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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19A937 it is the complementary color #E656C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19A937. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19A937 shade: #1EA932, #2FBB45, #40CD58, #51DF6B and #62F17E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19A937. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19A937 shade: #19A937, #089724, #008511, #007300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19A937 shade: #19A937, #22A919, #49A919, #6FA919 and #96A919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19A937 shade: #19A937, #19A95E, #19A984, #19A6A9 and #197FA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19A937 shade matches the following richer shades: #19A937 and #0AB82E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19A937 shade: #19A937, #299940, #398949, #487A53 and #586A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19A937 shade: #49A919, #23A919, #19A936, #19A95C and #19A982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19A937 shade: #0E6120, #14852B, #19A937, #1FCD43 and #34E158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19A937 shade: #19A937, #196FA9 and #A91936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19A937 shade: #19A937, #3619A9 and #A93619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19A937 shade: #19A937, #196FA9, #A9198C and #A95319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19A937 shade: #19A937, #1944A9, #A9198C and #A97E19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

Complementary color

CMYK 0 / 63 / 13 / 10

HEX #E656C8

RGB 230 86 200

HSL 312.5, 0.74%, 0.62%

LAB 59.57, 67.93, -31.4

 

CMYK 82 / 0 / 70 / 34

HEX #1EA932

RGB 30 169 50

HSL 128.63, 0.7%, 0.39%

LAB 60.68, -58.52, 49.19

 

CMYK 75 / 0 / 63 / 27

HEX #2FBB45

RGB 47 187 69

HSL 129.43, 0.6%, 0.46%

LAB 66.96, -60.09, 48.12

 

CMYK 69 / 0 / 57 / 20

HEX #40CD58

RGB 64 205 88

HSL 130.21, 0.59%, 0.53%

LAB 73.19, -61.1, 46.83

 

CMYK 64 / 0 / 52 / 13

HEX #51DF6B

RGB 81 223 107

HSL 130.99, 0.69%, 0.6%

LAB 79.38, -61.71, 45.45

 

CMYK 59 / 0 / 48 / 5

HEX #62F17E

RGB 98 241 126

HSL 131.75, 0.84%, 0.66%

LAB 85.51, -62.05, 44.08

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 95 / 0 / 76 / 41

HEX #089724

RGB 8 151 36

HSL 131.75, 0.9%, 0.31%

LAB 54.36, -56.07, 47.96

 

CMYK 100 / 0 / 87 / 48

HEX #008511

RGB 0 133 17

HSL 127.67, 1%, 0.26%

LAB 48.03, -52.48, 47.85

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 80 / 0 / 85 / 34

HEX #22A919

RGB 34 169 25

HSL 116.25, 0.74%, 0.38%

LAB 60.59, -59.8, 57.31

 

CMYK 57 / 0 / 85 / 34

HEX #49A919

RGB 73 169 25

HSL 100, 0.74%, 0.38%

LAB 61.54, -51.88, 58.51

 

CMYK 34 / 0 / 85 / 34

HEX #6FA919

RGB 111 169 25

HSL 84.17, 0.74%, 0.38%

LAB 63.2, -39.49, 60.61

 

CMYK 11 / 0 / 85 / 34

HEX #96A919

RGB 150 169 25

HSL 67.92, 0.74%, 0.38%

LAB 65.69, -23.69, 63.74

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 85 / 0 / 44 / 34

HEX #19A95E

RGB 25 169 94

HSL 148.75, 0.74%, 0.38%

LAB 61.12, -52.9, 28.8

 

CMYK 85 / 0 / 22 / 34

HEX #19A984

RGB 25 169 132

HSL 164.58, 0.74%, 0.38%

LAB 61.87, -44.55, 9.1

 

CMYK 85 / 2 / 0 / 34

HEX #19A6A9

RGB 25 166 169

HSL 181.25, 0.74%, 0.38%

LAB 61.95, -32.77, -11.51

 

CMYK 85 / 25 / 0 / 34

HEX #197FA9

RGB 25 127 169

HSL 197.5, 0.74%, 0.38%

LAB 49.8, -12.5, -30.1

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 95 / 0 / 75 / 28

HEX #0AB82E

RGB 10 184 46

HSL 132.41, 0.9%, 0.38%

LAB 65.39, -64.98, 55.47

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 73 / 0 / 58 / 40

HEX #299940

RGB 41 153 64

HSL 132.32, 0.58%, 0.38%

LAB 55.71, -49.96, 37.45

 

