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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19E02C it is the complementary color #E61FD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19E02C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19E02C shade: #1EE027, #2FF23A, #40FF4D, #51FF60 and #62FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19E02C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19E02C shade: #19E02C, #08CE19, #00BC06, #00AA00 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19E02C shade: #19E12C, #3CE119, #72E119, #A8E119 and #DEE119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19E02C shade: #19E12C, #19E162, #19E198, #19E1CE and #19BEE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19E02C shade matches the following richer shades: #19E12C and #05F51C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19E02C shade: #19E12C, #2DCD3C, #41B84D, #56A45D and #6A906E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19E02C shade: #73E119, #3EE119, #19E12A, #19E15F and #19E194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19E02C shade: #11971E, #15BC25, #19E12C, #3AE94B and #5FED6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19E02C shade: #19E02C, #19A8E1 and #E11958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19E02C shade: #19E02C, #2A19E1 and #E12A19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19E02C shade: #19E02C, #19A8E1, #E119D0 and #E15219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19E02C shade: #19E02C, #196CE1, #E119D0 and #E18E19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 80 / 12

HEX #19E02C

RGB 25 224 44

HSL 125.73, 0.8%, 0.49%

LAB 78.29, -75.66, 68.58

 

Complementary color

CMYK 0 / 87 / 8 / 10

HEX #E61FD3

RGB 230 31 211

HSL 305.73, 0.8%, 0.51%

LAB 54.56, 85.22, -45.54

 

CMYK 87 / 0 / 83 / 12

HEX #1EE027

RGB 30 224 39

HSL 122.78, 0.76%, 0.5%

LAB 78.31, -75.56, 69.91

 

CMYK 81 / 0 / 76 / 5

HEX #2FF23A

RGB 47 242 58

HSL 123.38, 0.88%, 0.57%

LAB 84.18, -77.97, 70.22

 

CMYK 75 / 0 / 70 / 0

HEX #40FF4D

RGB 64 255 77

HSL 124.08, 1%, 0.63%

LAB 88.52, -78.28, 68.3

 

CMYK 68 / 0 / 62 / 0

HEX #51FF60

RGB 81 255 96

HSL 125.17, 1%, 0.66%

LAB 88.98, -73.88, 61.54

 

CMYK 62 / 0 / 55 / 0

HEX #62FF73

RGB 98 255 115

HSL 126.5, 1%, 0.69%

LAB 89.56, -68.52, 54.14

 

CMYK 89 / 0 / 80 / 12

HEX #19E02C

RGB 25 224 44

HSL 125.73, 0.8%, 0.49%

LAB 78.29, -75.66, 68.58

 

CMYK 96 / 0 / 88 / 19

HEX #08CE19

RGB 8 206 25

HSL 125.15, 0.93%, 0.42%

LAB 72.4, -72.46, 67.67

 

CMYK 100 / 0 / 97 / 26

HEX #00BC06

RGB 0 188 6

HSL 121.91, 1%, 0.37%

LAB 66.5, -68.4, 65.44

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 89 / 0 / 80 / 12

HEX #19E12C

RGB 25 225 44

HSL 125.7, 0.8%, 0.49%

LAB 78.6, -75.94, 68.87

 

CMYK 73 / 0 / 89 / 12

HEX #3CE119

RGB 60 225 25

HSL 109.5, 0.8%, 0.49%

LAB 78.97, -72.9, 73.55

 

CMYK 49 / 0 / 89 / 12

HEX #72E119

RGB 114 225 25

HSL 93.3, 0.8%, 0.49%

LAB 80.46, -60.7, 75.4

 

CMYK 25 / 0 / 89 / 12

HEX #A8E119

RGB 168 225 25

HSL 77.1, 0.8%, 0.49%

LAB 83.04, -42.34, 78.6

 

CMYK 1 / 0 / 89 / 12

HEX #DEE119

RGB 222 225 25

HSL 60.9, 0.8%, 0.49%

LAB 86.73, -20.59, 83.1

 

CMYK 89 / 0 / 80 / 12

HEX #19E12C

RGB 25 225 44

HSL 125.7, 0.8%, 0.49%

LAB 78.6, -75.94, 68.87

 

CMYK 89 / 0 / 56 / 12

HEX #19E162

RGB 25 225 98

HSL 141.9, 0.8%, 0.49%

LAB 79.01, -70.86, 48.98

 

CMYK 89 / 0 / 32 / 12

HEX #19E198

RGB 25 225 152

HSL 158.1, 0.8%, 0.49%

LAB 79.8, -61.52, 23.33

 

CMYK 89 / 0 / 8 / 12

HEX #19E1CE

RGB 25 225 206

HSL 174.3, 0.8%, 0.49%

LAB 81.02, -48.36, -3.39

 

CMYK 89 / 16 / 0 / 12

HEX #19BEE1

RGB 25 190 225

HSL 190.5, 0.8%, 0.49%

LAB 71.19, -26.54, -28.41

 

CMYK 89 / 0 / 80 / 12

HEX #19E12C

RGB 25 225 44

HSL 125.7, 0.8%, 0.49%

LAB 78.6, -75.94, 68.87

 

CMYK 98 / 0 / 89 / 4

HEX #05F51C

RGB 5 245 28

HSL 125.75, 0.96%, 0.49%

LAB 84.7, -82.9, 77.76

 

CMYK 89 / 0 / 80 / 12

HEX #19E12C

RGB 25 225 44

HSL 125.7, 0.8%, 0.49%

LAB 78.6, -75.94, 68.87

 

