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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19CFC2 it is the complementary color #E6303D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19CFC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19CFC2 shade: #1ECFBD, #2FE1D0, #40F3E3, #51FFF6 and #62FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19CFC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19CFC2 shade: #19CFC2, #08BDAF, #00AB9C, #009989 and #008776

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19CFC2 shade: #19CCBF, #19CC8F, #19CC5F, #19CC2F and #34CC19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19CFC2 shade: #19CCBF, #19A9CC, #1979CC, #1948CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19CFC2 shade matches the following richer shades: #19CCBF and #07DFCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19CFC2 shade: #19CCBF, #2CBAB0, #3EA7A0, #519590 and #648280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19CFC2 shade: #19CC5E, #19CC8E, #19CCBD, #19ABCC and #197CCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19CFC2 shade: #10837B, #15A89D, #19CCBF, #2AE5D7 and #4FE9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19CFC2 shade: #19CFC2, #2E19CC and #CC7619

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19CFC2 shade: #19CFC2, #BD19CC and #CCBD19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19CFC2 shade: #19CFC2, #2E19CC, #CC1928 and #B7CC19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19CFC2 shade: #19CFC2, #6419CC, #CC1928 and #82CC19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 6 / 19

HEX #19CFC2

RGB 25 207 194

HSL 175.71, 0.78%, 0.45%

LAB 75.28, -43.99, -5.43

 

Complementary color

CMYK 0 / 79 / 73 / 10

HEX #E6303D

RGB 230 48 61

HSL 355.71, 0.78%, 0.55%

LAB 51.01, 67.96, 38.11

 

CMYK 86 / 0 / 9 / 19

HEX #1ECFBD

RGB 30 207 189

HSL 173.9, 0.75%, 0.46%

LAB 75.19, -45.09, -2.86

 

CMYK 79 / 0 / 8 / 12

HEX #2FE1D0

RGB 47 225 208

HSL 174.27, 0.75%, 0.53%

LAB 81.3, -46.31, -4.02

 

CMYK 74 / 0 / 7 / 5

HEX #40F3E3

RGB 64 243 227

HSL 174.64, 0.88%, 0.6%

LAB 87.36, -47.25, -5.08

 

CMYK 68 / 0 / 4 / 0

HEX #51FFF6

RGB 81 255 246

HSL 176.9, 1%, 0.66%

LAB 91.65, -45.37, -8.59

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 88 / 0 / 6 / 19

HEX #19CFC2

RGB 25 207 194

HSL 175.71, 0.78%, 0.45%

LAB 75.28, -43.99, -5.43

 

CMYK 96 / 0 / 7 / 26

HEX #08BDAF

RGB 8 189 175

HSL 175.36, 0.92%, 0.39%

LAB 69.14, -42.27, -4.16

 

CMYK 100 / 0 / 9 / 33

HEX #00AB9C

RGB 0 171 156

HSL 174.74, 1%, 0.34%

LAB 62.95, -40.14, -2.76

 

CMYK 100 / 0 / 10 / 40

HEX #009989

RGB 0 153 137

HSL 173.73, 1%, 0.3%

LAB 56.67, -37.7, -1.24

 

CMYK 100 / 0 / 13 / 47

HEX #008776

RGB 0 135 118

HSL 172.44, 1%, 0.26%

LAB 50.26, -35.23, 0.35

 

CMYK 88 / 0 / 6 / 20

HEX #19CCBF

RGB 25 204 191

HSL 175.64, 0.78%, 0.45%

LAB 74.29, -43.53, -5.27

 

CMYK 88 / 0 / 30 / 20

HEX #19CC8F

RGB 25 204 143

HSL 159.55, 0.78%, 0.45%

LAB 73.14, -55.73, 18.91

 

CMYK 88 / 0 / 53 / 20

HEX #19CC5F

RGB 25 204 95

HSL 143.46, 0.78%, 0.45%

LAB 72.37, -64.63, 42.41

 

CMYK 88 / 0 / 77 / 20

HEX #19CC2F

RGB 25 204 47

HSL 127.37, 0.78%, 0.45%

LAB 71.96, -69.8, 61.66

 

CMYK 75 / 0 / 88 / 20

HEX #34CC19

RGB 52 204 25

HSL 110.95, 0.78%, 0.45%

LAB 72.22, -67.85, 67.68

 

CMYK 88 / 0 / 6 / 20

HEX #19CCBF

RGB 25 204 191

HSL 175.64, 0.78%, 0.45%

LAB 74.29, -43.53, -5.27

 

CMYK 88 / 17 / 0 / 20

HEX #19A9CC

RGB 25 169 204

HSL 191.73, 0.78%, 0.45%

LAB 64.11, -22.89, -27.77

 

CMYK 88 / 41 / 0 / 20

HEX #1979CC

RGB 25 121 204

HSL 207.82, 0.78%, 0.45%

LAB 49.79, 4.29, -50.26

 

CMYK 88 / 65 / 0 / 20

HEX #1948CC

RGB 25 72 204

HSL 224.25, 0.78%, 0.45%

LAB 36.37, 35.9, -72.01

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 88 / 0 / 6 / 20

HEX #19CCBF

RGB 25 204 191

HSL 175.64, 0.78%, 0.45%

LAB 74.29, -43.53, -5.27

 

CMYK 97 / 0 / 7 / 13

HEX #07DFCF

RGB 7 223 207

HSL 175.56, 0.94%, 0.45%

LAB 80.36, -47.86, -4.9

 

CMYK 88 / 0 / 6 / 20

HEX #19CCBF

RGB 25 204 191

HSL 175.64, 0.78%, 0.45%

LAB 74.29, -43.53, -5.27

 

