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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19D3C0 it is the complementary color #E62C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19D3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19D3C0 shade: #1ED3BB, #2FE5CE, #40F7E1, #51FFF4 and #62FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19D3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19D3C0 shade: #19D3C0, #08C1AD, #00AF9A, #009D87 and #008B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19D3C0 shade: #19D2BF, #19D28D, #19D25B, #19D229 and #3AD219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19D3C0 shade: #19D2BF, #19B3D2, #1981D2, #194FD2 and #191DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19D3C0 shade matches the following richer shades: #19D2BF and #06E5CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19D3C0 shade: #19D2BF, #2CBFB0, #3FACA1, #529992 and #658683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19D3C0 shade: #19D259, #19D28B, #19D2BC, #19B6D2 and #1985D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19D3C0 shade: #10887C, #14AD9D, #19D2BF, #2DE6D4 and #52EBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19D3C0 shade: #19D3C0, #2819D2 and #D27219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19D3C0 shade: #19D3C0, #BC19D2 and #D2BC19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19D3C0 shade: #19D3C0, #2819D2, #D2192E and #C3D219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19D3C0 shade: #19D3C0, #6019D2, #D2192E and #8BD219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 9 / 17

HEX #19D3C0

RGB 25 211 192

HSL 173.87, 0.79%, 0.46%

LAB 76.44, -46.27, -2.65

 

Complementary color

CMYK 0 / 81 / 73 / 10

HEX #E62C3F

RGB 230 44 63

HSL 353.87, 0.79%, 0.54%

LAB 50.67, 69.07, 36.57

 

CMYK 86 / 0 / 11 / 17

HEX #1ED3BB

RGB 30 211 187

HSL 172.04, 0.75%, 0.47%

LAB 76.35, -47.34, -0.09

 

CMYK 79 / 0 / 10 / 10

HEX #2FE5CE

RGB 47 229 206

HSL 172.42, 0.78%, 0.54%

LAB 82.43, -48.55, -1.29

 

CMYK 74 / 0 / 9 / 3

HEX #40F7E1

RGB 64 247 225

HSL 172.79, 0.92%, 0.61%

LAB 88.47, -49.48, -2.4

 

CMYK 68 / 0 / 4 / 0

HEX #51FFF4

RGB 81 255 244

HSL 176.21, 1%, 0.66%

LAB 91.6, -45.9, -7.64

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 88 / 0 / 9 / 17

HEX #19D3C0

RGB 25 211 192

HSL 173.87, 0.79%, 0.46%

LAB 76.44, -46.27, -2.65

 

CMYK 96 / 0 / 10 / 24

HEX #08C1AD

RGB 8 193 173

HSL 173.51, 0.92%, 0.39%

LAB 70.32, -44.56, -1.33

 

CMYK 100 / 0 / 12 / 31

HEX #00AF9A

RGB 0 175 154

HSL 172.8, 1%, 0.34%

LAB 64.16, -42.45, 0.13

 

CMYK 100 / 0 / 14 / 38

HEX #009D87

RGB 0 157 135

HSL 171.59, 1%, 0.31%

LAB 57.91, -40.04, 1.7

 

CMYK 100 / 0 / 17 / 45

HEX #008B74

RGB 0 139 116

HSL 170.07, 1%, 0.27%

LAB 51.53, -37.57, 3.35

 

CMYK 88 / 0 / 9 / 18

HEX #19D2BF

RGB 25 210 191

HSL 173.84, 0.79%, 0.46%

LAB 76.11, -46.12, -2.59

 

CMYK 88 / 0 / 33 / 18

HEX #19D28D

RGB 25 210 141

HSL 157.62, 0.79%, 0.46%

LAB 74.97, -58.39, 22.47

 

CMYK 88 / 0 / 57 / 18

HEX #19D25B

RGB 25 210 91

HSL 141.41, 0.79%, 0.46%

LAB 74.23, -67.11, 46.52

 

CMYK 88 / 0 / 80 / 18

HEX #19D229

RGB 25 210 41

HSL 125.19, 0.79%, 0.46%

LAB 73.84, -71.89, 65.25

 

CMYK 72 / 0 / 88 / 18

HEX #3AD219

RGB 58 210 25

HSL 109.3, 0.79%, 0.46%

LAB 74.23, -68.7, 69.47

 

CMYK 88 / 0 / 9 / 18

HEX #19D2BF

RGB 25 210 191

HSL 173.84, 0.79%, 0.46%

LAB 76.11, -46.12, -2.59

 

CMYK 88 / 15 / 0 / 18

HEX #19B3D2

RGB 25 179 210

HSL 190.05, 0.79%, 0.46%

LAB 67.35, -25.97, -26.1

 

CMYK 88 / 39 / 0 / 18

HEX #1981D2

RGB 25 129 210

HSL 206.27, 0.79%, 0.46%

LAB 52.46, 1.71, -49.4

 

CMYK 88 / 62 / 0 / 18

HEX #194FD2

RGB 25 79 210

HSL 222.49, 0.79%, 0.46%

LAB 38.64, 33.65, -71.75

 

CMYK 88 / 86 / 0 / 18

HEX #191DD2

RGB 25 29 210

HSL 238.7, 0.79%, 0.46%

LAB 28.74, 61.23, -88.11

 

CMYK 88 / 0 / 9 / 18

HEX #19D2BF

RGB 25 210 191

HSL 173.84, 0.79%, 0.46%

LAB 76.11, -46.12, -2.59

 

CMYK 97 / 0 / 10 / 10

HEX #06E5CE

RGB 6 229 206

HSL 173.81, 0.95%, 0.46%

LAB 82.13, -50.67, -1.78

 