CMYK 78 / 0 / 71 / 20

HEX #2DCD3C

RGB 45 205 60

HSL 125.63, 0.64%, 0.49%

LAB 72.59, -67.03, 57.87

 

CMYK 65 / 0 / 58 / 28

HEX #41B84D

RGB 65 184 77

HSL 126.05, 0.48%, 0.49%

LAB 66.47, -54.86, 44.05

 

CMYK 48 / 0 / 43 / 36

HEX #56A45D

RGB 86 164 93

HSL 125.38, 0.31%, 0.49%

LAB 61.06, -39.36, 29.55

 

CMYK 26 / 0 / 24 / 44

HEX #6A906E

RGB 106 144 110

HSL 126.32, 0.15%, 0.49%

LAB 56.22, -20.34, 13.9

 

CMYK 49 / 0 / 89 / 12

HEX #73E119

RGB 115 225 25

HSL 93, 0.8%, 0.49%

LAB 80.5, -60.4, 75.45

 

CMYK 72 / 0 / 89 / 12

HEX #3EE119

RGB 62 225 25

HSL 108.9, 0.8%, 0.49%

LAB 79.01, -72.58, 73.6

 

CMYK 89 / 0 / 81 / 12

HEX #19E12A

RGB 25 225 42

HSL 125.1, 0.8%, 0.49%

LAB 78.59, -76.05, 69.4

 

CMYK 89 / 0 / 58 / 12

HEX #19E15F

RGB 25 225 95

HSL 141, 0.8%, 0.49%

LAB 78.97, -71.26, 50.3

 

CMYK 89 / 0 / 34 / 12

HEX #19E194

RGB 25 225 148

HSL 156.9, 0.8%, 0.49%

LAB 79.72, -62.36, 25.3

 

CMYK 89 / 0 / 80 / 41

HEX #11971E

RGB 17 151 30

HSL 125.82, 0.8%, 0.33%

LAB 54.39, -55.89, 50.06

 

CMYK 89 / 0 / 80 / 26

HEX #15BC25

RGB 21 188 37

HSL 125.75, 0.8%, 0.41%

LAB 66.72, -66.12, 59.67

 

CMYK 89 / 0 / 80 / 12

HEX #19E12C

RGB 25 225 44

HSL 125.7, 0.8%, 0.49%

LAB 78.6, -75.94, 68.87

 

CMYK 75 / 0 / 68 / 9

HEX #3AE94B

RGB 58 233 75

HSL 125.83, 0.8%, 0.57%

LAB 81.67, -72.59, 61.8

 

CMYK 60 / 0 / 54 / 7

HEX #5FED6D

RGB 95 237 109

HSL 125.92, 0.8%, 0.65%

LAB 84.02, -63.55, 50.22

 

CMYK 89 / 0 / 80 / 12

HEX #19E02C

RGB 25 224 44

HSL 125.73, 0.8%, 0.49%

LAB 78.29, -75.66, 68.58

 

CMYK 89 / 25 / 0 / 12

HEX #19A8E1

RGB 25 168 225

HSL 197.1, 0.8%, 0.49%

LAB 64.68, -15.1, -38.5

 

CMYK 0 / 89 / 61 / 12

HEX #E11958

RGB 225 25 88

HSL 341.1, 0.8%, 0.49%

LAB 48.77, 72.81, 18.96

 

CMYK 89 / 0 / 80 / 12

HEX #19E02C

RGB 25 224 44

HSL 125.73, 0.8%, 0.49%

LAB 78.29, -75.66, 68.58

 

CMYK 81 / 89 / 0 / 12

HEX #2A19E1

RGB 42 25 225

HSL 245.1, 0.8%, 0.49%

LAB 30.93, 67.25, -93.1

 

CMYK 0 / 81 / 89 / 12

HEX #E12A19

RGB 225 42 25

HSL 5.1, 0.8%, 0.49%

LAB 49.17, 67.12, 54.38

 

CMYK 89 / 0 / 80 / 12

HEX #19E02C

RGB 25 224 44

HSL 125.73, 0.8%, 0.49%

LAB 78.29, -75.66, 68.58

 

CMYK 89 / 25 / 0 / 12

HEX #19A8E1

RGB 25 168 225

HSL 197.1, 0.8%, 0.49%

LAB 64.68, -15.1, -38.5

 

CMYK 0 / 89 / 8 / 12

HEX #E119D0

RGB 225 25 208

HSL 305.1, 0.8%, 0.49%

LAB 53.23, 84.79, -45.98

 

CMYK 0 / 64 / 89 / 12

HEX #E15219

RGB 225 82 25

HSL 17.1, 0.8%, 0.49%

LAB 54.15, 53.43, 58.07

 

CMYK 89 / 0 / 80 / 12

HEX #19E02C

RGB 25 224 44

HSL 125.73, 0.8%, 0.49%

LAB 78.29, -75.66, 68.58

 

CMYK 89 / 52 / 0 / 12

HEX #196CE1

RGB 25 108 225

HSL 215.1, 0.8%, 0.49%

LAB 47.45, 20.65, -65.94

 

CMYK 0 / 89 / 8 / 12

HEX #E119D0

RGB 225 25 208

HSL 305.1, 0.8%, 0.49%

LAB 53.23, 84.79, -45.98

 

CMYK 0 / 37 / 89 / 12

HEX #E18E19

RGB 225 142 25

HSL 35.1, 0.8%, 0.49%

LAB 66.08, 23.7, 67.13

 

Description

Color code: HEX #19E02C | qconv.com Color code: HEX #19E02C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 224 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 224 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 80% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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