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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19C644 it is the complementary color #E639BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19C644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19C644 shade: #1EC63F, #2FD852, #40EA65, #51FC78 and #62FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19C644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19C644 shade: #19C644, #08B431, #00A21E, #00900B and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19C644 shade: #19C844, #1CC819, #4CC819, #7BC819 and #AAC819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19C644 shade: #19C844, #19C873, #19C8A3, #19BEC8 and #198EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19C644 shade matches the following richer shades: #19C844 and #07DA3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19C644 shade: #19C844, #2BB64D, #3DA356, #4F9160 and #617F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19C644 shade: #4DC819, #1FC819, #19C842, #19C870 and #19C89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19C644 shade: #107E2B, #14A338, #19C844, #26E455 and #4AE972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19C644 shade: #19C644, #197CC8 and #C81936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19C644 shade: #19C644, #4219C8 and #C84219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19C644 shade: #19C644, #197CC8, #C8199F and #C86519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19C644 shade: #19C644, #1947C8, #C8199F and #C89919

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 66 / 22

HEX #19C644

RGB 25 198 68

HSL 134.91, 0.78%, 0.44%

LAB 70.18, -66.18, 52.06

 

Complementary color

CMYK 0 / 75 / 19 / 10

HEX #E639BB

RGB 230 57 187

HSL 314.91, 0.78%, 0.56%

LAB 55.42, 76.2, -30.39

 

CMYK 85 / 0 / 68 / 22

HEX #1EC63F

RGB 30 198 63

HSL 131.79, 0.74%, 0.45%

LAB 70.19, -66.27, 54.12

 

CMYK 78 / 0 / 62 / 15

HEX #2FD852

RGB 47 216 82

HSL 132.43, 0.68%, 0.52%

LAB 76.27, -68.01, 52.97

 

CMYK 73 / 0 / 57 / 8

HEX #40EA65

RGB 64 234 101

HSL 133.06, 0.8%, 0.58%

LAB 82.31, -69.22, 51.65

 

CMYK 68 / 0 / 52 / 1

HEX #51FC78

RGB 81 252 120

HSL 133.68, 0.97%, 0.65%

LAB 88.32, -70.04, 50.27

 

CMYK 62 / 0 / 45 / 0

HEX #62FF8B

RGB 98 255 139

HSL 135.67, 1%, 0.69%

LAB 89.85, -65.24, 43.32

 

CMYK 87 / 0 / 66 / 22

HEX #19C644

RGB 25 198 68

HSL 134.91, 0.78%, 0.44%

LAB 70.18, -66.18, 52.06

 

CMYK 96 / 0 / 73 / 29

HEX #08B431

RGB 8 180 49

HSL 134.3, 0.91%, 0.37%

LAB 64.09, -63.65, 53.07

 

CMYK 100 / 0 / 81 / 36

HEX #00A21E

RGB 0 162 30

HSL 131.11, 1%, 0.32%

LAB 57.97, -60.22, 53.43

 

CMYK 100 / 0 / 92 / 44

HEX #00900B

RGB 0 144 11

HSL 124.58, 1%, 0.28%

LAB 51.8, -55.95, 52.46

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 88 / 0 / 66 / 22

HEX #19C844

RGB 25 200 68

HSL 134.74, 0.78%, 0.44%

LAB 70.82, -66.79, 52.76

 

CMYK 86 / 0 / 88 / 22

HEX #1CC819

RGB 28 200 25

HSL 118.97, 0.78%, 0.44%

LAB 70.61, -69.58, 66.16

 

CMYK 62 / 0 / 88 / 22

HEX #4CC819

RGB 76 200 25

HSL 102.51, 0.78%, 0.44%

LAB 71.5, -61.95, 67.27

 

CMYK 39 / 0 / 88 / 22

HEX #7BC819

RGB 123 200 25

HSL 86.4, 0.78%, 0.44%

LAB 73.28, -48.22, 69.5

 

CMYK 15 / 0 / 88 / 22

HEX #AAC819

RGB 170 200 25

HSL 70.29, 0.78%, 0.44%

LAB 76.02, -30.23, 72.9

 

CMYK 88 / 0 / 66 / 22

HEX #19C844

RGB 25 200 68

HSL 134.74, 0.78%, 0.44%

LAB 70.82, -66.79, 52.76

 

CMYK 88 / 0 / 43 / 22

HEX #19C873

RGB 25 200 115

HSL 150.86, 0.78%, 0.44%

LAB 71.39, -59.98, 31.21

 

CMYK 88 / 0 / 19 / 22

HEX #19C8A3

RGB 25 200 163

HSL 167.31, 0.78%, 0.44%

LAB 72.34, -49.39, 7.04

 

CMYK 88 / 5 / 0 / 22

HEX #19BEC8

RGB 25 190 200

HSL 183.43, 0.78%, 0.44%

LAB 70.32, -34.53, -16.1

 

CMYK 88 / 29 / 0 / 22

HEX #198EC8

RGB 25 142 200

HSL 199.89, 0.78%, 0.44%

LAB 55.81, -9.67, -38.45

 

CMYK 88 / 0 / 66 / 22

HEX #19C844

RGB 25 200 68

HSL 134.74, 0.78%, 0.44%

LAB 70.82, -66.79, 52.76

 

CMYK 97 / 0 / 73 / 15

HEX #07DA3B

RGB 7 218 59

HSL 134.79, 0.94%, 0.44%

LAB 76.38, -73.82, 62.02

 

