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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199D7B it is the complementary color #E66284. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199D7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199D7B shade: #1E9D76, #2FAF89, #40C19C, #51D3AF and #62E5C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199D7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199D7B shade: #199D7B, #088B68, #007955, #006742 and #00552F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199D7B shade: #199F7C, #199F58, #199F34, #229F19 and #469F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199D7B shade: #199F7C, #199D9F, #19799F, #19559F and #19319F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199D7B shade matches the following richer shades: #199F7C and #0AAE84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199D7B shade: #199F7C, #289075, #36816E, #457267 and #54635F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199D7B shade: #199F34, #199F57, #199F7B, #199F9F and #197B9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199D7B shade: #0E5744, #137B60, #199F7C, #1EC398 and #2CDEB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199D7B shade: #199D7B, #19229F and #9F4519

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199D7B shade: #199D7B, #7B199F and #9F7B19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199D7B shade: #199D7B, #19229F, #9F193D and #9F9619

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199D7B shade: #199D7B, #38199F, #9F193D and #809F19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 22 / 38

HEX #199D7B

RGB 25 157 123

HSL 164.55, 0.73%, 0.36%

LAB 57.8, -41.83, 8.36

 

Complementary color

CMYK 0 / 57 / 43 / 10

HEX #E66284

RGB 230 98 132

HSL 344.55, 0.73%, 0.64%

LAB 59.18, 54.24, 7.29

 

CMYK 81 / 0 / 25 / 38

HEX #1E9D76

RGB 30 157 118

HSL 161.57, 0.68%, 0.37%

LAB 57.75, -42.6, 11.12

 

CMYK 73 / 0 / 22 / 31

HEX #2FAF89

RGB 47 175 137

HSL 162.19, 0.58%, 0.44%

LAB 64.22, -43.41, 9.71

 

CMYK 67 / 0 / 19 / 24

HEX #40C19C

RGB 64 193 156

HSL 162.79, 0.51%, 0.5%

LAB 70.62, -43.91, 8.46

 

CMYK 62 / 0 / 17 / 17

HEX #51D3AF

RGB 81 211 175

HSL 163.38, 0.6%, 0.57%

LAB 76.94, -44.2, 7.32

 

CMYK 57 / 0 / 15 / 10

HEX #62E5C2

RGB 98 229 194

HSL 163.97, 0.72%, 0.64%

LAB 83.19, -44.34, 6.28

 

CMYK 84 / 0 / 22 / 38

HEX #199D7B

RGB 25 157 123

HSL 164.55, 0.73%, 0.36%

LAB 57.8, -41.83, 8.36

 

CMYK 94 / 0 / 25 / 45

HEX #088B68

RGB 8 139 104

HSL 163.97, 0.89%, 0.29%

LAB 51.29, -40.37, 9.94

 

CMYK 100 / 0 / 30 / 53

HEX #007955

RGB 0 121 85

HSL 162.15, 1%, 0.24%

LAB 44.7, -38.26, 11.76

 

CMYK 100 / 0 / 36 / 60

HEX #006742

RGB 0 103 66

HSL 158.45, 1%, 0.2%

LAB 38.01, -35.57, 13.79

 

CMYK 100 / 0 / 45 / 67

HEX #00552F

RGB 0 85 47

HSL 153.18, 1%, 0.17%

LAB 31.12, -32.71, 15.97

 

CMYK 84 / 0 / 22 / 38

HEX #199F7C

RGB 25 159 124

HSL 164.33, 0.73%, 0.36%

LAB 58.47, -42.42, 8.75

 

CMYK 84 / 0 / 45 / 38

HEX #199F58

RGB 25 159 88

HSL 148.21, 0.73%, 0.36%

LAB 57.76, -50.39, 27.62

 

CMYK 84 / 0 / 67 / 38

HEX #199F34

RGB 25 159 52

HSL 132.09, 0.73%, 0.36%

LAB 57.32, -55.68, 44.74

 

CMYK 79 / 0 / 84 / 38

HEX #229F19

RGB 34 159 25

HSL 115.97, 0.73%, 0.36%

LAB 57.28, -56.7, 54.3

 

CMYK 56 / 0 / 84 / 38

HEX #469F19

RGB 70 159 25

HSL 99.85, 0.73%, 0.36%

LAB 58.2, -49.02, 55.48

 

CMYK 84 / 0 / 22 / 38

HEX #199F7C

RGB 25 159 124

HSL 164.33, 0.73%, 0.36%

LAB 58.47, -42.42, 8.75

 

CMYK 84 / 1 / 0 / 38

HEX #199D9F

RGB 25 157 159

HSL 180.9, 0.73%, 0.36%

LAB 58.81, -31.57, -10.57

 

CMYK 84 / 24 / 0 / 38

HEX #19799F

RGB 25 121 159

HSL 197.01, 0.73%, 0.36%

LAB 47.48, -12.75, -27.89

 

CMYK 84 / 47 / 0 / 38

HEX #19559F

RGB 25 85 159

HSL 213.13, 0.73%, 0.36%

LAB 36.38, 9.54, -45.45

 

CMYK 84 / 69 / 0 / 38

HEX #19319F

RGB 25 49 159

HSL 229.25, 0.73%, 0.36%

LAB 26.47, 33.84, -61.58

 

CMYK 84 / 0 / 22 / 38

HEX #199F7C

RGB 25 159 124

HSL 164.33, 0.73%, 0.36%

LAB 58.47, -42.42, 8.75

 

CMYK 94 / 0 / 24 / 32

HEX #0AAE84

RGB 10 174 132

HSL 164.63, 0.89%, 0.36%

LAB 63.35, -47.48, 11.18

 

