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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19ADDF it is the complementary color #E65220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19ADDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19ADDF shade: #1EADDA, #2FBFED, #40D1FF, #51E3FF and #62F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19ADDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19ADDF shade: #19ADDF, #089BCC, #0089B9, #0077A6 and #006593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19ADDF shade: #19AEE1, #1979E1, #1943E1, #2519E1 and #5B19E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19ADDF shade: #19AEE1, #1979E1, #1943E1 and #1919E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19ADDF shade matches the following richer shades: #19AEE1 and #05B8F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19ADDF shade: #19AEE1, #2DA4CD, #419AB8, #5690A4 and #6A8690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19ADDF shade: #19E1A8, #19E1DE, #19AFE1, #197AE1 and #1944E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19ADDF shade: #117597, #1592BC, #19AEE1, #3ABDE9 and #5FC9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19ADDF shade: #19ADDF, #7319E1 and #E1C319

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19ADDF shade: #19ADDF, #E119AF and #AFE119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19ADDF shade: #19ADDF, #7319E1, #E14B19 and #87E119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19ADDF shade: #19ADDF, #AF19E1, #E14B19 and #4BE119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 22 / 0 / 13

HEX #19ADDF

RGB 25 173 223

HSL 195.15, 0.8%, 0.49%

LAB 66.08, -18.47, -35.23

 

Complementary color

CMYK 0 / 64 / 86 / 10

HEX #E65220

RGB 230 82 32

HSL 15.15, 0.8%, 0.51%

LAB 55.03, 55.29, 56.51

 

CMYK 86 / 21 / 0 / 15

HEX #1EADDA

RGB 30 173 218

HSL 194.36, 0.76%, 0.49%

LAB 65.92, -19.9, -32.71

 

CMYK 80 / 19 / 0 / 7

HEX #2FBFED

RGB 47 191 237

HSL 194.53, 0.84%, 0.56%

LAB 72.22, -21.55, -33.32

 

CMYK 75 / 18 / 0 / 0

HEX #40D1FF

RGB 64 209 255

HSL 194.45, 1%, 0.63%

LAB 78.41, -23.21, -33.4

 

CMYK 68 / 11 / 0 / 0

HEX #51E3FF

RGB 81 227 255

HSL 189.66, 1%, 0.66%

LAB 83.92, -30, -24.92

 

CMYK 62 / 4 / 0 / 0

HEX #62F5FF

RGB 98 245 255

HSL 183.82, 1%, 0.69%

LAB 89.45, -36.01, -16.51

 

CMYK 89 / 22 / 0 / 13

HEX #19ADDF

RGB 25 173 223

HSL 195.15, 0.8%, 0.49%

LAB 66.08, -18.47, -35.23

 

CMYK 96 / 24 / 0 / 20

HEX #089BCC

RGB 8 155 204

HSL 195, 0.92%, 0.42%

LAB 59.76, -16.23, -34.53

 

CMYK 100 / 26 / 0 / 27

HEX #0089B9

RGB 0 137 185

HSL 195.57, 1%, 0.36%

LAB 53.38, -13.5, -33.75

 

CMYK 100 / 28 / 0 / 35

HEX #0077A6

RGB 0 119 166

HSL 196.99, 1%, 0.33%

LAB 46.9, -10.39, -32.9

 

CMYK 100 / 31 / 0 / 42

HEX #006593

RGB 0 101 147

HSL 198.78, 1%, 0.29%

LAB 40.27, -7.13, -32.08

 

CMYK 89 / 23 / 0 / 12

HEX #19AEE1

RGB 25 174 225

HSL 195.3, 0.8%, 0.49%

LAB 66.45, -18.31, -35.74

 

CMYK 89 / 46 / 0 / 12

HEX #1979E1

RGB 25 121 225

HSL 211.2, 0.8%, 0.49%

LAB 51.06, 12.41, -60.12

 

CMYK 89 / 70 / 0 / 12

HEX #1943E1

RGB 25 67 225

HSL 227.4, 0.8%, 0.49%

LAB 37.22, 46.67, -82.69

 

CMYK 84 / 89 / 0 / 12

HEX #2519E1

RGB 37 25 225

HSL 243.6, 0.8%, 0.49%

LAB 30.7, 67.1, -93.5

 

CMYK 60 / 89 / 0 / 12

HEX #5B19E1

RGB 91 25 225

HSL 259.8, 0.8%, 0.49%

LAB 34.71, 69.88, -86.71

 

CMYK 89 / 23 / 0 / 12

HEX #19AEE1

RGB 25 174 225

HSL 195.3, 0.8%, 0.49%

LAB 66.45, -18.31, -35.74

 

CMYK 89 / 46 / 0 / 12

HEX #1979E1

RGB 25 121 225

HSL 211.2, 0.8%, 0.49%

LAB 51.06, 12.41, -60.12

 

CMYK 89 / 70 / 0 / 12

HEX #1943E1

RGB 25 67 225

HSL 227.4, 0.8%, 0.49%

LAB 37.22, 46.67, -82.69

 

CMYK 89 / 89 / 0 / 12

HEX #1919E1

RGB 25 25 225

HSL 240, 0.8%, 0.49%

LAB 30.25, 66.82, -94.26

 

CMYK 89 / 23 / 0 / 12

HEX #19AEE1

RGB 25 174 225

HSL 195.3, 0.8%, 0.49%

LAB 66.45, -18.31, -35.74

 

CMYK 98 / 25 / 0 / 4

HEX #05B8F5

RGB 5 184 245

HSL 195.25, 0.96%, 0.49%

LAB 70.11, -17.33, -40.96

 