CMYK 58 / 0 / 47 / 46

HEX #398949

RGB 57 137 73

HSL 132, 0.41%, 0.38%

LAB 50.97, -38.98, 27.09

 

CMYK 41 / 0 / 32 / 52

HEX #487A53

RGB 72 122 83

HSL 133.2, 0.26%, 0.38%

LAB 46.87, -25.91, 16.2

 

CMYK 17 / 0 / 13 / 58

HEX #586A5C

RGB 88 106 92

HSL 133.33, 0.09%, 0.38%

LAB 43, -9.82, 5.62

 

CMYK 57 / 0 / 85 / 34

HEX #49A919

RGB 73 169 25

HSL 100, 0.74%, 0.38%

LAB 61.54, -51.88, 58.51

 

CMYK 79 / 0 / 85 / 34

HEX #23A919

RGB 35 169 25

HSL 115.83, 0.74%, 0.38%

LAB 60.61, -59.67, 57.33

 

CMYK 85 / 0 / 68 / 34

HEX #19A936

RGB 25 169 54

HSL 132.08, 0.74%, 0.38%

LAB 60.65, -58.66, 47.51

 

CMYK 85 / 0 / 46 / 34

HEX #19A95C

RGB 25 169 92

HSL 147.92, 0.74%, 0.38%

LAB 61.09, -53.26, 29.81

 

CMYK 85 / 0 / 23 / 34

HEX #19A982

RGB 25 169 130

HSL 163.75, 0.74%, 0.38%

LAB 61.82, -45.06, 10.15

 

CMYK 86 / 0 / 67 / 62

HEX #0E6120

RGB 14 97 32

HSL 133.01, 0.75%, 0.22%

LAB 35.49, -38.21, 29.7

 

CMYK 85 / 0 / 68 / 48

HEX #14852B

RGB 20 133 43

HSL 132.21, 0.74%, 0.3%

LAB 48.38, -48.68, 38.89

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 85 / 0 / 67 / 20

HEX #1FCD43

RGB 31 205 67

HSL 132.41, 0.74%, 0.46%

LAB 72.47, -67.91, 54.97

 

CMYK 77 / 0 / 61 / 12

HEX #34E158

RGB 52 225 88

HSL 132.49, 0.74%, 0.54%

LAB 79.21, -69.55, 53.74

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 85 / 34 / 0 / 34

HEX #196FA9

RGB 25 111 169

HSL 204.17, 0.74%, 0.38%

LAB 44.86, -3.08, -37.86

 

CMYK 0 / 85 / 68 / 34

HEX #A91936

RGB 169 25 54

HSL 347.92, 0.74%, 0.38%

LAB 36.74, 56.46, 22.36

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 68 / 85 / 0 / 34

HEX #3619A9

RGB 54 25 169

HSL 252.08, 0.74%, 0.38%

LAB 24.78, 52.39, -70.38

 

CMYK 0 / 68 / 85 / 34

HEX #A93619

RGB 169 54 25

HSL 12.08, 0.74%, 0.38%

LAB 39.82, 45.76, 42.36

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 85 / 34 / 0 / 34

HEX #196FA9

RGB 25 111 169

HSL 204.17, 0.74%, 0.38%

LAB 44.86, -3.08, -37.86

 

CMYK 0 / 85 / 17 / 34

HEX #A9198C

RGB 169 25 140

HSL 312.08, 0.74%, 0.38%

LAB 39.62, 64.64, -27.88

 

CMYK 0 / 51 / 85 / 34

HEX #A95319

RGB 169 83 25

HSL 24.17, 0.74%, 0.38%

LAB 45.21, 31.72, 47.06

 

CMYK 85 / 0 / 67 / 34

HEX #19A937

RGB 25 169 55

HSL 132.5, 0.74%, 0.38%

LAB 60.66, -58.55, 47.1

 

CMYK 85 / 60 / 0 / 34

HEX #1944A9

RGB 25 68 169

HSL 222.08, 0.74%, 0.38%

LAB 32.27, 25.03, -58.1

 

CMYK 0 / 85 / 17 / 34

HEX #A9198C

RGB 169 25 140

HSL 312.08, 0.74%, 0.38%

LAB 39.62, 64.64, -27.88

 

CMYK 0 / 25 / 85 / 34

HEX #A97E19

RGB 169 126 25

HSL 42.08, 0.74%, 0.38%

LAB 55.51, 7.79, 55.84

 

Description

Color code: HEX #19A937 | qconv.com Color code: HEX #19A937 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 169 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 169 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 67 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 67% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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