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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19ABC5 it is the complementary color #E6543A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19ABC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19ABC5 shade: #1EABC0, #2FBDD3, #40CFE6, #51E1F9 and #62F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19ABC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19ABC5 shade: #19ABC5, #0899B2, #00879F, #00758C and #006379

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19ABC5 shade: #1AACC7, #1A7EC7, #1A4FC7, #1A21C7 and #421AC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19ABC5 shade: #1AACC7, #1A7EC7, #1A4FC7, #1A21C7 and #1A1AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19ABC5 shade matches the following richer shades: #1AACC7 and #08B9D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19ABC5 shade: #1AACC7, #2CA0B4, #3E93A2, #508690 and #627A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19ABC5 shade: #1AC784, #1AC7B2, #1AADC7, #1A7FC7 and #1A51C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19ABC5 shade: #106D7E, #158DA2, #1AACC7, #27C6E3 and #4BD0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19ABC5 shade: #19ABC5, #561AC7 and #C79B1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19ABC5 shade: #19ABC5, #C71AAD and #ADC71A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19ABC5 shade: #19ABC5, #561AC7, #C7341A and #8AC71A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19ABC5 shade: #19ABC5, #8A1AC7, #C7341A and #56C71A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 13 / 0 / 23

HEX #19ABC5

RGB 25 171 197

HSL 189.07, 0.77%, 0.44%

LAB 64.45, -26.25, -23.36

 

Complementary color

CMYK 0 / 63 / 75 / 10

HEX #E6543A

RGB 230 84 58

HSL 9.07, 0.77%, 0.56%

LAB 55.55, 55.24, 44.78

 

CMYK 84 / 11 / 0 / 25

HEX #1EABC0

RGB 30 171 192

HSL 187.78, 0.73%, 0.44%

LAB 64.33, -27.55, -20.77

 

CMYK 78 / 10 / 0 / 17

HEX #2FBDD3

RGB 47 189 211

HSL 188.05, 0.65%, 0.51%

LAB 70.67, -28.91, -21.56

 

CMYK 72 / 10 / 0 / 10

HEX #40CFE6

RGB 64 207 230

HSL 188.31, 0.77%, 0.58%

LAB 76.94, -29.97, -22.28

 

CMYK 67 / 10 / 0 / 2

HEX #51E1F9

RGB 81 225 249

HSL 188.57, 0.93%, 0.65%

LAB 83.15, -30.8, -22.93

 

CMYK 62 / 5 / 0 / 0

HEX #62F3FF

RGB 98 243 255

HSL 184.59, 1%, 0.69%

LAB 88.88, -35.08, -17.37

 

CMYK 87 / 13 / 0 / 23

HEX #19ABC5

RGB 25 171 197

HSL 189.07, 0.77%, 0.44%

LAB 64.45, -26.25, -23.36

 

CMYK 96 / 14 / 0 / 30

HEX #0899B2

RGB 8 153 178

HSL 188.82, 0.91%, 0.36%

LAB 58.08, -24.29, -22.47

 

CMYK 100 / 15 / 0 / 38

HEX #00879F

RGB 0 135 159

HSL 189.06, 1%, 0.31%

LAB 51.65, -21.84, -21.46

 

CMYK 100 / 16 / 0 / 45

HEX #00758C

RGB 0 117 140

HSL 189.86, 1%, 0.27%

LAB 45.1, -19.02, -20.37

 

CMYK 100 / 18 / 0 / 53

HEX #006379

RGB 0 99 121

HSL 190.91, 1%, 0.24%

LAB 38.38, -16.08, -19.28

 

CMYK 87 / 14 / 0 / 22

HEX #1AACC7

RGB 26 172 199

HSL 189.36, 0.77%, 0.44%

LAB 64.84, -26.03, -23.87

 

CMYK 87 / 37 / 0 / 22

HEX #1A7EC7

RGB 26 126 199

HSL 205.32, 0.77%, 0.44%

LAB 51, -0.61, -45.48

 

