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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19B649 it is the complementary color #E649B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19B649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19B649 shade: #1EB644, #2FC857, #40DA6A, #51EC7D and #62FE90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19B649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19B649 shade: #19B649, #08A436, #009223, #008010 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19B649 shade: #19B84A, #19B81F, #3EB819, #69B819 and #94B819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19B649 shade: #19B84A, #19B875, #19B89F, #19A6B8 and #197BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19B649 shade matches the following richer shades: #19B84A and #08C943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19B649 shade: #19B84A, #2AA750, #3B9657, #4C855D and #5D7464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19B649 shade: #3EB819, #19B81E, #19B849, #19B873 and #19B89E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19B649 shade: #0F6F2D, #14943B, #19B84A, #1EDC58 and #3FE572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19B649 shade: #19B649, #1969B8 and #B81929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19B649 shade: #19B649, #4919B8 and #B84919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19B649 shade: #19B649, #1969B8, #B81988 and #B86919

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19B649 shade: #19B649, #1939B8, #B81988 and #B89819

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 60 / 29

HEX #19B649

RGB 25 182 73

HSL 138.34, 0.76%, 0.41%

LAB 65.08, -60.58, 44.09

 

Complementary color

CMYK 0 / 68 / 21 / 10

HEX #E649B6

RGB 230 73 182

HSL 318.34, 0.76%, 0.59%

LAB 57.04, 70.36, -24.98

 

CMYK 84 / 0 / 63 / 29

HEX #1EB644

RGB 30 182 68

HSL 135, 0.72%, 0.42%

LAB 65.08, -60.73, 46.38

 

CMYK 77 / 0 / 57 / 22

HEX #2FC857

RGB 47 200 87

HSL 135.69, 0.62%, 0.48%

LAB 71.28, -62.19, 44.95

 

CMYK 71 / 0 / 51 / 15

HEX #40DA6A

RGB 64 218 106

HSL 136.36, 0.68%, 0.55%

LAB 77.44, -63.15, 43.48

 

CMYK 66 / 0 / 47 / 7

HEX #51EC7D

RGB 81 236 125

HSL 137.03, 0.8%, 0.62%

LAB 83.56, -63.75, 42.02

 

CMYK 61 / 0 / 43 / 0

HEX #62FE90

RGB 98 254 144

HSL 137.69, 0.99%, 0.69%

LAB 89.62, -64.1, 40.61

 

CMYK 86 / 0 / 60 / 29

HEX #19B649

RGB 25 182 73

HSL 138.34, 0.76%, 0.41%

LAB 65.08, -60.58, 44.09

 

CMYK 95 / 0 / 67 / 36

HEX #08A436

RGB 8 164 54

HSL 137.69, 0.91%, 0.34%

LAB 58.85, -58.32, 45.51

 

CMYK 100 / 0 / 76 / 43

HEX #009223

RGB 0 146 35

HSL 134.38, 1%, 0.29%

LAB 52.6, -55.14, 46.54

 

CMYK 100 / 0 / 88 / 50

HEX #008010

RGB 0 128 16

HSL 127.5, 1%, 0.25%

LAB 46.28, -51.05, 46.53

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 86 / 0 / 60 / 28

HEX #19B84A

RGB 25 184 74

HSL 138.49, 0.76%, 0.41%

LAB 65.73, -61.1, 44.39

 

CMYK 86 / 0 / 83 / 28

HEX #19B81F

RGB 25 184 31

HSL 122.26, 0.76%, 0.41%

LAB 65.43, -64.97, 60.14

 

CMYK 66 / 0 / 86 / 28

HEX #3EB819

RGB 62 184 25

HSL 106.04, 0.76%, 0.41%

LAB 66.04, -59.72, 62.37

 

CMYK 43 / 0 / 86 / 28

HEX #69B819

RGB 105 184 25

HSL 89.81, 0.76%, 0.41%

LAB 67.54, -47.88, 64.26

 

CMYK 20 / 0 / 86 / 28

HEX #94B819

RGB 148 184 25

HSL 73.58, 0.76%, 0.41%

LAB 69.93, -31.74, 67.24

 

CMYK 86 / 0 / 60 / 28

HEX #19B84A

RGB 25 184 74

HSL 138.49, 0.76%, 0.41%

LAB 65.73, -61.1, 44.39

 

CMYK 86 / 0 / 36 / 28

HEX #19B875

RGB 25 184 117

HSL 154.72, 0.76%, 0.41%

LAB 66.35, -53.86, 23.49

 

CMYK 86 / 0 / 14 / 28

HEX #19B89F

RGB 25 184 159

HSL 170.57, 0.76%, 0.41%

LAB 67.27, -43.78, 1.91

 

CMYK 86 / 10 / 0 / 28

HEX #19A6B8

RGB 25 166 184

HSL 186.79, 0.76%, 0.41%

LAB 62.46, -28.01, -19.16

 

CMYK 86 / 33 / 0 / 28

HEX #197BB8

RGB 25 123 184

HSL 203.02, 0.76%, 0.41%

LAB 49.29, -4.58, -39.58

 

CMYK 86 / 0 / 60 / 28

HEX #19B84A

RGB 25 184 74

HSL 138.49, 0.76%, 0.41%

LAB 65.73, -61.1, 44.39

 

CMYK 96 / 0 / 67 / 21

HEX #08C943

RGB 8 201 67

HSL 138.34, 0.92%, 0.41%

LAB 71.03, -68.13, 53.36

 

CMYK 86 / 0 / 60 / 28

HEX #19B84A

RGB 25 184 74

HSL 138.49, 0.76%, 0.41%

LAB 65.73, -61.1, 44.39

 