CMYK 89 / 23 / 0 / 12

HEX #19AEE1

RGB 25 174 225

HSL 195.3, 0.8%, 0.49%

LAB 66.45, -18.31, -35.74

 

CMYK 78 / 20 / 0 / 20

HEX #2DA4CD

RGB 45 164 205

HSL 195.38, 0.64%, 0.49%

LAB 62.94, -18.3, -30.11

 

CMYK 65 / 16 / 0 / 28

HEX #419AB8

RGB 65 154 184

HSL 195.13, 0.48%, 0.49%

LAB 59.61, -17.13, -23.43

 

CMYK 48 / 12 / 0 / 36

HEX #5690A4

RGB 86 144 164

HSL 195.38, 0.31%, 0.49%

LAB 56.69, -13.4, -16.46

 

CMYK 26 / 7 / 0 / 44

HEX #6A8690

RGB 106 134 144

HSL 195.79, 0.15%, 0.49%

LAB 54.16, -7.51, -8.63

 

CMYK 89 / 0 / 25 / 12

HEX #19E1A8

RGB 25 225 168

HSL 162.9, 0.8%, 0.49%

LAB 80.11, -57.98, 15.41

 

CMYK 89 / 0 / 1 / 12

HEX #19E1DE

RGB 25 225 222

HSL 179.1, 0.8%, 0.49%

LAB 81.47, -43.86, -11.22

 

CMYK 89 / 22 / 0 / 12

HEX #19AFE1

RGB 25 175 225

HSL 195, 0.8%, 0.49%

LAB 66.75, -18.84, -35.28

 

CMYK 89 / 46 / 0 / 12

HEX #197AE1

RGB 25 122 225

HSL 210.9, 0.8%, 0.49%

LAB 51.34, 11.78, -59.67

 

CMYK 89 / 70 / 0 / 12

HEX #1944E1

RGB 25 68 225

HSL 227.1, 0.8%, 0.49%

LAB 37.44, 46.07, -82.33

 

CMYK 89 / 23 / 0 / 41

HEX #117597

RGB 17 117 151

HSL 195.22, 0.8%, 0.33%

LAB 45.74, -14.04, -25.9

 

CMYK 89 / 22 / 0 / 26

HEX #1592BC

RGB 21 146 188

HSL 195.09, 0.8%, 0.41%

LAB 56.43, -16.49, -30.68

 

CMYK 89 / 23 / 0 / 12

HEX #19AEE1

RGB 25 174 225

HSL 195.3, 0.8%, 0.49%

LAB 66.45, -18.31, -35.74

 

CMYK 75 / 19 / 0 / 9

HEX #3ABDE9

RGB 58 189 233

HSL 195.09, 0.8%, 0.57%

LAB 71.68, -20.73, -31.97

 

CMYK 60 / 15 / 0 / 7

HEX #5FC9ED

RGB 95 201 237

HSL 195.21, 0.8%, 0.65%

LAB 76.27, -20.24, -26.99

 

CMYK 89 / 22 / 0 / 13

HEX #19ADDF

RGB 25 173 223

HSL 195.15, 0.8%, 0.49%

LAB 66.08, -18.47, -35.23

 

CMYK 49 / 89 / 0 / 12

HEX #7319E1

RGB 115 25 225

HSL 267, 0.8%, 0.49%

LAB 37.44, 71.98, -82.12

 

CMYK 0 / 13 / 89 / 12

HEX #E1C319

RGB 225 195 25

HSL 51, 0.8%, 0.49%

LAB 79.1, -4.31, 77.23

 

CMYK 89 / 22 / 0 / 13

HEX #19ADDF

RGB 25 173 223

HSL 195.15, 0.8%, 0.49%

LAB 66.08, -18.47, -35.23

 

CMYK 0 / 89 / 22 / 12

HEX #E119AF

RGB 225 25 175

HSL 315, 0.8%, 0.49%

LAB 51.61, 80.57, -29.39

 

CMYK 22 / 0 / 89 / 12

HEX #AFE119

RGB 175 225 25

HSL 75, 0.8%, 0.49%

LAB 83.46, -39.65, 79.11

 

CMYK 89 / 22 / 0 / 13

HEX #19ADDF

RGB 25 173 223

HSL 195.15, 0.8%, 0.49%

LAB 66.08, -18.47, -35.23

 

CMYK 49 / 89 / 0 / 12

HEX #7319E1

RGB 115 25 225

HSL 267, 0.8%, 0.49%

LAB 37.44, 71.98, -82.12

 

CMYK 0 / 67 / 89 / 12

HEX #E14B19

RGB 225 75 25

HSL 15, 0.8%, 0.49%

LAB 53.07, 56.33, 57.26

 

CMYK 40 / 0 / 89 / 12

HEX #87E119

RGB 135 225 25

HSL 87, 0.8%, 0.49%

LAB 81.33, -54.14, 76.49

 

CMYK 89 / 22 / 0 / 13

HEX #19ADDF

RGB 25 173 223

HSL 195.15, 0.8%, 0.49%

LAB 66.08, -18.47, -35.23

 

CMYK 22 / 89 / 0 / 12

HEX #AF19E1

RGB 175 25 225

HSL 285, 0.8%, 0.49%

LAB 45.97, 79.34, -67.81

 

CMYK 0 / 67 / 89 / 12

HEX #E14B19

RGB 225 75 25

HSL 15, 0.8%, 0.49%

LAB 53.07, 56.33, 57.26

 

CMYK 67 / 0 / 89 / 12

HEX #4BE119

RGB 75 225 25

HSL 105, 0.8%, 0.49%

LAB 79.28, -70.25, 73.94

 

Description

Color code: HEX #19ADDF | qconv.com Color code: HEX #19ADDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 173 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 173 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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