CMYK 87 / 60 / 0 / 22

HEX #1A4FC7

RGB 26 79 199

HSL 221.62, 0.77%, 0.44%

LAB 37.73, 29.5, -66.88

 

CMYK 87 / 83 / 0 / 22

HEX #1A21C7

RGB 26 33 199

HSL 237.57, 0.77%, 0.44%

LAB 27.93, 56.36, -83.05

 

CMYK 67 / 87 / 0 / 22

HEX #421AC7

RGB 66 26 199

HSL 253.87, 0.77%, 0.44%

LAB 29.46, 61.15, -80.42

 

CMYK 87 / 14 / 0 / 22

HEX #1AACC7

RGB 26 172 199

HSL 189.36, 0.77%, 0.44%

LAB 64.84, -26.03, -23.87

 

CMYK 87 / 37 / 0 / 22

HEX #1A7EC7

RGB 26 126 199

HSL 205.32, 0.77%, 0.44%

LAB 51, -0.61, -45.48

 

CMYK 87 / 60 / 0 / 22

HEX #1A4FC7

RGB 26 79 199

HSL 221.62, 0.77%, 0.44%

LAB 37.73, 29.5, -66.88

 

CMYK 87 / 83 / 0 / 22

HEX #1A21C7

RGB 26 33 199

HSL 237.57, 0.77%, 0.44%

LAB 27.93, 56.36, -83.05

 

CMYK 87 / 87 / 0 / 22

HEX #1A1AC7

RGB 26 26 199

HSL 240, 0.77%, 0.44%

LAB 26.97, 59.23, -84.65

 

CMYK 87 / 14 / 0 / 22

HEX #1AACC7

RGB 26 172 199

HSL 189.36, 0.77%, 0.44%

LAB 64.84, -26.03, -23.87

 

CMYK 96 / 15 / 0 / 15

HEX #08B9D9

RGB 8 185 217

HSL 189.19, 0.93%, 0.44%

LAB 69.3, -27.33, -26.97

 

CMYK 87 / 14 / 0 / 22

HEX #1AACC7

RGB 26 172 199

HSL 189.36, 0.77%, 0.44%

LAB 64.84, -26.03, -23.87

 

CMYK 76 / 11 / 0 / 29

HEX #2CA0B4

RGB 44 160 180

HSL 188.82, 0.61%, 0.44%

LAB 60.76, -24.56, -19.47

 

CMYK 62 / 9 / 0 / 36

HEX #3E93A2

RGB 62 147 162

HSL 189, 0.45%, 0.44%

LAB 56.59, -20.81, -15.56

 

CMYK 44 / 7 / 0 / 44

HEX #508690

RGB 80 134 144

HSL 189.38, 0.29%, 0.44%

LAB 52.7, -15.13, -10.98

 

CMYK 22 / 3 / 0 / 51

HEX #627A7E

RGB 98 122 126

HSL 188.57, 0.13%, 0.44%

LAB 49.52, -7.72, -5.07

 

CMYK 87 / 0 / 34 / 22

HEX #1AC784

RGB 26 199 132

HSL 156.76, 0.77%, 0.44%

LAB 71.37, -56.19, 22.32

 

CMYK 87 / 0 / 11 / 22

HEX #1AC7B2

RGB 26 199 178

HSL 172.72, 0.77%, 0.44%

LAB 72.42, -44.94, -0.97

 

CMYK 87 / 13 / 0 / 22

HEX #1AADC7

RGB 26 173 199

HSL 189.02, 0.77%, 0.44%

LAB 65.14, -26.53, -23.41

 

CMYK 87 / 36 / 0 / 22

HEX #1A7FC7

RGB 26 127 199

HSL 204.97, 0.77%, 0.44%

LAB 51.29, -1.21, -45.01

 

CMYK 87 / 59 / 0 / 22

HEX #1A51C7

RGB 26 81 199

HSL 220.92, 0.77%, 0.44%

LAB 38.25, 28.18, -66.02

 

