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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19E157 it is the complementary color #E61EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19E157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19E157 shade: #1EE152, #2FF365, #40FF78, #51FF8B and #62FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19E157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19E157 shade: #19E157, #08CF44, #00BD31, #00AB1E and #00990B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19E157 shade: #19E157, #19E121, #47E119, #7DE119 and #B3E119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19E157 shade: #19E157, #19E18D, #19E1C3, #19C9E1 and #1993E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19E157 shade matches the following richer shades: #19E157 and #05F54F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19E157 shade: #19E157, #2DCD5F, #41B866, #56A46E and #6A9076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19E157 shade: #48E119, #19E120, #19E155, #19E18A and #19E1C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19E157 shade: #11973A, #15BC49, #19E157, #3AE970 and #5FED8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19E157 shade: #19E157, #197DE1 and #E1192D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19E157 shade: #19E157, #5519E1 and #E15519

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19E157 shade: #19E157, #197DE1, #E119A5 and #E17D19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19E157 shade: #19E157, #1941E1, #E119A5 and #E1B919

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

Complementary color

CMYK 0 / 87 / 27 / 10

HEX #E61EA8

RGB 230 30 168

HSL 318.6, 0.8%, 0.51%

LAB 52.49, 80.01, -23.84

 

CMYK 87 / 0 / 64 / 12

HEX #1EE152

RGB 30 225 82

HSL 136, 0.76%, 0.5%

LAB 78.89, -72.46, 55.86

 

CMYK 81 / 0 / 58 / 5

HEX #2FF365

RGB 47 243 101

HSL 136.53, 0.89%, 0.57%

LAB 84.82, -74.22, 54.52

 

CMYK 75 / 0 / 53 / 0

HEX #40FF78

RGB 64 255 120

HSL 137.59, 1%, 0.63%

LAB 88.91, -73.58, 50.92

 

CMYK 68 / 0 / 45 / 0

HEX #51FF8B

RGB 81 255 139

HSL 140, 1%, 0.66%

LAB 89.46, -68.31, 42.74

 

CMYK 62 / 0 / 38 / 0

HEX #62FF9E

RGB 98 255 158

HSL 142.93, 1%, 0.69%

LAB 90.13, -62.16, 34.39

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 96 / 0 / 67 / 19

HEX #08CF44

RGB 8 207 68

HSL 138.09, 0.93%, 0.42%

LAB 72.95, -69.8, 55.05

 

CMYK 100 / 0 / 74 / 26

HEX #00BD31

RGB 0 189 49

HSL 135.56, 1%, 0.37%

LAB 66.99, -66.63, 56.01

 

CMYK 100 / 0 / 82 / 33

HEX #00AB1E

RGB 0 171 30

HSL 130.53, 1%, 0.34%

LAB 60.97, -62.81, 56.24

 

CMYK 100 / 0 / 93 / 40

HEX #00990B

RGB 0 153 11

HSL 124.31, 1%, 0.3%

LAB 54.87, -58.53, 55.08

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 89 / 0 / 85 / 12

HEX #19E121

RGB 25 225 33

HSL 122.4, 0.8%, 0.49%

LAB 78.56, -76.48, 71.49

 

CMYK 68 / 0 / 89 / 12

HEX #47E119

RGB 71 225 25

HSL 106.2, 0.8%, 0.49%

LAB 79.19, -71.01, 73.82

 

CMYK 44 / 0 / 89 / 12

HEX #7DE119

RGB 125 225 25

HSL 90, 0.8%, 0.49%

LAB 80.89, -57.37, 75.95

 

CMYK 20 / 0 / 89 / 12

HEX #B3E119

RGB 179 225 25

HSL 73.8, 0.8%, 0.49%

LAB 83.71, -38.09, 79.42

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 89 / 0 / 37 / 12

HEX #19E18D

RGB 25 225 141

HSL 154.8, 0.8%, 0.49%

LAB 79.6, -63.76, 28.73

 

CMYK 89 / 0 / 13 / 12

HEX #19E1C3

RGB 25 225 195

HSL 171, 0.8%, 0.49%

LAB 80.74, -51.31, 2.04

 

CMYK 89 / 11 / 0 / 12

HEX #19C9E1

RGB 25 201 225

HSL 187.2, 0.8%, 0.49%

LAB 74.46, -31.93, -23.41

 

CMYK 89 / 35 / 0 / 12

HEX #1993E1

RGB 25 147 225

HSL 203.4, 0.8%, 0.49%

LAB 58.52, -3.31, -48.2

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 98 / 0 / 68 / 4

HEX #05F54F

RGB 5 245 79

HSL 138.5, 0.96%, 0.49%

LAB 84.95, -79.74, 63.64

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 78 / 0 / 54 / 20

HEX #2DCD5F

RGB 45 205 95

HSL 138.75, 0.64%, 0.49%

LAB 72.92, -63.02, 43.13

 