CMYK 84 / 0 / 22 / 38

HEX #199F7C

RGB 25 159 124

HSL 164.33, 0.73%, 0.36%

LAB 58.47, -42.42, 8.75

 

CMYK 72 / 0 / 19 / 44

HEX #289075

RGB 40 144 117

HSL 164.42, 0.57%, 0.36%

LAB 53.69, -35.95, 5.95

 

CMYK 58 / 0 / 15 / 49

HEX #36816E

RGB 54 129 110

HSL 164.8, 0.41%, 0.36%

LAB 49.02, -28.14, 3.35

 

CMYK 39 / 0 / 10 / 55

HEX #457267

RGB 69 114 103

HSL 165.33, 0.25%, 0.36%

LAB 44.63, -18.27, 1.21

 

CMYK 15 / 0 / 4 / 61

HEX #54635F

RGB 84 99 95

HSL 164, 0.08%, 0.36%

LAB 40.63, -6.61, 0.34

 

CMYK 84 / 0 / 67 / 38

HEX #199F34

RGB 25 159 52

HSL 132.09, 0.73%, 0.36%

LAB 57.32, -55.68, 44.74

 

CMYK 84 / 0 / 45 / 38

HEX #199F57

RGB 25 159 87

HSL 147.76, 0.73%, 0.36%

LAB 57.74, -50.57, 28.13

 

CMYK 84 / 0 / 23 / 38

HEX #199F7B

RGB 25 159 123

HSL 163.88, 0.73%, 0.36%

LAB 58.45, -42.67, 9.28

 

CMYK 84 / 0 / 0 / 38

HEX #199F9F

RGB 25 159 159

HSL 180, 0.73%, 0.36%

LAB 59.44, -32.53, -9.63

 

CMYK 84 / 23 / 0 / 38

HEX #197B9F

RGB 25 123 159

HSL 196.12, 0.73%, 0.36%

LAB 48.1, -13.88, -26.92

 

CMYK 84 / 0 / 22 / 66

HEX #0E5744

RGB 14 87 68

HSL 164.38, 0.72%, 0.2%

LAB 32.54, -26.58, 4.97

 

CMYK 85 / 0 / 22 / 52

HEX #137B60

RGB 19 123 96

HSL 164.42, 0.73%, 0.28%

LAB 45.84, -34.8, 6.91

 

CMYK 84 / 0 / 22 / 38

HEX #199F7C

RGB 25 159 124

HSL 164.33, 0.73%, 0.36%

LAB 58.47, -42.42, 8.75

 

CMYK 85 / 0 / 22 / 24

HEX #1EC398

RGB 30 195 152

HSL 164.36, 0.73%, 0.44%

LAB 70.58, -49.77, 10.49

 

CMYK 80 / 0 / 21 / 13

HEX #2CDEB0

RGB 44 222 176

HSL 164.49, 0.73%, 0.52%

LAB 79.56, -53.54, 10.44

 

CMYK 84 / 0 / 22 / 38

HEX #199D7B

RGB 25 157 123

HSL 164.55, 0.73%, 0.36%

LAB 57.8, -41.83, 8.36

 

CMYK 84 / 79 / 0 / 38

HEX #19229F

RGB 25 34 159

HSL 235.97, 0.73%, 0.36%

LAB 23.18, 42.97, -67.01

 

CMYK 0 / 57 / 84 / 38

HEX #9F4519

RGB 159 69 25

HSL 19.7, 0.73%, 0.36%

LAB 40.73, 34.96, 42.51

 

CMYK 84 / 0 / 22 / 38

HEX #199D7B

RGB 25 157 123

HSL 164.55, 0.73%, 0.36%

LAB 57.8, -41.83, 8.36

 

CMYK 23 / 84 / 0 / 38

HEX #7B199F

RGB 123 25 159

HSL 283.88, 0.73%, 0.36%

LAB 32.72, 58.83, -50.95

 

CMYK 0 / 23 / 84 / 38

HEX #9F7B19

RGB 159 123 25

HSL 43.88, 0.73%, 0.36%

LAB 53.61, 4.89, 53.78

 

CMYK 84 / 0 / 22 / 38

HEX #199D7B

RGB 25 157 123

HSL 164.55, 0.73%, 0.36%

LAB 57.8, -41.83, 8.36

 

CMYK 84 / 79 / 0 / 38

HEX #19229F

RGB 25 34 159

HSL 235.97, 0.73%, 0.36%

LAB 23.18, 42.97, -67.01

 

CMYK 0 / 84 / 62 / 38

HEX #9F193D

RGB 159 25 61

HSL 343.88, 0.73%, 0.36%

LAB 34.81, 54.1, 14.94

 

CMYK 0 / 6 / 84 / 38

HEX #9F9619

RGB 159 150 25

HSL 55.97, 0.73%, 0.36%

LAB 61, -9.94, 60.07

 

CMYK 84 / 0 / 22 / 38

HEX #199D7B

RGB 25 157 123

HSL 164.55, 0.73%, 0.36%

LAB 57.8, -41.83, 8.36

 

CMYK 65 / 84 / 0 / 38

HEX #38199F

RGB 56 25 159

HSL 253.88, 0.73%, 0.36%

LAB 23.8, 49.71, -65.92

 

CMYK 0 / 84 / 62 / 38

HEX #9F193D

RGB 159 25 61

HSL 343.88, 0.73%, 0.36%

LAB 34.81, 54.1, 14.94

 

CMYK 19 / 0 / 84 / 38

HEX #809F19

RGB 128 159 25

HSL 73.88, 0.73%, 0.36%

LAB 61.18, -28.14, 59.26

 

Description

Color code: HEX #199D7B | qconv.com Color code: HEX #199D7B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 157 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 157 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 22 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 22% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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