CMYK 87 / 13 / 0 / 51

HEX #106D7E

RGB 16 109 126

HSL 189.27, 0.77%, 0.28%

LAB 42.08, -18.74, -16.62

 

CMYK 87 / 13 / 0 / 36

HEX #158DA2

RGB 21 141 162

HSL 188.94, 0.77%, 0.36%

LAB 53.83, -22.9, -19.83

 

CMYK 87 / 14 / 0 / 22

HEX #1AACC7

RGB 26 172 199

HSL 189.36, 0.77%, 0.44%

LAB 64.84, -26.03, -23.87

 

CMYK 83 / 13 / 0 / 11

HEX #27C6E3

RGB 39 198 227

HSL 189.26, 0.77%, 0.52%

LAB 73.78, -28.97, -25.51

 

CMYK 68 / 10 / 0 / 9

HEX #4BD0E8

RGB 75 208 232

HSL 189.17, 0.77%, 0.6%

LAB 77.54, -28.42, -22.41

 

CMYK 87 / 13 / 0 / 23

HEX #19ABC5

RGB 25 171 197

HSL 189.07, 0.77%, 0.44%

LAB 64.45, -26.25, -23.36

 

CMYK 57 / 87 / 0 / 22

HEX #561AC7

RGB 86 26 199

HSL 260.81, 0.77%, 0.44%

LAB 31.44, 62.77, -77.09

 

CMYK 0 / 22 / 87 / 22

HEX #C79B1A

RGB 199 155 26

HSL 44.74, 0.77%, 0.44%

LAB 66.26, 5.38, 65.76

 

CMYK 87 / 13 / 0 / 23

HEX #19ABC5

RGB 25 171 197

HSL 189.07, 0.77%, 0.44%

LAB 64.45, -26.25, -23.36

 

CMYK 0 / 87 / 13 / 22

HEX #C71AAD

RGB 199 26 173

HSL 309.02, 0.77%, 0.44%

LAB 46.84, 75.02, -36.01

 

CMYK 13 / 0 / 87 / 22

HEX #ADC71A

RGB 173 199 26

HSL 69.02, 0.77%, 0.44%

LAB 75.95, -28.5, 72.74

 

CMYK 87 / 13 / 0 / 23

HEX #19ABC5

RGB 25 171 197

HSL 189.07, 0.77%, 0.44%

LAB 64.45, -26.25, -23.36

 

CMYK 57 / 87 / 0 / 22

HEX #561AC7

RGB 86 26 199

HSL 260.81, 0.77%, 0.44%

LAB 31.44, 62.77, -77.09

 

CMYK 0 / 74 / 87 / 22

HEX #C7341A

RGB 199 52 26

HSL 9.02, 0.77%, 0.44%

LAB 45.18, 56.5, 48.69

 

CMYK 31 / 0 / 87 / 22

HEX #8AC71A

RGB 138 199 26

HSL 81.16, 0.77%, 0.44%

LAB 73.76, -42.37, 70.02

 

CMYK 87 / 13 / 0 / 23

HEX #19ABC5

RGB 25 171 197

HSL 189.07, 0.77%, 0.44%

LAB 64.45, -26.25, -23.36

 

CMYK 31 / 87 / 0 / 22

HEX #8A1AC7

RGB 138 26 199

HSL 278.84, 0.77%, 0.44%

LAB 38.31, 68.92, -65.54

 

CMYK 0 / 74 / 87 / 22

HEX #C7341A

RGB 199 52 26

HSL 9.02, 0.77%, 0.44%

LAB 45.18, 56.5, 48.69

 

CMYK 57 / 0 / 87 / 22

HEX #56C71A

RGB 86 199 26

HSL 99.19, 0.77%, 0.44%

LAB 71.49, -59.12, 67.18

 

Description

Color code: HEX #19ABC5 | qconv.com Color code: HEX #19ABC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 171 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 171 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 13 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 13% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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