK 90 / 0 / 5 / 9

HEX #18E7DC

RGB 24 231 220

HSL 176.81, 0.81%, 0.5%

LAB 83.19, -47.08, -7.61

 

CMYK 90 / 0 / 52 / 39

HEX #109C4B

RGB 16 156 75

HSL 145.29, 0.81%, 0.34%

LAB 56.48, -52.37, 32.79

 

CMYK 90 / 0 / 52 / 24

HEX #14C15D

RGB 20 193 93

HSL 145.32, 0.81%, 0.42%

LAB 68.81, -61.69, 39.01

 

CMYK 90 / 0 / 52 / 9

HEX #18E76F

RGB 24 231 111

HSL 145.22, 0.81%, 0.5%

LAB 81.01, -70.97, 45.37

 

CMYK 74 / 0 / 43 / 8

HEX #3EEB87

RGB 62 235 135

HSL 145.32, 0.81%, 0.58%

LAB 83.01, -64.79, 36.34

 

CMYK 59 / 0 / 34 / 6

HEX #63EF9E

RGB 99 239 158

HSL 145.29, 0.81%, 0.66%

LAB 85.43, -55.81, 28.11

 

CMYK 89 / 0 / 52 / 9

HEX #19E770

RGB 25 231 112

HSL 145.34, 0.81%, 0.5%

LAB 81.03, -70.76, 44.92

 

CMYK 90 / 55 / 0 / 9

HEX #1867E7

RGB 24 103 231

HSL 217.1, 0.81%, 0.5%

LAB 46.53, 26.12, -70.83

 

CMYK 0 / 88 / 90 / 9

HEX #E71C18

RGB 231 28 24

HSL 1.16, 0.81%, 0.5%

LAB 49.36, 71.6, 55.47

 

CMYK 89 / 0 / 52 / 9

HEX #19E770

RGB 25 231 112

HSL 145.34, 0.81%, 0.5%

LAB 81.03, -70.76, 44.92

 

CMYK 52 / 90 / 0 / 9

HEX #6E18E7

RGB 110 24 231

HSL 264.93, 0.81%, 0.5%

LAB 37.37, 73.1, -85.68

 

CMYK 0 / 52 / 90 / 9

HEX #E76E18

RGB 231 110 24

HSL 24.93, 0.81%, 0.5%

LAB 60.08, 42.67, 63.22

 

CMYK 89 / 0 / 52 / 9

HEX #19E770

RGB 25 231 112

HSL 145.34, 0.81%, 0.5%

LAB 81.03, -70.76, 44.92

 

CMYK 90 / 55 / 0 / 9

HEX #1867E7

RGB 24 103 231

HSL 217.1, 0.81%, 0.5%

LAB 46.53, 26.12, -70.83

 

CMYK 0 / 90 / 37 / 9

HEX #E71891

RGB 231 24 145

HSL 324.93, 0.81%, 0.5%

LAB 51.48, 78.74, -11.69

 

CMYK 0 / 34 / 90 / 9

HEX #E79818

RGB 231 152 24

HSL 37.1, 0.81%, 0.5%

LAB 69.12, 20.91, 70.01

 

CMYK 89 / 0 / 52 / 9

HEX #19E770

RGB 25 231 112

HSL 145.34, 0.81%, 0.5%

LAB 81.03, -70.76, 44.92

 

CMYK 90 / 82 / 0 / 9

HEX #1829E7

RGB 24 41 231

HSL 235.07, 0.81%, 0.5%

LAB 33.03, 62.4, -93.07

 

CMYK 0 / 90 / 37 / 9

HEX #E71891

RGB 231 24 145

HSL 324.93, 0.81%, 0.5%

LAB 51.48, 78.74, -11.69

 

CMYK 0 / 7 / 90 / 9

HEX #E7D618

RGB 231 214 24

HSL 55.07, 0.81%, 0.5%

LAB 84.56, -11.39, 81.88

 

Description

Color code: HEX #19E770 | qconv.com Color code: HEX #19E770 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 231 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 231 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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