CMYK 75 / 0 / 52 / 35

HEX #2AA750

RGB 42 167 80

HSL 138.24, 0.6%, 0.41%

LAB 60.52, -52.5, 35.32

 

CMYK 61 / 0 / 42 / 41

HEX #3B9657

RGB 59 150 87

HSL 138.46, 0.44%, 0.41%

LAB 55.51, -41.51, 25.38

 

CMYK 43 / 0 / 30 / 48

HEX #4C855D

RGB 76 133 93

HSL 137.89, 0.27%, 0.41%

LAB 50.81, -28.09, 15.85

 

CMYK 20 / 0 / 14 / 55

HEX #5D7464

RGB 93 116 100

HSL 138.26, 0.11%, 0.41%

LAB 46.63, -11.94, 6.07

 

CMYK 66 / 0 / 86 / 28

HEX #3EB819

RGB 62 184 25

HSL 106.04, 0.76%, 0.41%

LAB 66.04, -59.72, 62.37

 

CMYK 86 / 0 / 84 / 28

HEX #19B81E

RGB 25 184 30

HSL 121.89, 0.76%, 0.41%

LAB 65.42, -65.02, 60.39

 

CMYK 86 / 0 / 60 / 28

HEX #19B849

RGB 25 184 73

HSL 138.11, 0.76%, 0.41%

LAB 65.72, -61.23, 44.84

 

CMYK 86 / 0 / 38 / 28

HEX #19B873

RGB 25 184 115

HSL 153.96, 0.76%, 0.41%

LAB 66.31, -54.27, 24.5

 

CMYK 86 / 0 / 14 / 28

HEX #19B89E

RGB 25 184 158

HSL 170.19, 0.76%, 0.41%

LAB 67.24, -44.05, 2.43

 

CMYK 86 / 0 / 59 / 56

HEX #0F6F2D

RGB 15 111 45

HSL 138.75, 0.76%, 0.25%

LAB 40.67, -41.33, 29.08

 

CMYK 86 / 0 / 60 / 42

HEX #14943B

RGB 20 148 59

HSL 138.28, 0.76%, 0.33%

LAB 53.65, -51.71, 37.37

 

CMYK 86 / 0 / 60 / 28

HEX #19B84A

RGB 25 184 74

HSL 138.49, 0.76%, 0.41%

LAB 65.73, -61.1, 44.39

 

CMYK 86 / 0 / 60 / 14

HEX #1EDC58

RGB 30 220 88

HSL 138.32, 0.76%, 0.49%

LAB 77.38, -70.25, 51.58

 

CMYK 72 / 0 / 50 / 10

HEX #3FE572

RGB 63 229 114

HSL 138.43, 0.76%, 0.57%

LAB 80.91, -65.92, 43.92

 

CMYK 86 / 0 / 60 / 29

HEX #19B649

RGB 25 182 73

HSL 138.34, 0.76%, 0.41%

LAB 65.08, -60.58, 44.09

 

CMYK 86 / 43 / 0 / 28

HEX #1969B8

RGB 25 105 184

HSL 209.81, 0.76%, 0.41%

LAB 43.9, 6.51, -48.15

 

CMYK 0 / 86 / 78 / 28

HEX #B81929

RGB 184 25 41

HSL 353.96, 0.76%, 0.41%

LAB 39.66, 60.02, 34.57

 

CMYK 86 / 0 / 60 / 29

HEX #19B649

RGB 25 182 73

HSL 138.34, 0.76%, 0.41%

LAB 65.08, -60.58, 44.09

 

CMYK 60 / 86 / 0 / 28

HEX #4919B8

RGB 73 25 184

HSL 258.11, 0.76%, 0.41%

LAB 28.31, 58.08, -73.47

 

CMYK 0 / 60 / 86 / 28

HEX #B84919

RGB 184 73 25

HSL 18.11, 0.76%, 0.41%

LAB 45.67, 42.68, 48.42

 

CMYK 86 / 0 / 60 / 29

HEX #19B649

RGB 25 182 73

HSL 138.34, 0.76%, 0.41%

LAB 65.08, -60.58, 44.09

 

CMYK 86 / 43 / 0 / 28

HEX #1969B8

RGB 25 105 184

HSL 209.81, 0.76%, 0.41%

LAB 43.9, 6.51, -48.15

 

CMYK 0 / 86 / 26 / 28

HEX #B81988

RGB 184 25 136

HSL 318.11, 0.76%, 0.41%

LAB 42.25, 67.38, -21.12

 

CMYK 0 / 43 / 86 / 28

HEX #B86919

RGB 184 105 25

HSL 30.19, 0.76%, 0.41%

LAB 52.25, 26.17, 53.87

 

CMYK 86 / 0 / 60 / 29

HEX #19B649

RGB 25 182 73

HSL 138.34, 0.76%, 0.41%

LAB 65.08, -60.58, 44.09

 

CMYK 86 / 69 / 0 / 28

HEX #1939B8

RGB 25 57 184

HSL 227.92, 0.76%, 0.41%

LAB 30.86, 38.04, -69.34

 

CMYK 0 / 86 / 26 / 28

HEX #B81988

RGB 184 25 136

HSL 318.11, 0.76%, 0.41%

LAB 42.25, 67.38, -21.12

 

CMYK 0 / 17 / 86 / 28

HEX #B89819

RGB 184 152 25

HSL 47.92, 0.76%, 0.41%

LAB 63.93, 0.27, 63.47

 

Description

Color code: HEX #19B649 | qconv.com Color code: HEX #19B649 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 182 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 182 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 60 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 60% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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