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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199005 it is the complementary color #E66FFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199005. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199005 shade: #1E9000, #2FA213, #40B426, #51C639 and #62D84C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199005. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199005 shade: #199005, #087E00, #006C00, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199005 shade: #198F05, #3E8F05, #638F05, #888F05 and #8F7005

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199005 shade: #198F05, #058F16, #058F3C, #058F61 and #058F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199005 shade matches the following richer shades: #198F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199005 shade: #198F05, #218311, #2A771D, #336B29 and #3B5F35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199005 shade: #638F05, #3E8F05, #1A8F05, #058F15 and #058F3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199005 shade: #0B3F02, #126704, #198F05, #20B707 and #27DE08

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199005 shade: #199005, #05888F and #8F0551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199005 shade: #199005, #051A8F and #8F051A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199005 shade: #199005, #05888F, #7A058F and #8F0C05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199005 shade: #199005, #055F8F, #7A058F and #8F3505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 97 / 44

HEX #199005

RGB 25 144 5

HSL 111.37, 0.93%, 0.29%

LAB 52.02, -54.04, 53.76

 

Complementary color

CMYK 8 / 56 / 0 / 2

HEX #E66FFA

RGB 230 111 250

HSL 291.37, 0.93%, 0.71%

LAB 65.82, 65.42, -49.56

 

CMYK 79 / 0 / 100 / 44

HEX #1E9000

RGB 30 144 0

HSL 107.5, 1%, 0.28%

LAB 52.09, -53.5, 54.73

 

CMYK 71 / 0 / 88 / 36

HEX #2FA213

RGB 47 162 19

HSL 108.25, 0.79%, 0.35%

LAB 58.5, -55.75, 56.92

 

CMYK 64 / 0 / 79 / 29

HEX #40B426

RGB 64 180 38

HSL 109.01, 0.65%, 0.43%

LAB 64.86, -57.29, 57.87

 

CMYK 59 / 0 / 71 / 22

HEX #51C639

RGB 81 198 57

HSL 109.79, 0.55%, 0.5%

LAB 71.17, -58.27, 57.77

 

CMYK 55 / 0 / 65 / 15

HEX #62D84C

RGB 98 216 76

HSL 110.57, 0.64%, 0.57%

LAB 77.42, -58.87, 57.11

 

CMYK 83 / 0 / 97 / 44

HEX #199005

RGB 25 144 5

HSL 111.37, 0.93%, 0.29%

LAB 52.02, -54.04, 53.76

 

CMYK 94 / 0 / 100 / 51

HEX #087E00

RGB 8 126 0

HSL 116.19, 1%, 0.25%

LAB 45.6, -50.47, 49.42

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 83 / 0 / 97 / 44

HEX #198F05

RGB 25 143 5

HSL 111.3, 0.93%, 0.29%

LAB 51.68, -53.73, 53.48

 

CMYK 57 / 0 / 97 / 44

HEX #3E8F05

RGB 62 143 5

HSL 95.22, 0.93%, 0.29%

LAB 52.6, -45.99, 54.61

 

CMYK 31 / 0 / 97 / 44

HEX #638F05

RGB 99 143 5

HSL 79.13, 0.93%, 0.29%

LAB 54.35, -33.07, 56.76

 

CMYK 5 / 0 / 97 / 44

HEX #888F05

RGB 136 143 5

HSL 63.04, 0.93%, 0.29%

LAB 56.97, -17.11, 59.92

 

CMYK 0 / 22 / 97 / 44

HEX #8F7005

RGB 143 112 5

HSL 46.52, 0.93%, 0.29%

LAB 48.81, 3.19, 54.1

 

CMYK 83 / 0 / 97 / 44

HEX #198F05

RGB 25 143 5

HSL 111.3, 0.93%, 0.29%

LAB 51.68, -53.73, 53.48

 

CMYK 97 / 0 / 85 / 44

HEX #058F16

RGB 5 143 22

HSL 127.39, 0.93%, 0.29%

LAB 51.54, -54.83, 49.74

 

CMYK 97 / 0 / 58 / 44

HEX #058F3C

RGB 5 143 60

HSL 143.91, 0.93%, 0.29%

LAB 51.84, -50.99, 34.72

 

CMYK 97 / 0 / 32 / 44

HEX #058F61

RGB 5 143 97

HSL 160, 0.93%, 0.29%

LAB 52.44, -43.88, 15.55

 

CMYK 97 / 0 / 6 / 44

HEX #058F86

RGB 5 143 134

HSL 176.09, 0.93%, 0.29%

LAB 53.38, -33.83, -4.35

 

CMYK 83 / 0 / 97 / 44

HEX #198F05

RGB 25 143 5

HSL 111.3, 0.93%, 0.29%

LAB 51.68, -53.73, 53.48

 

CMYK 83 / 0 / 97 / 44

HEX #198F05

RGB 25 143 5

HSL 111.3, 0.93%, 0.29%

LAB 51.68, -53.73, 53.48

 

CMYK 75 / 0 / 87 / 49

HEX #218311

RGB 33 131 17

HSL 111.58, 0.77%, 0.29%

LAB 47.75, -48.2, 47.76

 

CMYK 65 / 0 / 76 / 53

HEX #2A771D

RGB 42 119 29

HSL 111.33, 0.61%, 0.29%

LAB 43.91, -41.19, 40.24

 

