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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199D5E it is the complementary color #E662A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199D5E shade: #1E9D59, #2FAF6C, #40C17F, #51D392 and #62E5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199D5E shade: #199D5E, #088B4B, #007938, #006725 and #005512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199D5E shade: #199F5F, #199F3B, #1B9F19, #3F9F19 and #639F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199D5E shade: #199F5F, #199F83, #19979F, #19729F and #194E9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199D5E shade matches the following richer shades: #199F5F and #0AAE60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199D5E shade: #199F5F, #28905E, #36815D, #45725D and #54635C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199D5E shade: #1B9F19, #199F3A, #199F5E, #199F82 and #19989F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199D5E shade: #0E5734, #137B4A, #199F5F, #1EC374 and #2CDE89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199D5E shade: #199D5E, #193F9F and #9F2819

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199D5E shade: #199D5E, #5E199F and #9F5E19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199D5E shade: #199D5E, #193F9F, #9F195A and #9F7919

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199D5E shade: #199D5E, #1B199F, #9F195A and #9D9F19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 40 / 38

HEX #199D5E

RGB 25 157 94

HSL 151.36, 0.73%, 0.36%

LAB 57.2, -48.49, 23.66

 

Complementary color

CMYK 0 / 57 / 30 / 10

HEX #E662A1

RGB 230 98 161

HSL 331.36, 0.73%, 0.64%

LAB 60.01, 57.51, -8.34

 

CMYK 81 / 0 / 43 / 38

HEX #1E9D59

RGB 30 157 89

HSL 147.87, 0.68%, 0.37%

LAB 57.18, -48.92, 26.35

 

CMYK 73 / 0 / 38 / 31

HEX #2FAF6C

RGB 47 175 108

HSL 148.59, 0.58%, 0.44%

LAB 63.63, -49.81, 24.71

 

CMYK 67 / 0 / 34 / 24

HEX #40C17F

RGB 64 193 127

HSL 149.3, 0.51%, 0.5%

LAB 70.01, -50.3, 23.22

 

CMYK 62 / 0 / 31 / 17

HEX #51D392

RGB 81 211 146

HSL 150, 0.6%, 0.57%

LAB 76.32, -50.56, 21.85

 

CMYK 57 / 0 / 28 / 10

HEX #62E5A5

RGB 98 229 165

HSL 150.69, 0.72%, 0.64%

LAB 82.57, -50.64, 20.6

 

CMYK 84 / 0 / 40 / 38

HEX #199D5E

RGB 25 157 94

HSL 151.36, 0.73%, 0.36%

LAB 57.2, -48.49, 23.66

 

CMYK 94 / 0 / 46 / 45

HEX #088B4B

RGB 8 139 75

HSL 150.69, 0.89%, 0.29%

LAB 50.72, -46.88, 25.49

 

CMYK 100 / 0 / 54 / 53

HEX #007938

RGB 0 121 56

HSL 147.77, 1%, 0.24%

LAB 44.18, -44.43, 27.48

 

CMYK 100 / 0 / 64 / 60

HEX #006725

RGB 0 103 37

HSL 141.55, 1%, 0.2%

LAB 37.54, -41.17, 29.49

 

CMYK 100 / 0 / 79 / 67

HEX #005512

RGB 0 85 18

HSL 132.71, 1%, 0.17%

LAB 30.74, -37.39, 31.01

 

CMYK 84 / 0 / 40 / 38

HEX #199F5F

RGB 25 159 95

HSL 151.34, 0.73%, 0.36%

LAB 57.87, -49.04, 24.01

 

CMYK 84 / 0 / 63 / 38

HEX #199F3B

RGB 25 159 59

HSL 135.22, 0.73%, 0.36%

LAB 57.38, -54.87, 41.7

 

CMYK 83 / 0 / 84 / 38

HEX #1B9F19

RGB 27 159 25

HSL 119.1, 0.73%, 0.36%

LAB 57.17, -57.61, 54.17

 

CMYK 60 / 0 / 84 / 38

HEX #3F9F19

RGB 63 159 25

HSL 102.99, 0.73%, 0.36%

LAB 57.96, -50.89, 55.18

 

CMYK 38 / 0 / 84 / 38

HEX #639F19

RGB 99 159 25

HSL 86.87, 0.73%, 0.36%

LAB 59.45, -39.59, 57.08

 

CMYK 84 / 0 / 40 / 38

HEX #199F5F

RGB 25 159 95

HSL 151.34, 0.73%, 0.36%

LAB 57.87, -49.04, 24.01

 

CMYK 84 / 0 / 18 / 38

HEX #199F83

RGB 25 159 131

HSL 167.46, 0.73%, 0.36%

LAB 58.64, -40.59, 5.05

 

CMYK 84 / 5 / 0 / 38

HEX #19979F

RGB 25 151 159

HSL 183.58, 0.73%, 0.36%

LAB 56.92, -28.66, -13.41

 

CMYK 84 / 28 / 0 / 38

HEX #19729F

RGB 25 114 159

HSL 200.15, 0.73%, 0.36%

LAB 45.28, -8.69, -31.32

 

CMYK 84 / 51 / 0 / 38

HEX #194E9F

RGB 25 78 159

HSL 216.27, 0.73%, 0.36%

LAB 34.31, 14.23, -48.78

 

CMYK 84 / 0 / 40 / 38

HEX #199F5F

RGB 25 159 95

HSL 151.34, 0.73%, 0.36%

LAB 57.87, -49.04, 24.01

 

CMYK 94 / 0 / 45 / 32

HEX #0AAE60

RGB 10 174 96

HSL 151.46, 0.89%, 0.36%

LAB 62.66, -55.3, 29.71

 

