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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19CC92 it is the complementary color #E6336D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19CC92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19CC92 shade: #1ECC8D, #2FDEA0, #40F0B3, #51FFC6 and #62FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19CC92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19CC92 shade: #19CC92, #08BA7F, #00A86C, #009659 and #008446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19CC92 shade: #19CC92, #19CC62, #19CC32, #31CC19 and #61CC19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19CC92 shade: #19CC92, #19CCC3, #19A6CC, #1975CC and #1945CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19CC92 shade matches the following richer shades: #19CC92 and #07DF99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19CC92 shade: #19CC92, #2CBA8C, #3EA785, #51957F and #648278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19CC92 shade: #19CC31, #19CC61, #19CC91, #19CCC0 and #19A8CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19CC92 shade: #10835E, #15A878, #19CC92, #2AE5A8 and #4FE9B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19CC92 shade: #19CC92, #1931CC and #CC4919

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19CC92 shade: #19CC92, #9119CC and #CC9119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19CC92 shade: #19CC92, #1931CC, #CC1955 and #CCB419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19CC92 shade: #19CC92, #3719CC, #CC1955 and #AECC19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

Complementary color

CMYK 0 / 78 / 53 / 10

HEX #E6336D

RGB 230 51 109

HSL 340.56, 0.78%, 0.55%

LAB 52.17, 69.86, 11

 

CMYK 85 / 0 / 31 / 20

HEX #1ECC8D

RGB 30 204 141

HSL 158.28, 0.74%, 0.46%

LAB 73.14, -55.82, 19.98

 

CMYK 79 / 0 / 28 / 13

HEX #2FDEA0

RGB 47 222 160

HSL 158.74, 0.73%, 0.53%

LAB 79.26, -56.94, 18.46

 

CMYK 73 / 0 / 25 / 6

HEX #40F0B3

RGB 64 240 179

HSL 159.2, 0.85%, 0.6%

LAB 85.33, -57.74, 17.06

 

CMYK 68 / 0 / 22 / 0

HEX #51FFC6

RGB 81 255 198

HSL 160.34, 1%, 0.66%

LAB 90.48, -57.11, 14.54

 

CMYK 62 / 0 / 15 / 0

HEX #62FFD9

RGB 98 255 217

HSL 165.48, 1%, 0.69%

LAB 91.29, -50.09, 5.95

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 96 / 0 / 32 / 27

HEX #08BA7F

RGB 8 186 127

HSL 160.11, 0.92%, 0.38%

LAB 67.05, -53.38, 19.07

 

CMYK 100 / 0 / 36 / 34

HEX #00A86C

RGB 0 168 108

HSL 158.57, 1%, 0.33%

LAB 60.86, -51.19, 20.91

 

CMYK 100 / 0 / 41 / 41

HEX #009659

RGB 0 150 89

HSL 155.6, 1%, 0.29%

LAB 54.59, -48.58, 22.89

 

CMYK 100 / 0 / 47 / 48

HEX #008446

RGB 0 132 70

HSL 151.82, 1%, 0.26%

LAB 48.19, -45.81, 24.96

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 88 / 0 / 52 / 20

HEX #19CC62

RGB 25 204 98

HSL 144.47, 0.78%, 0.45%

LAB 72.41, -64.19, 41.01

 

CMYK 88 / 0 / 75 / 20

HEX #19CC32

RGB 25 204 50

HSL 128.38, 0.78%, 0.45%

LAB 71.98, -69.58, 60.71

 

CMYK 76 / 0 / 88 / 20

HEX #31CC19

RGB 49 204 25

HSL 111.96, 0.78%, 0.45%

LAB 72.17, -68.3, 67.62

 

CMYK 52 / 0 / 88 / 20

HEX #61CC19

RGB 97 204 25

HSL 95.87, 0.78%, 0.45%

LAB 73.41, -57.95, 69.18

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 88 / 0 / 4 / 20

HEX #19CCC3

RGB 25 204 195

HSL 176.98, 0.78%, 0.45%

LAB 74.4, -42.39, -7.27

 

CMYK 88 / 19 / 0 / 20

HEX #19A6CC

RGB 25 166 204

HSL 192.74, 0.78%, 0.45%

LAB 63.21, -21.33, -29.17

 

CMYK 88 / 43 / 0 / 20

HEX #1975CC

RGB 25 117 204

HSL 209.16, 0.78%, 0.45%

LAB 48.62, 6.78, -52.12

 