CMYK 65 / 0 / 45 / 28

HEX #41B866

RGB 65 184 102

HSL 138.66, 0.48%, 0.49%

LAB 66.8, -51.2, 32.09

 

CMYK 48 / 0 / 33 / 36

HEX #56A46E

RGB 86 164 110

HSL 138.46, 0.31%, 0.49%

LAB 61.36, -36.39, 20.78

 

CMYK 26 / 0 / 18 / 44

HEX #6A9076

RGB 106 144 118

HSL 138.95, 0.15%, 0.49%

LAB 56.41, -18.78, 9.61

 

CMYK 68 / 0 / 89 / 12

HEX #48E119

RGB 72 225 25

HSL 105.9, 0.8%, 0.49%

LAB 79.21, -70.83, 73.85

 

CMYK 89 / 0 / 86 / 12

HEX #19E120

RGB 25 225 32

HSL 122.1, 0.8%, 0.49%

LAB 78.56, -76.52, 71.7

 

CMYK 89 / 0 / 62 / 12

HEX #19E155

RGB 25 225 85

HSL 138, 0.8%, 0.49%

LAB 78.88, -72.47, 54.57

 

CMYK 89 / 0 / 39 / 12

HEX #19E18A

RGB 25 225 138

HSL 153.9, 0.8%, 0.49%

LAB 79.55, -64.34, 30.2

 

CMYK 89 / 0 / 15 / 12

HEX #19E1C0

RGB 25 225 192

HSL 170.1, 0.8%, 0.49%

LAB 80.66, -52.09, 3.52

 

CMYK 89 / 0 / 62 / 41

HEX #11973A

RGB 17 151 58

HSL 138.36, 0.8%, 0.33%

LAB 54.61, -53.11, 38.97

 

CMYK 89 / 0 / 61 / 26

HEX #15BC49

RGB 21 188 73

HSL 138.68, 0.8%, 0.41%

LAB 66.98, -62.81, 46.28

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 75 / 0 / 52 / 9

HEX #3AE970

RGB 58 233 112

HSL 138.51, 0.8%, 0.57%

LAB 82.03, -68.26, 46.22

 

CMYK 60 / 0 / 41 / 7

HEX #5FED8B

RGB 95 237 139

HSL 138.59, 0.8%, 0.65%

LAB 84.41, -59.18, 36.31

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 89 / 44 / 0 / 12

HEX #197DE1

RGB 25 125 225

HSL 210, 0.8%, 0.49%

LAB 52.19, 9.92, -58.3

 

CMYK 0 / 89 / 80 / 12

HEX #E1192D

RGB 225 25 45

HSL 354, 0.8%, 0.49%

LAB 48.12, 70.98, 43.72

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 62 / 89 / 0 / 12

HEX #5519E1

RGB 85 25 225

HSL 258, 0.8%, 0.49%

LAB 34.11, 69.44, -87.73

 

CMYK 0 / 62 / 89 / 12

HEX #E15519

RGB 225 85 25

HSL 18, 0.8%, 0.49%

LAB 54.63, 52.14, 58.43

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 89 / 44 / 0 / 12

HEX #197DE1

RGB 25 125 225

HSL 210, 0.8%, 0.49%

LAB 52.19, 9.92, -58.3

 

CMYK 0 / 89 / 27 / 12

HEX #E119A5

RGB 225 25 165

HSL 318, 0.8%, 0.49%

LAB 51.17, 79.41, -24.16

 

CMYK 0 / 44 / 89 / 12

HEX #E17D19

RGB 225 125 25

HSL 30, 0.8%, 0.49%

LAB 62.29, 32.68, 64.23

 

CMYK 89 / 0 / 61 / 12

HEX #19E157

RGB 25 225 87

HSL 138.6, 0.8%, 0.49%

LAB 78.89, -72.24, 53.74

 

CMYK 89 / 71 / 0 / 12

HEX #1941E1

RGB 25 65 225

HSL 228, 0.8%, 0.49%

LAB 36.79, 47.86, -83.4

 

CMYK 0 / 89 / 27 / 12

HEX #E119A5

RGB 225 25 165

HSL 318, 0.8%, 0.49%

LAB 51.17, 79.41, -24.16

 

CMYK 0 / 18 / 89 / 12

HEX #E1B919

RGB 225 185 25

HSL 48, 0.8%, 0.49%

LAB 76.54, 0.87, 75.23

 

Description

Color code: HEX #19E157 | qconv.com Color code: HEX #19E157 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 225 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 225 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 61 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 61% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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