CMYK 52 / 0 / 62 / 58

HEX #336B29

RGB 51 107 41

HSL 110.91, 0.45%, 0.29%

LAB 40.21, -32.48, 30.85

 

CMYK 38 / 0 / 44 / 63

HEX #3B5F35

RGB 59 95 53

HSL 111.43, 0.28%, 0.29%

LAB 36.69, -22.24, 20.03

 

CMYK 31 / 0 / 97 / 44

HEX #638F05

RGB 99 143 5

HSL 79.13, 0.93%, 0.29%

LAB 54.35, -33.07, 56.76

 

CMYK 57 / 0 / 97 / 44

HEX #3E8F05

RGB 62 143 5

HSL 95.22, 0.93%, 0.29%

LAB 52.6, -45.99, 54.61

 

CMYK 82 / 0 / 97 / 44

HEX #1A8F05

RGB 26 143 5

HSL 110.87, 0.93%, 0.29%

LAB 51.7, -53.6, 53.5

 

CMYK 97 / 0 / 85 / 44

HEX #058F15

RGB 5 143 21

HSL 126.96, 0.93%, 0.29%

LAB 51.53, -54.88, 50

 

CMYK 97 / 0 / 59 / 44

HEX #058F3A

RGB 5 143 58

HSL 143.04, 0.93%, 0.29%

LAB 51.82, -51.28, 35.68

 

CMYK 83 / 0 / 97 / 75

HEX #0B3F02

RGB 11 63 2

HSL 111.15, 0.94%, 0.13%

LAB 22.41, -29.24, 29.25

 

CMYK 83 / 0 / 96 / 60

HEX #126704

RGB 18 103 4

HSL 111.52, 0.93%, 0.21%

LAB 37.55, -41.96, 41.91

 

CMYK 83 / 0 / 97 / 44

HEX #198F05

RGB 25 143 5

HSL 111.3, 0.93%, 0.29%

LAB 51.68, -53.73, 53.48

 

CMYK 83 / 0 / 96 / 28

HEX #20B707

RGB 32 183 7

HSL 111.48, 0.93%, 0.37%

LAB 65.11, -64.81, 64.28

 

CMYK 82 / 0 / 96 / 13

HEX #27DE08

RGB 39 222 8

HSL 111.31, 0.93%, 0.45%

LAB 77.69, -75.16, 74.49

 

CMYK 83 / 0 / 97 / 44

HEX #199005

RGB 25 144 5

HSL 111.37, 0.93%, 0.29%

LAB 52.02, -54.04, 53.76

 

CMYK 97 / 5 / 0 / 44

HEX #05888F

RGB 5 136 143

HSL 183.04, 0.93%, 0.29%

LAB 51.41, -27.61, -12.52

 

CMYK 0 / 97 / 43 / 44

HEX #8F0551

RGB 143 5 81

HSL 326.96, 0.93%, 0.29%

LAB 30.74, 55.26, -4.45

 

CMYK 83 / 0 / 97 / 44

HEX #199005

RGB 25 144 5

HSL 111.37, 0.93%, 0.29%

LAB 52.02, -54.04, 53.76

 

CMYK 97 / 82 / 0 / 44

HEX #051A8F

RGB 5 26 143

HSL 230.87, 0.93%, 0.29%

LAB 19.03, 41.1, -64.05

 

CMYK 0 / 97 / 82 / 44

HEX #8F051A

RGB 143 5 26

HSL 350.87, 0.93%, 0.29%

LAB 29.47, 51.8, 30.13

 

CMYK 83 / 0 / 97 / 44

HEX #199005

RGB 25 144 5

HSL 111.37, 0.93%, 0.29%

LAB 52.02, -54.04, 53.76

 

CMYK 97 / 5 / 0 / 44

HEX #05888F

RGB 5 136 143

HSL 183.04, 0.93%, 0.29%

LAB 51.41, -27.61, -12.52

 

CMYK 15 / 97 / 0 / 44

HEX #7A058F

RGB 122 5 143

HSL 290.87, 0.93%, 0.29%

LAB 29.98, 59.66, -45.59

 

CMYK 0 / 92 / 97 / 44

HEX #8F0C05

RGB 143 12 5

HSL 3.04, 0.93%, 0.29%

LAB 29.7, 50.23, 40.93

 

CMYK 83 / 0 / 97 / 44

HEX #199005

RGB 25 144 5

HSL 111.37, 0.93%, 0.29%

LAB 52.02, -54.04, 53.76

 

CMYK 97 / 34 / 0 / 44

HEX #055F8F

RGB 5 95 143

HSL 200.87, 0.93%, 0.29%

LAB 38.2, -4.77, -32.94

 

CMYK 15 / 97 / 0 / 44

HEX #7A058F

RGB 122 5 143

HSL 290.87, 0.93%, 0.29%

LAB 29.98, 59.66, -45.59

 

CMYK 0 / 63 / 97 / 44

HEX #8F3505

RGB 143 53 5

HSL 20.87, 0.93%, 0.29%

LAB 34.8, 36.19, 44.36

 

Description

Color code: HEX #199005 | qconv.com Color code: HEX #199005 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 144 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 144 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 97 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 97% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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