CMYK 88 / 66 / 0 / 20

HEX #1945CC

RGB 25 69 204

HSL 225.25, 0.78%, 0.45%

LAB 35.64, 37.82, -73.2

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 97 / 0 / 31 / 13

HEX #07DF99

RGB 7 223 153

HSL 160.56, 0.94%, 0.45%

LAB 79.11, -61.31, 21.85

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 76 / 0 / 25 / 27

HEX #2CBA8C

RGB 44 186 140

HSL 160.56, 0.62%, 0.45%

LAB 67.69, -47.65, 12.96

 

CMYK 63 / 0 / 20 / 35

HEX #3EA785

RGB 62 167 133

HSL 160.57, 0.46%, 0.45%

LAB 61.96, -38.44, 8.77

 

CMYK 46 / 0 / 15 / 42

HEX #51957F

RGB 81 149 127

HSL 160.59, 0.3%, 0.45%

LAB 56.86, -27.06, 4.95

 

CMYK 23 / 0 / 8 / 49

HEX #648278

RGB 100 130 120

HSL 160, 0.13%, 0.45%

LAB 51.87, -12.91, 1.91

 

CMYK 88 / 0 / 76 / 20

HEX #19CC31

RGB 25 204 49

HSL 128.04, 0.78%, 0.45%

LAB 71.97, -69.66, 61.03

 

CMYK 88 / 0 / 52 / 20

HEX #19CC61

RGB 25 204 97

HSL 144.13, 0.78%, 0.45%

LAB 72.4, -64.34, 41.48

 

CMYK 88 / 0 / 29 / 20

HEX #19CC91

RGB 25 204 145

HSL 160.22, 0.78%, 0.45%

LAB 73.18, -55.28, 17.9

 

CMYK 88 / 0 / 6 / 20

HEX #19CCC0

RGB 25 204 192

HSL 175.98, 0.78%, 0.45%

LAB 74.32, -43.25, -5.77

 

CMYK 88 / 18 / 0 / 20

HEX #19A8CC

RGB 25 168 204

HSL 192.07, 0.78%, 0.45%

LAB 63.81, -22.37, -28.23

 

CMYK 88 / 0 / 28 / 49

HEX #10835E

RGB 16 131 94

HSL 160.7, 0.78%, 0.29%

LAB 48.45, -39.03, 11.75

 

CMYK 88 / 0 / 29 / 34

HEX #15A878

RGB 21 168 120

HSL 160.41, 0.78%, 0.37%

LAB 61.24, -47.39, 14.87

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 82 / 0 / 27 / 10

HEX #2AE5A8

RGB 42 229 168

HSL 160.43, 0.78%, 0.53%

LAB 81.49, -58.3, 17.36

 

CMYK 66 / 0 / 21 / 9

HEX #4FE9B7

RGB 79 233 183

HSL 160.52, 0.78%, 0.61%

LAB 83.63, -51.93, 12.62

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 88 / 76 / 0 / 20

HEX #1931CC

RGB 25 49 204

HSL 231.96, 0.78%, 0.45%

LAB 31.26, 49.87, -80.43

 

CMYK 0 / 64 / 88 / 20

HEX #CC4919

RGB 204 73 25

HSL 16.09, 0.78%, 0.45%

LAB 49.1, 49.95, 52.62

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 29 / 88 / 0 / 20

HEX #9119CC

RGB 145 25 204

HSL 280.22, 0.78%, 0.45%

LAB 39.71, 71.12, -66.13

 

CMYK 0 / 29 / 88 / 20

HEX #CC9119

RGB 204 145 25

HSL 40.22, 0.78%, 0.45%

LAB 64.29, 13, 64.66

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 88 / 76 / 0 / 20

HEX #1931CC

RGB 25 49 204

HSL 231.96, 0.78%, 0.45%

LAB 31.26, 49.87, -80.43

 

CMYK 0 / 88 / 58 / 20

HEX #CC1955

RGB 204 25 85

HSL 339.89, 0.78%, 0.45%

LAB 44.5, 67.45, 14.33

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 88 / 0 / 28 / 20

HEX #19CC92

RGB 25 204 146

HSL 160.56, 0.78%, 0.45%

LAB 73.2, -55.06, 17.39

 

CMYK 73 / 88 / 0 / 20

HEX #3719CC

RGB 55 25 204

HSL 250.06, 0.78%, 0.45%

LAB 29.07, 62.15, -84.02

 

CMYK 0 / 88 / 58 / 20

HEX #CC1955

RGB 204 25 85

HSL 339.89, 0.78%, 0.45%

LAB 44.5, 67.45, 14.33

 

CMYK 15 / 0 / 88 / 20

HEX #AECC19

RGB 174 204 25

HSL 70.06, 0.78%, 0.45%

LAB 77.43, -30.47, 74.17

 

Description

Color code: HEX #19CC92 | qconv.com Color code: HEX #19CC92 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 204 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 204 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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