CMYK 76 / 0 / 5 / 27

HEX #2CBAB0

RGB 44 186 176

HSL 175.77, 0.62%, 0.45%

LAB 68.6, -38.27, -5.47

 

CMYK 63 / 0 / 4 / 35

HEX #3EA7A0

RGB 62 167 160

HSL 176, 0.46%, 0.45%

LAB 62.68, -31.43, -5.3

 

CMYK 46 / 0 / 3 / 42

HEX #519590

RGB 81 149 144

HSL 175.59, 0.3%, 0.45%

LAB 57.33, -22.81, -4.08

 

CMYK 23 / 0 / 2 / 49

HEX #648280

RGB 100 130 128

HSL 176, 0.13%, 0.45%

LAB 52.1, -11.08, -2.43

 

CMYK 88 / 0 / 54 / 20

HEX #19CC5E

RGB 25 204 94

HSL 143.13, 0.78%, 0.45%

LAB 72.36, -64.78, 42.88

 

CMYK 88 / 0 / 30 / 20

HEX #19CC8E

RGB 25 204 142

HSL 159.22, 0.78%, 0.45%

LAB 73.12, -55.95, 19.41

 

CMYK 88 / 0 / 7 / 20

HEX #19CCBD

RGB 25 204 189

HSL 174.97, 0.78%, 0.45%

LAB 74.23, -44.1, -4.27

 

CMYK 88 / 16 / 0 / 20

HEX #19ABCC

RGB 25 171 204

HSL 191.06, 0.78%, 0.45%

LAB 64.72, -23.92, -26.84

 

CMYK 88 / 39 / 0 / 20

HEX #197CCC

RGB 25 124 204

HSL 206.82, 0.78%, 0.45%

LAB 50.67, 2.45, -48.86

 

CMYK 88 / 0 / 6 / 49

HEX #10837B

RGB 16 131 123

HSL 175.83, 0.78%, 0.29%

LAB 49.22, -30.95, -4.09

 

CMYK 88 / 0 / 7 / 34

HEX #15A89D

RGB 21 168 157

HSL 175.51, 0.78%, 0.37%

LAB 62.17, -37.58, -4.45

 

CMYK 88 / 0 / 6 / 20

HEX #19CCBF

RGB 25 204 191

HSL 175.64, 0.78%, 0.45%

LAB 74.29, -43.53, -5.27

 

CMYK 82 / 0 / 6 / 10

HEX #2AE5D7

RGB 42 229 215

HSL 175.51, 0.78%, 0.53%

LAB 82.61, -46.53, -5.8

 

CMYK 66 / 0 / 5 / 9

HEX #4FE9DE

RGB 79 233 222

HSL 175.71, 0.78%, 0.61%

LAB 84.59, -42.32, -6.5

 

CMYK 88 / 0 / 6 / 19

HEX #19CFC2

RGB 25 207 194

HSL 175.71, 0.78%, 0.45%

LAB 75.28, -43.99, -5.43

 

CMYK 77 / 88 / 0 / 20

HEX #2E19CC

RGB 46 25 204

HSL 247.04, 0.78%, 0.45%

LAB 28.47, 61.71, -85.04

 

CMYK 0 / 42 / 88 / 20

HEX #CC7619

RGB 204 118 25

HSL 31.17, 0.78%, 0.45%

LAB 57.91, 27.65, 59.59

 

CMYK 88 / 0 / 6 / 19

HEX #19CFC2

RGB 25 207 194

HSL 175.71, 0.78%, 0.45%

LAB 75.28, -43.99, -5.43

 

CMYK 7 / 88 / 0 / 20

HEX #BD19CC

RGB 189 25 204

HSL 294.97, 0.78%, 0.45%

LAB 46.81, 77.95, -54.29

 

CMYK 0 / 7 / 88 / 20

HEX #CCBD19

RGB 204 189 25

HSL 54.97, 0.78%, 0.45%

LAB 75.64, -10.34, 73.69

 

CMYK 88 / 0 / 6 / 19

HEX #19CFC2

RGB 25 207 194

HSL 175.71, 0.78%, 0.45%

LAB 75.28, -43.99, -5.43

 

CMYK 77 / 88 / 0 / 20

HEX #2E19CC

RGB 46 25 204

HSL 247.04, 0.78%, 0.45%

LAB 28.47, 61.71, -85.04

 

CMYK 0 / 88 / 80 / 20

HEX #CC1928

RGB 204 25 40

HSL 354.97, 0.78%, 0.45%

LAB 43.78, 65.37, 40.72

 

CMYK 10 / 0 / 88 / 20

HEX #B7CC19

RGB 183 204 25

HSL 67.04, 0.78%, 0.45%

LAB 78.07, -26.75, 74.95

 

CMYK 88 / 0 / 6 / 19

HEX #19CFC2

RGB 25 207 194

HSL 175.71, 0.78%, 0.45%

LAB 75.28, -43.99, -5.43

 

CMYK 51 / 88 / 0 / 20

HEX #6419CC

RGB 100 25 204

HSL 265.14, 0.78%, 0.45%

LAB 33.49, 65.63, -76.58

 

CMYK 0 / 88 / 80 / 20

HEX #CC1928

RGB 204 25 40

HSL 354.97, 0.78%, 0.45%

LAB 43.78, 65.37, 40.72

 

CMYK 36 / 0 / 88 / 20

HEX #82CC19

RGB 130 204 25

HSL 84.8, 0.78%, 0.45%

LAB 74.83, -47.41, 70.94

 

Description

Color code: HEX #19CFC2 | qconv.com Color code: HEX #19CFC2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 207 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 207 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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