CMYK 88 / 0 / 66 / 22

HEX #19C844

RGB 25 200 68

HSL 134.74, 0.78%, 0.44%

LAB 70.82, -66.79, 52.76

 

CMYK 76 / 0 / 58 / 29

HEX #2BB64D

RGB 43 182 77

HSL 134.68, 0.62%, 0.44%

LAB 65.36, -58.02, 42.62

 

CMYK 63 / 0 / 47 / 36

HEX #3DA356

RGB 61 163 86

HSL 134.71, 0.46%, 0.44%

LAB 59.76, -46.5, 31.39

 

CMYK 46 / 0 / 34 / 43

HEX #4F9160

RGB 79 145 96

HSL 135.45, 0.29%, 0.44%

LAB 54.82, -32.32, 19.64

 

CMYK 24 / 0 / 17 / 50

HEX #617F69

RGB 97 127 105

HSL 136, 0.13%, 0.44%

LAB 50.38, -15.51, 8.5

 

CMYK 62 / 0 / 88 / 22

HEX #4DC819

RGB 77 200 25

HSL 102.17, 0.78%, 0.44%

LAB 71.53, -61.72, 67.31

 

CMYK 85 / 0 / 88 / 22

HEX #1FC819

RGB 31 200 25

HSL 117.94, 0.78%, 0.44%

LAB 70.64, -69.31, 66.2

 

CMYK 88 / 0 / 67 / 22

HEX #19C842

RGB 25 200 66

HSL 134.06, 0.78%, 0.44%

LAB 70.81, -67, 53.56

 

CMYK 88 / 0 / 44 / 22

HEX #19C870

RGB 25 200 112

HSL 149.83, 0.78%, 0.44%

LAB 71.34, -60.53, 32.69

 

CMYK 88 / 0 / 21 / 22

HEX #19C89F

RGB 25 200 159

HSL 165.94, 0.78%, 0.44%

LAB 72.24, -50.4, 9.07

 

CMYK 87 / 0 / 66 / 51

HEX #107E2B

RGB 16 126 43

HSL 134.73, 0.77%, 0.28%

LAB 45.92, -46.75, 36.13

 

CMYK 88 / 0 / 66 / 36

HEX #14A338

RGB 20 163 56

HSL 135.1, 0.78%, 0.36%

LAB 58.63, -56.99, 44.42

 

CMYK 88 / 0 / 66 / 22

HEX #19C844

RGB 25 200 68

HSL 134.74, 0.78%, 0.44%

LAB 70.82, -66.79, 52.76

 

CMYK 83 / 0 / 63 / 11

HEX #26E455

RGB 38 228 85

HSL 134.84, 0.78%, 0.52%

LAB 79.93, -72.36, 55.79

 

CMYK 68 / 0 / 51 / 9

HEX #4AE972

RGB 74 233 114

HSL 135.09, 0.78%, 0.6%

LAB 82.35, -65.54, 45.75

 

CMYK 87 / 0 / 66 / 22

HEX #19C644

RGB 25 198 68

HSL 134.91, 0.78%, 0.44%

LAB 70.18, -66.18, 52.06

 

CMYK 88 / 38 / 0 / 22

HEX #197CC8

RGB 25 124 200

HSL 206.06, 0.78%, 0.44%

LAB 50.44, 0.92, -46.93

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 87 / 0 / 66 / 22

HEX #19C644

RGB 25 198 68

HSL 134.91, 0.78%, 0.44%

LAB 70.18, -66.18, 52.06

 

CMYK 67 / 88 / 0 / 22

HEX #4219C8

RGB 66 25 200

HSL 254.06, 0.78%, 0.44%

LAB 29.47, 61.75, -81

 

CMYK 0 / 67 / 88 / 22

HEX #C84219

RGB 200 66 25

HSL 14.06, 0.78%, 0.44%

LAB 47.3, 51.51, 50.89

 

CMYK 87 / 0 / 66 / 22

HEX #19C644

RGB 25 198 68

HSL 134.91, 0.78%, 0.44%

LAB 70.18, -66.18, 52.06

 

CMYK 88 / 38 / 0 / 22

HEX #197CC8

RGB 25 124 200

HSL 206.06, 0.78%, 0.44%

LAB 50.44, 0.92, -46.93

 

CMYK 0 / 88 / 21 / 22

HEX #C8199F

RGB 200 25 159

HSL 314.06, 0.78%, 0.44%

LAB 46.28, 73.58, -28.55

 

CMYK 0 / 50 / 88 / 22

HEX #C86519

RGB 200 101 25

HSL 26.06, 0.78%, 0.44%

LAB 53.66, 34.98, 55.97

 

CMYK 87 / 0 / 66 / 22

HEX #19C644

RGB 25 198 68

HSL 134.91, 0.78%, 0.44%

LAB 70.18, -66.18, 52.06

 

CMYK 88 / 65 / 0 / 22

HEX #1947C8

RGB 25 71 200

HSL 224.23, 0.78%, 0.44%

LAB 35.76, 35.04, -70.69

 

CMYK 0 / 88 / 21 / 22

HEX #C8199F

RGB 200 25 159

HSL 314.06, 0.78%, 0.44%

LAB 46.28, 73.58, -28.55

 

CMYK 0 / 24 / 88 / 22

HEX #C89919

RGB 200 153 25

HSL 43.89, 0.78%, 0.44%

LAB 65.85, 6.89, 65.72

 

Description

Color code: HEX #19C644 | qconv.com Color code: HEX #19C644 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 198 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 198 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 66 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 66% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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