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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19C90D it is the complementary color #E636F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19C90D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19C90D shade: #1EC908, #2FDB1B, #40ED2E, #51FF41 and #62FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19C90D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19C90D shade: #19C90D, #08B700, #00A500, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19C90D shade: #19C90D, #4CC90D, #7FC90D, #B1C90D and #C9AE0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19C90D shade: #19C90D, #0DC934, #0DC966, #0DC999 and #0DC7C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19C90D shade matches the following richer shades: #19C90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19C90D shade: #19C90D, #28B81E, #37A730, #469541 and #558452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19C90D shade: #7EC90D, #4CC90D, #19C90D, #0DC933 and #0DC965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19C90D shade: #0F7C08, #14A30A, #19C90D, #1EF010 and #42F237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19C90D shade: #19C90D, #0DB0C9 and #C90D65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19C90D shade: #19C90D, #0D19C9 and #C90D19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19C90D shade: #19C90D, #0DB0C9, #BD0DC9 and #C9260D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19C90D shade: #19C90D, #0D78C9, #BD0DC9 and #C95F0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

Complementary color

CMYK 5 / 78 / 0 / 5

HEX #E636F2

RGB 230 54 242

HSL 296.17, 0.88%, 0.58%

LAB 57.92, 84.97, -57.69

 

CMYK 85 / 0 / 96 / 21

HEX #1EC908

RGB 30 201 8

HSL 113.16, 0.92%, 0.41%

LAB 70.92, -70.15, 68.91

 

CMYK 79 / 0 / 88 / 14

HEX #2FDB1B

RGB 47 219 27

HSL 113.75, 0.78%, 0.48%

LAB 76.89, -72.91, 71.32

 

CMYK 73 / 0 / 81 / 7

HEX #40ED2E

RGB 64 237 46

HSL 114.35, 0.84%, 0.55%

LAB 82.84, -74.98, 72.46

 

CMYK 68 / 0 / 75 / 0

HEX #51FF41

RGB 81 255 65

HSL 114.95, 1%, 0.63%

LAB 88.76, -76.51, 72.7

 

CMYK 62 / 0 / 67 / 0

HEX #62FF54

RGB 98 255 84

HSL 115.09, 1%, 0.66%

LAB 89.28, -71.75, 66.73

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 96 / 0 / 100 / 28

HEX #08B700

RGB 8 183 0

HSL 117.38, 1%, 0.36%

LAB 64.9, -66.8, 64.88

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 62 / 0 / 94 / 21

HEX #4CC90D

RGB 76 201 13

HSL 99.89, 0.88%, 0.42%

LAB 71.78, -62.62, 69.43

 

CMYK 37 / 0 / 94 / 21

HEX #7FC90D

RGB 127 201 13

HSL 83.62, 0.88%, 0.42%

LAB 73.75, -47.51, 71.84

 

CMYK 12 / 0 / 94 / 21

HEX #B1C90D

RGB 177 201 13

HSL 67.66, 0.88%, 0.42%

LAB 76.77, -28.03, 75.51

 

CMYK 0 / 13 / 94 / 21

HEX #C9AE0D

RGB 201 174 13

HSL 51.38, 0.88%, 0.42%

LAB 71.36, -4.08, 72.24

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 94 / 0 / 74 / 21

HEX #0DC934

RGB 13 201 52

HSL 132.45, 0.88%, 0.42%

LAB 70.94, -69.3, 58.97

 

CMYK 94 / 0 / 49 / 21

HEX #0DC966

RGB 13 201 102

HSL 148.4, 0.88%, 0.42%

LAB 71.43, -63.26, 37.82

 

CMYK 94 / 0 / 24 / 21

HEX #0DC999

RGB 13 201 153

HSL 164.68, 0.88%, 0.42%

LAB 72.33, -52.87, 12.42

 

CMYK 94 / 1 / 0 / 21

HEX #0DC7C9

RGB 13 199 201

HSL 180.64, 0.88%, 0.42%

LAB 72.99, -38.92, -12.63

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 78 / 0 / 84 / 28

HEX #28B81E

RGB 40 184 30

HSL 116.1, 0.72%, 0.42%

LAB 65.61, -63.32, 60.64

 

CMYK 67 / 0 / 71 / 35

HEX #37A730

RGB 55 167 48

HSL 116.47, 0.55%, 0.42%

LAB 60.48, -54.01, 49.92

 