CMYK 84 / 0 / 40 / 38

HEX #199F5F

RGB 25 159 95

HSL 151.34, 0.73%, 0.36%

LAB 57.87, -49.04, 24.01

 

CMYK 72 / 0 / 35 / 44

HEX #28905E

RGB 40 144 94

HSL 151.15, 0.57%, 0.36%

LAB 53.17, -41.42, 18.31

 

CMYK 58 / 0 / 28 / 49

HEX #36815D

RGB 54 129 93

HSL 151.2, 0.41%, 0.36%

LAB 48.6, -32.27, 12.67

 

CMYK 39 / 0 / 18 / 55

HEX #45725D

RGB 69 114 93

HSL 152, 0.25%, 0.36%

LAB 44.36, -20.67, 6.8

 

CMYK 15 / 0 / 7 / 61

HEX #54635C

RGB 84 99 92

HSL 152, 0.08%, 0.36%

LAB 40.54, -7.28, 2.05

 

CMYK 83 / 0 / 84 / 38

HEX #1B9F19

RGB 27 159 25

HSL 119.1, 0.73%, 0.36%

LAB 57.17, -57.61, 54.17

 

CMYK 84 / 0 / 64 / 38

HEX #199F3A

RGB 25 159 58

HSL 134.78, 0.73%, 0.36%

LAB 57.37, -54.99, 42.14

 

CMYK 84 / 0 / 41 / 38

HEX #199F5E

RGB 25 159 94

HSL 150.9, 0.73%, 0.36%

LAB 57.86, -49.24, 24.53

 

CMYK 84 / 0 / 18 / 38

HEX #199F82

RGB 25 159 130

HSL 167.01, 0.73%, 0.36%

LAB 58.62, -40.86, 5.58

 

CMYK 84 / 4 / 0 / 38

HEX #19989F

RGB 25 152 159

HSL 183.13, 0.73%, 0.36%

LAB 57.24, -29.15, -12.94

 

CMYK 84 / 0 / 40 / 66

HEX #0E5734

RGB 14 87 52

HSL 151.23, 0.72%, 0.2%

LAB 32.16, -30.7, 14.36

 

CMYK 85 / 0 / 40 / 52

HEX #137B4A

RGB 19 123 74

HSL 151.73, 0.73%, 0.28%

LAB 45.36, -40.11, 19.05

 

CMYK 84 / 0 / 40 / 38

HEX #199F5F

RGB 25 159 95

HSL 151.34, 0.73%, 0.36%

LAB 57.87, -49.04, 24.01

 

CMYK 85 / 0 / 41 / 24

HEX #1EC374

RGB 30 195 116

HSL 151.27, 0.73%, 0.44%

LAB 69.87, -57.64, 28.72

 

CMYK 80 / 0 / 38 / 13

HEX #2CDE89

RGB 44 222 137

HSL 151.35, 0.73%, 0.52%

LAB 78.8, -61.97, 29.74

 

CMYK 84 / 0 / 40 / 38

HEX #199D5E

RGB 25 157 94

HSL 151.36, 0.73%, 0.36%

LAB 57.2, -48.49, 23.66

 

CMYK 84 / 60 / 0 / 38

HEX #193F9F

RGB 25 63 159

HSL 222.99, 0.73%, 0.36%

LAB 30.07, 24.45, -55.67

 

CMYK 0 / 75 / 84 / 38

HEX #9F2819

RGB 159 40 25

HSL 6.72, 0.73%, 0.36%

LAB 35.9, 47.86, 38.11

 

CMYK 84 / 0 / 40 / 38

HEX #199D5E

RGB 25 157 94

HSL 151.36, 0.73%, 0.36%

LAB 57.2, -48.49, 23.66

 

CMYK 41 / 84 / 0 / 38

HEX #5E199F

RGB 94 25 159

HSL 270.9, 0.73%, 0.36%

LAB 28.32, 54.24, -58.31

 

CMYK 0 / 41 / 84 / 38

HEX #9F5E19

RGB 159 94 25

HSL 30.9, 0.73%, 0.36%

LAB 46.24, 21.37, 47.39

 

CMYK 84 / 0 / 40 / 38

HEX #199D5E

RGB 25 157 94

HSL 151.36, 0.73%, 0.36%

LAB 57.2, -48.49, 23.66

 

CMYK 84 / 60 / 0 / 38

HEX #193F9F

RGB 25 63 159

HSL 222.99, 0.73%, 0.36%

LAB 30.07, 24.45, -55.67

 

CMYK 0 / 84 / 43 / 38

HEX #9F195A

RGB 159 25 90

HSL 330.9, 0.73%, 0.36%

LAB 35.6, 56.44, -2.75

 

CMYK 0 / 24 / 84 / 38

HEX #9F7919

RGB 159 121 25

HSL 42.99, 0.73%, 0.36%

LAB 53.08, 6.01, 53.33

 

CMYK 84 / 0 / 40 / 38

HEX #199D5E

RGB 25 157 94

HSL 151.36, 0.73%, 0.36%

LAB 57.2, -48.49, 23.66

 

CMYK 83 / 84 / 0 / 38

HEX #1B199F

RGB 27 25 159

HSL 240.9, 0.73%, 0.36%

LAB 21.7, 47.68, -69.48

 

CMYK 0 / 84 / 43 / 38

HEX #9F195A

RGB 159 25 90

HSL 330.9, 0.73%, 0.36%

LAB 35.6, 56.44, -2.75

 

CMYK 1 / 0 / 84 / 38

HEX #9D9F19

RGB 157 159 25

HSL 60.9, 0.73%, 0.36%

LAB 63.37, -15.57, 62

 

Description

Color code: HEX #199D5E | qconv.com Color code: HEX #199D5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 157 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 157 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 40% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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