CMYK 88 / 0 / 9 / 18

HEX #19D2BF

RGB 25 210 191

HSL 173.84, 0.79%, 0.46%

LAB 76.11, -46.12, -2.59

 

CMYK 77 / 0 / 8 / 25

HEX #2CBFB0

RGB 44 191 176

HSL 173.88, 0.63%, 0.46%

LAB 70.13, -40.52, -3.21

 

CMYK 63 / 0 / 6 / 33

HEX #3FACA1

RGB 63 172 161

HSL 173.94, 0.46%, 0.46%

LAB 64.27, -33.35, -3.5

 

CMYK 46 / 0 / 5 / 40

HEX #529992

RGB 82 153 146

HSL 174.08, 0.3%, 0.46%

LAB 58.65, -24.08, -3.26

 

CMYK 25 / 0 / 2 / 47

HEX #658683

RGB 101 134 131

HSL 174.55, 0.14%, 0.46%

LAB 53.44, -12.26, -2.19

 

CMYK 88 / 0 / 58 / 18

HEX #19D259

RGB 25 210 89

HSL 140.76, 0.79%, 0.46%

LAB 74.2, -67.38, 47.42

 

CMYK 88 / 0 / 34 / 18

HEX #19D28B

RGB 25 210 139

HSL 156.97, 0.79%, 0.46%

LAB 74.93, -58.81, 23.47

 

CMYK 88 / 0 / 10 / 18

HEX #19D2BC

RGB 25 210 188

HSL 172.86, 0.79%, 0.46%

LAB 76.03, -46.94, -1.1

 

CMYK 88 / 13 / 0 / 18

HEX #19B6D2

RGB 25 182 210

HSL 189.08, 0.79%, 0.46%

LAB 68.25, -27.48, -24.72

 

CMYK 88 / 37 / 0 / 18

HEX #1985D2

RGB 25 133 210

HSL 204.97, 0.79%, 0.46%

LAB 53.64, -0.69, -47.53

 

CMYK 88 / 0 / 9 / 47

HEX #10887C

RGB 16 136 124

HSL 174, 0.79%, 0.3%

LAB 50.89, -33, -2.21

 

CMYK 88 / 0 / 9 / 32

HEX #14AD9D

RGB 20 173 157

HSL 173.73, 0.79%, 0.38%

LAB 63.73, -39.87, -2.15

 

CMYK 88 / 0 / 9 / 18

HEX #19D2BF

RGB 25 210 191

HSL 173.84, 0.79%, 0.46%

LAB 76.11, -46.12, -2.59

 

CMYK 80 / 0 / 8 / 10

HEX #2DE6D4

RGB 45 230 212

HSL 174.16, 0.79%, 0.54%

LAB 82.86, -47.54, -3.84

 

CMYK 65 / 0 / 7 / 8

HEX #52EBDB

RGB 82 235 219

HSL 173.73, 0.79%, 0.62%

LAB 85.16, -43.55, -4.07

 

CMYK 88 / 0 / 9 / 17

HEX #19D3C0

RGB 25 211 192

HSL 173.87, 0.79%, 0.46%

LAB 76.44, -46.27, -2.65

 

CMYK 81 / 88 / 0 / 18

HEX #2819D2

RGB 40 25 210

HSL 244.86, 0.79%, 0.46%

LAB 28.9, 63.12, -87.83

 

CMYK 0 / 46 / 88 / 18

HEX #D27219

RGB 210 114 25

HSL 28.86, 0.79%, 0.46%

LAB 57.85, 32.28, 59.9

 

CMYK 88 / 0 / 9 / 17

HEX #19D3C0

RGB 25 211 192

HSL 173.87, 0.79%, 0.46%

LAB 76.44, -46.27, -2.65

 

CMYK 10 / 88 / 0 / 18

HEX #BC19D2

RGB 188 25 210

HSL 292.86, 0.79%, 0.46%

LAB 47.03, 78.76, -57.41

 

CMYK 0 / 10 / 88 / 18

HEX #D2BC19

RGB 210 188 25

HSL 52.86, 0.79%, 0.46%

LAB 75.91, -7.22, 74.13

 

CMYK 88 / 0 / 9 / 17

HEX #19D3C0

RGB 25 211 192

HSL 173.87, 0.79%, 0.46%

LAB 76.44, -46.27, -2.65

 

CMYK 81 / 88 / 0 / 18

HEX #2819D2

RGB 40 25 210

HSL 244.86, 0.79%, 0.46%

LAB 28.9, 63.12, -87.83

 

CMYK 0 / 88 / 78 / 18

HEX #D2192E

RGB 210 25 46

HSL 353.19, 0.79%, 0.46%

LAB 45.07, 67.13, 39.05

 

CMYK 7 / 0 / 88 / 18

HEX #C3D219

RGB 195 210 25

HSL 64.86, 0.79%, 0.46%

LAB 80.61, -24.63, 77.37

 

CMYK 88 / 0 / 9 / 17

HEX #19D3C0

RGB 25 211 192

HSL 173.87, 0.79%, 0.46%

LAB 76.44, -46.27, -2.65

 

CMYK 54 / 88 / 0 / 18

HEX #6019D2

RGB 96 25 210

HSL 263.03, 0.79%, 0.46%

LAB 33.64, 66.67, -79.83

 

CMYK 0 / 88 / 78 / 18

HEX #D2192E

RGB 210 25 46

HSL 353.19, 0.79%, 0.46%

LAB 45.07, 67.13, 39.05

 

CMYK 34 / 0 / 88 / 18

HEX #8BD219

RGB 139 210 25

HSL 83.03, 0.79%, 0.46%

LAB 77.07, -46.69, 73.01

 

Description

Color code: HEX #19D3C0 | qconv.com Color code: HEX #19D3C0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 211 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 211 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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