CMYK 53 / 0 / 56 / 42

HEX #469541

RGB 70 149 65

HSL 116.43, 0.39%, 0.42%

LAB 55.26, -41.66, 36.63

 

CMYK 36 / 0 / 38 / 48

HEX #558452

RGB 85 132 82

HSL 116.4, 0.23%, 0.42%

LAB 50.74, -26.65, 22.07

 

CMYK 37 / 0 / 94 / 21

HEX #7EC90D

RGB 126 201 13

HSL 83.94, 0.88%, 0.42%

LAB 73.7, -47.86, 71.78

 

CMYK 62 / 0 / 94 / 21

HEX #4CC90D

RGB 76 201 13

HSL 99.89, 0.88%, 0.42%

LAB 71.78, -62.62, 69.43

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 94 / 0 / 75 / 21

HEX #0DC933

RGB 13 201 51

HSL 132.13, 0.88%, 0.42%

LAB 70.94, -69.38, 59.31

 

CMYK 94 / 0 / 50 / 21

HEX #0DC965

RGB 13 201 101

HSL 148.09, 0.88%, 0.42%

LAB 71.42, -63.42, 38.3

 

CMYK 88 / 0 / 94 / 51

HEX #0F7C08

RGB 15 124 8

HSL 116.38, 0.88%, 0.26%

LAB 44.99, -48.92, 47.25

 

CMYK 88 / 0 / 94 / 36

HEX #14A30A

RGB 20 163 10

HSL 116.08, 0.88%, 0.34%

LAB 58.38, -60.12, 58.25

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 88 / 0 / 93 / 6

HEX #1EF010

RGB 30 240 16

HSL 116.25, 0.88%, 0.5%

LAB 83.25, -80.73, 78.24

 

CMYK 73 / 0 / 77 / 5

HEX #42F237

RGB 66 242 55

HSL 116.47, 0.88%, 0.58%

LAB 84.45, -75.67, 71.48

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 94 / 12 / 0 / 21

HEX #0DB0C9

RGB 13 176 201

HSL 187.98, 0.88%, 0.42%

LAB 66.02, -28, -23.18

 

CMYK 0 / 94 / 50 / 21

HEX #C90D65

RGB 201 13 101

HSL 331.91, 0.88%, 0.42%

LAB 43.72, 69.56, 3.13

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 94 / 88 / 0 / 21

HEX #0D19C9

RGB 13 25 201

HSL 236.17, 0.88%, 0.42%

LAB 26.73, 59.9, -86.23

 

CMYK 0 / 94 / 88 / 21

HEX #C90D19

RGB 201 13 25

HSL 356.17, 0.88%, 0.42%

LAB 42.42, 65.98, 47.1

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 94 / 12 / 0 / 21

HEX #0DB0C9

RGB 13 176 201

HSL 187.98, 0.88%, 0.42%

LAB 66.02, -28, -23.18

 

CMYK 6 / 94 / 0 / 21

HEX #BD0DC9

RGB 189 13 201

HSL 296.17, 0.88%, 0.42%

LAB 46.07, 79.08, -53.74

 

CMYK 0 / 81 / 94 / 21

HEX #C9260D

RGB 201 38 13

HSL 7.98, 0.88%, 0.42%

LAB 43.99, 61.14, 53.05

 

CMYK 88 / 0 / 94 / 21

HEX #19C90D

RGB 25 201 13

HSL 116.17, 0.88%, 0.42%

LAB 70.88, -70.48, 68.3

 

CMYK 94 / 40 / 0 / 21

HEX #0D78C9

RGB 13 120 201

HSL 205.85, 0.88%, 0.42%

LAB 49.17, 3.12, -49.54

 

CMYK 6 / 94 / 0 / 21

HEX #BD0DC9

RGB 189 13 201

HSL 296.17, 0.88%, 0.42%

LAB 46.07, 79.08, -53.74

 

CMYK 0 / 53 / 94 / 21

HEX #C95F0D

RGB 201 95 13

HSL 26.17, 0.88%, 0.42%

LAB 52.54, 38.24, 58.63

 

Description

Color code: HEX #19C90D | qconv.com Color code: HEX #19C90D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 201 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 201 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 94 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 94% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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