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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19B3E5 it is the complementary color #E64C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19B3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19B3E5 shade: #1EB3E0, #2FC5F3, #40D7FF, #51E9FF and #62FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19B3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19B3E5 shade: #19B3E5, #08A1D2, #008FBF, #007DAC and #006B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19B3E5 shade: #19B3E5, #197CE5, #1945E5, #2419E5 and #5B19E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19B3E5 shade: #19B3E5, #197CE5, #1945E5 and #1919E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19B3E5 shade matches the following richer shades: #19B3E5 and #04BEFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19B3E5 shade: #19B3E5, #2EA8D0, #429EBC, #5793A7 and #6C8992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19B3E5 shade: #19E5A8, #19E5DE, #19B5E5, #197FE5 and #1949E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19B3E5 shade: #11799B, #1596C0, #19B3E5, #3EBFE9 and #63CBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19B3E5 shade: #19B3E5, #7119E5 and #E5C319

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19B3E5 shade: #19B3E5, #E519B5 and #B5E519

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19B3E5 shade: #19B3E5, #7119E5, #E54919 and #8DE519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19B3E5 shade: #19B3E5, #AF19E5, #E54919 and #4FE519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

Complementary color

CMYK 0 / 67 / 89 / 10

HEX #E64C1A

RGB 230 76 26

HSL 14.71, 0.8%, 0.5%

LAB 54.1, 57.61, 58.06

 

CMYK 87 / 20 / 0 / 12

HEX #1EB3E0

RGB 30 179 224

HSL 193.92, 0.76%, 0.5%

LAB 67.95, -20.99, -32.87

 

CMYK 81 / 19 / 0 / 5

HEX #2FC5F3

RGB 47 197 243

HSL 194.08, 0.89%, 0.57%

LAB 74.19, -22.65, -33.5

 

CMYK 75 / 16 / 0 / 0

HEX #40D7FF

RGB 64 215 255

HSL 192.57, 1%, 0.63%

LAB 80.13, -26.2, -30.75

 

CMYK 68 / 9 / 0 / 0

HEX #51E9FF

RGB 81 233 255

HSL 187.59, 1%, 0.66%

LAB 85.63, -32.87, -22.32

 

CMYK 62 / 2 / 0 / 0

HEX #62FBFF

RGB 98 251 255

HSL 181.53, 1%, 0.69%

LAB 91.15, -38.77, -13.97

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 96 / 23 / 0 / 18

HEX #08A1D2

RGB 8 161 210

HSL 194.55, 0.93%, 0.43%

LAB 61.82, -17.33, -34.67

 

CMYK 100 / 25 / 0 / 25

HEX #008FBF

RGB 0 143 191

HSL 195.08, 1%, 0.37%

LAB 55.49, -14.63, -33.87

 

CMYK 100 / 27 / 0 / 33

HEX #007DAC

RGB 0 125 172

HSL 196.4, 1%, 0.34%

LAB 49.06, -11.57, -33.01

 

CMYK 100 / 30 / 0 / 40

HEX #006B99

RGB 0 107 153

HSL 198.04, 1%, 0.3%

LAB 42.48, -8.37, -32.18

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 89 / 46 / 0 / 10

HEX #197CE5

RGB 25 124 229

HSL 210.88, 0.8%, 0.5%

LAB 52.15, 12.08, -60.6

 

CMYK 89 / 70 / 0 / 10

HEX #1945E5

RGB 25 69 229

HSL 227.06, 0.8%, 0.5%

LAB 38.06, 46.88, -83.59

 

CMYK 84 / 89 / 0 / 10

HEX #2419E5

RGB 36 25 229

HSL 243.24, 0.8%, 0.5%

LAB 31.18, 68.15, -94.99

 

CMYK 60 / 89 / 0 / 10

HEX #5B19E5

RGB 91 25 229

HSL 259.41, 0.8%, 0.5%

LAB 35.16, 70.85, -88.27

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 89 / 46 / 0 / 10

HEX #197CE5

RGB 25 124 229

HSL 210.88, 0.8%, 0.5%

LAB 52.15, 12.08, -60.6

 

CMYK 89 / 70 / 0 / 10

HEX #1945E5

RGB 25 69 229

HSL 227.06, 0.8%, 0.5%

LAB 38.06, 46.88, -83.59

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 98 / 24 / 0 / 2

HEX #04BEFA

RGB 4 190 250

HSL 194.63, 0.97%, 0.5%

LAB 72.06, -18.77, -40.61

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 78 / 19 / 0 / 18

HEX #2EA8D0

RGB 46 168 208

HSL 194.81, 0.64%, 0.5%

LAB 64.27, -19.31, -29.72

 

CMYK 65 / 16 / 0 / 26

HEX #429EBC

RGB 66 158 188

HSL 194.75, 0.48%, 0.5%

LAB 61, -17.83, -23.56

 

CMYK 48 / 12 / 0 / 35

HEX #5793A7

RGB 87 147 167

HSL 195, 0.31%, 0.5%

LAB 57.74, -13.94, -16.58

 

CMYK 26 / 6 / 0 / 43

HEX #6C8992

RGB 108 137 146

HSL 194.21, 0.15%, 0.5%

LAB 55.23, -8.07, -8.18

 

CMYK 89 / 0 / 27 / 10

HEX #19E5A8

RGB 25 229 168

HSL 162.06, 0.8%, 0.5%

LAB 81.33, -59.49, 17.12

 

CMYK 89 / 0 / 3 / 10

HEX #19E5DE

RGB 25 229 222

HSL 177.94, 0.8%, 0.5%

LAB 82.66, -45.61, -9.46

 

CMYK 89 / 21 / 0 / 10

HEX #19B5E5

RGB 25 181 229

HSL 194.12, 0.8%, 0.5%

LAB 68.69, -20.61, -34.46

 

CMYK 89 / 45 / 0 / 10

HEX #197FE5

RGB 25 127 229

HSL 210, 0.8%, 0.5%

LAB 53, 10.22, -59.25

 

CMYK 89 / 68 / 0 / 10

HEX #1949E5

RGB 25 73 229

HSL 225.88, 0.8%, 0.5%

LAB 38.95, 44.46, -82.12

 

CMYK 89 / 22 / 0 / 39

HEX #11799B

RGB 17 121 155

HSL 194.78, 0.8%, 0.34%

LAB 47.18, -14.83, -26.01

 

CMYK 89 / 22 / 0 / 25

HEX #1596C0

RGB 21 150 192

HSL 194.74, 0.8%, 0.42%

LAB 57.83, -17.24, -30.78

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 73 / 18 / 0 / 9

HEX #3EBFE9

RGB 62 191 233

HSL 194.74, 0.8%, 0.58%

LAB 72.34, -21.29, -30.94

 

CMYK 58 / 14 / 0 / 7

HEX #63CBED

RGB 99 203 237

HSL 194.78, 0.79%, 0.66%

LAB 76.97, -20.53, -25.9

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 51 / 89 / 0 / 10

HEX #7119E5

RGB 113 25 229

HSL 265.88, 0.8%, 0.5%

LAB 37.6, 72.69, -84.15

 

CMYK 0 / 15 / 89 / 10

HEX #E5C319

RGB 229 195 25

HSL 50, 0.8%, 0.5%

LAB 79.48, -2.59, 77.68

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 0 / 89 / 21 / 10

HEX #E519B5

RGB 229 25 181

HSL 314.12, 0.8%, 0.5%

LAB 52.61, 82.07, -31.29

 

CMYK 21 / 0 / 89 / 10

HEX #B5E519

RGB 181 229 25

HSL 74.12, 0.8%, 0.5%

LAB 84.96, -39.09, 80.49

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 51 / 89 / 0 / 10

HEX #7119E5

RGB 113 25 229

HSL 265.88, 0.8%, 0.5%

LAB 37.6, 72.69, -84.15

 

CMYK 0 / 68 / 89 / 10

HEX #E54919

RGB 229 73 25

HSL 14.12, 0.8%, 0.5%

LAB 53.49, 58.44, 57.89

 

CMYK 38 / 0 / 89 / 10

HEX #8DE519

RGB 141 229 25

HSL 85.88, 0.8%, 0.5%

LAB 82.79, -53.71, 77.81

 

CMYK 89 / 22 / 0 / 10

HEX #19B3E5

RGB 25 179 229

HSL 194.71, 0.8%, 0.5%

LAB 68.1, -19.56, -35.38

 

CMYK 24 / 89 / 0 / 10

HEX #AF19E5

RGB 175 25 229

HSL 284.12, 0.8%, 0.5%

LAB 46.27, 80.06, -69.6

 

CMYK 0 / 68 / 89 / 10

HEX #E54919

RGB 229 73 25

HSL 14.12, 0.8%, 0.5%

LAB 53.49, 58.44, 57.89

 

CMYK 66 / 0 / 89 / 10

HEX #4FE519

RGB 79 229 25

HSL 104.12, 0.8%, 0.5%

LAB 80.61, -70.71, 75.11

 

Description

Color code: HEX #19B3E5 | qconv.com Color code: HEX #19B3E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 179 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 179 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 22 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 22% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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